Display Bilingual:

Huh? Did I tell ya, Lois? 00:00
Oh, that's beautiful, Peter. 00:01
She's taking care of that kitten like it's her own. 00:02
Yep, I knew eventually she'd stop tearin' 'em in half. 00:06
There you two are! 00:14
We waited for you for four hours! 00:15
Where the hell have you been?! 00:17
Look, Lois, I know you're mad, 00:18
but I think this will prove that I did the right thing. 00:20
I put our family on the map tonight. 00:23
No longer will we be just those faceless nobodies 00:25
who brought the bird flu to Quahog. 00:28
You know, there's something seriously wrong with a man 00:30
who always puts his friends over his family. 00:32
Come on, Lois, I think you're overreacting. 00:34
What's so wrong about a guy hanging out with his buddies? 00:36
Buddies? You're one of his buddies? 00:37
Yeah. And you know why? 00:40
'Cause I don't try to tell him 00:42
what he can and can't do. 00:43
Oh, please, Brian. 00:44
You're just two people who live in the same house. 00:45
If you didn't, you'd never hang out 00:47
with each other in a million years. 00:48
He owns you. You're his property. 00:51
He used to hang you in the garage 00:53
so his fender wouldn't hit the wall. 00:54
(music playing over radio) You're there. 00:56
You're there! 00:58
I couldn't hear you. The radio was too loud. 01:01
I'm going to bed. 01:06
You know, Lois is right, Brian. 01:09
You think you're Peter's pal, but you're really not. 01:10
You're just his dog. 01:11
Well, that's where you're wrong. Watch this. 01:14
Hey, Peter, you want to go hit the Clam? 01:16
Nah, there's no way she's in the mood. 01:17
Let's just go to the bar. Sounds good. 01:19
Headin' to the bar with my friend, Peter. 01:21
You're lying to yourself, Brian. 01:23
Like those girls who insist 01:25
their best friends are attractive. 01:27
Oh, Stewie, I can't wait for you to meet my best friend. 01:28
She is so cute. 01:31
Yeah, she sounds awesome. 01:32
Oh, my God, yeah. People ask her 01:33
if she's a model all the time. 01:35
Here she comes! 01:37
(chuckles) Okay, okay, 01:39
that was an extreme example, 01:41
but face it, ladies, your best friends are not hot. 01:43
Uh, Peter, your seat belt back here doesn't work right. 01:50
What's gonna happen to you that hasn't already happened? 01:53
Peter, look out for that car! 01:55
(high-pitched tone resonates) 01:56
That's not a car. 01:58
What is that?! 01:59
(all screaming) 02:00
Hello? 02:14
Hello? 02:18
Anybody here? 02:23
Hey. 02:27
Hey. 02:29
Do you work here? 02:30
I don't know. Doesn't look like it. 02:32
Who are you? 02:34
I... I don't know. I-I just woke up here. 02:35
I seem to be a heavyset fellow. 02:38
You do. 02:40
Thank God someone else is here. 02:42
You two seem to be the only ones in this hospital. 02:44
No, I'm here, too. 02:47
Any of you guys know what's going on? 02:48
I just woke up in one of these rooms. 02:50
I have no idea how I got here. 02:52
I don't even know who I am. 02:54
All I know is, I'm extremely important 02:56
because there are drawings of me on all the bathroom doors. 02:59
See? 03:02

