Can we take a selfie?
00:00
Of course, I'm like sweaty sweaty but let's do it.
00:01
We are too!
00:04
It's so sweaty.
00:05
Right, let's do it!
00:06
Ddddior!
00:09
Dior Menswear by Jonathan Anderson!
00:10
This is spring summer 2027!
00:12
Hello I'm Loïc Prigent,
00:15
subscribe to the channel to see everything about fashion.
00:16
Jonathan Anderson himself explains his point of view.
00:20
Where are we?
00:23
We're in Paris, it's like 40 degrees!
00:23
There's a heat wave
00:27
but we're in a hotel particulier and a garden.
00:28
The museum Nissim de Camondo.
00:31
Everything is carefully curated.
00:33
Even small portraits by the 36 years old artist,
00:35
Giangicomo Rossetti
00:39
who already collaborated with Jonathan
Anderson and Dior.
00:40
The first row is all the industry menswear editors in chief!
00:44
And a few stars.
00:48
Jimin!
00:49
Drew Starkey!
00:55
James Marsden!
00:56
Lakeith Stanfield!
00:57
Louis Garrel!
00:58
Little Simz!
00:59
Paul Kircher!
01:00
From CORTIS, Keonho,
01:06
Seonghyeon and Juhoon!
01:08
Yung Lean!
01:10
Guitarricadelafuente!
01:11
Is it a hot event for you?
01:12
It's hot event for me.
01:15
This is like Seville in August.
01:16
Like in the worst way. It's crazy!
01:18
Did you swim in the canal?
01:20
I didn't have time.
01:22
I wanted to be alive today.
01:23
How excited are you for this one?
01:25
Really excited.
01:27
It's very early in the morning.
01:28
Deng Wei!
01:31
Robert Aramayo!
01:32
Arón Piper!
01:33
Leo Reich!
01:34
Corentin Fila and Panayotis Pascot!
01:35
Pharrell Williams with his spouce.
01:38
I'm seated next to the great funniest man on earth,
01:40
Jake Shane!
01:43
Rapper Yung Lean is not accustomed to opening fans.
01:44
<b>now</b>
01:57
Backstage is about to explode!
02:09
with pressure.
02:11
Last touch-ups...
02:12
and go.
02:13
Look one,
02:23
Orlando Spence opens the show
02:24
by plugging his phone
02:25
so we can enjoy his music.
02:26
The vibe is a job party.
02:28
I'm a super fan of Fred Again,
02:30
and I've always wanted to work with him.
02:32
And I wanted him to do something
02:35
which was the ultimate house party music
02:36
at 2 a.m. in the morning,
02:39
then at 2 p.m. the next day.
02:41
This idea of that moment when you go out
02:43
and then you're still going until 2 p.m.
02:46
It's like Dior after hours in a way?
02:48
Dior after hours.
02:50
It's definitely after hours.
02:52
George Collingwood, Jack Paulsen.
02:54
The first three models wear a new suit called 'Bobby',
02:56
a new shape.
02:59
The break of the jacket is quite low.
03:00
They're all muslin.
03:02
The pied-de-poule of the jacket is printed, not woven!
03:04
The look three shirt has a trompe-l'oeil hand embroidery
03:07
of tube beads.
03:10
The embroideries all come from the archive of Dior.
03:12
They were swatches, these trompe-l'oeil swatches
03:16
that we've done.
03:18
We were going through the archive
03:19
and we had found all these ones that were,
03:20
some were realized into dresses, some were not.
03:23
And I just like the idea of doing these blouses
03:26
with this sort of like scarf
03:29
that was kind of like embroidered in.
03:30
Unseen Dior.
03:34
Unseen Dior.
03:35
He did like versions of it,
03:36
but he never did them as complete as that.
03:37
He took fragments of them,
03:40
but they were the initial, what was delivered to him
03:42
as from the embroidery company.
03:44
And I like this idea of something which was unresolved.
03:47
So they're onto these sort of like,
03:50
pussy bow, blouse, shirts, or they're like little tangs.
03:52
I have always loved, since I've been at Dior,
03:55
Is that when you look at him,
03:58
he was obsessed by the 18th century.
04:00
And how wrong and right that can be
04:02
is sort of interesting today.
04:06
Ari Seymour's scarf is embroidered by Lesage
04:10
on his silk vest,
04:13
this one is a motif from a 1971
04:14
Dior haute couture collection by Marc Bohan.
