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大家好 00:15
我是开开 00:16
是一个做书的人 00:17
和大多数编辑不太一样的是 00:20
我的作者是一群 00:22
5到17岁的儿童和青少年 00:24
我们在当下获取信息的方式 00:27
已经变得越来越多 00:30
越来越快 00:31
对于很多年轻人来说 00:32
阅读和书籍已经成为 00:34
我们最低效的一种获取信息的方式 00:37
今天我想要为大家分享书这个工具 00:42
带着大家重新去看待书与书写 00:46
重拾书这个古老的媒介 00:49
我也想带着大家看看我和孩子 00:52
以书为媒介进行的一些创作和表达 00:56
在这些作品中 00:59
除了一些杂志的形态 01:00
还有一些结构特殊的手制书 01:03
这些作品都可以被称作是艺术家书 01:07
大家可能乍一听到这个概念会有一点疑惑 01:11
我在这里引用美国的一个艺评家 01:16
他同时也是一个策展人 01:19
他叫Lucy Lippard 01:21
他说艺术家书既不是艺术书籍 01:23
也不是一本关于艺术的书 01:26
它专注在书的形式构思 01:29
然后将一系列紧密相关的思想图像 01:31
放置在一个便携的载体中 01:35
它在形式上有所节制 01:38
但是在范围上却野心勃勃 01:40
我是2018年创立SHU SHU工作室 01:42
我们关注社会 教育和艺术 01:46
以书为媒介进行创作和实践 01:49
到目前为止 01:53
我们总共完成了三期杂志 01:54
这些杂志全部都是由青少年自己来 01:57
展现和讨论他们的生活和观点 02:01
Pod会关注一些严肃的社会议题 02:05
这三期第一期是关于暴力 02:08
第二期叫做谁是女巫 02:12
这一期关注的是女性主义 02:14
然后第三期是《墙》 02:17
当我们做完这些杂志 02:20
我会和孩子们一起参与艺术书展 02:22
在书展上这些作品收获了很多读者的喜欢 02:26
也获得了一些正式出版的机会 02:30
但是仍然有很多人感到很惊讶 02:33
说孩子们为什么会关注 02:37
像暴力 女性主义这种沉重的话题 02:41
他们有能力参与吗 02:44
其实我想说 02:46
我们的世界并非只属于成年人 02:47
因为孩子也是这个世界的参与者和旁观者 02:51
因此我要再次引用13岁的嘉佳 02:55
面对记者时的一个回答 02:58
她说成年人不要太看轻自己 03:00
在每个人的童年都有过这些思考的瞬间 03:04
在2021年的时候 03:09
我在一席曾经分享过《暴力》 03:11
还有《谁是女巫》这两期杂志 03:14
今天我想为大家分享第三期杂志《墙》 03:16
我们为什么要用墙 03:21
来作为我们杂志的主题呢 03:24
因为我们在当下看到 03:27
无论是肤色 民族 信仰的不同 03:28
还是观念和立场的不同 03:32
人与人沟通的鸿沟在不断地加大 03:35
还有我们对智能手机 03:38
还有社交媒体的日益依赖 03:40
更是让我们进入了一个看似开放 03:43
实则更为狭隘的世界 03:46
这是当时三个13岁的女孩 03:49
从右边是嘉佳 豆豆 草莓 03:52
还有包括我在内的成年人 03:56
面对的一个共同的困惑 03:59
我们需要向世界发问 04:02
我们先是追溯了墙最原始的含义 04:04
嘉佳拆解了墙的甲骨文的写法 04:08
我们可以看到 04:12
墙其实最初是一个谷仓 04:13
是用来储备粮食 04:17
但是我们想要去挖掘墙更广义的属性 04:19
去看看人与人之间的那种隔阂障碍 04:24
还有沟通的一系列的问题 04:29
这个是13岁的嘉佳她创作的一幅漫画 04:33
叫做《面具》 04:36
画中这个名叫小桐的女孩儿回到家 04:38
然后她的妈妈迎面走来 04:42
她刚想摘下这个面具 04:43
但是她突然想起 04:45
前几天把面具摘下来之后 04:47
和妈妈发生了很多冲突 04:49
于是她戴上面具 04:51
开始愉快地和妈妈对话 04:52
等她回到房间 04:55
她摘下面具 04:56
终于做回了真实的自己 04:57
然后她把书包抛到一边 05:00
然后躺在床上去睡觉了 05:02
但是在另外一个房间 05:05
她的妈妈也在梳妆台前 05:07
把自己的面具摘了下来 05:10
我们还邀请了10岁的至柔 05:13
为我们创作了这幅漫画 05:16
在这幅画里 05:19
至柔有一次跟妈妈说 05:20
她星期天的时候有一个朋友 05:22
邀请她去家里做客 05:25
然后妈妈非常愉快地答应了她 05:26
但是过了几天 05:29
妈妈在开车的时候跟至柔说 05:30
我有事 05:34
去不了了 05:35
至柔就委屈地哭了 05:36
她的妈妈就觉得至柔也不理解自己 05:39
然后就非常生气 05:41
至柔见状赶快跟妈妈道歉 05:43
但是已经晚了 05:46
然后妈妈拒绝再跟至柔沟通 05:47
哪怕回到家 05:51
不管至柔怎样跟妈妈道歉 05:52
想要沟通 05:56
但都无济于事 05:57
这幅漫画来到最后这个画面 05:59
至柔把那种 06:02
和妈妈沟通无果后的困顿无力 06:03
表现得淋漓尽致 06:06
与此同时 06:09
嘉佳和豆豆也在思考成年人的处境 06:10
嘉佳在杂志里写道 06:14
她说我眼中的成年人似乎都非常固执 06:16
听不进别人的话 06:20
不愿意接受新的观念 06:21
并且非常难以沟通 06:23
于是豆豆和嘉佳画下了这两幅画 06:26
她们试着从成年人的角度去理解他们 06:30
也或许是工作和生活的压力 06:35
无一不让大人们感到疲惫 06:38
豆豆也开始反思作为青少年 06:42
他们是如何屏蔽和隔离这个世界的 06:45
他们带着这种硕大的耳机 06:48
还有各种各样的电子屏幕 06:50
她也分析了青少年隔离世界的原因 06:54
有这种父母对学业的催促唠叨 06:58
还有要参加数不清的 07:02
这种兴趣班 培训班 07:05
这些东西都不断地 07:07
