Display Bilingual:

57 from Beijing, now arriving. 00:00
>> Oh my god. 00:09
Oh my god. 00:10
Oh excuse me. Excuse me. Move. Move. 00:12
Move. Emergency, please. 00:14
EXCUSE ME. 00:16
>> RACH. 00:24
>> THERE YOU ARE. 00:26
HI. 00:29
Oh so so 00:30
How was China? 00:33
>> You. 00:35
>> It was It was great. Oh, what happened? 00:37
>> What? 00:40
>> What you you're bleeding. 00:40
>> I am? 00:41
>> Oh my god. 00:41
>> Oh look at that. Yes, I am. Anyway, 00:42
enough about me. Enough about me, Mr. 00:44
Back from the Orient. Come on, I want to 00:45
hear everything. Everything. 00:47
>> Well, 00:52
uh where do I start? Um 00:53
well, this is Julie. Uh Julie, this is 00:54
Rachel. 00:57
>> Hi. 00:59
Uh 01:02
Oh, uh these are These are aren't for 01:02
you. 01:06
Uh these are for you. Welcome to our 01:07
country. 01:11
>> Thank you. I'M FROM NEW YORK. 01:14
>> RACHEL. 01:21
AIRPORT. AIRPORT. ROSS. 01:22
The 01:25
Not alone. 01:25
Julie. 01:27
Julie. Arm around her. 01:28
Oh. 01:30
Grab. 01:31
Grab. 01:32
>> Okay, I think she's trying to tell us 01:34
something. 01:35
Quick, get the verbs. 01:36
Out. 01:39
>> You. 01:39
You. 01:40
You don't like me. You. 01:41
You. 01:43
You 01:44
slowpokes. 01:45
>> That's all right, Rach. We got the bags. 01:47
Uh 01:49
Hi. Hello. 01:50
Julie, this is my sister, Monica. 01:53
This is Chandler. 01:56
>> Hey. 01:56
>> Hey. 01:57
>> Phoebe. 01:57
>> Hi. 01:58
>> Joey, what up? 01:58
>> What up? 01:59
Everyone, this is Julie. 02:01
>> Julie. 02:03
>> OH. 02:04
>> HI. 02:08
>> HI. 02:09
>> HI, BUT I'M NOT HERE. YOU HAVEN'T met 02:10
me. I'll make a much better first 02:12
impression tomorrow when I don't have 20 02:14
hours of cabin plane on me. 02:15
>> And bus. 02:17
>> Oh my god. 02:18
>> The screaming guy. 02:19
>> And the spitting and 02:20
>> You tell you got to hear this story. 02:21
>> We're on this bus that's easily 200 02:23
years old, right? 02:25
>> 200 at least. 02:26
>> And this guy and the chicken poops IN 02:27
HER LAP. 02:29
OH, I'M SO SORRY. 02:36
I just gave away the ending, didn't I? 02:38
Oh, I It's just I just heard this story 02:41
in the cab and it is all I can think 02:43
about. 02:45
This is amazing. I mean, how 02:49
how did this happen? Well, Ross and I 02:52
were in grad school together. 02:55
>> But we haven't seen each other since 02:56
then. Well, I land in China, guess who's 02:57
in charge of the dig. 03:00
>> JULIE. 03:01
JULIE, ISN'T THAT GREAT? 03:04
I MEAN, ISN'T THAT JUST kick you in the 03:06
crotch, spit on your neck fantastic? 03:07
It's an expression. 03:12
>> We we just wanted to say a quick hi and 03:16
then we're going to go see the baby. 03:18
>> And then we've got to get some sleep. 03:19
>> Yeah, it's really 6:00 tomorrow night 03:21
our time. 03:22
>> Okay, well listen, don't tell us what's 03:23
going to happen though cuz I like to be 03:24
surprised. 03:25
>> Rachel, do you have any muffins left? 03:31
>> Uh yeah, I forget which ones. 03:32
>> Oh, you're busy. That's okay, I'll get 03:34
it. 03:35
>> Oh, anyone else want one? 03:36
>> No, thanks. 03:37
>> No, I'm all set. 03:38
>> Oh, you're losing your apron here. Let 03:39
me get it. 03:41
>> Oh. 03:42
>> Here you go. 03:43
>> Thank you. 03:43
What a 03:46
Oh, listen you guys, I have this friend 03:51
at Bloomingdale's who's quitting 03:53
tomorrow and he wants to abuse his 03:54
discount. So, anyone who wants to come 03:56
with me and take advantage of it? 03:58
>> Oh, I can't. I have to take my 04:00
grandmother to live at. 04:01
>> Okay. 04:06
>> I'll go with you. 04:07
>> Great. 04:08
Okay. 04:09
>> Hi, honey. Hey, sweetums. 04:12
And hello to the rest. 04:15
>> Hi. 04:16
>> Monica, what are you doing? You can't go 04:20
shopping with her. What about Rachel? 04:22
>> This is going to be a problem, isn't it? 04:24
>> Oh, come on. You're going to 04:26
Bloomingdale's with Julie. It's like 04:27
cheating on Rachel in her house of 04:28
worship. 04:30
>> Monica, she will kill you. 04:33
She will kill you like a dog in the 04:36
street. 04:38
>> So, Jules tells me you guys are going 04:44
shopping tomorrow. 04:46
>> Oh, yeah. Um, it's actually not that big 04:47
a deal. In fact, I didn't 04:50
>> deal to me. This is great, Monica. I 04:51
really appreciate it. 04:53
>> You're welcome. 04:55
Hey. 05:11
Where is everybody? 05:12
>> They took Ben to the park. 05:13
>> Where have you been? 05:15
>> Just out. 05:16
Had some lunch. 05:17
Just me. 05:19
Little quality time with me. 05:20
Hey. Thanks for your jacket. 05:22
>> Oh, it's no problem. 05:24
You can borrow it, by the way. 05:25
Oh, here are your keys, honey. 05:29
>> Thanks. 05:30
Mon. 05:33
>> Mhm. 05:34
>> If you were at lunch alone, how come it 05:35
cost you $53? 05:37
>> You know what probably happened? 05:42
Someone must have stolen my credit card. 05:45
Uh 05:46
And sort of just put the receipt back in 05:48
your pocket. 05:50
That is an excellent excellent question. 05:52
That is excellent. 05:55
Monica, what's with you? Who did you 05:58
have lunch with? 05:59
Judy? 06:01
>> Who? 06:02
>> Julie? 06:03
>> What? 06:03
>> Jody? 06:04
You were with Julie? 06:07
>> Oh. 06:09
Look, 06:10
when it started, I was just trying to be 06:11
nice to her because she was my brother's 06:13
girlfriend. 06:15
And then 06:17
one thing led to another and 06:18
before I knew it, we were 06:21
shopping. 06:23
Oh my god. 06:30
Wait, we only did it once. 06:33
IT DIDN'T MEAN ANYTHING TO ME. 06:37
YEAH, RIGHT. 06:40
>> REALLY. 06:41
>> SURE. 06:42
>> RACHEL, I was thinking of YOU THE WHOLE 06:42
TIME. 06:44
LOOK, 06:48
I'M SORRY, ALL RIGHT? I I NEVER meant 06:50
for YOU TO FIND OUT. 06:52
>> OH, PLEASE, PLEASE. YOU WANTED TO GET 06:53
CAUGHT. 06:56
>> THAT IS NOT TRUE. 06:57
>> SO, YOU JUST SORT OF HAPPENED TO LEAVE 06:58
IT IN HERE? 07:00
>> Did it ever occur to you that I might 07:02
just be that stupid? 07:03
>> OKAY, MONICA, I JUST HAVE TO KNOW one 07:07
thing. 07:09
Did you go with HER TO BLOOMINGDALE'S? 07:13
>> YOU NAME ONE WOMAN THAT YOU broke up 07:23
with for an actual real reason. 07:25
>> Maureen Rosillo. 07:28
>> Cuz she doesn't hate Yanni is not a real 07:30
reason. 07:32
>> Hello, Mr. Heckles. 07:38
>> You're doing it again. 07:41
>> We're not doing anything. 07:42
>> You're stomping. 07:43
It's disturbing my birds. 07:45
>> You don't have birds. 07:48
>> I could have birds. 07:51
>> Okay, Mr. Heckles, we'll try to keep it 07:54
down. 07:56
>> Thank you. 07:56
I'm going to rejoin my dinner party. 07:58
>> All right, bye-bye. 08:01
>> Okay, Janice. Janice, you got to give me 08:05
Janice. That wasn't about being picky. 08:07
>> Yeah, I know. 08:09
>> I miss Janice. 08:09
>> I miss Janice, though. 08:10
>> Hello, Chandler Bing. 08:13
Oh my god. 08:17
>> Oh, Chandler, now. 08:21
That's it. 08:27
Then, faster. 08:29
>> Ugh, stop with the broom. We're not 08:38
making noise. 08:40
We won. 08:52
We did it. 08:54
Mr. Heckles. 08:59
How did this happen? 09:04
>> Well, he must have been sweeping. 09:05
They found a broom in his hand. 09:07
>> That's terrible. 09:12
>> I know. 09:13
I was sweeping yesterday. 09:15
Could have been me. 09:17
>> Sweeping. 09:20
>> You never know. 09:22
>> Never know. 09:22
>> Okay, it's very faint, but I can still 09:27
sense him in the building. 09:30
Go into the light, MR. HECKLES. 09:33
>> OKAY, PHOEBE. 09:39
>> MHM. 09:40
I'M SORRY, but sometimes they need help. 09:41
Why not told you? 09:44
Oh, I don't know. Um how about the fact 09:46
that the underwear out there on the 09:49
telephone pole is yours from when you 09:50
were having sex with Fun Bobby out on 09:52
the terrace? 09:54
WAIT A MINUTE. 09:56
WHO TOLD YOU? 09:57
You are dead meat. 10:02
>> I didn't know it was a big secret. 10:05
>> No, it's not big. Not at all. You know, 10:07
kind of the same lines as 10:10
say, oh, I don't know, having a third 10:11
nipple. 10:13
You have a third nipple? 10:16
>> You 10:20
>> WHIP IT OUT. WHIP IT OUT. 10:25
>> COME ON. 10:27
There's nothing to see. It's just a tiny 10:28
bump. It's totally useless. 10:30
>> Oh, as as opposed to your other 10:31
multi-functional nipples. 10:32
>> I can't believe you. You told me it was 10:36
a nubbin. 10:39
Monica. 10:41
>> Are we ready to order? 10:45
>> Oh, you know what? We haven't even 10:47
looked yet. 10:48
>> Well, when you do, just let me know. 10:49
I'll be right over there on the edge of 10:50
my seat. 10:52
>> Wow, look at these prices. 10:59
>> Yeah, these are pretty ching-ching. 11:00
>> I don't know. What are these? Like 11:04
famous chickens? 11:05
Do I dare ask? 11:07
>> Yes, I'll start with the carpaccio and 11:08
then I'll have the grilled prawns. 11:09
>> That sounds great. Same for me. 11:12
>> And for the gentleman? 11:14
>> Yeah, I'll have the Thai chicken pizza. 11:15
But hey, look, if I get it without the 11:17
nuts and leeks and stuff, is it cheaper? 11:19
>> You'd think, wouldn't you? 11:23
Miss? 11:25
>> Okay, I will have the uh side salad. 11:26
>> And what would that be on the side of? 11:31
>> I don't know. Why don't you just put it 11:34
right here next to my water? 11:36
>> And for you? 11:41
>> Um I'm going to have a cup of the 11:42
cucumber soup. 11:45
And 11:47
um 11:49
Take care. 11:51
>> I will have the uh Cajun catfish. 11:55
>> Anything else? 11:57
>> Yes, how about a verse of Killing Me 11:58