04:17
We are Diorclubbing.
04:21
Asa Kamlo Poanka and Oladipo Ezekiel are wearing
04:23
cotton pajamas. Pajama party!
04:27
It's not your classic pajama fabric,
04:29
but something less fluid, more suited for the city.
04:31
And it's a shearling collar.
04:34
It's kind of a workwear pajama hybrid.
04:35
Samuel is a grungy boy with a distressed knit
04:39
and patiné, dirty lux denim trousers.
04:42
The muse of the collection, the face on the mood board
04:45
is a musician, Jeff Buckley.
04:48
Aljan Jandarbekov got the silver five pockets jeans
04:51
with iridescent rainbow sequins.
04:55
He's catching up all the lights in the gardens
04:57
in the club.
05:00
It's not a garment, it's a stroboscope.
05:01
All the jeans are all embroidered,
05:03
all the sequins, like a disco ball.
05:05
And Oscar Darden has a golden version.
05:08
I like this idea that it would be something
05:10
that you could see like a guy with no top on at a rave.
05:13
But then at the same time, you have this sort of
05:17
Eton kid
05:19
with a jacket over the top.
05:23
It could be his dad's or...
05:25
...I like this idea that it's like playing with a character.
05:26
This is his look and this is what he finds in the attic.
05:29
Andrea Villoresi with a tailored jacket in denim,
05:36
broken, repaired, distressed, washed, and start again.
05:39
It was like this idea of like walking through rooms.
05:43
I like this idea it's undone.
05:47
Everything's gone.
05:49
And I always love the kind of patina
05:51
of an old building.
05:53
You never can really recreate it.
05:55
You can't recreate it.
05:57
I've always loved this museum.
05:59
I bought this chair for my house,
06:02
which is from an antique dealer,
06:04
but it's from a house in Norfolk in England.
06:06
It's got initials in it.
06:10
And I like this idea of like an English chair
06:11
in a French context.
06:13
English furniture is inspired by French furniture.
06:15
And then I was like, okay, let's recreate them.
06:17
Make-Up is by Peter Phillips.
06:22
and yes he used his Dior Backstage Air Mist on models.
06:24
Styling is by Benjamin Bruno.
06:27
Look 10, Danial Khan with a piece inspired by
06:29
the cruise show last month in LA.
06:31
The fiber is opened and fringes are placed one by one.
06:34
Bruno Varacca wears another version of the Bobby suit,
06:38
straighter, with a black peak lapel for contrast.
06:40
Leather pants with a denim patch
06:43
that’s added to create a torn effect.
06:45
This one was tough to create.
06:48
Dries Hufkens in a suede coat inspired by 18th century
06:51
intellectual dandies! French ones!
06:55
A triangle neck and Dior medallions buttons.
06:57
Eton vibes. Kou Kuroda in Pied de poule,
07:00
the Dior pattern that was on his first perfume packaging,
07:03
a genius of marketing.
07:06
Vuk Alexander with chains ripped denim,
07:08
Yes, it's chains garlands of fine silver chains!
07:11
Kurt Cobain on avenue Montaigne, avenue Cobain.
07:15
And the shoes with embroidered flowers!
07:18
The boots, we did them all hand cobbled.
07:20
They're all nailed, like all done traditionally.
07:23
Then it's like the embroideries from the archive,
07:26
then distressed.
07:28
That's why we put more gravel down,
07:30
so this idea that they became more and more dusty
07:32
as the show went on.
07:35
So it was more a lived experience,
07:36
ultimately, in terms of clothing.
07:40
Because clothing has to be worn.
07:41
I noticed the embroidery, it’s really delicate and I loved those details.
07:44
The embroidery under the shoes too. I thought it looked really cool.
07:47
A precious jacket for Chaniel Ollor with a very visual shearling lapel.
07:52
On Carlo Barluzzi you can see how It wraps around the neck
07:58
like a wave. Screams luxury.
08:01
Ndiouga Camara in a double breasted, classic version
08:04
of the Bobby suit.
08:07
Bobby is a Dior mascot as it was the dog of Monsieur Dior.
08:09
Adrian Timmermanns in a very Alain Pacadis number,
08:13
very decadent french aristocrat
08:16
going to the Palace nightclub in 1981.
08:18
Yeah, and I quite like this idea:
08:21
what is the new aristocracy today?
08:24
What is that?