压缩着青少年的自我的空间 07:09
然后逼得他们无处逃离 07:12
豆豆也开始从另一个角度 07:15
去做了一个耳机历史的研究 07:17
她通过这个过程想要去看看 07:21
机器与人是如何相互影响 07:24
又是如何相互塑造的 07:27
然后通过现代人对耳机的依赖 07:29
她设计了一款未来式的耳机 07:33
这个是她画下的她设计的原理 07:38
还有这个耳机的适用场景 07:41
在左边这一副 07:44
就是说你如果不戴这款耳机 07:45
你就要一直要听父母的唠叨 07:48
但是你拥有了这款耳机 07:50
你就可以对这些唠叨充耳不闻 07:52
这个产品其实它是有副作用的 07:55
如果重度使用之后 07:58
就是人也被机器越来越异化 08:00
然后变成了这种赛博人 08:03
当时疫情期间的网课 08:06
也成为了一种最彻底的物理隔绝 08:09
孩子们都感受到了身心疲惫 08:13
于是我们邀请了一位13岁的女孩 朵朵 08:17
为我们撰写了这篇文章 08:21
然后这是文章里的一段节选 08:25
她说网课让我变得懒散 08:28
常常晚睡晚起 08:30
往往是白天无所事事地刷手机 08:32
晚上开始懊悔 08:35
而第二天照旧 08:37
我看着身边的朋友 08:39
发现他们的情况也不好 08:40
有些被隔离 08:42
被强迫关在学校一个多月 08:43
你甚至可以嗅到弥漫在空气中的情绪 08:46
他们的精神状况像弦一样绷着 08:49
随时可能会断 08:52
这个是5岁半的图钉 08:55
为这篇文章的一个配图 08:57
在这个插图中 09:00
第一天他还非常开心 09:02
边吃着水果边看着电脑 09:05
但是到了第五天 09:07
他已经心情非常烦躁 09:09
头发都立起来了 09:11
到了第十天 09:12
他已经开始愤怒地拿着斧头 09:14
想要把这个电脑给毁掉 09:17
这个板块是关于社交媒体对人的影响 09:20
这幅画是由嘉佳来完成的 09:25
这幅是关于信息茧房 09:28
画中的女孩正在看一个美妆视频 09:31
然后她手动点了一个赞 09:35
这个赞就把这个女孩吸入到了一个空间 09:38
在这个空间里不断地有美妆视频给她推送 09:41
这一幅画是讲这个女孩 09:48
她躺在沙发上悠闲地看手机 09:51
当她看到三个爆炸性的新闻时 09:54
她怀着那种吃瓜人的激动心情 09:57
想要去跟朋友分享 10:00
等她到了楼下 10:02
发现这些人群其实都在聊相同的话题 10:04
我们其实已经意识到 10:09
这种同质化的信息和内容 10:11
已经让我们的世界变得越来越乏味 10:14
而且我们也逐渐丧失了 10:17
主动去获取信息的这种欲望 10:20
这期杂志最开始 10:25
我们还做了一些实体墙的研究 10:27
曾经一堵高墙将一个国家分割 10:30
这就是柏林墙 10:33
它看似广为熟知 10:35
但我们仍然好奇 10:37
并想一探这堵墙到底隔开了什么 10:39
我们想抛开那种历史教科书般的呈现 10:43
把视角投向了 10:48
当时历史处境下的普通民众 10:50
我们通过大量的阅读 查证 10:53
还一起看了《再见列宁》的电影 10:55
我们就是想通过各个角度 10:58
去了解当时普通人 11:01
在这种分割下的悲痛和创伤 11:03
这是草莓画下的《再见列宁》 11:07
电影里的一个经典镜头 11:10
我们还把视角投向了美墨边境墙 11:13
这个是2019年两个美国的建筑师 11:17
在美墨边境墙架起的三个粉红色的跷跷板 11:20
草莓对这个艺术装置进行了一个全新的艺术处理 11:25
她也通过这幅画 11:30
发出我们共同渴望这种的心声 11:31
通过这个过程 11:37
我们去回望历史 11:39
思考远方 11:41
然后再结合我们当时的处境 11:42
我们才发现 11:45
其实历史是在引领我们 11:47
重新审视当下的生活和自我 11:49
历史就像一个庞大的经验库 11:52
里边蕴含着无数的智慧和错误 11:54
通过理解这些历史教训 11:58
我们能更加清晰地认知当下的社会和个人行为 12:00
当这本杂志最终完成 12:05
我们慢慢地通过这个杂志的创作 12:08
把一些隐藏在日常生活下的 12:12
困境和弊端挖掘出来 12:15
然后去思考它 呈现它 12:17
孩子们也在这个过程中 12:21
完成了自我的探索 12:23
去年我们的杂志 12:26
也去向了更远的地方 12:28
这是分别在伦敦和都柏林的艺术书展 12:30
此外在欧洲的一些艺术空间也得以展示 12:34
Pod的第四期 12:39
它的主题是关于鲁迅 12:40
我们选取了4篇鲁迅的文章 12:43
用年轻人当下的视角去做一个全新的诠释 12:47
其中比较特别的一篇是《狂人日记》 12:53
孩子们把它做了一个完全的改编 12:56
并以此设计了一款狂人桌游 12:59
希望未来可以有机会给更多的人讲述这本书 13:03
看完以上的内容 14:47
相信大家已经可以看到 14:49
其实年轻人是完全可以去表达 14:51
并且是深入的表达 14:56
但其实好多刚来跟我做书的孩子 14:58
你问他对一些问题的看法 15:02
他也会说不知道 没想法 15:05
但表达不是凭空而来的 15:09
表达是需要练习的 15:11
在这里我分享尼采的一句话 15:13
用艺术家的透镜去看科学 15:17
而用生命的透镜看艺术 15:20
那什么是生命的透镜呢 15:23
我认为是我们可以真切地去感受生活 15:26
和我们身边微小的事物 15:30
因为任何真诚的思考和情感 15:32
都是值得分享和表达的 15:35
12岁的穗穗跟我做书 15:38
她非常羡慕刚才那些大孩子做的杂志 15:41
她也担心自己没有深刻的表达 15:45
但是我通过跟她聊天 15:49
发现她非常喜欢义乌小商品和复古零食 15:51
于是我们就把她喜欢的零食 15:55
做成了一本2025年吃好喝好的年历 15:58
她也通过这个过程 16:02
然后确认了自己也可以画得很好 16:04
并且可以做出打动别人的作品 16:07
8岁的图钉是我自己的孩子 16:12
