Display Bilingual:

[whistles] 00:05
Oh, Rich, we're running low on resumes 00:13
over here. 00:15
>> Do you really want a job with popular 00:16
mechanics? 00:17
>> Well, if you're going to work for 00:18
mechanics, those are the ones to work 00:19
for. [laughter] 00:20
>> Hey, look, you guys, I'm going for 00:23
anything here, okay? I cannot be a 00:24
waitress anymore. I mean it. Sick of the 00:26
lousy tips. Sick of being called excuse 00:28
me. [laughter] 00:31
>> Bridge, did you proofread these? 00:33
>> Uh, yeah. Why? 00:35
>> Uh, nothing. I'm sure they'll be 00:38
impressed with your excellent computer 00:40
skills. 00:41
>> Oh my god. 00:44
Oh, do you think it's on all of them? 00:46
>> Oh, no. I'm sure the Xerox machine 00:52
caught a few. If anything else opens up 00:53
please. Hello. 00:57
Hello. 01:00
Sorry. Ra. 01:17
Where were we? Oh, okay. Five card draw. 01:20
Uh, jacks are better. Nothing wild. 01:24
Everybody antie. 01:28
>> Look, mage, we don't have to do this. 01:29
>> Yes, we do. 01:32
>> All right. Check. 01:36
>> Check. I'm in for 50 cents. 01:38
>> Call. 01:41
>> I'm in. 01:42
I see your 50 cents and I raise you 01:44
$5. 01:50
I thought uh it was a 50 cent limit. 01:52
>> Well, I just lost a job and I'd like to 01:54
raise the bed five bucks. Does anybody 01:56
have a problem with that? 01:58
>> Phoebe Fatty. 02:00
>> Hey, Chandler. Why so fancy? 02:04
>> Well, I got a job interview. It's kind 02:05
of a big deal, too. It's a lot more 02:07
money. And I'd be doing data 02:09
reconfiguration and statistical 02:10
factoring. 02:11
>> Wait, I think I know someone who does 02:12
that. 02:13
>> Me? I do that. 02:14
[laughter] 02:16
>> So, seriously, do I do I look okay? I'm 02:17
a little nervous. 02:19
>> Oh, yeah. Hey, you really you look 02:20
great. 02:21
>> You know, just don't get your hopes up. 02:22
[laughter] 02:25
>> Why not? 02:26
>> Well, the interview. 02:27
>> What about it? 02:29
>> You know, you don't make a very good 02:30
first impression. 02:31
>> What? 02:34
>> Oh, you don't know? [laughter] 02:35
>> Are you serious? 02:38
>> Yes. Um, when I first met you, you were 02:39
like blah blah blah blah. I was like, 02:41
shh. 02:44
>> What is it that I do? Well, it's just 02:48
like you're trying too hard. Always 02:50
making jokes. You know, you just you 02:52
come off a little needy. 02:54
>> Did you like me when we first met? 02:57
>> Chandler, I'm not going to lie to you. 02:59
>> But I am going to run away from you. 03:02
>> Hey, you feeling better? 03:05
>> Yeah. I think that fifth shower actually 03:07
got the interview off me. 03:08
>> So, do you have any other possibilities? 03:11
>> Oh, yeah. Well, there is the possibility 03:13
that I won't make rent. 03:15
>> Well, if you want, I can lend you some 03:16
money. No, no, no. Cuz if I couldn't pay 03:18
you back right away, then I'd feel 03:21
guilty and tense every time I saw you. 03:22
>> Oh, okay. Well, then why don't you uh 03:24
why don't you borrow it from mom and 03:26
dad? You feel guilty and tense around 03:27
them already. You might as well make 03:29
some money off of them. 03:31
>> Can you see my nipples through this 03:38
shirt? [laughter] 03:40
>> No. But don't worry, I'm sure they're 03:43
still there. 03:46
Where are you going, Mr. Sudy man? 03:47
>> Well, I have an appointment to see Dr. 03:49
Robert Pilman, career counselor. Agogo. 03:52
>> I added the agogo. 03:56
>> Career counselor. 03:58
>> Hey, you guys all know what you want to 03:59
do. 04:01
>> I don't 04:03
>> Hey, you guys in the living room all 04:04
know what you want to do. 04:06
>> You know, you have goals. You have 04:08
dreams. I don't have a dream. 04:10
