[English]
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According to legend, he was Britain's 's
greatest king.
The name of King Arthur resonates very
deeply with the British.
King Arthur led his knights at the round
table from Camelot, a vast spectacular
castle built on a
hill. But was the legend of Camelot
based on reality or simply a myth?
It's a very fuzzy and vague place. It's
it's it's glorious and it's glamorous.
If King Arthur really did
exist, then the remains of his castle
Camelot should lie buried somewhere in
Britain. But
where? In the 1960s, a team of
archaeologists used the latest
technology to try to prove the legend
was real. They were led by Leslie Orch,
a brilliant, energetic showman who
brought modern archaeology into the
mainstream. And in 1966, Leslie Or was
one of the rock and roll archaeologists
of his day.
Orcock identified a hill in Somerset
close to Glastenbury as the most likely
location for
Camelot. But could he really prove it
was the site of King Arthur's
castle? If he succeeded, it would be one
of the most important archaeological
discoveries of the 20th century.
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The man who would lay claim to Camelot
was born in Manchester in
1925. As a boy, Leslie Olcock was a
brilliant student, determined to better
himself both mentally and
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physically. Dad seems to have been full
of energy and drive. I found in his
cycling diaries that he used to cycle 30
miles a day before going to school in
the mornings. Um and and you see that
intellectually as well.
He won a scholarship to Manchester
Grammar and then another to Braznos
College,
Oxford, but his education was
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interrupted. During the Second World
War, Olco was posted to India where he
joined the seventh Girka rifles.
He became fascinated by the
subcontinent's history and
archaeology. He learned that the past
isn't just what people write in
textbooks, but often something tangible,
hidden in the
ground. In India, he would eventually go
on to work for one of Britain's most
flamboyant
archaeologists, Samortma Wheeler.
The story I'm telling you is not
fantasy. Wheeler's role was quite
crucial in a way. One of the newspaper
reporters said if he hadn't turned into
a great archaeologist, he'd have been a
matinea idol. Moreover, we can relate
this evidence was an amazingly
charismatic character
which it is agreed it's towards the end
of his active life. But nonetheless, um
boy could he still carry it on and um I
mean terrible old goat still.
Dan was invited by Samotomo Wheeler to
work at Mahenjidaro. This incredibly
important dig into the center of the
indust civilization and I think he was
taken on for a lot for his language
skills, for his ability to get on with
the locals as much for his
archaeological skills.
In
1946, Orco returned to a very different
Britain to the one he had left.
Post war, with its empire crumbling, the
country was shattered, hungry, and in
need of a
lift. A country desperate for new
heroes. In the early 1950s, morale was
boosted by the British expedition's
conquest of
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Everest and Roger Banister breaking the
4-minute mile.
reminders that Britain could still be
great. He'd obviously used up his last
ounce of energy, but what an achievement
for Banister and Britain.
But there was one hero from the past
people turn to more than any other.
The modern growth of Arthur is something
that happened after the second world war
when people were thinking more about na
national roots how they came to be so
and so
forth. There was a resurgence of
interest in the Arththeran legends. I
think primarily because King Arthur was
seen as a figure who united his country
in order to fight off Germanic invaders.
King Arthur was known as the once and
future king. Legend said he would rise
again and restore Britain to
greatness. Part of the story is that
Arthur is not really dead. He's in the
aisle of Avalon or he's in a cave of
sleep or some somewhere. And the idea
grew up that somehow other Arthur would
return and there would be a new golden
age in
Britain. Such was the fascination with
King Arthur. Postwar historians and
archaeologists wanted to prove the
legend was based on facts, not just
myth, and that Britain's very identity
was forged under the blade of the mighty
king.
King Arthur was supposed to have ruled
in the dark ages around 500
AD. He was said to have been born on the
Cornish aisle of Tintagel under the
watchful eye of the wizard Merlin.
The story goes that Arthur became the
true king of the Britain as only he
could draw the sword Excalibur that had
been set in
stone. He valiantly defeated invaders
who came across the sea from
Europe and in one battle singlehandedly
killed 960 men.
He unified his country from waring
factions. He defended it against
invaders. He led a band of knights, the
Knights of the Round Table, who were
famous for their adventures, for finding
the Holy Grail and rescuing damsels in
distress. And at the heart of the legend
lies Camelot, Arthur's magnificent
castle.
Sometimes it's said to have been built
and designed by Merlin the magician.