他根本不可能特意跟着我做书 16:14
但是他在家里总是随意地拿出一些纸 16:18
钉起来 16:21
把它做成书 16:22
然后去创作故事 16:23
他也会花费好几个月的时间 16:25
在这种长长的纸上进行创作 16:28
右边这张图是他看完《里斯本丸沉没》的纪录片 16:31
他自己创作了一场国家间的战争 16:36
他把每一个国家都设想成是一个动物 16:40
这个是里边放大的细节 16:45
法国是那种骄傲的公鸡 16:47
德国是大象 16:50
里边有错别字 拼写错误 16:51
其实图钉他画这些画的时候 16:55
根本不是在画画 17:00
也不是在做书 17:02
在某种意义上来说 17:05
他其实就是在用画画这个工具 17:06
来记录他喜欢的东西而已 17:09
所以每当有跟我做书的孩子没有信心的时候 17:13
觉得自己画不好 17:19
画不像的时候 17:21
我就会把图钉的作品拿出来给他们看 17:22
大卫·霍克尼就曾经在 17:25
《图画史》这本书里 17:29
说过这样一句话 17:30
他说一切图画都是对观看的记述 17:32
这种观看其实就是对世界的观察 理解和叙述 17:36
对于青少年来说 17:41
其实在成长过程中会面对许多的困惑 17:43
我是谁 17:47
我的兴趣和价值观是什么 17:48
面对外界不同的期待 17:50
是迎合还是忠实地做自己呢 17:52
他们还可能会经历孤独 自卑 17:55
以及对未来的不确定 17:58
甚至也会对权威 社会规则 18:00
和传统观念产生质疑 18:03
而艺术家书它就可以 18:05
为这些观看提供一个容器 18:08
然后通过一本书的梳理编辑去贴近自己 18:11
找到自己内心的想法和感受 18:15
尤其是感受 18:18
这个在我们特别重理性的社会 18:20
尤为薄弱的一点 18:23
其实我们越能早一点找到它越是必要的 18:24
SHU SHU的另一个项目 18:29
有着12本独立的小书 18:32
每本书的主题都是孩子 18:35
对自己生活的一个观看和感受 18:38
这本《我的世界》来自10岁的安安 18:42
安安是一个特别爱读书的孩子 18:47
但是他对于如何表达 18:51
尤其是写作感到非常头疼 18:54
他跟我做书的时候 18:58
总是会跟我分享他喜欢的游戏 18:59
有一天他特别兴奋地跟我聊 19:03
Minecraft个游戏 19:06
他非常的兴奋 19:09
然后我说你先停一下 19:10
我们试着把你刚才要说给我的话 19:12
用文字写下来 19:15
看看可以吗 19:17
然后我说顺便再写一下 19:19
除了游戏之外 19:21
你对现实世界的不满也写一下 19:23
安安洋洋洒洒地写了两篇 19:28
就是两张纸的文字 19:31
当他写完他发现 19:32
原来我也可以写这么多文字 19:34
然后我们通过这些文字 19:37
把它转化成画面 19:39
然后完成了这本《我的世界》的书 19:42
这本书其实就是一个把游戏的世界 19:45
和真实的世界做了一个对比 19:49
这是我的世界 19:51
和我的世界 19:54
大家都知道Minecraft 19:56
翻译成中文就是我的世界 19:57
在我的世界里 20:00
有一起聊天的好朋友 20:02
左边是安安在和他的朋友 20:04
聊Minecraft的游戏 20:07
通过这个游戏 20:09
他在学校里交到了好朋友 20:10
在我的世界里会赚到大钱 20:13
在我的世界里必须遵守规则 20:17
因为安安玩游戏 20:21
需要严格地遵守游戏时间 20:22
而在我的世界里 20:26
没有人遵守规则 20:27
这个是安安记录他上网课时 20:30
就是时间已经严重超时了 20:33
但是老师仍然不为所动 20:36
继续讲他的课 20:38
在我的世界里 20:41
我的头脑充满想象力 20:43
但是在我的世界里为作业焦头烂额 20:45
这是安安把各种各样的作业 20:49
组装成了作业杀手 20:52
然后在我的世界里战争能摧毁一切 20:55
在这幅画的右上角写着一个日期 20:59
这个是俄乌战争开始的时间 21:03
当时安安对战争产生了 21:07
非常大的恐惧和忧虑 21:09
然后我就问他对战争的担心到底是什么 21:12
然后他告诉我 21:17
他觉得战争是可以摧毁一切 21:18
而重建又是那么困难 21:21
而在我的世界里 21:23
错了可以重来 21:25
在我的世界里 21:28
核酸成了日常 21:29
在我的世界里 21:32
烟花绚烂 21:33
然后最后是我的世界 21:36
安安通过做这本书 21:38
他需要不断地去回看 21:40
他自己的生活和自我的感受 21:43
他也是通过这本书更加清楚了 21:46
自己对于游戏和生活的态度 21:49
当他做完这本书 21:52
他说了这样一句话 21:53
他说希望我的亲朋好友可以看到 21:54
我的游戏我没有白玩 21:57
这一本是来自于8岁的女孩双而 22:01
双而的妈妈特别喜欢织毛衣 22:06
她有很多编织工具 22:09
然后有一天她去找妈妈说 22:12
妈妈 你在哪儿 22:14
妈妈在织毛球 22:16
然后她一个人去玩了 22:19
过了一会儿 22:22
妈妈 你在哪儿 22:23
妈妈还在织毛球 22:25
她去处理了一场火车事故 22:28
妈妈 你在哪 22:31
妈妈还在织毛球 22:34
然后这次她去扑灭了一场大火 22:37
妈妈 你在哪 22:41
妈妈一直在织毛球 22:43
然后她去修理太空了 22:46
这时妈妈来了 22:50
妈妈问 双而你在哪 22:52
双而抬起头说 22:54
妈妈 我在这 22:55
然后她的妈妈伸出双手 22:57
拿出她为双而织的这种毛线玩偶 22:59
双而通过这本书记录了 23:04
她和妈妈这种相处的日常 23:07
其实双而一直都知道妈妈就在那儿 23:10
但是孩子需要不断地发问 23:14
妈妈 你在哪儿 23:17
从而确定自己在这个世界上的位置 23:19
也同样是因为这种相互地确认 23:22
孩子和妈妈在各自的世界里 23:24