>> Uh, the lesserk known I don't have a 04:12
dream speech. 04:14
Oh, I love my life. I love my life. Oh, 04:17
Bryant song. 04:20
>> Meeting with that guy went great. 04:25
>> So great. He showed me where the 04:27
restaurant's going to be. It's It's this 04:29
cute little place on 10th Street. It's 04:30
not too big. It's not too small. It's 04:32
just right. 04:34
>> Was it formerly owned by a blonde woman 04:35
and some bears? 04:36
>> You know that girl you went to college 04:38
with who who became a movie director? 04:39
>> Oh, yeah. Dana Keystone. She was in my 04:41
movement class. 04:43
What's a movement class? 04:45
>> It's Chandler's way of pretending he 04:46
didn't take mime. [laughter] 04:48
>> Oh, well, listen. Anyway, she's 04:50
directing the new Al Pacino movie. You 04:52
got to get me an audition. 04:54
>> Oh, I don't know, man. I haven't talked 04:55
to her in like 10 years. 04:57
>> Oh, no. No. Please, please, Chandler. I 04:58
I would owe you so much. 04:59
>> You do owe me so much. [laughter] 05:01
>> You owe me 3,400. 05:03
>> Why are you changing the subject? What? 05:06
>> Will you make the call or what? 05:08
>> Okay, I'll I'll try. 05:10
>> All right. Thanks. You're the best. Now, 05:12
listen. The last day of auditions is 05:13
Thursday. Okay. So, I got to get in 05:14
there by Thursday. Okay. Just remember 05:16
Thursday. Thursday. Can you remember 05:18
Thursday? [laughter] 05:19
Yeah. So, Tuesday. 05:21
Thursday. 05:24
Look, if you need help remembering, just 05:26
think of it like this. The third day. 05:27
All right. Monday, one day. Tuesday, two 05:29
day. Wednesday. When? Huh? What day? 05:33
Thursday. [laughter] The third day. 05:36
Okay. Hey, 05:39
>> everybody, stop what you're doing. I 05:40
need envelope stuffers. any stamp 05:41
liquors? 05:43
>> Well, hey, who did these resumes for 05:43
you? 05:45
>> Me on my computer. 05:46
>> Well, you sure used a large font. 05:47
>> Uh, yeah. Well, uh, waitress at a coffee 05:49
house and, uh, cheer squad co- captain 05:52
only took up so much room. [laughter] 05:54
>> Hey, that's funny. You're funny, 05:58
Chandler. You're a funny guy. You know 06:00
what else is really funny? 06:02
>> Something else I might have said. 06:05
[laughter] 06:07
>> I don't know. I don't know. Weren't you 06:08
the guy that told me to quit my job when 06:10
I had absolutely nothing else to do? 06:12
[laughter] 06:14
>> Just me to calm down. It's going to be 06:18
okay. 06:19
>> No, it's not going to be okay, Ross. 06:20
Tomorrow is my last day and I don't have 06:22
a lead. 06:24
Okay, you know what? I'm just going to 06:26
I'm just going to call Gunther and I'm 06:27
going to tell him I'm not quitting. 06:29
>> Well, you you you don't want to give 06:30
into the fear. 06:32
>> You and your stupid fear. I hate your 06:33
fear. I would like to take you and your 06:36
fear. 06:38
>> Hey, I got great news. 06:39
>> Run, Joey. RUN FOR YOUR LIFE. 06:42
>> TULSA, I am taking you for a great 06:44
dinner at Slim Pickins. 06:45
>> So cheesy. [laughter] 06:49
Whole hog. 06:52
It's going to be tough to keep kosher in 06:55
Tulsa. 06:56
[laughter] 06:59
>> Hi, Nancy. Hi, it's Monica Geller. I'm 07:03
good. Listen, I'm I'm looking for a job 07:06
in Tulsa. 07:09
Yeah. Well, my husband's been relocated 07:11
because I love him. [laughter] 07:15
No, no, I I don't I don't want a job in 07:18
New York. Ju's looking. Oh my god. 07:20
He asked for me personally. Oh my god. 07:24
[laughter] 07:28
Oh wow. This is really really 07:28
flattering. But um I'm I'm moving to 07:31
Tulsa. Yeah. So, just if you would tell 07:34
Ja Vu. Um, I'll take it. 07:37
>> Oh, good. You're here. Okay. 07:40