08:26
You know, and I kind of like,
08:27
it can be having money or having no money.
08:29
It can be like just having fun.
08:31
It's about how you hold yourself.
08:33
And I think it was experimenting with this like guy
08:34
that is like knows how to dress
08:37
or knows how to experiment with clothing.
08:38
All the polka dots are hand embroidered
08:41
and created through tube beads.
08:43
This is a price and request piece.
08:45
Ewan Munday and Julian Pollack with classic aviator jackets
08:48
but made in knitwear.
08:52
And I quite like this idea of like the conflict
08:55
between old and new ultimately.
08:59
Young and old, you know,
09:02
and how they can meet together.
09:04
It's like you have a suede jacket,
09:07
you put it with a gold python short.
09:08
It can be two types of men.
09:10
It's just how you split the bottom.
09:11
Julian Tomming shows off a very interesting case
09:18
of a manteau d’apparat made with check shirt fabric.
09:20
A long plastron, a wedding frac
09:25
but in a shirt kind of way with a hidden bouttonnière.
09:26
Jeff Buckley meets Versailles.
09:30
Jan Petersen’s exploding flower
09:33
is a reference to the january 2026
09:35
Dior Haute Couture collection
09:37
and is done in the Couture fabrics.
09:39
Note the crystal pavé sunglasses.
09:42
What I saw today was the good taste of old money
09:45
that new money can never understand.
09:49
We're talking about fabrics,
09:53
we're talking about application,
09:54
we're talking about the way it falls on a young boy,
09:56
or a young man.
09:59
For me, old money,
10:00
unfortunately, it reigns supreme.
10:05
And that's what I saw.
10:08
Gianelia Wiedmer wears Disco ball boots.
10:10
Paco Eidsson in a coat that Jonathan Anderson
10:14
is establishing as a new Dior classic.
10:17
Lazare Bismuth in super light knit for summer.
10:20
Artem Meleshko in antoher contrasted Bobby suit.
10:24
It’s the new suit!
10:27
Lander Zaman in a shirt that was deconstructed,
10:29
reconstructed many times
10:33
something similar to the walls of this hôtel particulier
10:34
which has seen so much parties and dramas.
10:36
Look 34, Leon Lossy, Japanese denim shirt
10:40
that was patchworked, and reworked
10:43
as embroidered threads are pulled and then re-stitched.
10:45
they didn’t get bored!
10:49
Roman Lenoir
10:51
Frieder Heimbs in a Napoléon coat
10:53
but in cotton poplin with piping
10:55
A super relaxed fabric for a formal shape
10:58
and regal buttons. Contrast and surprise.
11:01
Douta Sidibe in the Revolution Coat
11:05
with brandebourg decorations made of silver threads.
11:07
The coat is a reproduction of an historical piece,
11:11
et uniform coat, ceremonial coat!
11:14
Look 40, Maurice Howard has the same aristocratic coat
11:17
from 1775.
11:21
1775!
11:23
Silver thread Embroideries of leaves,
11:24
shells, swirls for a romantic effect.
11:27
A coat that Rousseau could have worn.
11:30
Andreas Skouboe in a frac chemise with piping.
11:33
This screams french acteur and director Louis Garrel.
11:37
Wow, coming in hot!
11:40
There was a very elegant suit, that seemed to fit well.
11:42
I have thick thighs, so I need a well-tailored suit.
11:47
And I think this one's pretty good.
11:50
And the colourful bags! They were lovely!
11:51
Otis Hoen with the D neck. The neck is a D
11:54
and IOR is written on the clavicule.
11:57
Christ Ongouya with a ballooning jacket.
12:01
Jan Karolczuk in a super casual slouchy, comfortable suit
12:05
but in suede.
12:08
The brooches, ultimately, as cliché as it is,
12:10
it's like going back to this idea of
12:15
Dior, the garden, the idea of specimen,
12:19
this idea of something I liked,
12:21
which was very aristocratic,
12:24
about a kind of an old brooch
12:25
that you're just placing.
12:27
They're all done out of wiring work of beads,
12:28
and then they're made from copper, some of them.
12:32
When I first started my career in fashion,
12:34
I started making brooches.
12:35
That was my first collection I ever did,
12:37
It was a collection of brooches and knitwear.
12:39
Still doing it!
12:42
Still doing it!
12:42
Still doing it!
12:44
Too much.
12:45
Malick Casanovas got the needlepunched fluffy denim.