收获了更大的一种自由 23:28
去年上海复旦儿科的社工部找到我 23:33
他们想要我为他们做一次线上的培训 23:36
教授他们一些做书的方法 23:40
过了几个月 23:43
他们带领一群糖尿病的儿童患者 23:44
做了一场工作坊 23:49
他们分享给我了 23:51
其中一个小朋友做的这本书 23:53
叫《难忘的一件事》 23:54
这本书是讲这个小女孩 23:57
她的旧的硅基用完了 23:59
然后她妈妈买来新的硅基 24:03
但是当天晚上要打这个硅基的时候 24:05
她莫名感到有些心慌 24:08
果不其然 24:11
她的皮肤感到一阵阵的刺痛 24:12
胳膊也流血了 24:15
她就实在没忍住 24:16
然后流了眼泪 24:18
然后她非常的自责 24:20
觉得是因为可能自己乱动了 24:22
但是她妈妈非常温柔地跟她说 24:25
说不是的 你不要害怕 24:29
她听完非常感动 24:31
这就是她难忘的那件事 24:33
我看完这本书我也非常感动 24:36
我非常的开心 24:39
自己可以提供这样的一种工具 24:41
让孩子们可以去记录自己的生活 24:44
哪怕这种生活里 24:48
有着那么真实的痛感 24:50
也是从去年开始 24:54
我开始尝试做一些艺术家书的工作坊 24:55
这个是当时14岁的草莓 25:00
她非常喜欢玩滑板 25:03
然后她通过这种旗书的方式 25:06
画下了她喜欢的一些滑板的细节 25:09
还有玩滑板时的一些动作 25:12
她还用砂纸呈现了滑板的肌理 25:15
这是10岁的清欢 25:20
他的妈妈特别喜欢跑步 25:23
有一次去参加广州马拉松比赛 25:25
他也是用这种方式 25:29
为妈妈记录了赛前的时刻 25:31
这一排是比赛的倒计时 25:35
中间一排是他妈妈为比赛做的一些准备 25:39
最后一排是他妈妈的各种跑鞋 25:45
最终他的妈妈跑向终点 25:48
拿到了奖牌 25:51
这本书是10岁的小愚 25:54
通过never ending做的一本 25:58
关于恶性循环的小书 26:02
这本书就是讲一个男孩 26:06
他考试考了零分 26:09
我们可以看 26:12
然后他妈妈说你写作业去 26:12
然后他就深夜写作业 26:14
导致第二天上课非常困 26:16
结果数学考试又考了零分 26:19
然后他妈妈就说你继续去写作业 26:21
这本书是这样来翻阅的 26:23
就是它总也停不下来 26:27
这本书同样是小愚做的 26:32
这本书是讲了一个男孩 26:36
面对不同的对待方式 26:38
然后成长为了不一样的人 26:40
这本书是这样来看 26:44
这本是10岁的滢滢创作的 26:56
她非常喜欢宫崎骏 27:00
她把《你想活出怎样的人生》 27:03
这部电影里的一个镜头拿来创作 27:05
当她用旗书的方式做完之后 27:09
那种时空的穿越感扑面而来 27:11
孩子们拿到这样的书 27:15
实在是太开心了 27:16
大家可以看到 27:19
其实艺术家书具备非常丰富的功能 27:20
和极大的自由度 27:23
它不仅可以将文字和图像结合 27:25
还能通过形式 材料 装订和布局的创新 27:28
突破传统书籍的那种界限 27:32
去承载我们不同的思考和表达 27:35
最后我要分享的这本书 27:40
来自8岁的图钉 27:42
他这本书叫做This is Tummy 27:45
这是他画下的Tummy的一个形象 27:47
Tummy其实是图钉三年前 27:51
在云南捡来的一个玩偶 27:53
这三年来Tummy成为他最贴心的朋友 27:56
他还把每年的3月3日定为Tummy的生日 28:00
就是这个月的3月3日 28:04
我们还专门举行了一个派对 28:06
这就像是你相不相信 28:09
圣诞老人的典故一样 28:11
我们成年人也是在努力地 28:13
去珍视孩子这种童年的想象 28:16
在去年的时候我发现他画了这样一张画 28:20
他在这张纸上随意地打了16个格子 28:24
原来是他画了Tummy的不同的状态 28:27
这一张是Tummy在哭 28:32
因为他考了零分 28:34
他妈妈在训他 28:36
这个是Tummy在吃 28:37
这个是Tummy和巴斯光年 28:39
这个是Tummy当了强盗被警察追捕 28:42
这个是Tummy结婚了 28:47
这个是Tummy它就是一只动物 28:49
然后我就把这张画做成了这样一本书 28:52
这本书其实是由一张A4纸折叠而成 29:00
这是这张A4纸的正反两面 29:05
大家不要小瞧它如此地迷你 29:08
其实它具有三个空间 29:11
如果我们从封面正常地去翻阅 29:13
可以看到刚才Tummy的各种各样的状态 29:17
如果我们从上面的这个空间打开 29:21
我们可以看到Tummy作为玩偶真实的模样 29:25
然后我们来到最后一个空间 29:29
我们可以看到图钉写下的 29:33
他和Tummy相识相知的故事 29:36
通过这个结构 29:40
一纸成书的结构 29:42
我们给这个书创建了一种立体的空间 29:43
我们就像进入了一个小小的展厅 29:49
然后在这个空间里游走穿梭 29:52
然后去看Tummy的故事 29:56
这本小书在书展上 29:59
也收获了很多成年人的喜欢和共鸣 30:02
原来才发现 30:06
就是很多成年人依然拥有和珍视着 30:07
属于自己的这种隐形朋友 30:11
它们的名字叫阿贝贝 30:13
我想说 30:17
孩子们的世界是如此的丰富 30:18
他们的思想简单 30:22
但又是那么的深邃 30:24
而艺术家书是充满冒险和想象力的 30:27
不管是创作者本身还是观众 30:31
都被带入了另一种看世界的路径 30:34
我希望自己可以一直带着孩子 30:37
进入到这个世界里 30:39
通过艺术家书 30:41
带他们进行自我的观看 30:43
梳理和表达 30:45
但做书从来都不是目的 30:47
希望我们每个悬浮在这种 30:50
碎片化信息中的个体 30:52
都可以找到一个支点 30:55
去热烈地和这个世界做一些连接 30:57
谢谢大家 31:00