It's impregnable. It never falls to
invaders. Having several rings of walls
around a central keep with great gate
houses and towers on
them. It's got to be a suitable place
for a glorious king and his glorious
court. So it's rich. It's towering
ramparts. It's horses which are clad in
marvelous armors and people in beautiful
robes all being very gracious. It's a
fabulous
place. But separating the legend of
Camelot from real history was almost
impossible because people weren't
writing about events in dark age
Britain. In fact, there were no history
books at all. So there's no record of
King Arthur or Camelot at the
time. The first mention of Arthur was
not until the 9th
century, 300 years after he was supposed
to have lived in a book called the
Histori Bretonum.
Historia Bretonum told a story about a
historical Arthur who conducted a series
of battles against the Anglo-Saxons and
emerged from these battles as the great
victor. The author of Historia
Breton isn't a king.
He is given a title duk bellorum which
just means the battle leader or war
leader. However, there is no mention of
Camelot in the
historium. But academics reasoned that a
great war leader must have led from a
great castle of some kind.
Camelot the castle doesn't appear until
the 12th century when a writer called
Jeffrey of Monmouth first mentions
it as well as King Arthur's magnificent
round
table. He depicted Arthur's court as a
place of chivalry where the king treated
all knights as
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equals. Jeffrey Monmouth concocted his
history of the kings of Britain. This
has its centerpiece the life and career
of King Arthur. It's the first place
where for example his wife Queen Gwennov
is mentioned, his fabulous court, his
amazing weapons.
Thanks to Jeffrey of Monmouth, the
legend of King Arthur and Camelot was
born.
The idea that Arthur had a great castle
as his court became increasingly
inextricable from the legend um of
Arthur and his knights who could now be
seated around a round table in a
magnificent castle.
But because the King Arthur of legend
existed in the dark ages, not the Middle
Ages, when the texts were written, there
was no way of proving through recorded
history alone that he actually lived.
In fact, because recorded history was so
scanned, it was not until the 20th
century that archaeologists began
piecing together the story of dark age
Britain. After the Romans had left, a
time of supposed chaos and
barbarism, the idea formed that maybe
archaeology could offer answers where
the history books had failed. And just
maybe the remains of King Arthur's great
castle could be found buried deep
beneath the ground. It became one of the
century's great quests of popular
archaeology. When Leslie Olock was
growing up, one of the first to pioneer
the new search for what was now being
called Arthur's
Britain was archaeologist Raleigh
Radford.
For 5 years, he excavated around the
ruins of Arthur's legendary birthplace
and what some believed had been his
castle, the aisle of Tintagel in
Cornwall. What he found were pottery
fragments from half a world away.
Fragments that completely contradicted
notions of the dark ages.
Incredibly, these fragments were from
storage jars that once contained the
luxury goods of their day, like wine and
olive
oil. The importance of the Mediterranean
pottery is it actually showed links with
the late Roman world. To have this
material suddenly coming in and
recognized as being from dated contexts
in the in the in the Mediterranean, it
was a bolt of light.
Radford's pottery showed that rather
than being chaotic, leaderless, and
isolated, some dark age Britain were
actually very different.
Raleigh Radford with these fragments of
high status pottery was demonstrating
that far from a lapse into barbarism, a
break with Rome, Roman traditions, Roman
civilization and culture had still been
continued by the Britain in the face of
the invading Saxons.
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Radford's discoveries raised the
extraordinary question. If dark age
Britons were trading in luxury goods,
who would they have been destined for,
if not a king or leader of some
kind? Could Tintagel have been a
receiving port for a leader in the west
of Britain where King Arthur supposedly
reigned?
Because of Radford's pioneering work,
excitement grew that maybe King Arthur
really had existed and that archaeology
might even turn up something with his
name on
it. Perhaps the mighty sword
Excalibur or the remains of the round
table, maybe
even Camelot
itself.
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Among those profoundly influenced by
Radford's discoveries was Leslie
Olcock, who in the 1950s was an
assistant lecturer in archaeology at
Cardiff
University. On his first major dig,
Orcock stumbled across the Dark Ages
almost by accident.
He started digging at a site called
Dennis Pace just outside Cardiff. Um,
and he did that as a um, uh, thinking
that he was going to be dealing
essentially with an Iron Age
site. To his great surprise, Orco was
able to prove the Iron Age hill fort at
Dennis Pace had been reoccupied in the
dark ages a thousand years later.
Or's excavation sparked an interest in
post Roman Britain that would define his
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career. By the 1960s, he became
fascinated by new technology and
techniques in archaeology that he
believed might get to the bottom of the
King Arthur myth once and for all.
