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[English]

Welcome to the New Star News Channel.

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Our news bulletin today includes the following.

CCTV Entertainment reviews Bailu's new drama "Mo Li" with sharp words that hit viewers right in the heart.

When CCTV Entertainment rarely writes to praise a TV drama before it even airs, the air in the entertainment world’s opinion field

becomes tense and lively right away.

This time, the one spotlighted is Bailu’s starring historical intrigue drama "Mo Li".

The official platform describes this work as having "sharp words" and "quality to expect",

It's not just simple promotion for the drama, but more like sending a signal—in the race of popularity and reputation,

The film and TV industry might be redrawing its lines.

CCTV Entertainment’s reviews create a "benchmark effect".

It's not just a simple drama critique, but a cultural observation that guides public opinion.

Choosing to highlight "Mo Li" before the drama airs carries deep meaning.

First, it's an affirmation of Bailu.

In the past few years, Bailu's name has almost become synonymous with "historical romance representative"—like "Zhou Sheng Ru Gu", "Ning An Ru Meng", "Chang Yue Jin Ming",

Her characters navigate the space between fate and love.

She excels at using restrained emotions to show hidden strength,

But that's why some viewers have called her performances "typecast".

This time, CCTV particularly notes her "voice has a scheming edge", showing she's stepping out of her comfort zone,

Moving from emotional roles to strategic ones, from "soft" to "strong".

This signals an actor's breakthrough and change.

Secondly, it's trust in the creative team.

Director Lin Yufen previously directed supernatural fantasies like "Xiang Mi Chen Chen Jin Ru Shuang" and "Hua Qian Gu",

But this time she turns the camera to "palace intrigue", which demands more from acting and visuals.

CCTV's early attention actually reflects the industry's hope for "mid-generation directors to transform into authors who express reality".

In the context of the film and TV industry, CCTV Entertainment’s "early endorsement" is both praise and a test.

It puts a work in the spotlight but also forces the crew to face the premiere with higher standards.

If intrigue is the shell of "Mo Li", then growth is its core.

The story centers on the female lead Ye Li—she starts as a gentle noblewoman who doesn't meddle in worldly affairs,

Becomes a calculated strategist step by step, and then stands by her word as a responsible person.

The crew reveals in the special feature that this main line is condensed into a "three no's" structure: "ask not, doubt not, leave not".

These three words are like the rhythm of a power chess game.

* **"Ask not"**, is the facade of ignorance.

Ye Li endures and observes silently, not showing her edge, but gathering truths in secret.

She learns to stay silent in the whirlpool of power—that silence isn't cowardice, but strategy.

* **"Doubt not"**, is the illusion of alliance.

When equally matched rivals become temporary allies, trust and probing mix into psychological tension.

Every handshake hides hidden calculations.

* **"Leave not"**, is the home of loyalty.

At the end of the power game is a test of trust.

When the command token is in hand and the palace gates burn, the characters must choose between "surviving" and "keeping faith".

The clever part of this structure is that it doesn't aim to show off intelligence,

But focuses on "the depth of trust".

The emotions in the adult world aren't black and white, but a complex struggle where everyone holds power over the other.

As the comment says, "Mo Li" isn't a palace fight drama, but "a drama about choices".

Director Lin Yufen's "obsession" is what’s most talked about in the show.

She's mentioned many times in the behind-the-scenes specials: a scene where Bailu's fingers must pause on the wheelchair arm for two seconds;

A conversation where the eye-angle must be offset by fifteen degrees; the embroidery color on costumes should match the character's mood.

What seems minor is actually strict control over the "visual order".

This control comes from her understanding of intrigue storytelling: power is never loud, but silent.

A character's posture, the layers of clothing, even the patterns on the wheelchair all tell a story of hidden order.

For example, the crew reveals—Ye Li's wheelchair isn't just a prop.

Its armrests hide mechanisms, and the wheels can send signals.

Viewers might not notice when watching, but these designs make the story's logic more cohesive,

Making the "coldness of intrigue" seep into the details.

The advanced part of film making isn't in the density of dialogue, but in the storytelling power of "silent things".

"Mo Li" is clearly trying for this kind of depth.

In CCTV Entertainment’s review, there's another highlight—the praise for Bailu and Cheng Lei’s performances.