– Bilingual Lyrics Chinese/English

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[English]
Hello everyone
I am Kaikai
I am a book maker
What is different from most editors is
my authors are a group of
children and teenagers aged 5 to 17 years old
The way we obtain information now
has become more and more
faster and faster
For many young people
reading and books have become
The most efficient way for us to obtain information
Today I want to share the tool of books with you
Take everyone to look at books and writing again
Rediscover the ancient medium of books
I also want to take you to see some of the creations and expressions that my children and I
use books as a medium
Among these works
In addition to some magazine forms
there are also some handmade books with special structures
These works can all be called artist books
You may be a little confused when you first hear this concept
Here I quote an American art critic
He is also a curator
His name is Lucy Lippard
He said that an artist book is neither an art book
nor a book about art
It focuses on the formal conception of the book
and then combines a series of closely related ideological images
Placed in a portable carrier
It is restrained in form
but ambitious in scope
I founded SHU SHU Studio in 2018
We focus on society, education and art
Use books as a medium for creation and practice
So far
We have completed three issues of the magazine in total
These magazines are all created by teenagers themselves
Show and discuss their lives and opinions
Pod will focus on some serious social issues
The first of these three issues is about violence
The second issue is called Who is the Witch
This issue focuses on feminism
Then the third issue is "The Wall"
When we finish these magazines
I will participate in the art book fair with the children
At the book fair, these works were liked by many readers
and also got some opportunities for official publication
But there are still many people who are surprised
Why do children pay attention to
heavy topics like violence and feminism
Do they have the ability to participate
In fact, I want to say
Our world does not only belong to adults
Because children are also participants and bystanders of this world
Therefore, I will once again quote the answer of 13-year-old Jiajia
when facing reporters
She said that adults should not underestimate themselves too much
Everyone has these moments of thinking in their childhood
In 2021
I once shared "Violence"
and the two issues of "Who is the Witch"
Today I want to share with you the third issue of the magazine "Wall"
Why do we use the wall
as the theme of our magazine
Because we see
now that whether it is differences in skin color, ethnicity, beliefs
or differences in concepts and positions
the gap in communication between people is constantly widening
and our increasing dependence on smartphones
and social media
has brought us into a seemingly open world
In fact, it is a more narrow world
These are three 13-year-old girls at that time
From the right are Jiajia, Doudou, and Strawberry
And adults including me
face a common confusion
We need to ask the world
We first traced the original meaning of the wall
Jiajia dismantled the oracle bone inscriptions on the wall
We can see
The wall was actually originally a barn
used to store food
But we want to explore the broader properties of the wall
to see the barriers between people
and a series of communication problems
This is a comic created by 13-year-old Jiajia
It's called "Mask"
In the painting, the girl named Xiaotong returns home
Then her mother came towards her
She was about to take off the mask
but she suddenly remembered
After taking off the mask a few days ago
had a lot of conflicts with her mother
So she put on the mask
and started talking to her mother happily
Waiting for her to return to the room
She took off the mask
and finally became her true self
Then she threw her schoolbag aside
Then he lay on the bed and went to sleep
But in another room
her mother was also in front of the dressing table
took off her mask
We also invited 10-year-old Zhirou
to create this cartoon for us
In this painting
Zhirou once told her mother
She had a friend on Sunday
Invite her to your home
Then her mother happily agreed to her
But a few days later
her mother told Zhirou while driving
I have something to do
I can't go
Zhirou cried aggrievedly
Her mother felt that Zhirou didn't understand her
Then she was very angry
When Zhirou saw this, she quickly apologized to her mother
But it was too late
Then her mother refused to communicate with Zhirou anymore
Even back home
No matter how Zhirou apologizes to her mother
Wants to communicate
But it's all in vain
This cartoon comes to the last scene
Zhirou vividly expresses the
difficulty and powerlessness after communicating with her mother to no avail
...
At the same time
Jiajia and Doudou are also thinking about the situation of adults
Jiajia wrote in the magazine
She said that adults in my eyes seem to be very stubborn
unable to listen to others
unwilling to accept new ideas
and very difficult to communicate
So Doudou and Jiajia drew these two paintings
They tried to understand them from an adult perspective
Or maybe it is the pressure of work and life
Both of which make adults feel tired
Doudou also began to reflect on how as teenagers
they shielded and isolated the world
They wore these huge headphones
and various electronic screens
She also analyzed the reasons why teenagers isolate the world
There is this kind of parental urging and nagging about academics
There are countless
such interest classes and training classes
These things are constantly
Compressing the self-space of teenagers
and forcing them to have nowhere to escape
Doudou also began to do a research on the history of headphones from another angle
...
Through this process, she wanted to see
how machines and people influence each other
and how they shape each other
Then through modern people's dependence on headphones
she designed a futuristic headset
This is the principle she drew of her design
There are also applicable scenarios for this headset
The pair on the left
means that if you don’t wear this headset
you will always have to listen to your parents’ nagging
But if you own this headset
you can turn a deaf ear to these nagging
In fact, this product has side effects
After heavy use
Even people are becoming more and more alienated by machines
and then turned into this kind of cyberman
During the epidemic, online classes
also became the most complete physical isolation
The children all felt physically and mentally exhausted
So we invited a 13-year-old girl Duoduo
to write this article for us
And this is an excerpt from the article
She said that online classes made me lazy
I often go to bed late and get up late
I often scroll through my phone with nothing to do during the day
I start to regret it at night
But the next day is the same
I look at my friends
and find that their situation is not good either
Some are isolated
Forced to stay in school for more than a month
You can even smell the emotions in the air
Their mental state is as stretched as a string
It may break at any time
This is a 5 and a half year old thumbtack
An illustration for this article
In this illustration
He was very happy on the first day
Eating fruit and looking at the computer
But by the fifth day
he was already very irritable
His hair stood up
By the tenth day
he was already holding an ax angrily
wanting to destroy the computer
This section is about the impact of social media on people