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And what better way to start than
finding the site of Arthur's legendary
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castle. But in a country with dozens of
claims to be the original site of
Camelot, working out where to dig was
the biggest challenge of all.
For dad, archaeology started very much
before the digging. And what I always
found was he was always looking in um
what was
written. So much is taking the writings
which the historical record and find
trying to find out if the historical
record is true
or the places talked about in the
historical record. Can we identify
them? By examining every mention of the
castle in the hundreds of stories that
had been written about King Arthur, Orco
gradually picked out the main
candidates. In the middle ages, Jeffrey
of Monmouth and the Romance writers had
said that Camelot lay in Calleon in
Wales, but that was thought to be based
on the presence of a Roman amphitheater
that looked like a giant round
table. Another possible candidate was
found in Mallalerie's Mort Darthur
published in 1485.
Sir Thomas Mallerie tried to ground his
version of the Arththeran legends and
he's very clear that Camelot isn't
Winchester. Mallerie's theory was based
on what was thought to be King Arthur's
round table which hangs in the great
hall in Winchester.
Carbon dating has in fact shown it was
made for King Edward I 700 years after
King Arthur was supposed to have
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existed. But it was the writings of John
Leland, antiquaryy to King Henry VIII
that really piqued Orcock's interest.
In
1542, Leland wrote that a hill next to
the village of South Cadbury in Somerset
was the location of King Arthur's
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Camelot. Leland quite specifically
dismisses all other candidates of
Camelot except for Cadbury.
He picks up the camel name from the
local village names, Queens camel, place
like
that. Leland sees in these very steep
slopes and the ramparts there and the
material. He gets almost about how
marvelous and how brilliant it all is.
Leilen said generations of locals had
called the hill
Camelot a fact that had even drawn the
attention of Orcock's mentor in India
Samortma Wheeler.
They said that their tradition was
they've been told by their fathers and
their grandfathers that King Arthur used
to resort to this place and it was known
as Camelot or
Camelot. That's the only real evidence
we have a local
tradition. It's quite possible I won't
say more than that that there is a
little element of truth in
this. Local author Jeffrey Ash, who had
written several books on King Arthur,
was so convinced that Cabri could be
Camelot, he approached Raleigh Radford,
asking him to dig the
site. Kenbury is big. The enclosure at
the top is 18 acres.
Rally Bradford was very much interested
in Arthur, but when I asked him, "Could
we excavate Cadbury?" His response was,
"It's too big. I wouldn't know where to
start." But then Ratford changed his
mind. Thanks to the findings of a dog
walker on the hill at Cadbury, Mary
Hairfield. She would go up there to walk
her dog. The dog's name was Caesar, and
she would walk about in plowed up fields
there and poke about with the the peril
of an umbrella, which is the most
elementary form of archaeology.
Mary Hairfield turned up fragments of
pottery that she thought was unusual and
presented it to Riley Radford.
Mary Hairfield's fragments were almost
identical to Radford's finds at
Tintagel. Raleigh Radford, who had a
vast experience of excavation throughout
the West Country, immediately recognized
as what he called tintagelware,
um high status table wear, high status
storage um jars, fragments from the
Eastern Mediterranean.
So oil, wine, and other luxuries had
been sent up from Tintagel to Cadbury
for someone of high status exactly at
the time that King Arthur was supposed
to have
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lived. And these weren't the only clues
that made Orcock and Radford want to
excavate what could have been King
Arthur's castle.
Cadbury had clearly been fortified at
some
time, its banks riged with earthn
ramparts, possibly to protect a large
army, just as Arthur was supposed to
have
led. And it was located just 11 miles
from Glastonbury with its Arthurian
associations and would have been on the
front line in battles with invading
Anglo-Saxons pushing
west. Even the ordinance survey map used
to call it Camelot.
Radford, Olock, and Wheeler staked their
reputations on discovering Camelot at
Cadbury. Failure to find it wasn't an
option.
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In 1965, the Camelot Research Committee
sat for the first time, tasked with the
excavation of South
Cadbury. Samortma Wheeler agreed to be
president, offering advice from afar.
Wheeler compared their quest to the late
19th century discovery of an ancient
city also thought to be entirely
fictitious until archaeology had proved
otherwise. One of the things which uh
Samortum Wheeler was very very keen to
stress was that it was possible for
archaeologists to discover legendary
locations. He said, "If Hinrich Schlean
could find Troy, then why shouldn't
English archaeologists be able to find
Camelot?" The man who had started the
search for King Arthur at Tintagel,
Raleigh Radford, was the committee's
chairman.