>> Hi. What you got there? Oh, this. Well, 07:43
I'm glad you asked. 07:46
Now, don't you hate it when you have to 07:51
cut a tin can with an ordinary steak 07:53
knife? [laughter] 07:55
>> Now, I know what you're thinking. 08:00
>> Pregnant woman slays four. 08:02
>> [laughter] 08:04
>> Evie, they didn't make you pay for those 08:06
knives, did they? 08:07
>> No. 08:08
>> Are you sure? 08:09
>> No. 08:10
[laughter] 08:12
>> Honey, you're not going to make enough 08:12
money to help Frank and Alice just by 08:13
selling knives. 08:15
>> No. No. I know that, but I'm just need 08:16
to make enough money for the second part 08:18
of my plan. 08:19
>> What's the second part of your plan? 08:20
>> My Saturn dealership. 08:21
>> Hey, Mr. Costick. How's life on the 15th 08:23
floor? 08:26
>> Yeah, I miss you, too. Yeah, it's a lot 08:28
less satisfying to steal pens from your 08:30
own home, you know. 08:32
Well, that's very generous. Uh, but 08:36
look, this isn't about the money, you 08:38
know? It's just I need something that's 08:40
more than a job. I need something I 08:41
really care about. 08:43
And that's on top of the year- end bonus 08:45
structure you mentioned earlier. 08:47
>> Look, Al, I'm not playing hard ball 08:50
here, okay? This is not a negotiation. 08:53
This is This is a rejection. 08:55
No, no, no. Stop saying stop saying 08:58
numbers. I'm telling you, YOU'VE GOT THE 09:00
WRONG GUY. YOU'VE GOT THE wrong guy. 09:01
I'll see you Monday, 09:04
>> man. 09:09
>> What the hell just happened? 09:10
>> I am so so sorry. I was going to do it 09:11
really. But then I was standing there 09:14
with $327 in one hand and $238 in the 09:16
other hand. And I was thinking, "Wow, 09:20
it's been a long time since I had 09:22
$327 plus $238." 09:26
>> Joey, we had a deal. Well, that that's 09:30
why you're here. I've got to fire you 09:31
>> and I got to pay rent. 09:33
>> Look, how how about this? You don't fire 09:37
me. Instead, I stay here. I gain their 09:40
trust and then they'll start listening 09:43
to all the nice things I've been saying 09:44
about you. 09:46
>> Kind of things you've been saying. 09:48
>> Well, nothing yet. They really hate you, 09:50
and I want to fit in. 09:51
>> Oh my god, that's my boss. You have to 09:52
seat us somewhere else. 09:54
>> I'm sorry. That's always Mr. Campbell's 09:55
table. 09:58
>> But, but my boss cannot see me. I'm 09:58
interviewing for another job. 10:00
>> Rachel, 10:03
>> I'm on a date. 10:05
>> That's great. 10:08
>> Yeah, it is. Dad, you know, it's tough. 10:10
Single mom career, you got to get out 10:12
there. 10:14
>> Well, you've got a good energy. 10:16
>> Rachel. 10:20
>> Yes. Hi, 10:21
>> James Campbell. Hi. 10:22
>> Hi. 10:22
>> Excuse us, 10:23
>> please. 10:24
>> Okay. 10:25
Oh, well, he's cute. 10:26
>> So, 10:31
your resume is quite impressive. 10:33
>> My resume? 10:37
I wouldn't I wouldn't call my my online 10:40
dating profile a resume. [laughter] 10:42
>> Dating profile? No, I'm I'm talking 10:45
about the work resume. [screaming] 10:47
>> Whatever happened to just singing for no 10:52
reason? 10:54
>> [laughter] 10:56
>> Maybe people found it weird. 10:57
[laughter] 11:00
>> So, 11:02
why do you want to leave Ralph Lauren? 11:04
>> What? I I don't 11:06
>> You don't? 11:08
>> No, I I love I love it there. 11:09
>> Well, if you don't want to leave, why 11:10
are we having this lunch? 11:12
>> What? 11:17
>> You go, boss. 11:21
>> Hey, how'd the interview go? It's not 11:23
good. 11:26
>> You know, I always feel that way after 11:26
an interview. I'll bet it went better 11:28
than you think. 11:29
>> Well, I didn't get the job at Gucci and 11:31