Bailu's performance is described as "restrained dialogue, sharp tone".

Her voice carries a scheming air, hiding resentment in soft conversations.

It's a "soft overcoming hard" style of acting.

She uses subtle breathing and glances to portray the psychology of power shifts.

This level of performance already goes beyond "historical romance lead".

Cheng Lei presents another kind of depth.

His character is "weak outside, strong inside"—looking fragile, but controlling everything.

He turns this contrast into behavioral details: gestures, steps, breath rhythms,

All conveying the character's need for control.

This acting style reminds one of early Zhang Zhen in "Yi Dai Zong Shi" with his "micro-action performances".

The two actors' chemistry starts as "emotional confrontation", moves to "intellectual collaboration",

And ends with "shared responsibility".

The process captured by the camera is like two parallel lines meeting—both an emotional clash,

And a fate partnership.

They're not playing "lovers", but "close friends".

This relationship's complexity is the charm of adult dramas.

After CCTV’s review hit the trending topics, the Weibo forums exploded.

Some praise "finally a drama with quality", others worry "does the market still love sweet romances?"

This buzz around "Mo Li" is actually a mirror of the current film and TV market.

In recent years, historical dramas, squeezed by capital and popularity, have fallen into homogenization.

Overemphasis on romance, weak logic, fake filters,

Stereotyped characters… Audiences are tired of "historical romances".

But "Mo Li" stands at the intersection of "intrigue and emotions",

Trying to break the "sweet romance" logic with complex stories.

It's a risk and a courage.

Because audience tastes are splitting: some still chase "thrills and sugar",

Others crave "thoughts and quality".

This pull between the two creates the real landscape of public opinion.

Whether "Mo Li" can balance them will decide its reputation.

In a broader context, "Mo Li" isn't just a TV drama,

But the industry's declaration of "returning to content".

When "popularity" isn't everything, when "hype" is drained by algorithms, the industry starts rethinking:

Does a work's value come from views, or from creative sincerity?

"Mo Li"'s team is answering this with actions—relying on script, details,

And performances to win over audiences.

This trend aligns with CCTV's repeated emphasis in recent years on "film and TV creation should tell stories, create characters,

And emphasize reality".

Intrigue dramas aren't just court battles, but mirrors of human hearts.

They show viewers the "cold of power" and the "warmth of humanity".

If "Mo Li" can keep the dedication shown in the specials—in pacing, framing,

And emotions staying restrained and precise, it might become a turning point for historical dramas in 2025:

Putting "quality" back in the mainstream, "story" back at the center.

Conclusion: When officials endorse a work, should we redefine "trust"

The article starts with a question—when CCTV endorses a drama, will viewers follow, or stay watching?

Behind this is a snapshot of the modern trust system in film and TV.

Viewers once trusted platforms and stars; now they trust "word of mouth" more.

Each hit show's birth isn't driven by a single topic, but by quality content building up.

"Mo Li" faces a double test now: public expectation and industry scrutiny.

It must fulfill the "CCTV Entertainment praise" promise, and withstand market criticism and buzz.

Some will stay up for the premiere, others will wait for reviews before watching.

This split attitude shows viewers have matured—they know real dramas to wait for

Don't rely on hype, but on sincerity.

When the camera zooms in and Ye Li whispers "ask not, doubt not, leave not",

These three words aren't just the plot's structure, but the creators' belief:

—Ask not for hype, doubt not quality, leave not one's starting heart.

[Chinese]