The last surviving member of the
committee today is Arthyan author
Jeffrey Ash.
I was co-founder and I was secretary. I
was the one who wasn't actually an
archaeologist. I kept the minutes and
things like that and handled the
correspondence. Leslie Orcock was the
final committee member selected as the
outstanding dark age archaeologist of
the day.
Leslie because of his reputation as an
excavator and his knowledge because of
Dennis
Pace as well as his wider archeological
knowledge um was was invited to come on
board and appointed as director of
excavations.
Unlike Radford Orch was undaunted by the
scale of Cadbury.
I think it was the challenge of South
Cabbury which is what appealed to
Leslie. It's a time of big projects. Um
the BBC were digging Silbury Hill for
the first time. And South Cabbury was
going to be if he got the money a big
project. But on a hilltop of 18 acres,
working out just where to start digging
was in many ways more of a challenge
than digging itself.
Olco was pioneering in his early use of
geoysical surveying in deciding where to
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excavate. It's often said that Leslie
Orcott was on the rock and roll
archaeologists of his day. He was
actually at the cutting edge of the
white heat of technology. He used every
technological means at his disposal to
make sure that when they finally got
picks and shovels out, they were digging
in the right
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place. Die Morgan Evans was a young
supervisor on the search for Camelot who
was tasked with using the new
technology.
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One of the the clinches there was the
use of what became called the soil
anomaly detector. Um, and rather than
calling it SAD, it was called a banjo.
17. It looked like a banjo. It had a
round disc at one end and a box at the
other connected by a long metal pole.
45.
What you had to do is you laid out 20 m
grids and you walked along calling out
measurements at every in few intervals.
31.
These were then written down by
somebody. It became really repetitive,
boring. It was
awful. But it wasn't just advanced
technology deployed to work out where to
dig. He was prepared to humor some of
Jeffrey Ash's new age
beliefs. I used
dowsing, sometimes called water
divining, but it needn't be only water.
It can detecting other
things. Lizzie very
generously allowed me to do it. Now, I
think this was brave of him because we
were working with the media breathing
down our necks and it could so so easily
have been made
ridiculous to say that they're dealing
with dowsing
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rods. Back at base, Orco began to
analyze the data from his geoysical
surveys.
He could tell the site was originally
Iron Age, but could it have been
reoccupied and refortified at the time
of King
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Arthur? The banjo readings seem to
suggest
so. There was only one way to know for
sure. When you're faced with a mass of
preliminary evidence, there's only one
way to resolve the problems and to sort
it out, and that's to excavate.
But a dig of this scale needed a lot of
money. The Camelot Research Committee
had to somehow raise
£15,000 to finance the
excavation, the equivalent to almost a
quarter of a million pounds
today. However, the committee knew just
using the very word Camelot was
guaranteed to get people's attention.
[Music]
In America, Camelot the musical had been
the biggest show on
Broadway. President Kennedy's inner
circle had been named after
Camelot. The name Camelot was on
everyone's lips, capturing imaginations
on both sides of the Atlantic.
Using the name Camelot was incredibly
significant. Leslie Or was very keen to
popularize archaeology and the idea of
King Arthur and Camelot might lead to an
appreciation of history in these dark
ages was important to him as a
democratic way of explaining to beyond
the elite of academia exactly what he
was digging up.
With donations from the BBC, the
Pilgrims Trust in America, and an
exclusive deal with the Observer
newspaper, finally the committee raised
enough to begin the
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dig. But none of the archaeologists knew
that one of the committee had personally
taken a huge financial risk to ensure
the excavation could
proceed. We were aware of the money
constraints we had to spend. Leslie at
times would get very twitchy. Um which
doesn't surprise me because I only
learned later on that he at one stage
he'd actually put up um uh his house as
security.
Messi Orlock was a brilliant manager, a
brilliant organizer and considering the
troubles he was up against, he was a
very courageous man.
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The dig for Camelot took place on the
top of a hill and on the southern side
where a major trench was dug from top to
bottom.
It was a time of really quite high
tension because there was a need to
deliver. It was a funny mixture of
excitement, tension, and used to come
away absolutely rung out and and feeling
like a a wet dishloth at the end of it.
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Orchok's team cataloged all their
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discoveries. And hopes were dramatically
raised when someone found an artifact in
the shape of a
letter. For all the letters it had to be
in the alphabet, it was the letter A.