12:47
YQ with shredded denim trousers,
12:50
the denim that was cut, and fringed.
12:53
Jett Laughlin with the Ibizenco sweater,
12:57
I don’t know if it’s an Ibiza reference
12:59
but you can see this one on a ceramist
13:01
slash surfer living in Ibiffa!
13:04
A naive motif and naive palette and naive thick knit.
13:06
Akim Bats got the most fascinaintg coat
13:11
with a checked plissé that looks like the flow of a river.
13:14
It fluctuates, vibrates.
13:18
Totally fascinating fabric effect.
13:20
Cosmo Suffert with the knitted aviator jacket
13:23
we previously saw.
13:26
Great Gatsby vibes for Finn Wellmann
13:29
in the eveningwear version of the Bobby.
13:31
The new Dior tuxedo, with a loose fit,
13:34
and the 2027 Dior bow tie.
13:37
Please note Dior traditionally dictates
13:40
the trends of ties and bowties.
13:42
Bon chic bon Dior.
13:44
Beka with the elongated lapel that screams new Dior coat.
13:45
Dan Berd in a suit made with a fabric
13:50
of calculated undulations.
13:52
intentional crumple,
13:55
intentional crumpled done by the menswear ateliers.
13:56
Cruz Kahlbetzer with underneath his jacket
14:00
a tartan plaid of a scarf.
14:03
This tartan exists on other outfits
14:05
Kelechi Noah in a bow tie and shirt
14:09
But wearing your shirt untucked! Styling! Importance!
14:12
We’re stylish but not stuffy!
14:15
Fashion but fun!
14:17
Dior but dont worry.
14:19
Very Alain Pacadis,
14:20
a french dandy, writer and party organiser.
14:21
Adeniyi Ajaki in the Dior Monogramme
14:25
the Dior oblique, first created in 1967
14:28
Very Marc Bohan in the countryside.
14:32
Closing the show, Orlando Spence is
14:34
Robert de Montesquiou leaving the party.
14:36
His zigzag of a bag was originally a blanket,
14:39
a colorful chevron.
14:42
The scarf is fine denim,
14:44
with each silk-thread fringe applied by hand
14:46
It took ages to design.
14:49
But yeah, I'm very Happy!
14:52
Very happy! Very hot! Very happy!
14:54
Thank you guys!
15:04
Thank you so much!
15:05
Enjoy Paris!
15:05
He's very nice.
15:07
He's a nice guy.
15:08
It was so good!
15:11
Voilà, this was my Dior report,
15:12
the menswear collection for spring summer 2027,
15:13
Thank you!
15:17
by Jonathan Anderson during a heatwave in Paris!
15:17
Subscribe to the channel to see
15:21
the most dazzling collections!
15:22
Leave a comment in french!
15:24
What can you write in French?
15:25
Send this to your elegant friends!
15:27
Lyrics & Translation
[English]
Can we take a selfie?
Of course, I'm like sweaty sweaty but let's do it.
We are too!
It's so sweaty.
Right, let's do it!
Ddddior!
Dior Menswear by Jonathan Anderson!
This is spring summer 2027!
Hello I'm Loïc Prigent,
subscribe to the channel to see everything about fashion.
Jonathan Anderson himself explains his point of view.
Where are we?
We're in Paris, it's like 40 degrees!
There's a heat wave
but we're in a hotel particulier and a garden.
The museum Nissim de Camondo.
Everything is carefully curated.
Even small portraits by the 36 years old artist,
Giangicomo Rossetti
who already collaborated with Jonathan
Anderson and Dior.
The first row is all the industry menswear editors in chief!
And a few stars.
Jimin!
Drew Starkey!
James Marsden!
Lakeith Stanfield!
Louis Garrel!
Little Simz!
Paul Kircher!
From CORTIS, Keonho,
Seonghyeon and Juhoon!
Yung Lean!
Guitarricadelafuente!
Is it a hot event for you?
It's hot event for me.
This is like Seville in August.
Like in the worst way. It's crazy!
Did you swim in the canal?
I didn't have time.
I wanted to be alive today.
How excited are you for this one?
Really excited.
It's very early in the morning.
Deng Wei!
Robert Aramayo!
Arón Piper!
Leo Reich!
Corentin Fila and Panayotis Pascot!
Pharrell Williams with his spouce.
I'm seated next to the great funniest man on earth,
Jake Shane!
