– English Lyrics

Lyrics & Translation

[English]

[ OWL HOOTS ]

[ SCREECHES ]

♪ ADVENTURE TIME

♪ COME ON, GRAB YOUR FRIENDS

♪ WE'LL GO TO VERY DISTANT LANDS ♪

♪ WITH JAKE THE DOG AND FINN THE HUMAN ♪

♪ THE FUN WILL NEVER END

♪ IT'S ADVENTURE TIME

[ JAKE PANTING ]

REMEMBER LAST TIME WE WERE OUT THIS WAY?

IT WAS RIGHT AFTER YOU MESSED THINGS ALL UP

WITH FLAME PRINCESS.

[ CHUCKLES ] YEAH, THAT SUCKED.

BUT THEN WE FOUND THE DUNGEON TRAIN, REMEMBER?

THAT WAS AWESOME.

NO. IT WASN'T.

SURE IT WAS.

ANYWAY, FLAMBO'S BROTHER'S MAP SAYS THE WEIRD CAVE SHOULD BE,

LIKE, RIGHT OVER...

AH! IT'S RIGHT HERE.

[ CHUCKLES ] COME ON, JAKE.

OKAY, HOLD ON, LET ME GET OUT MY SIDEWALK CHALK.

I WANT TO WRITE ALL OVER THE WALLS IN THERE.

[ Echoing ] WHAT?

YOU CAN'T USE THAT STUFF IN HERE.

THIS IS LIKE AN ANCIENT, SACRED TEMPLE.

[ SLAM! ]

OH, WELL, NOW, THAT'S JUST GREAT.

YOU DON'T PUT TRAPS IN THE FOYER!

THE FOYER IS A SAFE SPACE.

MAN, NOT EVEN JAKE COULD SMASH THROUGH THIS MESS.

BUT MAYBE THERE'S A BACK DOOR OR SOMETHING.

UH-OH -- OPTIONS.

BETTER LEAVE A LITTLE TRAIL IN CASE I GET LOST...

BREAD-CRUMB STYLE. [ CHUCKLES ]

PLUS, FOR IF JAKE GETS IN AND TRIES TO TRACK ME DOWN.

TOO BAD I DON'T STILL HAVE THAT SIDEWALK CHAAAAAHHHHHH-- OOF!

[ GROANS ]

OKAY, WELL, SCRATCH THAT.

NOW I REALLY HOPE THERE'S ANOTHER WAY OUT.

HALL OF...

EGRESS.

EGRESS. EGRESS.

WHAT'S "EGRESS" MEAN?

"EXIT."

EGRESS MEANS EXIT!

[ GRUNTS ]

[ PANTING ]

[ SHUDDERS ]

OKAY.

[ GRUNTING ]

[ SIGHS ]

[ GRUNTS ]

YAAAAAAAH!

GREAT. WHAT AM I SUPPOSED TO DO NOW?

[ INHALES DEEPLY ]

[ SIGHS ]

WAIT.

HEY. HEY, I JUST SMASHED YOU.

I--

AHH.

MAGIC DOOR.

OKAY.

RIGHT. BUT IF I...

AHH?

WELL DONE, FINN. YOU SOLVED THE MAGIC DOOR.

THAT OUGHT TO HAVE DONE IT.

AND...

OH.

I GUESS THIS DOOR'S JUST TOO TRICKY FOR ME.

GUESS I BETTER GIVE UP, RIGHT?

WRONG. WRONG!

LET'S TRY THAT AGAIN.

HMM.

IT'S SMOOTH LIKE METAL.

FLOOR'S SMOOTH TOO.

OH!

WHAT HAVE WE HERE?

AN ERRANT THREAD!

[ CHUCKLES ]

IT MUST LEAD BACK OUT...

BREAD CRUMB STY--

[ TRAP DOOR OPENS ]

OOF!

TRAP DOOR?

[ GRUNTS ]

[ TINK! ]

YOW!

SPIKE TRAP.

BETTER HEAD BACK AND REGROUP.

FIENDISH.

ANYWAY... DON'T LET'S DO THAT AGAIN.

AND RIGHT... THEN STRAIGHT...

AND...HEY NOW.

HOLD THE PHONE.

THERE SHOULD BE A LEFT TURN HERE.

LETTERS?

"E"...

"G"...

EGRESS! IT SPELLS "EGRESS!"

[ CHUCKLES ] THIS WAY!

AND HERE'S ANOTHER ONE.

AND ANOTHER.

[ CHUCKLES ]

[ TRAP DOOR OPENS ]

WAH! OW!

OKAY, SO...

EVERY MAP I MAKE IS WRONG.

ALL THE EXIT SIGNS LED TO TRAPS.

PLUS THE BRAILLE, THE HIEROGLYPHICS,

AND THE TAPE RECORDER MESSAGE TOO.