I got fired from Ralph Lauren. 11:33
>> That is a bad interview. [laughter] 11:36
>> What are you What are you talking about? 11:38
How'd this happen? 11:40
>> Well, my boss was at the same restaurant 11:41
where I was having my interview and he 11:44
heard everything. So, later he calls me 11:45
into his office and he tells me that 11:48
he's going to have to let me go because 11:49
I'm not a team player. And I say, "Wait 11:51
a minute. No, yes, I am." And then I had 11:53
to sit there for 45 minutes while he 11:55
proved that that in fact was true. 11:58
[laughter] 12:03
>> Oh god, I'm so sorry. 12:03
>> Hey, what 12:07
what's this? [laughter] It's a It's a 12:09
bottle of champagne. Why is this here, 12:12
>> Ross? 12:15
>> I guess it's here because I got tenure. 12:16
>> Congratulations. 12:19
>> Congratulations. This is the single 12:19
greatest day of my professional career. 12:22
Gunther, six classes. 12:24
>> Six? You want me to join you? 12:26
>> Oh, I thought Joey was here. Five is 12:28
good. [laughter] 12:30
I'm going to have a lugie in my coffee 12:34
tomorrow. [laughter] 12:36
>> Ooh, Israeli champagne. 12:38
And it's vanilla. [laughter] 12:41
>> I got tenure. I didn't win the lottery. 12:44
>> Hey, Rich. So, uh, how did your thing 12:47
go? Oh, it's good. Yeah, but I'm not 12:49
going to hear about that for a couple of 12:51
days. 12:53
>> Oh, you know what? You're going to get 12:53
it. I I I I can feel it. 12:54
>> Can you? [laughter] 12:56
>> Well, everybody, here's to Ross. 12:59
>> And And to years of hard work finally 13:01
paying off. 13:05
>> And to knowing that your career doesn't 13:06
mean everything, 13:08
>> but also knowing it means a lot. 13:10
[laughter] 13:13
>> But more importantly, to full 13:14
well-rounded lives 13:16
>> that center around work. two. 13:17
[laughter] 13:21
>> You know what the best part about this 13:25
is? I can never be fired. 13:27
>> Oh god. 13:29
>> No, seriously. I have job security for 13:29
life. You know, I I never have to worry. 13:32
Oh. Oh, look at look how happy you are 13:35
for me. 13:38
>> Oh, it's not that. I got fired today and 13:41
I didn't get the other job. 13:45
Ra, I'm so sorry. 13:50
>> Oh, 13:52
>> great. I feel like an idiot. 13:54
>> No, it's okay. You didn't know. 13:55
>> Oh, [snorts] 13:57
little heads up would have been nice. 13:59
Joey 14:01
got you the Joey special. Two pizzas. 14:03
Joe. 14:08
Hello. Damn it. [laughter] 14:11
Hello. 14:16
No, Joey's not here right now, but I can 14:17
take a message. I think [laughter] 14:19
>> he's still got a chance for the part. 14:22
Oh, that's great news. Well, no, 14:24
obviously not for the actor who was 14:26
mauled by his dog. 14:28
Oh, well, that's great. I will give Joey 14:30
the message. Thank you. Yes. 14:32
Okay. 14:36
Mac 14:38
audition 14:40
at two. 14:42
Allergy 14:46
actor 14:48
attacked 14:50
by dog. 14:57
Not 14:59
flowers. [laughter] 15:01
>> Hey, 15:11
>> please tell me you got the message. 15:12
>> What message? The actor playing Mac 15:14
couldn't do it. They needed to see you 15:16
at 2:00. 15:17
>> What? IT'S 6:00. 15:19
>> I WROTE I WROTE IT ON THE BOARD. I WROTE 15:21
IT ON THE BOARD AND THEN I WENT ALL OVER 15:24
NEW YORK CITY LOOKING FOR YOU. I went to 15:25
Ross's. I went to the coffee house. I 15:27
WENT TO ANY PLACE THAT THEY MAKE 15:28
SANDWICHES. 15:30
>> I can't believe this, Chandler. I'm 15:32
sorry. I I I don't know what to say. 15:34
>> Well, you you might say, 15:36
"Congratulations. 15:39
I saw the board. I went TO THE AUDITION. 15:41
I GOT THE PART. 15:42
>> [laughter] 15:44
>> IS THAT SUPPOSED TO BE FUNNY? I was 15:45
really worried over here. 15:47