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请订阅频道，所以大家不要错过当天最热门的新闻。

我们今天的时事通讯包括以下内容。

央视文娱评白鹿新剧《莫离》，言辞犀利，直击观众心坎

当央视文娱罕见为一部尚未播出的电视剧撰文点赞，娱乐舆论场的空气，

立刻变得紧张而热烈。

这次被点名的，是白鹿主演的古装权谋剧《莫离》。

官方平台用“言辞犀利”与“质感可期”来形容这部作品，

不仅是一次单纯的剧集宣传，更像一次信号释放——在流量与口碑的赛道上，

影视行业或许正在重新划线。

央视文娱的点评具有一种“标尺效应”。

它并非单纯的剧评，而是带有舆论引导属性的文化观察。

当它选择在剧未播出之前点名《莫离》，意味深长。

首先，这是对白鹿的一种肯定。

过去几年，白鹿的名字几乎成了“古偶代表”——《周生如故》《宁安如梦》《长月烬明》，

她的角色穿梭在命运与爱情的夹缝里。

她擅长用克制的情绪传递压抑的力量，

但也因此被部分观众贴上“类型化表演”的标签。

而央视此次重点提到她的“声音有权谋感”，说明她正在突破以往的舒适区，

从情感戏走向策略戏，从“柔”走向“强”。

这是一次演员自我突破的转向信号。

其次，是对创作团队的信任。

导演林玉芬此前执导的《香蜜沉沉烬如霜》《花千骨》都是古装奇幻类型，

但这次她将镜头对准“宫廷权谋”，对表演与视觉的要求更高。

央视的提前关注，其实反映出业内对“中生代导演如何转型为现实表达型作者”的期待。

在影视工业语境下，央视文娱的“提前背书”既是一种褒奖，也是一种考验。

它让一部作品被推上聚光灯，也迫使剧组必须以更高的标准面对首播的审视。

如果说权谋是《莫离》的外壳，那么成长就是它的内核。

故事的主线，围绕女主叶璃展开——她从不问世事的柔婉贵女，

到步步为营的谋局者，再到守住信义的担当者。

剧组在特辑中透露，这条主线被浓缩成“三不”结构：“不问、不疑、不离”。

三个词，恰如一场权力棋局的节拍。

* **“不问”**，是蒙昧的表象。

叶璃隐忍观察，不显锋芒，却在暗处搜集真相。

她学会在权力漩涡里保持沉默——那种沉默，不是怯懦，而是策略。

* **“不疑”**，是联盟的假象。

当势均力敌的对手成为暂时的盟友，信任与试探交织成心理拉扯。

每一次握手，都是潜伏的计算。

* **“不离”**，是情义的归宿。

权力游戏的尽头，是信任的考验。

当兵符到手、宫门焚起，剧中人必须在“活下来”与“守信义”之间作出抉择。

这套结构的巧妙之处在于：它不以“智商炫技”为目的，

而是以“信任的厚度”为核心。

成年人世界的情感，不是非黑即白，而是彼此牵制的复杂博弈。

正如评论所说，《莫离》不是宫斗戏，而是“关于选择的戏”。

林玉芬导演的“偏执”，是这部剧最被人津津乐道的地方。

她在幕后特辑中被提到多次：一场戏，白鹿的手指要在轮椅扶手上停留两秒；

一场对话，眼神角度必须偏离十五度；服装的刺绣颜色，要与角色心境呼应。

看似细微，实则是对“视觉秩序”的严格控制。

这种控制，来自于她对权谋叙事的理解：权力从来不是喧嚣的，而是静默的。

一个人物的姿态、衣纹的层次，甚至轮椅的纹路，都在诉说隐秘的秩序。

例如，剧组透露——叶璃的轮椅不是单纯的道具。

它的扶手暗藏机关，轮纹可以传递暗号。

观众在追剧时或许不会察觉，但这些设计让整个故事的逻辑更加连贯，

让“权谋的冷”在细节里渗透。

影视创作的高级之处，不在于台词的密度，而在于“无声之物”的叙事力。

《莫离》显然在尝试这种高级感。

央视文娱的点评中，还有一个亮点——对白鹿与丞磊表演的肯定。

白鹿在剧中的表现，被形容为“台词克制，语调锋利”。

她的声音里有一种权谋气，能在轻声对话中暗藏悲恨。

那是一种“以柔克刚”的演绎方式。

她用细微的呼吸与眼神，去完成权力转移的心理刻画。

这种表现力，已经超越了“古偶女主”的范畴。

丞磊则呈现了另一种层次感。

他的角色设定是“假弱真强”——外表虚弱，实则掌控局势。

他将这种反差转化为行为学的细节：手势、步伐、呼吸节奏，

都在传达角色的控制欲。

这种演绎方式，让人想起早期张震在《一代宗师》中的“微动作表演”。

两位演员的对手戏，从最初的“情感对峙”，发展到后期的“心智合谋”，

再到结局的“共同承担”。

镜头捕捉下的过程，像是两条平行线的交汇——既是情感的碰撞，

也是命运的共谋。

他们没有演“恋人”，而是在演“知己”。

这种关系的复杂性，正是成人戏的魅力所在。

