Display Bilingual:

So, you can just walk in here? Anyone 00:01
can just walk right in. Well, it helps 00:04
that last year I made out with the 10 00:06
flap guard Rico. But basically, yeah, 00:08
anyone. When I think of all the times I 00:09
left my purse on a table here 00:12
unattended, I shudder. Shudder. 00:13
[laughter] 00:17
Okay, so we can't get in the actual 00:17
building without being caterers. So, we 00:19
have to change into those uniforms. 00:21
Wait, you never mentioned anything about 00:23
a rent to close situation. Small price 00:25
to pay for us making it. Is it? Is it a 00:27
small price to pay? 00:31
>> Hurry. We have a superstar to stock. I 00:36
thought I would hate it, but I'm kind of 00:39
into it. I'm very Janelle Monae. 00:40
>> No, you're Janelle. I have no Monae. 00:43
What are we going to do with our 00:45
dresses? We can't leave them out here. I 00:46
need them inside. I have to look amazing 00:48
when I meet Martha Stewart. What does it 00:50
matter what we're wearing? We're still 00:52
going to be the two crazy girls chasing 00:53
her down with a cupcake. That's why it 00:55
matters. Oh. Oh, I know. Here, help me 00:57
get the shelves out of this. We can hang 01:01
our dresses in here and push them in. 01:02
Brilliant. Kind of like the Louis 01:04
Vuitton travel wardrobe I used to have. 01:05
We're the service elevator I was born 01:08
in. 01:09
[music] 01:12
>> Coming through. HOT FOOD. LOOK OUT. VERY 01:13
HOT, MAN. It's hot. YOU'RE A WAITER, NOT 01:15
A WEATHERMAN. 01:18
>> HEY, pretty girls. I like the way you 01:18
push around that big steel box. Why 01:20
don't you come over here and I'll have 01:21
sex with you? [laughter] 01:22
>> A display like that really makes you 01:26
appreciate Oleg's nuance. 01:28
>> Okay, let's go right to the ladies room 01:33
so we can change. Is it that way or that 01:35
way? 01:37
>> What? 01:39
Johnny, how'd he get invited? This used 01:41
to be an exclusive event. He's made it. 01:44
He goes where made it people go. Why are 01:46
we hiding from that low life? If he sees 01:49
me in another waiter uniform, I'm the 01:51
sad girl always in the uniform. If he 01:53
sees me in that dress at the ball, he 01:55
can suck it. Ladies room that way. 01:57
The ladies room is RIGHT DOWN HERE. PUSH 02:06
HARDER. 02:08
CARTER, you want MARTHA TO SEE YOU 02:11
DRESSED LIKE THAT? 02:12
>> MOVE COMING THROUGH. 02:14
>> HERE'S THAT FOOD EMERGENCY. 02:15
FINGERS, FINGERS, FINGERS, FINGERS. 02:17
COMING THROUGH. COMING THROUGH. Excuse 02:19
us. Look alive, right? I almost hit you. 02:21
>> Hold up now. Just hold up. What is going 02:23
on right now? You can't bring food in 02:25
here. 02:27
>> Oh, it's not food. That would be weird. 02:28
It's dresses. We have to change into 02:30
these cuz she has this guy she wants to 02:32
impress and I have to change into it 02:33
because I'm stalking Martha Stewart. Oh, 02:35
I'd be a terrible spy. [laughter] 02:37
>> Usually, I don't get the long stories 02:40
till the end of the night. And by then, 02:41
the girls are crying and begging me for 02:43
wisdom and tic tacs. 02:44
I'll go first. I have to get two of 02:47
these in one dress. Miss, do you have a 02:48
shoe horn? [laughter] 02:50
[music] 02:57