>> Oh, well, 15:48
>> you know, sometimes that fake out thing 15:49
is just mean. 15:50
>> Oh, wow. Okay, man. I'm sorry. I did not 15:51
mean to make you feel bad. 15:53
>> Well, that's good because you didn't. 15:55
And I'm incredibly happy for you. 15:57
>> That's mean. [laughter] 16:01
You really had me going there. Oh, 16:04
>> we could do this all day. 16:05
>> Yeah, you're right. 16:07
>> I have something you can do. I have this 16:08
new massage client, Steve. 16:11
Anyway, um he's opening up a restaurant 16:14
and he's looking for a head chef. 16:17
>> Um hi there. 16:21
>> Hi. Oh, yeah. No, I know you're a chef. 16:24
I know. And I thought of you first, but 16:27
um Chandler's the one who needs a job 16:28
right now. So, 16:30
>> yeah. I just don't have a lot of chefing 16:34
experience [laughter] unless it's an all 16:35
toast restaurant. 16:38
>> Yeah. Yeah. Well, what kind of food is 16:40
he looking for? 16:42
>> Well, he wants to do something eclectic. 16:43
So, he's looking for someone who can, 16:45
you know, create the entire menu. 16:47
>> Oh my god. 16:49
>> Yeah, I know. So, what do you think? 16:50
>> Thanks, Feeb. I just don't really see 16:54
myself in a big white hat. 16:56
>> Okay. 16:57
>> Oh, Monica, guess what? 17:00
>> The airport, huh? You know, that's over 17:03
30 miles. That's going to cost you about 17:05
so bucks. Excuse me. That's $50 bucks. 17:08
>> What? $50. 17:13
>> Oh, you know what it is? It's smudgy cuz 17:16
they're fax pages. Now, when I was on 17:20
Days of Our Lives as Dr. Drake Remor, 17:22
they'd send over the whole script on 17:25
real paper and everything. 17:27
>> That's great. And and and just so you 17:29
know, if you wanted to expand this 17:32
scene, like like have the cab crash or 17:34
something, I could attend to the victims 17:36
cuz I have a background in medical 17:37
acting. 17:39
>> Okay, listen. Thanks for coming in. 17:41
>> No, no. Uh don't thank me for coming in. 17:43
Uh at least let me finish. 17:45
>> Uh we could take the expressway, but uh 17:50
this time of day you're better off 17:54
taking the budge. 17:55
[laughter] 17:58
You were going for the word bridge 18:00
there, weren't you? 18:01
>> I'll have a good day. 18:04
>> I got a job in advertising. 18:05
>> Honey, that's incredible. Gosh, what's 18:08
the pay like? 18:11
>> Oh, come on, people. 18:15
Come on now. If I don't know who makes 18:17
the most, how do I know who I like the 18:19
most? Hi, Joey. 18:21
>> Well, actually, it pays nothing. It's an 18:24
internship. 18:26
>> Oh, that's cool. We have interns at Days 18:26
of Our Lives, 18:28
>> right? So, it'll be the same except less 18:29
sex with you. 18:31
>> So, uh, what kind of stuff do you think 18:33
they'll have you do there? 18:35
>> Well, it's a training program, but at 18:36
the end they hire the people they like. 18:37
>> That's great. 18:40
>> Yeah. I mean, there's probably going to 18:41
be some grunt work, which will probably 18:42
stink. You know, grown man getting 18:43
people coffee is a little humiliating. 18:45
Humiliating and noble. 18:49
>> Thank you. 18:53
You know, if if I didn't already have a 18:56
job, I I think I would have been really 18:58
good in advertising. 19:00
>> Ross, you did not come up with Got Milk. 19:01
>> Yes, I did. I did. 19:04
>> I should have written it down. 19:08
>> Hey, Joe. [music] What's up? 19:10
>> Bad news. I watched the tape and passed 19:12
along to my bosses and they weren't 19:14
interested. 19:16
>> Oh, 19:17
sorry, man. 19:19
But uh you watched the tape? 19:23
>> Yeah, I I I I liked it. 19:25
>> But uh my bosses didn't go for it. 19:28
Stupid sons of [laughter] 19:31