Softly? 11:59
>> Everyone owes 28 bucks. 12:01
>> Oh, yeah. 12:03
>> What um everyone? 12:04
>> Oh. 12:07
You're right. I'm sorry. 12:08
>> Thank you. 12:09
>> Monica's big night. She shouldn't pay. 12:10
>> Oh. 12:12
Thank you. 12:13
>> So five of us is 12:14
33.50 a piece. 12:17
>> No. Uh-uh. No way. Sorry, not going to 12:19
happen. 12:21
>> Whoa. Whoa. Prom night flashback. 12:22
>> Sorry, Monica. I'm really happy you got 12:27
promoted, but cold cucumber mush for 12:29
30-something bucks? 12:31
Huh. 12:33
No. 12:33
Rachel just had that that that little 12:36
salad and and Joey with HIS LIKE TEENY 12:37
PIZZA. It's just 12:40
>> Okay, Pheebs. Shh. Shh. 12:42
How about we'll each we'll each just pay 12:44
for what we had, okay? It's no big deal. 12:46
>> Not for you. 12:49
>> All right. 12:54
What's going on? 12:55
Okay, look you guys. I really don't want 12:57
to get into this right now. I think 12:58
it'll just make everybody uncomfortable. 12:59
>> We'll be fine. All right. All right. 13:01
We'll be fine. 13:02
>> Yeah. What? You can tell us. 13:03
>> Yeah. Hello. It's us. All right. We'll 13:05
be fine. 13:07
>> Yeah. 13:08
>> Okay. Um 13:13
Uh we three feel like that um 13:15
sometimes you you guys don't get that uh 13:19
>> We don't have as much money as you. 13:30
>> Okay. 13:36
>> I hear you. 13:38
We can talk about that. 13:39
>> Well then, 13:42
let's 13:45
>> Well, um I I 13:48
guess I just never think of money as an 13:50
issue. 13:53
>> That's cuz you have it. 13:54
>> That's a good point. 13:55
So, um 13:58
how come you guys haven't talked about 14:00
this before? 14:01
>> Cuz it's always something, you know? 14:02
Like with Monica's new job or the whole 14:04
Ross's birthday hoopla. 14:06
>> What? 14:09
Whoa, hey. I don't want my birthday to 14:10
be the source of any kind of negative 14:12
There's going to be a hoopla? 14:15
>> Basically, there's the thing and then 14:20
there's the stuff after the thing and 14:22
it's 14:24
If it makes anybody feel better, then we 14:25
can just forget the thing and and we'll 14:27
just 14:29
do the gift. 14:30
>> Gift? Gift? The The thing's not the 14:31
gift? 14:32
>> No, the thing was we were going to go 14:34
see Hootie and the Blowfish. 14:36
>> Hootie and I I I can catch them on the 14:37
radio. 14:40
>> Did we speak on the phone last night? 14:43
Did you call me? 14:44
>> No, I stayed at Julie's last night. 14:45
>> Huh. 14:49
>> Oh, actually, I haven't even been home 14:50
yet. Do you mind if I check my messages? 14:52
>> Oh, yeah, go ahead. 14:54
>> Rach, I got a message FROM YOU. 14:59
WHO'S MICHAEL? 15:06
>> OH MY GOD. 15:08
OH MY GOD, ROSS, NO, hang up the phone. 15:09
Give me the phone. Ross, give me the 15:11
phone. GIVE ME THE PHONE. 15:12
>> YOU'RE OVER ME? 15:22
>> OH GOD. 15:24
>> WHAT? You're uh 15:26
>> Oh god. 15:27
>> You're You're over me? 15:28
>> Oh god. Oh god. 15:30
Oh my god. 15:32
Oh 15:33
god. 15:34
>> When? 15:35
When were you 15:36
under me? 15:38
Rach 15:44
Rachel, do you 15:46
I mean, were you uh 15:48
>> Uh 15:50
okay. 15:50
Okay. Okay. 15:51
Well, 15:53
basically, 15:55
lately, I've uh 15:56
I've uh sort of had feelings for you. 16:00
>> You've 16:07
had feelings for me? 16:08
>> Yeah, what so? You had feelings for me 16:10
first. 16:12
>> Whoa. Huh. 16:12
You know about my I mean, you know I had 16:16
you You know? 16:19
>> Chandler told me. 16:22
>> Chandler, when did he When did he When 16:23
did he? 16:24
>> When you were in China. 16:29
>> China? 16:30
>> Meeting Julie. 16:31
>> Julie? 16:31
Julie. That's Oh god. 16:33
Julie. 16:36
Julie. Right. Okay, I need to lie down. 16:37
No, you know, I'm going to stand. I'm 16:41
going to stand. 16:42
I'm going to walk. I'm walking and I am 16:44
standing. Okay, so you were 16:47
And now you were And now now 16:49
Now you're over me? 16:52
>> Now are you over me? 16:56
>> That's That's Julie. 17:07
That's Julie. Julie. Hi, Julie. 17:09
>> Hi, honey. I've got a cab waiting. 17:12
>> I'll be right down. 17:14
You have no right to tell me you ever 17:17
had feelings for me. 17:18
>> What? 17:20
>> I was doing great with Julie before I 17:21
found out about you. 17:22
>> Hey, I was doing great before I found 17:24
out about you. You think it's easy for 17:25
me to see you with Julie? 17:27
>> Well, then you should have said 17:28
something before I met her. 17:29
>> I didn't know then. And how come you 17:31
never said anything to me? 17:33
>> There was never a good time. 17:34
>> Right. You You only had a year and we 17:36
only hung out every night. 17:38
>> Not not not 17:39
every night. 17:42
You know, and and it's not like I didn't 17:44
try, Rachel, but the old things got in 17:45
the way, you know, like like Italian 17:47
guys or ex-fiances or or or Italian 17:49
guys. 17:54
>> Hey, there was one Italian guy, okay? 17:58
And do you even have a point? 18:00
>> is I I don't need this right now, okay? 18:01
It's It's too late. I'm with somebody 18:05
else. I'm happy. This ship has sailed. 18:07
>> Okay, so what are you saying? You're 18:09
going to sort of put away feelings or 18:10
whatever the hell it was that you felt 18:11
for me? 18:13
>> Hey, I've been doing it since the ninth 18:13
grade. I've gotten pretty damn good at 18:14
it. 18:15
>> fine. You go ahead and you do THAT, ALL 18:16
RIGHT, ROSS. THEN I DON'T NEED YOUR 18:17
STUPID 18:19
>> GOOD. 18:20
>> GOOD. 18:20
AND YOU KNOW WHAT? NOW I GOT CLOSURE. 18:22
OH! 18:29
OH! 18:49
OH! 19:10
OH! 19:13
>> TRY THE BOTTOM ONE. 19:18
>> ALL RIGHT, LET'S let's start with the 19:37
cons cuz they're more fun. 19:38
Rachel first. 19:40
>> I don't know. 19:42
I mean 19:44
All right, I guess you can say she's 19:45
she's a little spoiled sometimes. 19:48
>> You could say that. 19:50
>> Yeah. 19:51
And guess you know, sometimes she's 19:54
she's a little you know. 19:56
And I've seen her be a little too into 19:58
her looks. 20:00
And oh, and like Julie and I, we have a 20:02
lot in common cuz we're both 20:04
paleontologists, right? But I mean 20:05
Rachel's just a waitress. 20:07
>> Waitress. 20:09
Got it. You guys want to play Doom? 20:11
Or we could keep doing this. 20:16
What else? 20:20
>> I don't know. 20:22
Uh 20:24
Oh. 20:25
>> Her ankles are a little chubby. 20:26
>> Okay, let's do Julie. What's wrong with 20:29
her? 20:31
>> She's not Rachel. 20:36
>> Well, uh 20:40
>> He broke up with Julie. 20:41
Well, go hug her for God's sakes. 20:44
>> Really? 20:49
>> Really. 20:50
It's always been you, Rach. 20:52
>> God. 20:54
>> Oh. 21:01
>> Oh. 21:05
Oh, this is good. This is really good. 21:07
>> I know. I know. It's It's almost 21:10
What do you say we go take a walk? Just 21:20
us, not them. 21:21
>> I'll get my coat. 21:23
>> Okay. No, hey. Whoa. 21:24
I'll get your coat. 21:26
>> Okay. 21:28
I want to get my coat. 21:35
He's going to get my coat. Oh my god. 21:37
>> This is unbelievable. 21:40
>> What's that? 21:43
>> What? Nothing. 21:44
>> What? There's something I saw my name. 21:47
What is it? 21:48
>> No, no. See? See? 21:49
Hey, it's printing. 21:51
Hey, it's printing. 21:54
>> Well, what is it? Let me see. 21:57
>> Hey, someone order a coat? 21:58
>> Plus, Chandler wrote something about me 22:00
on his computer and he won't let me see. 22:01
>> He won't? He won't? 22:03
Because isn't it Isn't it the the the 22:07
the short story you were writing? 22:10
>> Yes, yes it is the short story 22:12
that I was writing. 22:15
>> In a minute? 22:16
Let me READ IT. 22:17
>> NO. 22:18
>> COME ON. 22:22
>> HEY, UH 22:22
WHY DON'T YOU read it to her? 22:24
All right. 22:35
It was summer 22:47
and it was hot. 22:50
Rachel was there. 22:53
A lonely gray couch. 22:58
"Oh look," cried Ned. 23:02
And then the kingdom was his forever. 23:05
THE END. 23:07
>> THAT'S IT? THAT'S ALL YOU WROTE? YOU'RE 23:11
the worst writer IN THE WHOLE WORLD. 23:13
>> ALL RIGHT. ALL RIGHT. YOU KNOW WHAT? 23:16
This isn't funny anymore. There's 23:17
something about me on that piece of 23:18
paper and I want to see it. 23:20
>> No, you don't. 23:22
>> All right. You know what? Fine. If you 23:26
guys want to be children about this, 23:27
that's fine. I do not NEED TO SEE 23:29
WHAT IS THIS? 23:38
>> THAT IS 23:39
NO, NO, NO. 23:40
>> ROSS, WHAT IS THIS? 23:43
>> THANK YOU. Good luck. 23:43
Okay. Just just remember how crazy I am 23:48
about you, okay? 23:51
>> Kind of ditzy? 23:52
Too into her looks? 23:54
Spoiled? 23:57
>> Now, that's a little spoiled. You 23:58
supposed to type little, the idiot. 23:59
>> Just a waitress? 24:03
>> Now, that that was uh 24:06
I mean, as opposed to uh 24:09
the um Okay, is is this over yet, Rach? 24:11
>> I do not have chubby ankles. 24:15
>> Oh gosh, it's hot in here. Rach, get the 24:19
heat. 24:21
>> Ross, can you turn the heat down, 24:22
please? 24:23
>> Sure. 24:23
And by the way, there's a difference 24:25
between being obsessive 24:26
>> Ross, the heat. 24:27
>> Fine, okay. You know 24:28
>> Heat heat heat. And I'm the obsessive 24:30
one, huh? 24:31
>> Okay. This way is on, so this is 24:33
off. 24:42
>> Did you just break the radiator? 24:44
>> No. No. I was turning the knob and and 24:46
Here it is. 24:50
>> Well, put it back. 24:52
>> It uh 24:56
It won't go back. 24:57
>> Call the super. Here, let me try. 24:59