This painting was completed by Jiajia
This painting is about the information cocoon room
The girl in the painting is watching a beauty video
Then she manually clicked a like
This like sucked the girl into a space
There are constantly beauty videos being pushed to her in this space
This painting is about this girl
She was lying on the sofa and looking at her mobile phone leisurely
When she saw three breaking news
She was in the excitement of a melon eater
Wanted to share it with her friends
When she got downstairs
she found that these people were actually talking about the same topic
We have actually realized that
this kind of homogeneous information and content
has made our world more and more boring
and we have gradually lost
the desire to actively obtain information
At the beginning of this issue
We also did some research on physical walls
Once a high wall divided a country
This is the Berlin Wall
It seems to be widely known
But we are still curious
and want to find out what this wall separates
We want to put aside the kind of history textbook-like presentation
turned our perspective to
the ordinary people in the historical situation at that time
We verified it through a lot of reading
and also watched the movie "Goodbye Lenin" together
We just wanted to understand the grief and trauma of ordinary people at that time through various angles
...
under this kind of division
This is the "Goodbye Lenin" drawn by Strawberry
A classic shot in the movie
We also cast our perspective on the US-Mexico border wall
This is two American architects in 2019
Three pink seesaws erected on the US-Mexico border wall
Strawberry gave this art installation a new artistic treatment
She also expressed our common desire for this through this painting
...
Through this process
we look back at history
Think about the distance
Then combined with our situation at the time
we discovered
In fact, history is leading us
to re-examine our current life and ourselves
History is like a huge experience bank
which contains countless wisdom and mistakes
By understanding these historical lessons
we can understand the current society and personal behavior more clearly
When this magazine is finally completed
Through the creation of this magazine, we slowly unearthed some of the
...
dilemmas and disadvantages hidden in daily life
and then thought about it and presented it
The children also
completed self-exploration
Last year our magazine
also went further afield
These were art book fairs in London and Dublin respectively
In addition, some art spaces in Europe were also displayed
The fourth issue of Pod
Its theme is about Lu Xun
We selected 4 articles by Lu Xun
Use the current perspective of young people to create a new interpretation
One of the more special articles is "Diary of a Madman"
The children made a complete adaptation of it
and designed a madman board game
I hope that I can have the opportunity to tell more people about this book in the future
After reading the above
I believe you can see
In fact, young people are completely capable of expressing
and in-depth expression
But in fact, there are many children who have just come to me to write books
If you ask him his views on some issues
he will also say he doesn’t know or have no idea
But expression does not come out of thin air
Expression needs practice
Here I share a quote from Nietzsche
Look at science with the lens of an artist
and look at art with the lens of life
So what is the lens of life
I think it is that we can truly feel life
and the small things around us
Because any sincere thoughts and emotions
are worth sharing and expressing
12-year-old Suisui is writing a book with me
She was very envious of the magazines made by the older children just now
She was also worried that she did not have deep expression
But by chatting with her
I found that she likes Yiwu small commodities and retro snacks very much
So we made her favorite snacks
into a 2025 calendar of good food and drink
She also went through this process
and confirmed that she can also draw well
And can make works that impress others
The 8-year-old thumbtack is my own child
It is impossible for him to follow me to make a book
But he always takes out some paper at home
Pin it up
Make it into a book
Then create a story
He will also spend several months
creating on this long piece of paper
The picture on the right is a documentary he watched after watching "The Sinking of the Lisbon Maru"
He created a war between countries
He imagined each country as an animal
This is the enlarged detail inside
France is a proud rooster
Germany is an elephant
There are typos and spelling errors in it
In fact, when he drew these paintings
He is not drawing at all
nor making a book
In a sense
he is actually using the tool of drawing
to record the things he likes
So whenever the children who make books with me are not confident
and feel that they are not good at drawing
When the drawings do not look good
I will take out the thumbtack works to show them
David Hockney once said this in
"History of Pictures"
...
He said that all pictures are descriptions of viewing
This kind of viewing is actually the observation, understanding and narrative of the world
For teenagers
In fact, they will face many confusions in the process of growing up
Who am I
What are my interests and values
Facing different expectations from the outside world
Should they cater to or be true to themselves
They may also experience loneliness and low self-esteem.
and uncertainty about the future
may even question authority, social rules
and traditional concepts
And artist books can
provide a container for these views
and then get closer to oneself through sorting and editing a book
to find one's inner thoughts and feelings
Especially feelings
This is a particularly weak point in our rational society
...
In fact, the earlier we can find it, the more necessary it is
Another project of SHU SHU
has 12 independent small books
The theme of each book is a child
A view and feeling of one's own life
This "My World" comes from 10-year-old An An
An An is a child who loves reading
But he has no idea how to express
Especially writing is a headache
When he was working on a book with me
he would always share with me his favorite games
One day he was very excited to talk to me about
Minecraft games
He was very excited
Then I said stop for a moment
Let’s try to write what you just wanted to say to me
Write it down in words
See if it works
Then I said to write some more by the way
In addition to the game
Also write about your dissatisfaction with the real world
An An wrote two articles happily
It was just two pages of text
When he finished writing, he discovered
It turns out that I can also write so many words
Then we used these words
to transform it into pictures
Then I completed the book "Minecraft"
This book is actually a comparison between the game world
and the real world
This is my world
and my world
Everyone knows that Minecraft
translated into Chinese is my world
In my world
I have good friends who chat together
On the left is An Anzai and his friends
Talking about Minecraft games
Through this game
He made good friends in school
You will make a lot of money in my world
In my world you must abide by the rules
Because An An plays games
You need to strictly abide by the game time
And in my world
No one follows the rules
This is An An's record of his online class
The time has seriously exceeded
But the teacher is still unmoved
Continue to teach his class
In my world
My mind is full of imagination