>> You didn't watch the tape. 19:38
>> What? Of course I did. 19:41
>> Look, it's one thing not to cast me, but 19:42
to lie to me. 19:45
>> I'm not lying to you. I watched it. 19:46
>> Well, you lied again. 19:48
>> I watched it. Keep going, Pinocchio. 19:49
[laughter] 19:52
>> I DID. 19:54
>> NO, YOU DIDN'T. 19:55
>> I'M TELLING YOU, I WATCHED THE TAPE. 19:56
>> Did you watch the tape? 20:00
>> No. [laughter] 20:01
Can't believe [music] Joey, I hate being 20:07
called a liar. 20:09
>> But you are a liar. 20:11
>> What did I just say? [laughter] 20:13
>> You still here? Yes. And I have to say I 20:17
am not just hurt, I am insulted when I 20:19
tell somebody I did something. 20:22
>> Okay, hold on. Let me just stop you 20:23
right there. Okay, first you lied, 20:24
right? Then you lied about lying. Okay, 20:26
then you lied about lying about lying. 20:30
Okay, so before you lie about lying 20:33
about lying about lying about lying, 20:35
[laughter] 20:38
stop lying. 20:40
Why are you so sure I didn't watch this 20:42
tape? You want to know why? You want to 20:44
know why? 20:46
>> Well, this is going well. 20:48
[laughter] 20:50
>> Here's how I know you didn't watch the 20:51
tape, okay? If you had seen what was on 20:52
this tape, believe me, you would have 20:54
some comments. All right. Now, remember, 20:57
I got paid a lot of money for this, and 20:59
it only aired in Japan. 21:01
Ichibon. 21:04
[music] 21:06
Ichibon. Lipstick for men. 21:07
>> [music] 21:13
>> Ichiban lipstick for men. Sai [laughter] 21:22
and that's how I know you didn't watch 21:29
the tape. 21:30
>> He really is a chameleon. 21:34
>> Guess what? 21:36
>> You got a job? 21:37
>> Are you kidding? I'M TRAINED FOR 21:38
NOTHING. 21:40
>> [laughter] 21:42
>> I WAS laughed at 12 interviews today. 21:43
>> And yet you're surprisingly upbeat. 21:45
>> Well, you would be too if you found Joan 21:47
and David boots on sale, 50% off. 21:49
>> Oh, how well you know me. [laughter] 21:53
>> They're my new I don't need a job. I 21:56
don't need my parents. I've got great 21:58
boots. Boots. 21:59
>> How'd you pay for them? 22:02
>> Uh, credit card. And who pays for that? 22:03
>> Um, my father. 22:07
>> [laughter] 22:10
>> COME ON. YOU CAN'T LIVE off your parents 22:12
your whole life. 22:13
>> I know that. That's why I was getting 22:14
married. 22:16
>> Give her a break. It's hard being on 22:18
your own for the first time. 22:20
>> Thank you. You're welcome. I remember 22:22
when I first came to this city, I was 22:23
14. My mom had just killed herself and 22:25
my stepdad was back in prison. And I got 22:27
here and I didn't know anybody. And I 22:30
ended up living with this albino guy who 22:32
was like cleaning windshields outside 22:33
Port Authority. And then he killed 22:35
himself. 22:37
And then I found aromatherapy. So 22:39
believe me, I know exactly how you feel. 22:41
>> The word you're looking for is 22:47
anyway. 22:51
[laughter] 22:53
All right. You ready? 22:56
>> I don't think so. Oh, come on. Cut, cut, 22:57
cut, cut, cut, cut, cut, cut, cut, cut, 23:01
cut, cut, cut, CUT. 23:04
[cheering] 23:07
>> HEY, [applause] 23:08
welcome to the real world. It sucks. 23:09
You're going to love it. 23:11
>> I can't believe what I'm hearing here. 23:14
>> Can't believe what I'm hearing here. 23:16
>> What? I said you had 23:18
>> But I said you had 23:19
>> Would you stop? 23:21
>> Oh, was I doing it again? 23:23
>> Yes. Would anybody like more coffee? 23:24
>> Did you make it or are you just serving 23:31
it? 23:32
>> I'm just serving it. 23:33
>> Yeah, I'll have a cup of coffee. 23:34
>> Kids, new dream. I'm in Las Vegas. I'm 23:37
Liza Minnelli. 23:40
[music] 23:44