>> Oh, oh that's right. I forgot about your 25:02
ability to fuse metal. 25:04
>> Hey, it's funny's cousin, not funny. 25:06
Hi, Mr. Treeger. Hi, it's Rachel Green 25:10
from upstairs. Yes, somebody uh broke 25:12
our knob on the radiator and it's really 25:15
hot in here. 25:18
Yes, it's it's hot enough to bake 25:20
cookies. 25:22
Well, well do you think we could have a 25:25
new one by 6:00? 25:26
What? No, no, Tuesday. We can't wait 25:28
until Tuesday. We're having a party 25:31
tonight. 25:32
>> Okay, tip the man. 25:33
>> No, if he doesn't like our cookies, too 25:35
bad. I'm not going to be blackmailed. 25:36
Look, if worst comes to worst, it gets a 25:39
little warm, we'll call it a theme 25:40
party. 25:43
>> Hey, here's a theme. Come on in, live 25:43
like bacon. 25:45
Mr. Treeger? 25:48
Huh. 25:49
Here is 50 bucks. Merry Christmas. 25:50
>> Oh, wow. 25:53
I didn't get you anything. 25:55
Here's five back. 25:57
>> No, no, no, that's that's your Christmas 26:00
tip. All right? Oh, hey. 26:02
Do you think there's a chance that you 26:05
can fix that radiator now? 26:06
>> Uh no can do. Like I told the girl, I 26:07
can't get a new knob until Tuesday. 26:10
>> Ross? 26:13
>> Yeah? 26:13
>> Looks like he's playing baseball. 26:14
>> Do you mean hardball? 26:16
>> Whatever. 26:21
What you going to do? 26:23
>> Excuse me, I'm seizing. 26:24
>> Mr. Treeger? 26:27
Here's another 50. 26:29
Happy Hanukkah. 26:31
Will will this help with the knob 26:33
getting? 26:36
>> No. 26:37
The place is not open till Tuesday. 26:38
Am I not saying it right? 26:41
>> So, wait. You really did like my 26:45
cookies? 26:47
>> Oh, yeah. 26:47
They were so personal. Really showed you 26:49
cared. 26:51
Ho ho holy crap is it hot in here? 26:55
Really? Hey, you mind if I turn the heat 27:00
down? 27:02
>> Hey, we could have used that kind of 27:03
thinking earlier. 27:04
>> It seems I let go. 27:06
>> Oh, I couldn't go in. 27:08
>> Oh, honey, I'm sorry. 27:11
>> Are you okay? 27:12
>> Yeah, yeah, no, it's okay cuz I mean I 27:13
know he's there. So, that's enough for 27:15
now. 27:17
>> Hey guys, it's after midnight. Hey, 27:18
Merry Christmas everyone. 27:20
>> All right, 27:21
Merry Christmas. 27:23
>> Hey Monica, the knob was broken so I 27:27
just turned it off from underneath. I 27:28
hope that's all right. 27:30
>> Trouble here. I've only got 12 hours and 27:34
36 minutes left. Move move move. 27:36
>> Monica, I feel like you should have 27:39
GERMAN SUBTITLES. 27:41
>> JOEY, SPEED it up. 27:45
>> I'm sorry, it's the pigs. They're 27:46
reluctant to get IN THE BLANKETS. 27:48
>> MONICA, HOW DID THIS HAPPEN? I thought 27:51
you had this all planned out. Do you 27:53
want me to cry? 27:55
Is that what you want? 27:58
Do you want TO SEE ME CRY? 28:00
SIR, NO SIR. 28:03
ALL RIGHT, YOU. 28:07
>> WHAT? NO, LOOK, I told you I am not a 28:09
part of this thing. 28:11
>> All right, look Ross, I realize that you 28:13
have issues with Carol and Susan and I 28:14
feel for you, I do. But if you don't 28:16
help me cook, I'm going to take a bunch 28:18
OF THOSE LITTLE HOT dogs and create a 28:19
new appetizer called pigs in Ross. 28:20
ALL RIGHT, BALL A MELON. 28:25
>> HEY, HOW COME I'M stuck dicing when he 28:26
gets to ball a melon? 28:28
>> All right, Monica, if there is something 28:30
that you would like to share. 28:31
>> you had no right to go out with him. 28:32
>> That is the MOST RIDICULOUS 28:34
>> ME OUT. 28:37
>> NOT SELL YOU OUT. 28:37
>> Absolutely sold me out. 28:39
>> Did you just flick me? 28:44
Okay, well, you wouldn't let me finish 28:48
and I was just 28:49
Ow, THAT HURT. 28:51
QUICK, FLICK HIM. OW, YOU YOU FLICKED 28:54
HIM. You flicked me first. 28:57
OW, GET IT. 28:59
OW. 29:00
FLICK HIM. OW. 29:02
OW, OW. 29:03
WE DON'T LET'S NOT DO THIS. LET'S NOT 29:05
OW, OW, OW. 29:06
OW. 29:08
HAPPY FUN. 29:10
HAPPY FUN. 29:11
OW. OW. 29:12
OW. 29:13
OW. 29:14
OW. 29:15
OW. 29:17
OW. 29:18
OW. 29:19
OKAY, NOW I'M GOING TO KICK SOME ASS. 29:21
OW. 29:25
OW. 29:26
OW. OW. OW. OW. OW. OW. OW. 29:27
OW. 29:30
OW. OW. ALL RIGHT. NOW, I WILL let go if 29:31
you both stop. 29:34
Oh, what do you You want me to stop 29:36
seeing him? Is that what you want? 29:37
Uh-huh. You want me to just call him up 29:39
and tell him that you're seeing him 29:41
instead? Is that WHAT YOU WANT? OKAY. 29:43
OH, THAT'S WHAT YOU WANT. YES. 29:48
FINE. FINE. 29:52
There we go. 29:55
Huh, you know what? If we were in 29:57
prison, you guys would feel LIKE MY 29:59
30:00
WOW, I I DON'T KNOW WHAT TO SAY. 30:12
And what do you say? I don't know. 30:15
It's a bracelet, isn't it? And it's a 30:20
great too. Check it out. 30:22
To my best bud. 30:25
Thanks, best bud. 30:32
Put it on. Oh, now? 30:34
No, no, I think something like nice 30:39
should be saved for a special occasion. 30:40
>> Oh, no, no, that's the beauty part. It 30:42
goes with everything. 30:43
You put this on, 30:45
you're good to go. 30:47
>> Oh, man. 30:53
You are so wearing that bracelet. 30:55
I so am. 30:58
>> This is This is us getting ready for the 31:00
prom. 31:01
>> You know what, you guys, we don't have 31:03
to watch this. 31:04
>> Did you get a shot of Monica? 31:08
>> Where's Monica? 31:09
>> Over here, Dad. 31:10
>> Wait, how do you zoom out? 31:13
There she is. 31:16
Some girl ate Monica. 31:22
>> Shut up. The camera adds 10 lb. 31:26
>> Huh, so how many cameras are actually on 31:29
you? 31:31
>> Oh, YOU LOOK SO GREAT. 31:35
>> AND YOU, 31:37
BEAUTIFUL. 31:39
>> OH, WOW. 31:40
>> OH, WHAT? SHOOT, I think I got 31:41
mayonnaise on you. 31:43
>> Oh, that's okay. It's just the shoulder. 31:44
IT'S NOT MY DRESS. 31:45
>> EVERYBODY SMILE. 31:49
>> OH, DAD, TURN IT OFF. 31:51
>> IT IS OFF. 31:53
>> DAD, IT IS NOT. WHAT'S WITH THE RED 31:54
LIGHT? 31:56
>> IT'S THE OFF LIGHT. 31:57
>> OH, YEAH. 31:58
>> RIGHT, BOSS? 31:59
>> Looking good, MR. COTTRELL. 32:08
>> YOU LOOK VERY PRETTY TONIGHT. 32:14
>> OH, THANKS. 32:16
SO, uh what are you going to do this 32:20
summer? 32:22
>> Oh, you know, I'm just going to I'm 32:22
going to hang out, work on my music. 32:23
>> Can you unhook unhook? These things keep 32:29
falling down. I can't 32:31
keep them up. 32:34
>> Uh hold on, let me see. I don't know. 32:39
>> So, what are you going to do? 32:42
>> NO, THE GUYS ARE HERE. 32:43
>> THIS SUMMER. 32:46
>> WORK ON YOUR MUSIC. 32:47
>> OH MY GOD, LOOK, THERE'S ROY KUBLIK. 32:54
>> YOU KNOW, ROY saw Star Wars 317 times. 32:57
>> His name was in the paper. 33:01
>> Where's Chip? 33:04
Why isn't he here yet? 33:05
>> He'll be here, okay? Take a chill pill. 33:07
There. 33:11
>> I just told Rachel that Roy touched my 33:17
boob. 33:19
>> I can't go to my own prom without a 33:23
date. I can't. It's too late. 33:24
>> Well, if you don't feel like going, then 33:27
I don't want to go, either. 33:29
>> Oh, I'm going to KICK CHIP'S ASS. 33:31
>> I HAVE A wonderful idea. You should take 33:35
Rachel to the prom. 33:38
>> Doubtful. 33:41
>> Jack, give me that. Talk to your son. 33:42
>> Your mother's right. 33:49
Take her. You can wear my tux. 33:51
>> Dad, she wouldn't want to go with me. 33:53
>> Of course she would. You're a college 33:54
man. 33:56
>> I don't know. 33:58
>> Come on. Don't you want to find out? 33:59
>> Oh, 34:02
I can't believe I don't get to go to my 34:03
own prom. Is it so harsh? 34:05
>> Okay. 34:10
Hold my board. 34:12
>> Attaboy. Attaboy. 34:13
>> Okay, you guys, you know, I think we've 34:15
seen enough. Let's turn it off. 34:17
>> no, no. 34:18
>> Okay, fine. Well, I'm not going to 34:19
watch, all right? 34:20
>> Come on, kid. Let's go. 34:22
>> I 34:26
I am so 34:27
>> Let's show them. 34:29
>> Uh just a sec, Dad. 34:30
Just be cool. Just be cool. 34:33
Okay, Dad. 34:45
>> Rachel, ready or not, here comes your 34:46
knight in shining. 34:49
>> Oh, NO. 34:50
>> BYE, GILBERT. 34:51
>> OH, DEAR. 34:58
JACK, HOW do I turn this off? 35:00
>> Press the button. 35:01
>> Which one? Which button, Jack? 35:02
>> The button, the button. 35:05
>> I can't believe you did that. 35:11
>> Yeah, well. 35:16
>> See? HE'S HER LOBSTER. 35:46
>> ALL RIGHT, NO PEEKING. 35:49
No peeking. No peeking. No peeking. 35:51
>> All right, all right. But, you better be 35:54
wearing clothes when I OPEN MY EYES. 35:55
>> ALL RIGHT. OPEN your eyes. 36:00
Sweet mother of all that is good and 36:07
pure. 36:09
>> Huh? 36:11
>> Days of Our Lives picked up my option. 36:11
>> Congratulations. 36:13
>> Now we can finally watch Green Acres the 36:16
way it was meant to be seen. 36:18
>> So, uh 36:21
which one is mine? 36:23
>> Whichever one you want, man. Whichever 36:24
one you want. 36:26
Not that one. 36:29
Oh, yes. 36:35
Oh, yeah. That's the stuff. 36:38
Do we dare? 36:43
We dare. 36:45
>> Your boyfriend has been in there for 36:51
over an hour. I can't believe it. It's 36:52
like I'm living with him again. He's 36:54
here when I go to sleep. He's here when 36:55
I wake UP. HE'S HERE WHEN I WANT TO USE 36:57
the shower. 36:58
It's like I'm 16 all over again. 36:59
>> Well, you're not 16. You're both ADULTS 37:01
NOW. 37:04
>> GET OUT, YOU DOOFUS! 37:05
>> OR, YOU KNOW, HE'S RUBBER and you're 37:09
glue. 37:11
>> All yours. 37:15
>> I hope you cleaned your hair out of the 37:18
drain. 37:19
>> I hope you cleaned your hair out of the 37:20
drain. 37:22
>> Shut up! 37:23