But in my world, I am worried about homework
This is An An's assembly of various homework
into a homework killer
Then in my world, war can destroy everything
There is a date written in the upper right corner of the painting
This is the time when the Russo-Ukrainian war started
At that time, Anan had
great fear and worry about the war
Then I asked him what his worries about the war were
Then he told me
He felt that war can destroy everything
And reconstruction is so difficult
And in my world
You can start again if you make a mistake
In my world
Nucleic acid has become a daily routine
In my world
Fireworks are gorgeous
And finally my world
By writing this book
An An needs to keep looking back
His own life and self-feelings
He also became clearer through this book
His own attitude towards games and life
When he finished this book
he said something like this
He said that he hopes my relatives and friends can see it
My games are not in vain
This book is from the 8-year-old girl Shuang Er
Shuang Er's mother especially likes knitting sweaters
She has many knitting tools
Then one day she went to her mother and said
Mom, where are you?
Mom was knitting balls of wool
Then she went to play alone
After a while
Mom, where are you
Mom was still knitting balls of wool
She went to deal with a train accident
Mom, where were you
Mom was still knitting balls of wool
Then this time she went to put out a fire
Mom, where were you
Mom has been knitting wool balls
Then she went to repair the space
Then mother came
Mom asked Shuang Er, where are you
Shuang Er raised her head and said
Mom, I am here
Then her mother stretched out her hands
and took out the woolen doll she knitted for Shuang Er
Through this book, Shuanger recorded
her daily interactions with her mother
In fact, Shuanger always knew that her mother was there
But the child needs to constantly ask
Where are you, mother
to determine his or her position in the world
It is also because of this mutual confirmation
that children and mothers have gained a greater freedom in their own worlds
...
Last year, the social work department of Fudan Pediatrics in Shanghai came to me
They wanted me to do an online training for them
to teach them some methods of making books
A few months later
they led a group of children with diabetes
to do a workshop
They shared it with me
One of the children wrote this book
called "An Unforgettable Thing"
This book is about this little girl
Her old silicone base was used up
Then her mother bought a new silicone base
But when she was about to apply this silicone base that night
she felt a little flustered inexplicably
As expected
Her skin felt tingling.
Her arm was bleeding too
She really couldn't hold it back
Then she shed tears
Then she blamed herself very much
Thinking that maybe she had moved
But her mother told her very gently
No, don't be afraid
She was very moved after hearing this
This was the unforgettable thing for her
I was also very moved after reading this book
I am very happy
I can provide such a tool
so that children can record their own lives
Even if this kind of life
has such real pain
It started last year
I started to try to do some artist book workshops
This is Strawberry who was 14 years old at the time
She likes skateboarding very much
Then she used this flag book method
to draw some details of the skateboard she liked
and some movements while skateboarding
She also used sandpaper to present the texture of the skateboard
This is 10-year-old Qing Huan
His mother especially likes running
Once she went to participate in the Guangzhou Marathon
He also used this method
to record the moments before the game for her mother
This row is the countdown to the competition
The middle row is some preparations made by his mother for the competition
The last row is his mother's various running shoes
In the end, his mother ran to the finish line
and got the medal
This book was written by 10-year-old Xiao Yu
through never ending
A small book about a vicious cycle
This book is about a boy
He got zero points in the exam
We can read
Then his mother said you go do your homework
Then he did it late at night
which made him very sleepy in class the next day
As a result, he got zero points in the math test again
Then his mother said you continue to do your homework
This is how the book is read
It just can't stop
This book was also written by Xiaoyu
This book is about a boy
who faced different ways of being treated
and then grew up to be a different person
This is how this book looks at
This book was created by 10-year-old Yingying
She likes Hayao Miyazaki very much
She used a scene from the movie "What Kind of Life Do You Want to Live"
for the creation
When she finished using the flag book method
the sense of traveling through time and space came to her face
The children were so happy to get such a book
...
As you can see
In fact, artist books have very rich functions
and great freedom
It can not only combine text and images
but also innovate through form, material, binding and layout
Breaking through the boundaries of traditional books
to carry our different thoughts and expressions
The last book I want to share
comes from 8-year-old Thumbtack
His book is called This is Tummy
This is an image of Tummy he drew
Tummy is actually a doll that Thumbtack picked up in Yunnan three years ago
...
In the past three years, Tummy has become his most caring friend
He also sets March 3rd every year as Tummy's birthday
It is March 3rd this month
We also held a special party
This is like the allusion of Santa Claus, do you believe
...
We adults are also trying hard
to cherish children's childhood imagination
Last year I found out that he drew such a picture
He randomly typed 16 grids on this paper
It turned out that he drew Tummy in different states
This one is Tummy crying
Because he got zero points in the exam
His mother was training him
This is Tummy eating
This is Tummy and Buzz Lightyear
This is Tummy becoming a robber and being chased by the police
This is Tummy getting married
This is Tummy, she is an animal
Then I made this painting into a book like this
This book is actually folded from a piece of A4 paper
These are the front and back of this A4 paper
Don't underestimate how mini it is
In fact, it has three spaces
If we read it normally from the cover
we can see the various states of Tummy just now
If we open it from the space above
we can see what Tummy really looks like as a doll
Then we came to the last space
We can see the story written by thumbtacks
The story of his and Tummy's acquaintance
Through this structure
The structure of a book written on paper
We created a three-dimensional space for this book
It was like we entered a small exhibition hall
Then we walked around in this space
Then we went to see Tummy's story
This little book
also gained a lot of love and resonance from adults at the book fair
It turns out that
many adults still have and cherish
their own invisible friends
Their names are Abeibei
I want to say
The world of children is so rich
Their thoughts are simple
but so profound
And artist books are full of adventure and imagination
Both the creators themselves and the audience
have been led into another way of seeing the world
I hope that I can always take the children
into this world
Through artist books
lead them to see themselves
sort out and express
But making books has never been the purpose
I hope that each of us individuals
fragmented information can find a fulcrum
suspended in this
to make some passionate connections with the world
Thank you all
[Chinese] Show