IT'S ALMOST LIKE THE MAZE IS TRYING TO TELL ME SOMETHING.

SOMETHING CONFUSING.

WHATEVER!

WHO NEEDS YOU ANYWAY, WITH YOUR STUPID SIGNS AND MESSAGES?

I'M FINN MERTENS, YA HEARD?

AND I DON'T NEED NO NOTHING!

WATCH ME. [ INHALES DEEPLY ]

BABABABABABABABABABABABABABA...

BA BA BA BA BA BA...

[ SIGHS ]

Jake: FINN?

[ Singsong voice ] FINN!

JAKE! [ LAUGHS ] JAKE, I'M COMING!

FINN? WHERE ARE YA, BUDDY?

[ GRUNTS ] JAKE!

[ SUCKING TEETH ]

THAT'S A LITTLE DISAPPOINTING. STILL, THOUGH.

I'M IN THE HOMESTRETCH HERE.

[ BABBLES ]

[ GRUNTS ] JAKE!

FINN! HEY, THERE YOU ARE.

YEAH. [ CHUCKLES ]

SORRY TO POP UP, THEN DISAPPEAR AGAIN LIKE THAT.

AGAIN? YOU JUST GOT HERE, SON.

I DID? SHOOT, MAN.

THIS CAVE HAS GOT ME STRAIGHT SCRAMBLED UP AND DOWN.

WHAT CAVE?

WHAT? OH. UH-OH.

WELL?

WELL, I FOLLOWED YOUR MAP,

BUT THERE'S JUST A BUNCH OF GRASS HERE.

WHAT?! LET ME SEE!

DANG IT.

[ BABBLES ]

SO, YEAH.

EVERYTHING I DID TO TRY TO MAKE SENSE OF THE MAZE

OR TO PLAY IT SAFE TOTALLY BACKFIRED.

BUT WHEN I GOT FED UP,

AND STARTED JUST CHARGING IN WILLY-NILLY,

I WAS ABLE TO GET TO THE END AND FIND YOU.

AND THEN THE WHOLE THING DISAPPEARED.

BUT I WONDER HOW COME I DON'T REMEMBER ANY OF IT.

I DON'T KNOW.

I'M JUST HOPING, MAYBE IF I SLEEP IT OFF,

MAYBE I'LL BE BETTER IN THE MORNING.

OKAY, WELL... GOOD NIGHT, BUDDY.

[ SMOOCHES ]

THANKS, JAKE. GOOD NIGHT.

BMO: ARE YOU AWAKE?

YES.

ARE YOU GONNA OPEN YOUR EYES NOW?

MAYBE.

ARE YOU SCARED?

NO.

THEN DO IT.

[ GULPS ] ON THREE.

ONE...

ONE...

TWO...

TWO...

THREE!

[ SCREAMS ]

Jake: SO... BEEN ALMOST A MONTH NOW.

WHAT DO YA THINK? YOU WANNA TRY OPENING 'EM?

IT'S A BEAUTIFUL DAY.

PLUS, I NEED SOMEONE TO TELL ME IF THIS HAT LOOKS COOL.

MAN, I TOLD YOU...

[ PLAYS NOTES ]

IF I OPEN 'EM NOW IT'LL JUST BE THE SAME.

I GOT TO WAIT TILL SOMETHING'S DIFFERENT.

YEAH. THAT MAKES SENSE, I GUESS.

SO, UM, I GOT YOU A LITTLE SOMETHING.

A LITTLE PRESENT.

WOW, THANKS, MAN!

YOU'RE REALLY GONNA THANK ME.

GOTCHA!

NOOO!

YEAH, YOU'VE DONE IT, LIKE, 30 TIMES NOW.

YAAHH!

YAAHH!

YAAHH!

YAAHH!

IT'S LIKE PROGRAMMED INTO YOUR DNA OR SOMETHING.

[ CHUCKLES ] WELL, SHOOT, MAN.

IF I WANNA DO IT THAT BAD, IT MUST BE KINDA RIGHT, RIGHT?

[ SIGHS ]

LOOK AT IT FROM WHERE I'M SITTING.

ALL THIS FUNKY PIZZAZZ THAT ONLY YOU CAN SEE --

THAT'S LIKE THE LITERAL DEFINITION OF A HALLUCINATION.

EITHER ALL THAT STUFF IS A DREAM,

OR LIKE, I'M A DREAM -- AND I AIN'T NO DREAM, YA HEARD?

YEAH, I KNOW. I HEARD.

IT'S JUST THAT, WELL...

HYAH!

OPEN UP!

[ SIGHS ]

OH, JAKE.

I KNOW YOU MEAN WELL,

BUT I GUESS I GOT TO SEE THIS ONE THROUGH ON MY OWN.

[ SIGHS ] I'LL SEE YOU AROUND, BUDDY.