>> Shut up! 37:24
>> Cut it out! 37:26
>> ME, ME, ME! 37:27
>> I'VE NEVER wanted you more. 37:33
>> I want to watch Entertainment Tonight. 37:39
>> Tough noogies. We're watching Predators 37:41
of the Serengeti. 37:43
>> You guys stop! 37:45
>> It's my TV. 37:46
>> Quit it. 37:49
>> Bite me. 37:50
>> Oh my god. 37:50
>> Well, Monica keeps changing the channel. 37:51
>> Aw, that's great. 37:54
>> Why don't you tell mommy on me? 37:55
>> Now I'm mommy in this little play? All 37:57
right, look. I refuse to get sucked into 38:00
this like weird little Geller dimension 38:03
thing, okay? So, I'm going to go and 38:06
take a nice long hot bubble bath because 38:07
you kids are driving me crazy! 38:09
>> Get 38:15
out of here, 38:16
YOU STUPID 38:17
KIDS! 38:18
>> OH, SMOKEY. 38:25
>> OH, look at me. 38:28
Oh my god. 38:54
>> I know. 38:56
>> I sound amazing. 38:57
I've I've I've never heard myself sing 39:15
before. I mean, except in my own head. 39:17
This is so cool. Now I can hear what you 39:21
hear. 39:23
Pretty uh pretty different, huh? 39:25
I am sorry, but I'm incredibly talented. 39:28
Hey, is this true that you write a lot 39:38
of your own lines? 39:41
>> Uh well, kind of, yeah. 39:42
Like, remember last week when Alex was 39:45
in the accident? Well, the line in the 39:47
script was, "If we don't get this woman 39:49
to a hospital, she's going to die." 39:51
But I made it, "If this woman doesn't 39:54
get to a hospital, she's not going to 39:56
live." 39:58
>> Oh, okay. I see what you did there. 40:01
Aren't you afraid though that the 40:07
writers are going to be kind of mad when 40:08
they read this? 40:09
>> Huh. 40:11
Never really thought about the writers. 40:12
The scripts 40:14
just kind of come to my house. 40:15
But you know what? 40:20
This makes me look good, which makes the 40:21
show look good, which makes the writers 40:24
look good. So, how could they be mad 40:26
about that? 40:27
Mix up most of his lines. 40:30
Son of a 40:33
Yeah, well. 40:36
Right this jerkweed. 40:37
>> I fall down an elevator shaft? What the 40:39
hell does this mean? I fall down an 40:41
elevator shaft? 40:42
>> Uh I don't know. I just bring the 40:44
scripts. 40:46
>> They can't kill me. I'm Francesca's 40:49
long-lost son. 40:51
>> Right. 40:53
>> Amber, 40:56
I want you to know that I'll always be 40:57
there for you 40:59
as a friend and as your brother. 41:00
>> Aw, Drake. 41:03
>> Rough day, huh? 41:05
>> Where's the medical award? 41:07
>> This? 41:08
>> Yeah. Some guys are just lucky, I guess. 41:09
>> Dr. Armory, report to the first floor 41:13
emergency staff. 41:15
>> Oh, no. 41:17
Well, then uh 41:18
Yeah, I guess that's me. 41:21
Anyone else need to go on the elevator? 41:25
>> Dr. Wong? 41:26
Dr. Wong? 41:28
>> No, no. 41:29
They only said you. 41:30
Oh, okay. 41:34
All right. 41:36
>> I love you, Drake. 41:37
>> Yeah, whatever. 41:38
Oh, NO. 41:41
>> DRAKE, look out! 41:42
>> Oh, no. 41:44
>> Did they just kill off Joey? 41:48
>> No. 41:49
Not lately. 41:53
>> Oh, hi. 41:55
Hi. 41:56
Roger just told me he loved me. 41:57
>> Oh my god. 41:59
>> I know. 42:00
>> Honey, that's great. 42:00
>> I know. 42:02
I just can't find 42:03
>> They're in the top drawer. 42:04
>> Hurry. 42:05
>> You need one, too? 42:06
>> Oh, yeah. 42:07
>> I found them. 42:10
>> There's only one. 42:16
>> Monica. 42:18
>> Hi. 42:20
Uh we'll be right there. We just um 42:21
we're trying to decide something. 42:22
>> Rachel. 42:28
>> Hey. 42:40
>> Hey. 42:41
They're just trying to decide something. 42:43
>> Oh good. Good. Good. 42:44
So is um 42:52
was your mustache did did it used to be 42:54
different? 42:56
>> No. 42:59
>> Oh. 43:00
How do you uh you know keep it so neat? 43:04
>> I have a little comb. 43:09
>> Oh. 43:10
And what do you call that? 43:14
>> A mustache comb. 43:15
>> Okay. I I will do your laundry for 1 43:19
month. 43:22
>> No. 43:23
>> OKAY. OKAY. OKAY. I WILL I WILL I WILL I 43:24
Hey I will clean the apartment for 2 43:27
months. 43:30
>> All right. I'll tell you what. I'll give 43:30
this to you now if you can tell me where 43:31
we keep the dustpan. 43:33
>> So were you in Nam? 43:44
>> Rock, paper, scissors? 43:51
1 2 3 YES! 43:53
>> FINE. 43:58
GO HAVE SEX. 43:59
>> NO! YOU HAVE GOT IT completely wrong. 44:03
Jon Savage was Deer Hunter no legs. Jon 44:06
Voight was Coming Home couldn't feel his 44:09
legs. 44:11
>> No, no, no way. You've got it totally 44:11
the other way around, my friend. Jon 44:13
Voight was what 44:15
>> Shall we? 44:27
>> It's not going to happen. 44:27
They're doing it tonight. We can do it 44:29
tomorrow. 44:31
>> Hey Monica, we got a question. 44:33
>> All right, for the zillionth time, yes, 44:35
I see other women in the shower at the 44:36
gym, and no, I don't look. 44:38
>> No, not that one. We're trying to figure 44:40
out who to bring to the Knicks game 44:43
tonight. We have an extra ticket. 44:44
>> Yeah, Ross can't go, so it's between my 44:45
friend Eric Prower who has breath issues 44:47
Dan with the poking. Did you see that 44:50
play? 44:52
Do you want some more beer? 44:54
Is that Spike Lee? 44:55
>> Why don't you ask Richard? 45:00
>> Okay. Hey Richard. 45:02
If you had an extra ticket to the Knicks 45:04
game 45:05
and you had to choose between a friend 45:09
who smelled and one who bruises you 45:11
who would you pick? 45:15
>> Wow. 45:16
Well, being a huge Knicks fan myself, I 45:17
think you should take someone who's a 45:19
huge Knicks fan. 45:21
>> Okay. 45:24
That's Eric. 45:25
>> Glad to be of help. 45:28
>> Thanks. 45:29
>> I meant why don't you take Richard to 45:32
the game? 45:33
>> Wait, and then? 45:35
>> What? 45:36
>> I don't know. 45:38
>> Come on. He keeps his fingers to himself 45:40
and he's always minty fresh. 45:42
>> No, no, Richard's really nice and 45:45
everything. It's just that we don't know 45:46
him really well, you know, and plus 45:48
he's, you know, old. 45:49
>> Older than some people. 45:53
But younger than some buildings. 45:56
>> I have had enough of this, all right? 45:59
Gunther 46:01
These guys are trying to take our seats. 46:03
>> Fellas, these guys were here first. 46:07
>> Oh, sorry. Didn't realize. 46:09
>> There you go. 46:12
>> Thank you, Gunther. 46:13
We didn't want to have to go and do 46:18
that. 46:19
>> He told on us? 46:21
You told on us? 46:24
>> Well, pal, you didn't give me much of a 46:25
choice. 46:27
>> Don't play with this thing. 46:30
>> All right. 46:35
>> Let's take this outside. 46:37
Let's Let's take this outside. 46:41
>> Who talks like that? 46:46
>> A guy who's about to kick your ass talks 46:49
like that. 46:52
>> You had to ask. 46:53
>> Yeah. 46:54
Okay, okay. Look, see, 46:59
the thing is, 47:01
we're we're not going to fight you guys. 47:03
>> Well, then here's the deal. You won't 47:07
have to, so long as you never ever show 47:08
your faces in this coffee house ever 47:11
again. 47:13
>> Come on out, honey. I'm telling you you 47:15
look good. Tell her she looks good. Tell 47:17
her she looks good. 47:19
>> OH MY GOD! 47:27
YOU LOOK SO GOOD. 47:31
I CAN'T BELIEVE I have to walk down the 47:34
aisle in front of 200 people looking 47:36
like something you drink when you're 47:39
nauseous. 47:40
>> So, don't. I don't see why we have to go 47:43
to this thing anyway. It's your your 47:44
ex-fiancé's wedding. 47:46
>> Because I promised Mindy I would. 47:48
>> Yeah, well, you promised Barry you'd 47:50
marry him. 47:52
>> Look, Look, guys, I have to go. I'm the 47:55
maid of honor. And besides, you know 47:57
what? I just need to be in a room again 47:59
with these people and feel good about 48:01
myself. 48:03
>> Are you all right? 48:09
>> Yeah. When I was in the bathroom, I saw 48:11
the window that I crawled out of at my 48:13
wedding and 48:14
God, I just started thinking I shouldn't 48:16
be here, you know, I shouldn't. People 48:17
are going to be looking at me and 48:19
judging me and and thinking about the 48:21
last time 48:23
>> Sweetie, it's going to be okay, all 48:24
right? It's a wedding. Generally, people 48:25
focus on the bride. 48:27
>> Oh God, I know you're right. All righty, 48:29
everybody look at me. Good. All right. 48:31
It's time. Bridesmaids and ushers, let's 48:33
see two lines. Thank you. 48:36
Okay, I'll see you after the thing. 48:39
>> Okay, good luck. 48:41
>> Thank you. Okay. 48:42
Okay. 48:44
Why the hell didn't you tell me? 48:53
>> I'm sorry. What was I supposed to do? 48:55
Stand up and shout, "Hey, Rachel, your 48:56
butt is showing." 48:58
>> Oh my God, this is so humiliating. I 49:00
think the only thing that tops that one 49:02
was was was when I was in eighth grade 49:04
and I had to sing the Copacabana in 49:06
front of the entire school. I think I 49:07
got two lines into it before I ran and 49:09
freaked out. Oh my God, my entire life 49:11
is flashing before my eyes. 49:13
>> Rach, hey, look, I remember that. It 49:14
wasn't so bad. 49:16
>> Oh, Ross, would you just stop? You got 49:17
me. I'm dating you. 49:19
>> Rachel. 49:21
>> Oh. 49:22
Hi, Mr. Weinberg. 49:23
>> Hi, Mrs. Weinberg. 49:24
>> It's so wonderful to see you again, my 49:25
dear. In fact, I hardly expected to see 49:27
so much. 49:30
>> You told me you didn't see anything. 49:33
>> I tell you a lot of things. 49:35