Rapper Yung Lean is not accustomed to opening fans.
<b>now</b>
Backstage is about to explode!
with pressure.
Last touch-ups...
and go.
Look one,
Orlando Spence opens the show
by plugging his phone
so we can enjoy his music.
The vibe is a job party.
I'm a super fan of Fred Again,
and I've always wanted to work with him.
And I wanted him to do something
which was the ultimate house party music
at 2 a.m. in the morning,
then at 2 p.m. the next day.
This idea of that moment when you go out
and then you're still going until 2 p.m.
It's like Dior after hours in a way?
Dior after hours.
It's definitely after hours.
George Collingwood, Jack Paulsen.
The first three models wear a new suit called 'Bobby',
a new shape.
The break of the jacket is quite low.
They're all muslin.
The pied-de-poule of the jacket is printed, not woven!
The look three shirt has a trompe-l'oeil hand embroidery
of tube beads.
The embroideries all come from the archive of Dior.
They were swatches, these trompe-l'oeil swatches
that we've done.
We were going through the archive
and we had found all these ones that were,
some were realized into dresses, some were not.
And I just like the idea of doing these blouses
with this sort of like scarf
that was kind of like embroidered in.
Unseen Dior.
Unseen Dior.
He did like versions of it,
but he never did them as complete as that.
He took fragments of them,
but they were the initial, what was delivered to him
as from the embroidery company.
And I like this idea of something which was unresolved.
So they're onto these sort of like,
pussy bow, blouse, shirts, or they're like little tangs.
I have always loved, since I've been at Dior,
Is that when you look at him,
he was obsessed by the 18th century.
And how wrong and right that can be
is sort of interesting today.
Ari Seymour's scarf is embroidered by Lesage
on his silk vest,
this one is a motif from a 1971
Dior haute couture collection by Marc Bohan.
We are Diorclubbing.
Asa Kamlo Poanka and Oladipo Ezekiel are wearing
cotton pajamas. Pajama party!
It's not your classic pajama fabric,
but something less fluid, more suited for the city.
And it's a shearling collar.
It's kind of a workwear pajama hybrid.
Samuel is a grungy boy with a distressed knit
and patiné, dirty lux denim trousers.
The muse of the collection, the face on the mood board
is a musician, Jeff Buckley.
Aljan Jandarbekov got the silver five pockets jeans
with iridescent rainbow sequins.
He's catching up all the lights in the gardens
in the club.
It's not a garment, it's a stroboscope.
All the jeans are all embroidered,
all the sequins, like a disco ball.
And Oscar Darden has a golden version.
I like this idea that it would be something
that you could see like a guy with no top on at a rave.
But then at the same time, you have this sort of
Eton kid
with a jacket over the top.
It could be his dad's or...
...I like this idea that it's like playing with a character.
This is his look and this is what he finds in the attic.
Andrea Villoresi with a tailored jacket in denim,
broken, repaired, distressed, washed, and start again.
It was like this idea of like walking through rooms.
I like this idea it's undone.
Everything's gone.
And I always love the kind of patina
of an old building.
You never can really recreate it.
You can't recreate it.
I've always loved this museum.
I bought this chair for my house,
which is from an antique dealer,
but it's from a house in Norfolk in England.
It's got initials in it.
And I like this idea of like an English chair
in a French context.
English furniture is inspired by French furniture.
And then I was like, okay, let's recreate them.
Make-Up is by Peter Phillips.
and yes he used his Dior Backstage Air Mist on models.
Styling is by Benjamin Bruno.
Look 10, Danial Khan with a piece inspired by
the cruise show last month in LA.
The fiber is opened and fringes are placed one by one.
Bruno Varacca wears another version of the Bobby suit,
straighter, with a black peak lapel for contrast.
Leather pants with a denim patch
that’s added to create a torn effect.
This one was tough to create.
Dries Hufkens in a suede coat inspired by 18th century
intellectual dandies! French ones!
A triangle neck and Dior medallions buttons.
Eton vibes. Kou Kuroda in Pied de poule,
the Dior pattern that was on his first perfume packaging,
a genius of marketing.
Vuk Alexander with chains ripped denim,
Yes, it's chains garlands of fine silver chains!
Kurt Cobain on avenue Montaigne, avenue Cobain.
And the shoes with embroidered flowers!
The boots, we did them all hand cobbled.
They're all nailed, like all done traditionally.
Then it's like the embroideries from the archive,
then distressed.