Key Vocabulary

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Vocabulary Meanings

媒介

méi jiè

C1
  • noun
  • - medium; means of transmitting information

沟通

gōu tōng

B1
  • verb
  • - to communicate

隔阂

gé hé

C2
  • noun
  • - estrangement; barrier (between people)

创作

chuàng zuò

B2
  • verb
  • - to create; creation (art, literature)

观点

guān diǎn

B2
  • noun
  • - viewpoint; perspective; opinion

情绪

qíng xù

B2
  • noun
  • - emotion; mood

困惑

kùn huò

C1
  • noun
  • - confusion; perplexity

表达

biǎo dá

B1
  • verb
  • - to express; to convey (feelings/ideas)

隔离

gé lí

B2
  • verb
  • - to isolate; isolation

现象

xiàn xiàng

B2
  • noun
  • - phenomenon

创伤

chuāng shāng

C1
  • noun
  • - trauma; wound

认知

rèn zhī

C1
  • noun
  • - cognition; perception

情感

qíng gǎn

B2
  • noun
  • - emotion; feeling

深刻

shēn kè

B2
  • adjective
  • - profound; deep

价值观

jià zhí guān

B2
  • noun
  • - values; system of values

孤独

gū dú

B1
  • adjective/noun
  • - lonely; loneliness

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