– English Lyrics

📲 "" is trending – don’t miss the chance to learn it in the app!
By
Viewed
52,112
Language
Learn this song

Lyrics & Translation

[English]
57 from Beijing, now arriving.
>> Oh my god.
Oh my god.
Oh excuse me. Excuse me. Move. Move.
Move. Emergency, please.
EXCUSE ME.
>> RACH.
>> THERE YOU ARE.
HI.
Oh so so
How was China?
>> You.
>> It was It was great. Oh, what happened?
>> What?
>> What you you're bleeding.
>> I am?
>> Oh my god.
>> Oh look at that. Yes, I am. Anyway,
enough about me. Enough about me, Mr.
Back from the Orient. Come on, I want to
hear everything. Everything.
>> Well,
uh where do I start? Um
well, this is Julie. Uh Julie, this is
Rachel.
>> Hi.
Uh
Oh, uh these are These are aren't for
you.
Uh these are for you. Welcome to our
country.
>> Thank you. I'M FROM NEW YORK.
>> RACHEL.
AIRPORT. AIRPORT. ROSS.
The
Not alone.
Julie.
Julie. Arm around her.
Oh.
Grab.
Grab.
>> Okay, I think she's trying to tell us
something.
Quick, get the verbs.
Out.
>> You.
You.
You don't like me. You.
You.
You
slowpokes.
>> That's all right, Rach. We got the bags.
Uh
Hi. Hello.
Julie, this is my sister, Monica.
This is Chandler.
>> Hey.
>> Hey.
>> Phoebe.
>> Hi.
>> Joey, what up?
>> What up?
Everyone, this is Julie.
>> Julie.
>> OH.
>> HI.
>> HI.
>> HI, BUT I'M NOT HERE. YOU HAVEN'T met
me. I'll make a much better first
impression tomorrow when I don't have 20
hours of cabin plane on me.
>> And bus.
>> Oh my god.
>> The screaming guy.
>> And the spitting and
>> You tell you got to hear this story.
>> We're on this bus that's easily 200
years old, right?
>> 200 at least.
>> And this guy and the chicken poops IN
HER LAP.
OH, I'M SO SORRY.
I just gave away the ending, didn't I?
Oh, I It's just I just heard this story
in the cab and it is all I can think
about.
This is amazing. I mean, how
how did this happen? Well, Ross and I
were in grad school together.
>> But we haven't seen each other since
then. Well, I land in China, guess who's
in charge of the dig.
>> JULIE.
JULIE, ISN'T THAT GREAT?
I MEAN, ISN'T THAT JUST kick you in the
crotch, spit on your neck fantastic?
It's an expression.
>> We we just wanted to say a quick hi and
then we're going to go see the baby.
>> And then we've got to get some sleep.
>> Yeah, it's really 6:00 tomorrow night
our time.
>> Okay, well listen, don't tell us what's
going to happen though cuz I like to be
surprised.
>> Rachel, do you have any muffins left?
>> Uh yeah, I forget which ones.
>> Oh, you're busy. That's okay, I'll get
it.
>> Oh, anyone else want one?
>> No, thanks.
>> No, I'm all set.
>> Oh, you're losing your apron here. Let
me get it.
>> Oh.
>> Here you go.
>> Thank you.
What a
Oh, listen you guys, I have this friend
at Bloomingdale's who's quitting
tomorrow and he wants to abuse his
discount. So, anyone who wants to come
with me and take advantage of it?
>> Oh, I can't. I have to take my
grandmother to live at.
>> Okay.
>> I'll go with you.
>> Great.
Okay.
>> Hi, honey. Hey, sweetums.
And hello to the rest.
>> Hi.
>> Monica, what are you doing? You can't go
shopping with her. What about Rachel?
>> This is going to be a problem, isn't it?
>> Oh, come on. You're going to
Bloomingdale's with Julie. It's like
cheating on Rachel in her house of
worship.
>> Monica, she will kill you.
She will kill you like a dog in the
street.
>> So, Jules tells me you guys are going
shopping tomorrow.
>> Oh, yeah. Um, it's actually not that big
a deal. In fact, I didn't
>> deal to me. This is great, Monica. I
really appreciate it.
>> You're welcome.
Hey.
Where is everybody?
>> They took Ben to the park.
>> Where have you been?
>> Just out.
Had some lunch.
Just me.
Little quality time with me.
Hey. Thanks for your jacket.
>> Oh, it's no problem.
You can borrow it, by the way.
Oh, here are your keys, honey.
>> Thanks.
Mon.
>> Mhm.
>> If you were at lunch alone, how come it
cost you $53?
>> You know what probably happened?
Someone must have stolen my credit card.
Uh
And sort of just put the receipt back in
your pocket.
That is an excellent excellent question.
That is excellent.
Monica, what's with you? Who did you
have lunch with?
Judy?
>> Who?
>> Julie?
>> What?
>> Jody?
You were with Julie?
>> Oh.
Look,
when it started, I was just trying to be
nice to her because she was my brother's
girlfriend.
And then
one thing led to another and
before I knew it, we were
shopping.
Oh my god.
Wait, we only did it once.
IT DIDN'T MEAN ANYTHING TO ME.
YEAH, RIGHT.
>> REALLY.
>> SURE.
>> RACHEL, I was thinking of YOU THE WHOLE
TIME.
LOOK,
I'M SORRY, ALL RIGHT? I I NEVER meant
for YOU TO FIND OUT.
>> OH, PLEASE, PLEASE. YOU WANTED TO GET
CAUGHT.
>> THAT IS NOT TRUE.
>> SO, YOU JUST SORT OF HAPPENED TO LEAVE
IT IN HERE?
>> Did it ever occur to you that I might
just be that stupid?
>> OKAY, MONICA, I JUST HAVE TO KNOW one
thing.
Did you go with HER TO BLOOMINGDALE'S?
>> YOU NAME ONE WOMAN THAT YOU broke up
with for an actual real reason.
>> Maureen Rosillo.
>> Cuz she doesn't hate Yanni is not a real
reason.
>> Hello, Mr. Heckles.
>> You're doing it again.
>> We're not doing anything.
>> You're stomping.
It's disturbing my birds.
>> You don't have birds.
>> I could have birds.
>> Okay, Mr. Heckles, we'll try to keep it
down.
>> Thank you.
I'm going to rejoin my dinner party.
>> All right, bye-bye.
>> Okay, Janice. Janice, you got to give me
Janice. That wasn't about being picky.
>> Yeah, I know.
>> I miss Janice.
>> I miss Janice, though.
>> Hello, Chandler Bing.
Oh my god.
>> Oh, Chandler, now.
That's it.
Then, faster.
>> Ugh, stop with the broom. We're not
making noise.
We won.
We did it.
Mr. Heckles.
How did this happen?
>> Well, he must have been sweeping.
They found a broom in his hand.
>> That's terrible.
>> I know.
I was sweeping yesterday.
Could have been me.
>> Sweeping.
>> You never know.
>> Never know.
>> Okay, it's very faint, but I can still
sense him in the building.
Go into the light, MR. HECKLES.
>> OKAY, PHOEBE.
>> MHM.
I'M SORRY, but sometimes they need help.
Why not told you?
Oh, I don't know. Um how about the fact
that the underwear out there on the
telephone pole is yours from when you
were having sex with Fun Bobby out on
the terrace?
WAIT A MINUTE.
WHO TOLD YOU?
You are dead meat.
>> I didn't know it was a big secret.
>> No, it's not big. Not at all. You know,
kind of the same lines as
say, oh, I don't know, having a third
nipple.
You have a third nipple?
>> You
>> WHIP IT OUT. WHIP IT OUT.
>> COME ON.
There's nothing to see. It's just a tiny
bump. It's totally useless.
>> Oh, as as opposed to your other
multi-functional nipples.
>> I can't believe you. You told me it was
a nubbin.
Monica.
>> Are we ready to order?
>> Oh, you know what? We haven't even
looked yet.
>> Well, when you do, just let me know.
I'll be right over there on the edge of
my seat.
>> Wow, look at these prices.
>> Yeah, these are pretty ching-ching.
>> I don't know. What are these? Like
famous chickens?
Do I dare ask?
>> Yes, I'll start with the carpaccio and
then I'll have the grilled prawns.
>> That sounds great. Same for me.
>> And for the gentleman?
>> Yeah, I'll have the Thai chicken pizza.
But hey, look, if I get it without the
nuts and leeks and stuff, is it cheaper?
>> You'd think, wouldn't you?
Miss?
>> Okay, I will have the uh side salad.
>> And what would that be on the side of?
>> I don't know. Why don't you just put it
right here next to my water?
>> And for you?
>> Um I'm going to have a cup of the
cucumber soup.
And
um
Take care.
>> I will have the uh Cajun catfish.
>> Anything else?
>> Yes, how about a verse of Killing Me
Softly?
>> Everyone owes 28 bucks.
>> Oh, yeah.
>> What um everyone?
>> Oh.
You're right. I'm sorry.
>> Thank you.
>> Monica's big night. She shouldn't pay.
>> Oh.
Thank you.
>> So five of us is
33.50 a piece.
>> No. Uh-uh. No way. Sorry, not going to
happen.
>> Whoa. Whoa. Prom night flashback.
>> Sorry, Monica. I'm really happy you got
promoted, but cold cucumber mush for
30-something bucks?
Huh.
No.
Rachel just had that that that little
salad and and Joey with HIS LIKE TEENY
PIZZA. It's just
>> Okay, Pheebs. Shh. Shh.
How about we'll each we'll each just pay
for what we had, okay? It's no big deal.
>> Not for you.
>> All right.
What's going on?
Okay, look you guys. I really don't want
to get into this right now. I think
it'll just make everybody uncomfortable.
>> We'll be fine. All right. All right.
We'll be fine.
>> Yeah. What? You can tell us.
>> Yeah. Hello. It's us. All right. We'll
be fine.
>> Yeah.
>> Okay. Um
Uh we three feel like that um
sometimes you you guys don't get that uh
>> We don't have as much money as you.
>> Okay.
>> I hear you.
We can talk about that.
>> Well then,
let's
>> Well, um I I
guess I just never think of money as an
issue.
>> That's cuz you have it.
>> That's a good point.
So, um
how come you guys haven't talked about
this before?
>> Cuz it's always something, you know?
Like with Monica's new job or the whole
Ross's birthday hoopla.
>> What?
Whoa, hey. I don't want my birthday to
be the source of any kind of negative
There's going to be a hoopla?
>> Basically, there's the thing and then
there's the stuff after the thing and
it's
If it makes anybody feel better, then we
can just forget the thing and and we'll
just
do the gift.
>> Gift? Gift? The The thing's not the
gift?
>> No, the thing was we were going to go
see Hootie and the Blowfish.
>> Hootie and I I I can catch them on the
radio.
>> Did we speak on the phone last night?
Did you call me?
>> No, I stayed at Julie's last night.
>> Huh.
>> Oh, actually, I haven't even been home
yet. Do you mind if I check my messages?
>> Oh, yeah, go ahead.
>> Rach, I got a message FROM YOU.
WHO'S MICHAEL?
>> OH MY GOD.
OH MY GOD, ROSS, NO, hang up the phone.
Give me the phone. Ross, give me the
phone. GIVE ME THE PHONE.
>> YOU'RE OVER ME?
>> OH GOD.
>> WHAT? You're uh
>> Oh god.
>> You're You're over me?
>> Oh god. Oh god.
Oh my god.
Oh
god.
>> When?
When were you
under me?
Rach
Rachel, do you
I mean, were you uh
>> Uh
okay.
Okay. Okay.
Well,
basically,