That's why we put more gravel down,
so this idea that they became more and more dusty
as the show went on.
So it was more a lived experience,
ultimately, in terms of clothing.
Because clothing has to be worn.
I noticed the embroidery, it’s really delicate and I loved those details.
The embroidery under the shoes too. I thought it looked really cool.
A precious jacket for Chaniel Ollor with a very visual shearling lapel.
On Carlo Barluzzi you can see how It wraps around the neck
like a wave. Screams luxury.
Ndiouga Camara in a double breasted, classic version
of the Bobby suit.
Bobby is a Dior mascot as it was the dog of Monsieur Dior.
Adrian Timmermanns in a very Alain Pacadis number,
very decadent french aristocrat
going to the Palace nightclub in 1981.
Yeah, and I quite like this idea:
what is the new aristocracy today?
What is that?
You know, and I kind of like,
it can be having money or having no money.
It can be like just having fun.
It's about how you hold yourself.
And I think it was experimenting with this like guy
that is like knows how to dress
or knows how to experiment with clothing.
All the polka dots are hand embroidered
and created through tube beads.
This is a price and request piece.
Ewan Munday and Julian Pollack with classic aviator jackets
but made in knitwear.
And I quite like this idea of like the conflict
between old and new ultimately.
Young and old, you know,
and how they can meet together.
It's like you have a suede jacket,
you put it with a gold python short.
It can be two types of men.
It's just how you split the bottom.
Julian Tomming shows off a very interesting case
of a manteau d’apparat made with check shirt fabric.
A long plastron, a wedding frac
but in a shirt kind of way with a hidden bouttonnière.
Jeff Buckley meets Versailles.
Jan Petersen’s exploding flower
is a reference to the january 2026
Dior Haute Couture collection
and is done in the Couture fabrics.
Note the crystal pavé sunglasses.
What I saw today was the good taste of old money
that new money can never understand.
We're talking about fabrics,
we're talking about application,
we're talking about the way it falls on a young boy,
or a young man.
For me, old money,
unfortunately, it reigns supreme.
And that's what I saw.
Gianelia Wiedmer wears Disco ball boots.
Paco Eidsson in a coat that Jonathan Anderson
is establishing as a new Dior classic.
Lazare Bismuth in super light knit for summer.
Artem Meleshko in antoher contrasted Bobby suit.
It’s the new suit!
Lander Zaman in a shirt that was deconstructed,
reconstructed many times
something similar to the walls of this hôtel particulier
which has seen so much parties and dramas.
Look 34, Leon Lossy, Japanese denim shirt
that was patchworked, and reworked
as embroidered threads are pulled and then re-stitched.
they didn’t get bored!
Roman Lenoir
Frieder Heimbs in a Napoléon coat
but in cotton poplin with piping
A super relaxed fabric for a formal shape
and regal buttons. Contrast and surprise.
Douta Sidibe in the Revolution Coat
with brandebourg decorations made of silver threads.
The coat is a reproduction of an historical piece,
et uniform coat, ceremonial coat!
Look 40, Maurice Howard has the same aristocratic coat
from 1775.
1775!
Silver thread Embroideries of leaves,
shells, swirls for a romantic effect.
A coat that Rousseau could have worn.
Andreas Skouboe in a frac chemise with piping.
This screams french acteur and director Louis Garrel.
Wow, coming in hot!
There was a very elegant suit, that seemed to fit well.
I have thick thighs, so I need a well-tailored suit.
And I think this one's pretty good.
And the colourful bags! They were lovely!
Otis Hoen with the D neck. The neck is a D
and IOR is written on the clavicule.
Christ Ongouya with a ballooning jacket.
Jan Karolczuk in a super casual slouchy, comfortable suit
but in suede.
The brooches, ultimately, as cliché as it is,
it's like going back to this idea of
Dior, the garden, the idea of specimen,
this idea of something I liked,
which was very aristocratic,
about a kind of an old brooch
that you're just placing.
They're all done out of wiring work of beads,
and then they're made from copper, some of them.
When I first started my career in fashion,
I started making brooches.
That was my first collection I ever did,
It was a collection of brooches and knitwear.
Still doing it!
Still doing it!
Still doing it!
Too much.
Malick Casanovas got the needlepunched fluffy denim.
YQ with shredded denim trousers,
the denim that was cut, and fringed.