And that of course caused huge
excitement at the
time. The A had to stand for Arthur.
Surely proof of Cadbury's claims to
Camelot. Orco was so pleased with the
find, he persuaded Samortma Wheeler to
come and see Arthur's brooch.
But after careful analysis, the A is
discovered to be a Roman brooch dating
from before the dark
ages. It couldn't possibly be
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Arthurian. Despite the setback, Orco's
team pressed on. The morale boosted by
regular appearances of Samortima
Wheeler.
He said to Leslie Orcock, "Dig
there did dutifully did dig there and
found things." So a was quite right. But
he had an instinct by then, you know.
Orcock's other great mentor and
collaborator, Raleigh Radford, would
regularly visit the dig to check on
developments.
[Music]
Bradford was sort of almost an amateur
archaeologist in his own way as a
gentleman of independent means, although
he was taken very seriously in some
ways.
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Riley Radford was an inspiration to a
whole succeeding generation of
archaeologists and not surprisingly
Leslie Or started digging at a lot of
the sites that Riley Radford had first
drawn people's attention to.
Another regular visitor to the site was
Orok's son John.
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I think South Cabbury was just very
special. When you looked at the side of
a trench, you you're talking layer after
layer of
history. There's my dad standing beside
saying to me, "Well, that's the medieval
lair. That's the dark age lair."
The dig for Camelot was getting huge
publicity. After six weeks of
excavations, Orco appeared on the BBC to
explain their progress.
Well, we've now reached the end of our
work in 1966. And both the traces of
buildings that we found and the finds
particularly give us every reason to
believe that we've got a good site here
of the 6th century AD in particular.
By now, interest in the dig had spread
beyond
Britain. Orco needed to raise more money
for further excavations and was given a
huge boost by an unexpected source.
One evening I was at home, the telephone
rang, I picked it up and a voice said,
"This is Warner Brothers. Where was
Camelot?
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Camelot, the Broadway musical, was being
turned into a major motion picture
starring Richard Harris and Vanessa
Redgrave.
They wanted this for the film. You see,
they were going to put a map in the
film. So, I said it was in Somerset.
Well, of course, I said that.
That's my one contribution to Hollywood.
For Leslie Olcock, Hollywood's interest
was another great marketing
opportunity. You're talking about a time
when Camelot had come out, when the
Arththerian legend was a fascination to
everyone. And my dad saw that by pushing
that side of it that this could be
Camelot, he would get money to do the
serious excavation. And what's more, by
going to America, he could tap into a
much bigger market with more money.
[Music]
In the summer of 1967, the search for
Camelot started up
again. Thanks to the film, the committee
raised enough funds, principally from
America, to continue digging for another
three summers.
[Music]
Well, it's the time when um flowers are
coming from San Francisco. You've got um
Sergeant Pepper and Lowly Heart Tub
Band. It's sort of the hippie
era. It was all high degree of interest
and with the television cameras and the
newspapers and that it was all very very
buzzy.
The dig for Camelot went on for a
further 3
years. As it drew to a close in 1970,
Orcock made two extraordinary
breakthroughs. His team found a late
Roman coin of dark age origin buried in
the fortifications that proved that the
ramparts dated almost exactly to the
time Arthur was supposed to have
existed. the Eureka moment, if you like,
where they realized that there was some
substance to the legends which had got
them digging was discovering this wasn't
only an Iron Age Celtic site that maybe
some Saxons had lived on top of, but in
the actual Arththeran period had been
fortified, had been turned into an
actual castle.
And if it was a dark age castle, who was
to say it couldn't be
Camelot? But then Olock made an even
more remarkable
discovery. The remains of a great
hall. A hall littered with dark age
potshards almost certainly used for
banqueting by a great ruler at the time
of King Arthur.
maybe even Arthur himself.
At South Cadbury, there was a gigantic
hall, a hall at least 20 ft across that
could easily have fitted something of
the size and scale of the round table at
Winchester, for example.
It was proof surely that Camelot lay at
South Cadbury. Here was my dad saying,
"Actually, I'm the guy with the physical
evidence. I've got the great big hall.
You know, I've got something that is far
more likely to be Arthur's Camelot than
anything anyone else has found."
If the castle was surrounded by dark age
fortifications and contained a great
leader's feasting hall, it seemed King
Arthur really could have ruled from
Cadbury.
[Music]
Are you yourself convinced that these
were the defenses of King Arthur
himself? Well, in my most cautious mood,
I would only go this far to say that um
if it isn't Arthur
himself, then it's another great
military leader so like him that it
doesn't make tons of difference.