lately, I've uh
I've uh sort of had feelings for you.
>> You've
had feelings for me?
>> Yeah, what so? You had feelings for me
first.
>> Whoa. Huh.
You know about my I mean, you know I had
you You know?
>> Chandler told me.
>> Chandler, when did he When did he When
did he?
>> When you were in China.
>> China?
>> Meeting Julie.
>> Julie?
Julie. That's Oh god.
Julie.
Julie. Right. Okay, I need to lie down.
No, you know, I'm going to stand. I'm
going to stand.
I'm going to walk. I'm walking and I am
standing. Okay, so you were
And now you were And now now
Now you're over me?
>> Now are you over me?
>> That's That's Julie.
That's Julie. Julie. Hi, Julie.
>> Hi, honey. I've got a cab waiting.
>> I'll be right down.
You have no right to tell me you ever
had feelings for me.
>> What?
>> I was doing great with Julie before I
found out about you.
>> Hey, I was doing great before I found
out about you. You think it's easy for
me to see you with Julie?
>> Well, then you should have said
something before I met her.
>> I didn't know then. And how come you
never said anything to me?
>> There was never a good time.
>> Right. You You only had a year and we
only hung out every night.
>> Not not not
every night.
You know, and and it's not like I didn't
try, Rachel, but the old things got in
the way, you know, like like Italian
guys or ex-fiances or or or Italian
guys.
>> Hey, there was one Italian guy, okay?
And do you even have a point?
>> is I I don't need this right now, okay?
It's It's too late. I'm with somebody
else. I'm happy. This ship has sailed.
>> Okay, so what are you saying? You're
going to sort of put away feelings or
whatever the hell it was that you felt
for me?
>> Hey, I've been doing it since the ninth
grade. I've gotten pretty damn good at
it.
>> fine. You go ahead and you do THAT, ALL
RIGHT, ROSS. THEN I DON'T NEED YOUR
STUPID
>> GOOD.
>> GOOD.
AND YOU KNOW WHAT? NOW I GOT CLOSURE.
OH!
OH!
OH!
OH!
>> TRY THE BOTTOM ONE.
>> ALL RIGHT, LET'S let's start with the
cons cuz they're more fun.
Rachel first.
>> I don't know.
I mean
All right, I guess you can say she's
she's a little spoiled sometimes.
>> You could say that.
>> Yeah.
And guess you know, sometimes she's
she's a little you know.
And I've seen her be a little too into
her looks.
And oh, and like Julie and I, we have a
lot in common cuz we're both
paleontologists, right? But I mean
Rachel's just a waitress.
>> Waitress.
Got it. You guys want to play Doom?
Or we could keep doing this.
What else?
>> I don't know.
Uh
Oh.
>> Her ankles are a little chubby.
>> Okay, let's do Julie. What's wrong with
her?
>> She's not Rachel.
>> Well, uh
>> He broke up with Julie.
Well, go hug her for God's sakes.
>> Really?
>> Really.
It's always been you, Rach.
>> God.
>> Oh.
>> Oh.
Oh, this is good. This is really good.
>> I know. I know. It's It's almost
What do you say we go take a walk? Just
us, not them.
>> I'll get my coat.
>> Okay. No, hey. Whoa.
I'll get your coat.
>> Okay.
I want to get my coat.
He's going to get my coat. Oh my god.
>> This is unbelievable.
>> What's that?
>> What? Nothing.
>> What? There's something I saw my name.
What is it?
>> No, no. See? See?
Hey, it's printing.
Hey, it's printing.
>> Well, what is it? Let me see.
>> Hey, someone order a coat?
>> Plus, Chandler wrote something about me
on his computer and he won't let me see.
>> He won't? He won't?
Because isn't it Isn't it the the the
the short story you were writing?
>> Yes, yes it is the short story
that I was writing.
>> In a minute?
Let me READ IT.
>> NO.
>> COME ON.
>> HEY, UH
WHY DON'T YOU read it to her?
All right.
It was summer
and it was hot.
Rachel was there.
A lonely gray couch.
"Oh look," cried Ned.
And then the kingdom was his forever.
THE END.
>> THAT'S IT? THAT'S ALL YOU WROTE? YOU'RE
the worst writer IN THE WHOLE WORLD.
>> ALL RIGHT. ALL RIGHT. YOU KNOW WHAT?
This isn't funny anymore. There's
something about me on that piece of
paper and I want to see it.
>> No, you don't.
>> All right. You know what? Fine. If you
guys want to be children about this,
that's fine. I do not NEED TO SEE
WHAT IS THIS?
>> THAT IS
NO, NO, NO.
>> ROSS, WHAT IS THIS?
>> THANK YOU. Good luck.
Okay. Just just remember how crazy I am
about you, okay?
>> Kind of ditzy?
Too into her looks?
Spoiled?
>> Now, that's a little spoiled. You
supposed to type little, the idiot.
>> Just a waitress?
>> Now, that that was uh
I mean, as opposed to uh
the um Okay, is is this over yet, Rach?
>> I do not have chubby ankles.
>> Oh gosh, it's hot in here. Rach, get the
heat.
>> Ross, can you turn the heat down,
please?
>> Sure.
And by the way, there's a difference
between being obsessive
>> Ross, the heat.
>> Fine, okay. You know
>> Heat heat heat. And I'm the obsessive
one, huh?
>> Okay. This way is on, so this is
off.
>> Did you just break the radiator?
>> No. No. I was turning the knob and and
Here it is.
>> Well, put it back.
>> It uh
It won't go back.
>> Call the super. Here, let me try.
>> Oh, oh that's right. I forgot about your
ability to fuse metal.
>> Hey, it's funny's cousin, not funny.
Hi, Mr. Treeger. Hi, it's Rachel Green
from upstairs. Yes, somebody uh broke
our knob on the radiator and it's really
hot in here.
Yes, it's it's hot enough to bake
cookies.
Well, well do you think we could have a
new one by 6:00?
What? No, no, Tuesday. We can't wait
until Tuesday. We're having a party
tonight.
>> Okay, tip the man.
>> No, if he doesn't like our cookies, too
bad. I'm not going to be blackmailed.
Look, if worst comes to worst, it gets a
little warm, we'll call it a theme
party.
>> Hey, here's a theme. Come on in, live
like bacon.
Mr. Treeger?
Huh.
Here is 50 bucks. Merry Christmas.
>> Oh, wow.
I didn't get you anything.
Here's five back.
>> No, no, no, that's that's your Christmas
tip. All right? Oh, hey.
Do you think there's a chance that you
can fix that radiator now?
>> Uh no can do. Like I told the girl, I
can't get a new knob until Tuesday.
>> Ross?
>> Yeah?
>> Looks like he's playing baseball.
>> Do you mean hardball?
>> Whatever.
What you going to do?
>> Excuse me, I'm seizing.
>> Mr. Treeger?
Here's another 50.
Happy Hanukkah.
Will will this help with the knob
getting?
>> No.
The place is not open till Tuesday.
Am I not saying it right?
>> So, wait. You really did like my
cookies?
>> Oh, yeah.
They were so personal. Really showed you
cared.
Ho ho holy crap is it hot in here?
Really? Hey, you mind if I turn the heat
down?
>> Hey, we could have used that kind of
thinking earlier.
>> It seems I let go.
>> Oh, I couldn't go in.
>> Oh, honey, I'm sorry.
>> Are you okay?
>> Yeah, yeah, no, it's okay cuz I mean I
know he's there. So, that's enough for
now.
>> Hey guys, it's after midnight. Hey,
Merry Christmas everyone.
>> All right,
Merry Christmas.
>> Hey Monica, the knob was broken so I
just turned it off from underneath. I
hope that's all right.
>> Trouble here. I've only got 12 hours and
36 minutes left. Move move move.
>> Monica, I feel like you should have
GERMAN SUBTITLES.
>> JOEY, SPEED it up.
>> I'm sorry, it's the pigs. They're
reluctant to get IN THE BLANKETS.
>> MONICA, HOW DID THIS HAPPEN? I thought
you had this all planned out. Do you
want me to cry?
Is that what you want?
Do you want TO SEE ME CRY?
SIR, NO SIR.
ALL RIGHT, YOU.
>> WHAT? NO, LOOK, I told you I am not a
part of this thing.
>> All right, look Ross, I realize that you
have issues with Carol and Susan and I
feel for you, I do. But if you don't
help me cook, I'm going to take a bunch
OF THOSE LITTLE HOT dogs and create a
new appetizer called pigs in Ross.
ALL RIGHT, BALL A MELON.
>> HEY, HOW COME I'M stuck dicing when he
gets to ball a melon?
>> All right, Monica, if there is something
that you would like to share.
>> you had no right to go out with him.
>> That is the MOST RIDICULOUS
>> ME OUT.
>> NOT SELL YOU OUT.
>> Absolutely sold me out.
>> Did you just flick me?
Okay, well, you wouldn't let me finish
and I was just
Ow, THAT HURT.
QUICK, FLICK HIM. OW, YOU YOU FLICKED
HIM. You flicked me first.
OW, GET IT.
OW.
FLICK HIM. OW.
OW, OW.
WE DON'T LET'S NOT DO THIS. LET'S NOT
OW, OW, OW.
OW.
HAPPY FUN.
HAPPY FUN.
OW. OW.
OW.
OW.
OW.
OW.
OW.
OW.
OKAY, NOW I'M GOING TO KICK SOME ASS.
OW.
OW.
OW. OW. OW. OW. OW. OW. OW.
OW.
OW. OW. ALL RIGHT. NOW, I WILL let go if
you both stop.
Oh, what do you You want me to stop
seeing him? Is that what you want?
Uh-huh. You want me to just call him up
and tell him that you're seeing him
instead? Is that WHAT YOU WANT? OKAY.
OH, THAT'S WHAT YOU WANT. YES.
FINE. FINE.
There we go.
Huh, you know what? If we were in
prison, you guys would feel LIKE MY
...
WOW, I I DON'T KNOW WHAT TO SAY.
And what do you say? I don't know.
It's a bracelet, isn't it? And it's a
great too. Check it out.
To my best bud.
Thanks, best bud.
Put it on. Oh, now?
No, no, I think something like nice
should be saved for a special occasion.
>> Oh, no, no, that's the beauty part. It
goes with everything.
You put this on,
you're good to go.
>> Oh, man.
You are so wearing that bracelet.
I so am.
>> This is This is us getting ready for the
prom.
>> You know what, you guys, we don't have
to watch this.
>> Did you get a shot of Monica?
>> Where's Monica?
>> Over here, Dad.
>> Wait, how do you zoom out?
There she is.
Some girl ate Monica.
>> Shut up. The camera adds 10 lb.
>> Huh, so how many cameras are actually on
you?
>> Oh, YOU LOOK SO GREAT.
>> AND YOU,
BEAUTIFUL.
>> OH, WOW.
>> OH, WHAT? SHOOT, I think I got
mayonnaise on you.
>> Oh, that's okay. It's just the shoulder.
IT'S NOT MY DRESS.
>> EVERYBODY SMILE.
>> OH, DAD, TURN IT OFF.
>> IT IS OFF.
>> DAD, IT IS NOT. WHAT'S WITH THE RED
LIGHT?
>> IT'S THE OFF LIGHT.
>> OH, YEAH.
>> RIGHT, BOSS?
>> Looking good, MR. COTTRELL.
>> YOU LOOK VERY PRETTY TONIGHT.
>> OH, THANKS.
SO, uh what are you going to do this
summer?
>> Oh, you know, I'm just going to I'm
going to hang out, work on my music.
>> Can you unhook unhook? These things keep
falling down. I can't
keep them up.
>> Uh hold on, let me see. I don't know.
>> So, what are you going to do?