– Bilingual Lyrics /English

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Lyrics & Translation

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Key Vocabulary

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Vocabulary Meanings

resume

/rɪˈzjuːm/

B2
  • noun
  • - a brief written account of a person's education and experience

mechanics

/mɪˈkænɪks/

B1
  • noun
  • - the branch of physics dealing with the forces and motions of bodies

waitress

/ˈweɪtrɪs/

A2
  • noun
  • - a woman whose job is to serve customers at a restaurant

lousy

/ˈlaʊzi/

B1
  • adjective
  • - very poor or bad

impressed

/ɪmˈprɛst/

B1
  • verb
  • - feel admiration and respect for

skills

/skɪlz/

A2
  • noun
  • - the ability to do something well

caught

/kɔːt/

A2
  • verb
  • - to find someone doing something wrong

interview

/ˈɪntərvjuː/

B1
  • noun
  • - a meeting to assess someone's suitability for a job

statistical

/ˌstætɪˈstɪkəl/

C1
  • adjective
  • - relating to the collection and analysis of data

factoring

/ˈfæktərɪŋ/

C1
  • noun
  • - the process of breaking down a number or expression into its factors

nervous

/ˈnɜːrvəs/

A2
  • adjective
  • - anxious or apprehensive

impression

/ɪmˈprɛʃən/

B1
  • noun
  • - an effect on the mind or feelings

needy

/ˈniːdi/

B2
  • adjective
  • - excessively dependent on others

security

/sɪˈkjʊərɪti/

B1
  • noun
  • - the state of being free from danger or threat

tenure

/ˈtɛnjʊər/

C1
  • noun
  • - the holding of an office or position for life

eclectic

/ɪˈklɛktɪk/

C1
  • adjective
  • - deriving ideas, style, or taste from a broad and diverse range of sources

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Key Grammar Structures

  • >> Do you really want a job with popular mechanics?

    ➔ Tag Question

    ➔ The phrase 'do you really' is a tag question used to seek confirmation or emphasize the question. It transforms a statement into a question by adding 'do/does/did' + subject at the end.

  • >> Well, if you're going to work for mechanics, those are the ones to work for.

    ➔ First Conditional

    ➔ The sentence uses the first conditional ('if + present simple, will + base verb') to express a likely future outcome. “If you’re going to work” is the ‘if’ clause, and “those are the ones to work for” is the main clause.

  • >> Hey, look, you guys, I'm going for anything here, okay?

    ➔ Present Continuous for Future Arrangement

    ➔ The phrase 'I'm going for anything' uses the present continuous ('am/is/are + -ing verb') to indicate a planned future action. It means the speaker is actively seeking any job opportunity.

  • >> Bridge, did you proofread these?

    ➔ Past Simple vs. Present Perfect

    ➔ The use of 'did' indicates a completed action in the past (asking if the proofreading was done). It's a simple question about a past event.

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