[Music]
Olco and his team were
triumphant. They basked in the knowledge
that they had shown the legend of King
Arthur and Camelot to be real after all.
[Music]
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But little by little, doubts about the
dig at Cadbury started to
emerge. Academics began to question
Orcock's methods and his evidence.
There's nothing at South Cabbury which
would make one believe that there was an
Arthur in the sixth century than one did
without
it. In terms of finding evidence for a
historical
Arthur, it completely
failed. Every generation of
archaeologists challenges those that
went before it. They challenge their
assumptions and they they challenge
their findings. That's the discipline of
archaeology.
Believing that a war leader called
Arthur led the Britain in the heroic
defeat of the Anglo-Saxons in the sixth
century is akin to believing that an
Englishman in a dinner jacket called
James Bond defeated the Soviet Union in
the late 20th century.
[Music]
The evidence for King Arthur's great
hall on Cadbury was highly dubious at
best. They
said it wasn't big enough for a round
table at
all. It gets called a great hall, but to
be honest, it's actually quite a small
hall. An awful lot is placed on the
shoulders of a really rather modest
building.
Not only was there no archaeological
evidence, even the historical texts,
which Orc had based his research on were
questionable, to say the
least. The new skeptics dismantled the
written foundation stone of Arththerian
claims. Rather than being a history,
they said the Histori Brettonum, which
first mentioned Arthur, was a work of
9th century propaganda and had its
chronology of the dark ages all wrong.
David Dunville's work in the
1970s
completely discredited most of the
evidence that Orcock and others
supporting the idea of a historical
Arthur had used.
Obviously, this had a pretty negative
impact on the credibility of Orcock's
work.
Some hinted that Orchok had committed
historical heresy. He had tried to give
credibility to works of fiction rather
than establish the truth.
Even the very idea of Arthur the heroic
Britain battling invading
Anglo-Saxons was misconceived. They
said since the
1970s the relationship between the
Anglosaxons and the Britons has been
increasingly reassessed and we would now
tend to think of that relationship as
much more complicated and nuanced if you
like.
Instead of continuous warfare and
hostility, some Britain and some
Anglo-Saxons lived peacefully side by
side. By the end of the 1990s, no
serious historian dared associate the
dark ages with a real King Arthur
again, including Orcock
himself. He had the great sense, rare
among myth hunters, to accept that he
was probably
wrong. I'm not aware of my dad taking
criticisms hard. He always saw there was
another argument. He always had some
doubts as to whether Arthur existed.
He he always was prepared to accept
there were other sides to the argument.
Despite his mistakes at Cadbury in
1973, Orco became the first professor of
archaeology at Glasgow University and
excavated dark age hill forts in
Scotland with huge success.
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Orcock's legacy was not only furthering
our understanding of dark age Britain,
but also the lasting impact he had on
the archaeologists he
taught. Without a doubt, Orcock's work
encouraged an interest in dark age
archaeology among a succeeding
generation of
archaeologists, most of whom are active
today.
Leslie was a great
teacher, a great academic and I think he
deserves more recognition than probably
he gets and I think in due course his
his contributions will be fully
recognized not least amongst the sort of
the hundreds of um students that he
trained and sent out into the
archeological world.
You can't underestimate Leslie Orcott's
contribution to the world of
archaeology. This was a remarkable step
change in the way the archaeology and
the public interacted and it's a legacy
that we're still living under.
As for South Cadbury, the hill fort is
now barely even signposted.
home just to cows and walkers. Its
association with King Arthur once again
buried deep beneath the
ground. And although he may not have
found Camelot, Orco had discovered the
fortified remains of a great leader.
You certainly didn't find the Camelot of
Romance as you found it in the Middle
Ages. We did find that the hill had been
a great fortified place at exactly the
right
time. And we now know South Cadbury Hill
Fort was one of Britain's largest and
most significant ancient
settlements occupied for 4,000 years
from Neolithic times until the Middle
Ages.
Leslie Or's excavation at South
Cabarbury was in many ways a great
success. It found an outstandingly
useful sequence of occupation from a
British hill
fort. And where does that leave the
legend of King Arthur? Was he just a
myth after all?
I personally think that Arthur did exist
that as a Dux Balorum he was a great
military leader where he was when he was
I can't be
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sure I think we can say that there was a
real person he is called king of the
Britain
every nation needs its foundation myth
And Britain's is the legend of King
Arthur and
Camelot. A legend that lives
on. Heat. Heat.
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