[ PANTING ]

[ GRUNTS ]

HUH?

[ BREATHING HEAVILY ]

[ SLURPING ]

HUH? WHAT THE...?

[ GASPS ]

HOW LONG HAS THIS BEEN GOING ON?

SOMEONE'S APT TO TRACK ME DOWN...

BREAD-CRUMB STYLE.

E.G. JAKE.

CAN'T LET HIM CATCH ME.

NO MORE THREADS TO FOLLOW.

NO MORE EGRESS.

[ GRUNTING ]

[ SNORING ]

[ GNAWING ]

[ SPITS ]

MM. IT'S COOL IN HERE.

AIN'T NOTHING WRONG WITH THAT.

DEEP TOO. THAT'S GOOD.

AIN'T NOBODY GONNA BE LOOKING FOR ME DOWN --

UGH!

WAH!

EGRESS! EGRESS! EGRESS! EGRESS!

EEG...

BMO: SOMETHING'S DIFFERENT.

[ BREATHES DEEPLY ]

[ BIRDS CHIRP ]

Girl: HURRY, FINN.

AT THE SEASHELL'S CENTER

LIES THE CORNUCOPIA'S SMALLEST DOOR.

[ RUMBLING ]

WHOA! [ LAUGHS ]

THAT MUST HAVE BEEN SOME CAVE!

[ LAUGHS ] NO COMMENT!

♪ COME ALONG WITH ME

♪ AND THE BUTTERFLIES AND BEES

Key Vocabulary

Vocabulary	Meanings
adventure /ədˈvɛn.tʃər/ A2	noun - an unusual and exciting, typically hazardous, experience or activity
distant /ˈdɪs.tənt/ B1	adjective - far away in space or time
dungeon /ˈdʌn.dʒən/ B2	noun - a strong, dark cell or underground prison
ancient /ˈeɪn.ʃənt/ A2	adjective - belonging to the very distant past
sacred /ˈseɪ.krɪd/ B2	adjective - connected with God or dedicated to a religious purpose
foyer /ˈfɔɪ.eɪ/ C1	noun - an entrance hall or open area in a building
options /ˈɒp.ʃənz/ A2	noun - things that can be chosen
scratch /skrætʃ/ B1	verb - to cancel or remove something
egress /ˈiː.ɡres/ C2	noun - the action of going out of or leaving a place
tricky /ˈtrɪk.i/ B1	adjective - requiring care and skill because difficult or awkward
errant /ˈer.ənt/ C2	adjective - straying from the proper course or standards
thread /θred/ B1	noun - a long, thin strand of cotton, fiber, or wire
spike /spaɪk/ B2	noun - a thin, pointed piece of metal
fiendish /ˈfiːn.dɪʃ/ C1	adjective - extremely cruel or unpleasant; devilish
maze /meɪz/ B2	noun - a labyrinth; a network of paths
confusing /kənˈfjuː.zɪŋ/ A2	adjective - making it difficult to understand
hallucination /həˌluː.sɪˈneɪ.ʃən/ C2	noun - an experience involving the apparent perception of something not present

Key Grammar Structures

• REMEMBER LAST TIME WE WERE OUT THIS WAY?

  ➔ Past Continuous Tense

  ➔ "Were out" refers to a temporary state or action that was occurring at a specific time in the past.

• IT WAS RIGHT AFTER YOU MESSED THINGS ALL UP WITH FLAME PRINCESS.

  ➔ Past Simple with temporal clause

  ➔ "After" is used here as a conjunction to connect the main clause to the time reference "you messed things up".

• IT'S ALMOST LIKE THE MAZE IS TRYING TO TELL ME SOMETHING.

  ➔ Subjunctive mood / 'It's like' comparison

  ➔ "It's like" introduces a hypothetical or metaphorical situation that is not necessarily factual.

• I DON'T NEED NO NOTHING!

  ➔ Double Negative (Non-standard/Emphatic)

  ➔ Using "don't" and "nothing" together creates an emphatic, informal, and non-standard negative expression.

• I'M JUST HOPING, MAYBE IF I SLEEP IT OFF, MAYBE I'LL BE BETTER IN THE MORNING.

  ➔ First Conditional / Phrasal Verb

  ➔ "If I sleep it off" is a conditional clause using a phrasal verb meaning to recover from something by sleeping.

• IT'S LIKE THE LITERAL DEFINITION OF A HALLUCINATION.

  ➔ Intensifier (Adjective usage)

  ➔ "Literal" is used here as an intensifier to emphasize that the description is exact or precisely true.

• AT THE SEASHELL'S CENTER LIES THE CORNUCOPIA'S SMALLEST DOOR.

  ➔ Inversion (Locative inversion)

  ➔ The sentence structure is reversed (Locative + Verb + Subject) for poetic/dramatic effect.