Jett Laughlin with the Ibizenco sweater,
I don’t know if it’s an Ibiza reference
but you can see this one on a ceramist
slash surfer living in Ibiffa!
A naive motif and naive palette and naive thick knit.
Akim Bats got the most fascinaintg coat
with a checked plissé that looks like the flow of a river.
It fluctuates, vibrates.
Totally fascinating fabric effect.
Cosmo Suffert with the knitted aviator jacket
we previously saw.
Great Gatsby vibes for Finn Wellmann
in the eveningwear version of the Bobby.
The new Dior tuxedo, with a loose fit,
and the 2027 Dior bow tie.
Please note Dior traditionally dictates
the trends of ties and bowties.
Bon chic bon Dior.
Beka with the elongated lapel that screams new Dior coat.
Dan Berd in a suit made with a fabric
of calculated undulations.
intentional crumple,
intentional crumpled done by the menswear ateliers.
Cruz Kahlbetzer with underneath his jacket
a tartan plaid of a scarf.
This tartan exists on other outfits
Kelechi Noah in a bow tie and shirt
But wearing your shirt untucked! Styling! Importance!
We’re stylish but not stuffy!
Fashion but fun!
Dior but dont worry.
Very Alain Pacadis,
a french dandy, writer and party organiser.
Adeniyi Ajaki in the Dior Monogramme
the Dior oblique, first created in 1967
Very Marc Bohan in the countryside.
Closing the show, Orlando Spence is
Robert de Montesquiou leaving the party.
His zigzag of a bag was originally a blanket,
a colorful chevron.
The scarf is fine denim,
with each silk-thread fringe applied by hand
It took ages to design.
But yeah, I'm very Happy!
Very happy! Very hot! Very happy!
Thank you guys!
Thank you so much!
Enjoy Paris!
He's very nice.
He's a nice guy.
It was so good!
Voilà, this was my Dior report,
the menswear collection for spring summer 2027,
Thank you!
by Jonathan Anderson during a heatwave in Paris!
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the most dazzling collections!
Leave a comment in french!
What can you write in French?
Send this to your elegant friends!
Key Vocabulary
Start Practicing
| Vocabulary | Meanings |
|---|---|
|
fashion /ˈfæʃ.ən/ A1 |
|
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embroider /ɪmˈbrɔɪ.dər/ B2 |
|
|
archive /ˈɑːr.kaɪv/ B2 |
|
|
distressed /dɪˈstrest/ C1 |
|
|
collection /kəˈlek.ʃən/ A2 |
|
|
luxury /ˈlʌk.ʃər.i/ B1 |
|
|
fabric /ˈfæb.rɪk/ A2 |
|
|
suit /suːt/ A2 |
|
|
aristocratic /ˌær.ɪ.stəˈkræt.ɪk/ C1 |
|
|
sequin /ˈsiː.kwɪn/ B2 |
|
|
vibe /vaɪb/ B1 |
|
|
model /ˈmɒd.əl/ A2 |
|
|
pattern /ˈpæt.ən/ B1 |
|
|
celebrate /ˈsel.ə.breɪt/ A2 |
|
|
elegant /ˈel.ə.ɡənt/ B1 |
|
Are there any new words in “” you don’t know yet?
💡 Hint: fashion, embroider… Jump into the app and start learning now!
Key Grammar Structures
-
I've always wanted to work with him.
➔ Present Perfect
➔ Used "have + past participle" to express a desire that started in the past and continues to be relevant.
-
I'm seated next to the great funniest man on earth.
➔ Passive Voice
➔ The subject "I" receives the action of being placed in a seat. Form: "be + past participle".
-
They're all muslin.
➔ Demonstrative Pronoun
➔ "They" refers back to the previously mentioned "first three models/jackets" to avoid repetition.
-
He never did them as complete as that.
➔ Comparative structure (as...as)
➔ "As complete as" is used to compare the completeness of the current designs against past ones.
-
He's catching up all the lights in the gardens.
➔ Present Continuous
➔ Uses "is + verb-ing" to describe an action happening right in the moment of the show.
-
You can never really recreate it.
➔ Modal verb of possibility (can)
➔ "Can" expresses the inability to replicate a specific historical quality.
-
I've been at Dior.
➔ Present Perfect Simple
➔ Shows a state that started in the past and continues to the present.
-
When I first started my career, I started making brooches.
➔ Gerund after a verb
➔ "Making" acts as the object of the verb "started".
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