– English Lyrics

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Lyrics & Translation

[English]
Huh? Did I tell ya, Lois?
Oh, that's beautiful, Peter.
She's taking care of that kitten like it's her own.
Yep, I knew eventually she'd stop tearin' 'em in half.
There you two are!
We waited for you for four hours!
Where the hell have you been?!
Look, Lois, I know you're mad,
but I think this will prove that I did the right thing.
I put our family on the map tonight.
No longer will we be just those faceless nobodies
who brought the bird flu to Quahog.
You know, there's something seriously wrong with a man
who always puts his friends over his family.
Come on, Lois, I think you're overreacting.
What's so wrong about a guy hanging out with his buddies?
Buddies? You're one of his buddies?
Yeah. And you know why?
'Cause I don't try to tell him
what he can and can't do.
Oh, please, Brian.
You're just two people who live in the same house.
If you didn't, you'd never hang out
with each other in a million years.
He owns you. You're his property.
He used to hang you in the garage
so his fender wouldn't hit the wall.
(music playing over radio) You're there.
You're there!
I couldn't hear you. The radio was too loud.
I'm going to bed.
You know, Lois is right, Brian.
You think you're Peter's pal, but you're really not.
You're just his dog.
Well, that's where you're wrong. Watch this.
Hey, Peter, you want to go hit the Clam?
Nah, there's no way she's in the mood.
Let's just go to the bar. Sounds good.
Headin' to the bar with my friend, Peter.
You're lying to yourself, Brian.
Like those girls who insist
their best friends are attractive.
Oh, Stewie, I can't wait for you to meet my best friend.
She is so cute.
Yeah, she sounds awesome.
Oh, my God, yeah. People ask her
if she's a model all the time.
Here she comes!
(chuckles) Okay, okay,
that was an extreme example,
but face it, ladies, your best friends are not hot.
Uh, Peter, your seat belt back here doesn't work right.
What's gonna happen to you that hasn't already happened?
Peter, look out for that car!
(high-pitched tone resonates)
That's not a car.
What is that?!
(all screaming)
Hello?
Hello?
Anybody here?
Hey.
Hey.
Do you work here?
I don't know. Doesn't look like it.
Who are you?
I... I don't know. I-I just woke up here.
I seem to be a heavyset fellow.
You do.
Thank God someone else is here.
You two seem to be the only ones in this hospital.
No, I'm here, too.
Any of you guys know what's going on?
I just woke up in one of these rooms.
I have no idea how I got here.
I don't even know who I am.
All I know is, I'm extremely important
because there are drawings of me on all the bathroom doors.
See?

Key Vocabulary

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Vocabulary Meanings

eventually

/ɪˈvɛntʃuəli/

B2
  • adverb
  • - at some later time; in the end

faceless

/ˈfeɪsləs/

C1
  • adjective
  • - lacking individual character or identity

nobodies

/ˈnoʊbədiːz/

B1
  • noun
  • - people of no importance

overreacting

/ˌoʊvəriˈæktɪŋ/

B2
  • verb
  • - to respond more emotionally than is justified

property

/ˈprɒpəti/

A2
  • noun
  • - something that is owned by someone

fender

/ˈfɛndər/

C2
  • noun
  • - the mudguard or metal part over a car wheel

insist

/ɪnˈsɪst/

B1
  • verb
  • - to demand something forcefully

attractive

/əˈtræktɪv/

A2
  • adjective
  • - pleasing or appealing to the senses

extreme

/ɪkˈstriːm/

B1
  • adjective
  • - reaching a high or fanatical degree

example

/ɪɡˈzɑːmpəl/

A1
  • noun
  • - a thing characteristic of its kind

resonates

/ˈrɛzəneɪts/

C2
  • verb
  • - to produce a deep, full, reverberating sound

heavyset

/ˈhɛvisɛt/

C1
  • adjective
  • - having a large, broad, or thick body; stout

hospital

/ˈhɒspɪtəl/

A1
  • noun
  • - an institution for medical treatment

extremely

/ɪkˈstriːmli/

A2
  • adverb
  • - to a very great degree

drawings

/ˈdrɔːɪŋz/

A1
  • noun
  • - pictures made with a pencil, pen, or crayon

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Key Grammar Structures

  • I knew eventually she'd stop tearin' 'em in half.

    ➔ Past tense with future-in-the-past (would)

    ➔ The use of 'would' (shortened to 'd) after 'knew' expresses a future action from the perspective of a past point in time.

  • No longer will we be just those faceless nobodies.

    ➔ Negative inversion for emphasis

    ➔ Starting with 'No longer' triggers subject-auxiliary inversion ('will we be') to emphasize the statement.

  • You're just two people who live in the same house.

    ➔ Relative clause (defining)

    ➔ The clause 'who live in the same house' defines or specifies exactly which 'two people' are being discussed.

  • He used to hang you in the garage.

    ➔ Used to (past habits)

    ➔ 'Used to' is used to describe a recurring action or state that happened in the past but does not happen anymore.

  • If you didn't, you'd never hang out with each other.

    ➔ Second Conditional

    ➔ The second conditional ('If you didn't, you'd never...') describes a hypothetical or imaginary situation.

  • I can't wait for you to meet my best friend.

    ➔ Wait for + object + infinitive

    ➔ This structure is used when the subject ('I') wants someone ('you') to do something in the near future.

  • What's gonna happen to you that hasn't already happened?

    ➔ Present perfect tense (experiential)

    ➔ The use of 'hasn't already happened' refers to the state of events experienced up to the current moment.

  • All I know is, I'm extremely important because there are drawings of me.

    ➔ Subject complement clause

    ➔ The clause starting with 'I'm...' functions as a subject complement, defining the information represented by the subject 'All I know'.

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