央视的点评登上热搜后，微博讨论区瞬间炸开。

有人赞叹“终于有质感剧了”，有人担忧“市场是否依旧偏爱甜宠”。

这场围绕《莫离》的舆论摩擦，其实是当下影视市场的一面镜子。

近几年，古装剧在资本与流量的双重裹挟下，陷入同质化困境。

爱情主线过重、逻辑薄弱、滤镜失真、

角色脸谱化……观众对“古偶”产生审美疲劳。

而《莫离》的出现，恰好站在“权谋与情感”的交叉点上，

试图用复杂叙事打破“甜宠逻辑”。

这是一种风险，也是一种勇气。

因为观众的审美正在分化：一部分人仍追求“爽点与糖分”，

另一部分人渴望“思考与质感”。

两种口味的拉扯，构成了舆论的真实生态。

《莫离》能否在两者之间找到平衡，将决定它的口碑走向。

放在更大的语境中，《莫离》并不仅仅是一部电视剧，

而是行业一次“回归内容”的宣言。

当“流量”不再万能，当“热度”被算法榨干，影视行业开始重新思考：

作品的价值，究竟来自点击量，还是来自创作的诚意？

《莫离》的制作团队显然在用实际行动回答这个问题——靠剧本、靠细节、

靠表演，去争取口碑。

这种趋势，与过去几年央视多次强调的“影视创作要讲故事、立人物、

重现实”不谋而合。

权谋剧不只是朝堂争斗，更是人心的镜像。

它让观众看到“权力的冷”，也看到“人性的暖”。

如果《莫离》能够延续特辑中所呈现的用心——在节奏、构图、

情感上保持克制与精度，它或许会成为2025年古装剧的一次转折点：

让“质感”重回主流，让“故事”回到中心。

结语：当官方为作品背书，我们是否该重新定义“信任”

文章的开头提出一个问题——当央视为一部剧背书，观众会跟进，还是保持观望？

这个问题的背后，其实是当代影视信任体系的缩影。

过去观众相信平台，相信明星；如今，他们更相信“口碑”。

每一次热播剧的诞生，不再靠单一话题驱动，而是靠内容质量积累。

《莫离》此刻所面对的，是双重考验：一是公众的期待，二是行业的验证。

它既要兑现“央视文娱点赞”的承诺，也要经得起市场的冷评与热议。

有人会在首播夜守着更新，有人会等口碑后再决定观看。

这种分化的态度，正说明观众已经变得成熟——他们知道，真正值得等待的剧，

不靠爆点，而靠真诚。

当镜头推近，叶璃低声说出那句“莫问、莫疑、莫离”，

这三字不仅是剧情的结构线，也像是创作者的信念：

——莫问热度，莫疑质感，莫离初心。

Key Vocabulary

Vocabulary	Meanings
权谋 /quánmóu/ C1	noun - political maneuvering
犀利 /xīlì/ B2	adjective - sharp, incisive
质感 /zhìgǎn/ C1	noun - texture, quality feel
突破 /tūpò/ B2	verb - to break through
克制 /kèzhì/ B2	verb - to restrain, to control
转型 /zhuǎnxíng/ B2	verb - to transform, to shift
偏执 /piānzhí/ C1	adjective - obsessive, fanatical
细微 /xìwēi/ B1	adjective - subtle, minute
博弈 /bóyì/ C1	noun - game of strategy, contest
掌控 /zhǎngkòng/ B2	verb - to control, to dominate
反差 /fǎnchā/ B1	noun - contrast, disparity
交织 /jiāo Zhī/ B2	verb - to intertwine, to interweave
潜伏 /qiánfú/ B2	verb - to lurk, to lie in wait
逻辑 /luóji/ B1	noun - logic
审美 /shěnměi/ B2	noun - aesthetic, sense of beauty
分化 /fēnhuà/ B2	verb - to differentiate, to diverge
宣言 /xuānyán/ B1	noun - declaration, manifesto
诚意 /chéngyì/ B1	noun - sincerity, earnestness
初心 /chūxīn/ B2	noun - original intention, initial aspiration
信任 /xìnrèn/ A2	noun - trust