>> NO, THE GUYS ARE HERE.
>> THIS SUMMER.
>> WORK ON YOUR MUSIC.
>> OH MY GOD, LOOK, THERE'S ROY KUBLIK.
>> YOU KNOW, ROY saw Star Wars 317 times.
>> His name was in the paper.
>> Where's Chip?
Why isn't he here yet?
>> He'll be here, okay? Take a chill pill.
There.
>> I just told Rachel that Roy touched my
boob.
>> I can't go to my own prom without a
date. I can't. It's too late.
>> Well, if you don't feel like going, then
I don't want to go, either.
>> Oh, I'm going to KICK CHIP'S ASS.
>> I HAVE A wonderful idea. You should take
Rachel to the prom.
>> Doubtful.
>> Jack, give me that. Talk to your son.
>> Your mother's right.
Take her. You can wear my tux.
>> Dad, she wouldn't want to go with me.
>> Of course she would. You're a college
man.
>> I don't know.
>> Come on. Don't you want to find out?
>> Oh,
I can't believe I don't get to go to my
own prom. Is it so harsh?
>> Okay.
Hold my board.
>> Attaboy. Attaboy.
>> Okay, you guys, you know, I think we've
seen enough. Let's turn it off.
>> no, no.
>> Okay, fine. Well, I'm not going to
watch, all right?
>> Come on, kid. Let's go.
>> I
I am so
>> Let's show them.
>> Uh just a sec, Dad.
Just be cool. Just be cool.
Okay, Dad.
>> Rachel, ready or not, here comes your
knight in shining.
>> Oh, NO.
>> BYE, GILBERT.
>> OH, DEAR.
JACK, HOW do I turn this off?
>> Press the button.
>> Which one? Which button, Jack?
>> The button, the button.
>> I can't believe you did that.
>> Yeah, well.
>> See? HE'S HER LOBSTER.
>> ALL RIGHT, NO PEEKING.
No peeking. No peeking. No peeking.
>> All right, all right. But, you better be
wearing clothes when I OPEN MY EYES.
>> ALL RIGHT. OPEN your eyes.
Sweet mother of all that is good and
pure.
>> Huh?
>> Days of Our Lives picked up my option.
>> Congratulations.
>> Now we can finally watch Green Acres the
way it was meant to be seen.
>> So, uh
which one is mine?
>> Whichever one you want, man. Whichever
one you want.
Not that one.
Oh, yes.
Oh, yeah. That's the stuff.
Do we dare?
We dare.
>> Your boyfriend has been in there for
over an hour. I can't believe it. It's
like I'm living with him again. He's
here when I go to sleep. He's here when
I wake UP. HE'S HERE WHEN I WANT TO USE
the shower.
It's like I'm 16 all over again.
>> Well, you're not 16. You're both ADULTS
NOW.
>> GET OUT, YOU DOOFUS!
>> OR, YOU KNOW, HE'S RUBBER and you're
glue.
>> All yours.
>> I hope you cleaned your hair out of the
drain.
>> I hope you cleaned your hair out of the
drain.
>> Shut up!
>> Shut up!
>> Cut it out!
>> ME, ME, ME!
>> I'VE NEVER wanted you more.
>> I want to watch Entertainment Tonight.
>> Tough noogies. We're watching Predators
of the Serengeti.
>> You guys stop!
>> It's my TV.
>> Quit it.
>> Bite me.
>> Oh my god.
>> Well, Monica keeps changing the channel.
>> Aw, that's great.
>> Why don't you tell mommy on me?
>> Now I'm mommy in this little play? All
right, look. I refuse to get sucked into
this like weird little Geller dimension
thing, okay? So, I'm going to go and
take a nice long hot bubble bath because
you kids are driving me crazy!
>> Get
out of here,
YOU STUPID
KIDS!
>> OH, SMOKEY.
>> OH, look at me.
Oh my god.
>> I know.
>> I sound amazing.
I've I've I've never heard myself sing
before. I mean, except in my own head.
This is so cool. Now I can hear what you
hear.
Pretty uh pretty different, huh?
I am sorry, but I'm incredibly talented.
Hey, is this true that you write a lot
of your own lines?
>> Uh well, kind of, yeah.
Like, remember last week when Alex was
in the accident? Well, the line in the
script was, "If we don't get this woman
to a hospital, she's going to die."
But I made it, "If this woman doesn't
get to a hospital, she's not going to
live."
>> Oh, okay. I see what you did there.
Aren't you afraid though that the
writers are going to be kind of mad when
they read this?
>> Huh.
Never really thought about the writers.
The scripts
just kind of come to my house.
But you know what?
This makes me look good, which makes the
show look good, which makes the writers
look good. So, how could they be mad
about that?
Mix up most of his lines.
Son of a
Yeah, well.
Right this jerkweed.
>> I fall down an elevator shaft? What the
hell does this mean? I fall down an
elevator shaft?
>> Uh I don't know. I just bring the
scripts.
>> They can't kill me. I'm Francesca's
long-lost son.
>> Right.
>> Amber,
I want you to know that I'll always be
there for you
as a friend and as your brother.
>> Aw, Drake.
>> Rough day, huh?
>> Where's the medical award?
>> This?
>> Yeah. Some guys are just lucky, I guess.
>> Dr. Armory, report to the first floor
emergency staff.
>> Oh, no.
Well, then uh
Yeah, I guess that's me.
Anyone else need to go on the elevator?
>> Dr. Wong?
Dr. Wong?
>> No, no.
They only said you.
Oh, okay.
All right.
>> I love you, Drake.
>> Yeah, whatever.
Oh, NO.
>> DRAKE, look out!
>> Oh, no.
>> Did they just kill off Joey?
>> No.
Not lately.
>> Oh, hi.
Hi.
Roger just told me he loved me.
>> Oh my god.
>> I know.
>> Honey, that's great.
>> I know.
I just can't find
>> They're in the top drawer.
>> Hurry.
>> You need one, too?
>> Oh, yeah.
>> I found them.
>> There's only one.
>> Monica.
>> Hi.
Uh we'll be right there. We just um
we're trying to decide something.
>> Rachel.
>> Hey.
>> Hey.
They're just trying to decide something.
>> Oh good. Good. Good.
So is um
was your mustache did did it used to be
different?
>> No.
>> Oh.
How do you uh you know keep it so neat?
>> I have a little comb.
>> Oh.
And what do you call that?
>> A mustache comb.
>> Okay. I I will do your laundry for 1
month.
>> No.
>> OKAY. OKAY. OKAY. I WILL I WILL I WILL I
Hey I will clean the apartment for 2
months.
>> All right. I'll tell you what. I'll give
this to you now if you can tell me where
we keep the dustpan.
>> So were you in Nam?
>> Rock, paper, scissors?
1 2 3 YES!
>> FINE.
GO HAVE SEX.
>> NO! YOU HAVE GOT IT completely wrong.
Jon Savage was Deer Hunter no legs. Jon
Voight was Coming Home couldn't feel his
legs.
>> No, no, no way. You've got it totally
the other way around, my friend. Jon
Voight was what
>> Shall we?
>> It's not going to happen.
They're doing it tonight. We can do it
tomorrow.
>> Hey Monica, we got a question.
>> All right, for the zillionth time, yes,
I see other women in the shower at the
gym, and no, I don't look.
>> No, not that one. We're trying to figure
out who to bring to the Knicks game
tonight. We have an extra ticket.
>> Yeah, Ross can't go, so it's between my
friend Eric Prower who has breath issues
Dan with the poking. Did you see that
play?
Do you want some more beer?
Is that Spike Lee?
>> Why don't you ask Richard?
>> Okay. Hey Richard.
If you had an extra ticket to the Knicks
game
and you had to choose between a friend
who smelled and one who bruises you
who would you pick?
>> Wow.
Well, being a huge Knicks fan myself, I
think you should take someone who's a
huge Knicks fan.
>> Okay.
That's Eric.
>> Glad to be of help.
>> Thanks.
>> I meant why don't you take Richard to
the game?
>> Wait, and then?
>> What?
>> I don't know.
>> Come on. He keeps his fingers to himself
and he's always minty fresh.
>> No, no, Richard's really nice and
everything. It's just that we don't know
him really well, you know, and plus
he's, you know, old.
>> Older than some people.
But younger than some buildings.
>> I have had enough of this, all right?
Gunther
These guys are trying to take our seats.
>> Fellas, these guys were here first.
>> Oh, sorry. Didn't realize.
>> There you go.
>> Thank you, Gunther.
We didn't want to have to go and do
that.
>> He told on us?
You told on us?
>> Well, pal, you didn't give me much of a
choice.
>> Don't play with this thing.
>> All right.
>> Let's take this outside.
Let's Let's take this outside.
>> Who talks like that?
>> A guy who's about to kick your ass talks
like that.
>> You had to ask.
>> Yeah.
Okay, okay. Look, see,
the thing is,
we're we're not going to fight you guys.
>> Well, then here's the deal. You won't
have to, so long as you never ever show
your faces in this coffee house ever
again.
>> Come on out, honey. I'm telling you you
look good. Tell her she looks good. Tell
her she looks good.
>> OH MY GOD!
YOU LOOK SO GOOD.
I CAN'T BELIEVE I have to walk down the
aisle in front of 200 people looking
like something you drink when you're
nauseous.
>> So, don't. I don't see why we have to go
to this thing anyway. It's your your
ex-fiancé's wedding.
>> Because I promised Mindy I would.
>> Yeah, well, you promised Barry you'd
marry him.
>> Look, Look, guys, I have to go. I'm the
maid of honor. And besides, you know
what? I just need to be in a room again
with these people and feel good about
myself.
>> Are you all right?
>> Yeah. When I was in the bathroom, I saw
the window that I crawled out of at my
wedding and
God, I just started thinking I shouldn't
be here, you know, I shouldn't. People
are going to be looking at me and
judging me and and thinking about the
last time
>> Sweetie, it's going to be okay, all
right? It's a wedding. Generally, people
focus on the bride.
>> Oh God, I know you're right. All righty,
everybody look at me. Good. All right.
It's time. Bridesmaids and ushers, let's
see two lines. Thank you.
Okay, I'll see you after the thing.
>> Okay, good luck.
>> Thank you. Okay.
Okay.
Why the hell didn't you tell me?
>> I'm sorry. What was I supposed to do?
Stand up and shout, "Hey, Rachel, your
butt is showing."
>> Oh my God, this is so humiliating. I
think the only thing that tops that one
was was was when I was in eighth grade
and I had to sing the Copacabana in
front of the entire school. I think I
got two lines into it before I ran and
freaked out. Oh my God, my entire life
is flashing before my eyes.
>> Rach, hey, look, I remember that. It
wasn't so bad.
>> Oh, Ross, would you just stop? You got
me. I'm dating you.
>> Rachel.
>> Oh.
Hi, Mr. Weinberg.
>> Hi, Mrs. Weinberg.
>> It's so wonderful to see you again, my
dear. In fact, I hardly expected to see
so much.
>> You told me you didn't see anything.
>> I tell you a lot of things.