– English Lyrics

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Lyrics & Translation

[English]
So, you can just walk in here? Anyone
can just walk right in. Well, it helps
that last year I made out with the 10
flap guard Rico. But basically, yeah,
anyone. When I think of all the times I
left my purse on a table here
unattended, I shudder. Shudder.
[laughter]
Okay, so we can't get in the actual
building without being caterers. So, we
have to change into those uniforms.
Wait, you never mentioned anything about
a rent to close situation. Small price
to pay for us making it. Is it? Is it a
small price to pay?
>> Hurry. We have a superstar to stock. I
thought I would hate it, but I'm kind of
into it. I'm very Janelle Monae.
>> No, you're Janelle. I have no Monae.
What are we going to do with our
dresses? We can't leave them out here. I
need them inside. I have to look amazing
when I meet Martha Stewart. What does it
matter what we're wearing? We're still
going to be the two crazy girls chasing
her down with a cupcake. That's why it
matters. Oh. Oh, I know. Here, help me
get the shelves out of this. We can hang
our dresses in here and push them in.
Brilliant. Kind of like the Louis
Vuitton travel wardrobe I used to have.
We're the service elevator I was born
in.
[music]
>> Coming through. HOT FOOD. LOOK OUT. VERY
HOT, MAN. It's hot. YOU'RE A WAITER, NOT
A WEATHERMAN.
>> HEY, pretty girls. I like the way you
push around that big steel box. Why
don't you come over here and I'll have
sex with you? [laughter]
>> A display like that really makes you
appreciate Oleg's nuance.
>> Okay, let's go right to the ladies room
so we can change. Is it that way or that
way?
>> What?
Johnny, how'd he get invited? This used
to be an exclusive event. He's made it.
He goes where made it people go. Why are
we hiding from that low life? If he sees
me in another waiter uniform, I'm the
sad girl always in the uniform. If he
sees me in that dress at the ball, he
can suck it. Ladies room that way.
The ladies room is RIGHT DOWN HERE. PUSH
HARDER.
CARTER, you want MARTHA TO SEE YOU
DRESSED LIKE THAT?
>> MOVE COMING THROUGH.
>> HERE'S THAT FOOD EMERGENCY.
FINGERS, FINGERS, FINGERS, FINGERS.
COMING THROUGH. COMING THROUGH. Excuse
us. Look alive, right? I almost hit you.
>> Hold up now. Just hold up. What is going
on right now? You can't bring food in
here.
>> Oh, it's not food. That would be weird.
It's dresses. We have to change into
these cuz she has this guy she wants to
impress and I have to change into it
because I'm stalking Martha Stewart. Oh,
I'd be a terrible spy. [laughter]
>> Usually, I don't get the long stories
till the end of the night. And by then,
the girls are crying and begging me for
wisdom and tic tacs.
I'll go first. I have to get two of
these in one dress. Miss, do you have a
shoe horn? [laughter]
[music]

Key Vocabulary

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Vocabulary Meanings

shudder

ˈʃʌdər

A2
  • verb
  • - to tremble or shake, typically as a result of fear, horror, or revulsion

caterer

ˈkætərer

A2
  • noun
  • - a person or company that provides food and service for events

uniform

ˈjuːnɪfɔrm

A1
  • noun
  • - a set of standard clothing worn by members of an organization

situation

ˌsɪtʃuˈeɪʃən

A2
  • noun
  • - the state of affairs at a particular time

superstar

ˈsuːpərstɑr

A1
  • noun
  • - a very famous person, especially in sports or entertainment

stalking

stɔkɪŋ

B1
  • verb
  • - to follow or observe someone persistently and stealthily

brilliant

ˈbrɪliənt

A2
  • adjective
  • - exceptionally clever or talented

nuance

ˈnjuːɑns

B2
  • noun
  • - a subtle difference in or shade of meaning, expression, or sound

exclusive

ɪkˈskluːsɪv

B1
  • adjective
  • - restricted to a particular group or individual

impress

ɪmˈprɛs

A2
  • verb
  • - to have a strong effect on someone or something

wisdom

ˈwɪzdəm

A2
  • noun
  • - the ability to make good judgments based on experience

begging

ˈbɛɡɪŋ

A1
  • verb
  • - to ask for something in a desperate or humble manner

tic

tɪk

B1
  • noun
  • - a sudden, repetitive, nonrhythmic motor movement or vocalization

shoe

ʃu

A1
  • noun
  • - an outer covering for the foot, typically made of leather or a similar material

horn

hɔrn

A1
  • noun
  • - a hard, pointed, often curved outgrowth on the heads of certain animals

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Key Grammar Structures

  • So, you can just walk in here? Anyone can just walk right in.

    ➔ Tag question

    ➔ The phrase "can just" is used to express surprise or disbelief, typical of tag questions.

  • But basically, yeah, anyone.

    ➔ Adverb placement

    "Basically" is placed at the beginning for emphasis, modifying the entire sentence.

  • I thought I would hate it, but I'm kind of into it.

    ➔ Contrastive conjunction

    "But" is used to contrast the expected dislike with the actual enjoyment.

  • We can't leave them out here. I need them inside.

    ➔ Double negative (informal)

    ➔ The contraction "can't" and "them out here" form a double negative, common in informal speech.

  • Kind of like the Louis Vuitton travel wardrobe I used to have.

    ➔ Simile

    "Kind of like" introduces a simile, comparing the current situation to a Louis Vuitton wardrobe.

  • YOU'RE A WAITER, NOT A WEATHERMAN.

    ➔ Parallel structure

    ➔ The phrase uses parallel structure with "a waiter" and "a weatherman" for emphasis.

  • Oh, I know. Here, help me get the shelves out of this.

    ➔ Imperative mood

    "Help me" is in the imperative mood, used to give a direct command.

  • Usually, I don't get the long stories till the end of the night.

    ➔ Adverb of frequency

    "Usually" indicates frequency, describing a habitual action.

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