Key Vocabulary

Start Practicing
Vocabulary Meanings

emergency

/ɪˈmɜːrdʒənsi/

B2
  • noun
  • - a serious, unexpected, and often dangerous situation requiring immediate action

bleeding

/ˈbliːdɪŋ/

B1
  • adjective
  • - losing blood from the body

impression

/ɪmˈprɛʃən/

B2
  • noun
  • - an idea, feeling, or opinion about something or someone

fantastic

/fænˈtæstɪk/

A2
  • adjective
  • - extraordinarily good or attractive

discount

/ˈdɪskaʊnt/

B1
  • noun
  • - a deduction from the usual cost of something

cheating

/ˈtʃiːtɪŋ/

B1
  • verb
  • - acting dishonestly to gain an advantage or being unfaithful

appreciate

/əˈpriːʃieɪt/

B2
  • verb
  • - to recognize the full worth of something

receipt

/rɪˈsiːt/

A2
  • noun
  • - a document confirming that money has been paid

disturbing

/dɪˈstɜːrbɪŋ/

B2
  • adjective
  • - causing anxiety; worrying or interrupting

useless

/ˈjuːsləs/

B1
  • adjective
  • - not fulfilling or expected to achieve the intended purpose

uncomfortable

/ʌnˈkʌmftəbl/

B1
  • adjective
  • - causing or feeling slight pain or physical/mental unease

hoopla

/ˈhuːplɑː/

C2
  • noun
  • - excitement and fuss; turbulent noise

obsessive

/əbˈsɛsɪv/

C1
  • adjective
  • - showing an excessive and unhealthy interest in something

humiliating

/hjuːˈmɪlieɪtɪŋ/

B2
  • adjective
  • - making someone feel ashamed and foolish

crawled

/krɔːld/

B1
  • verb
  • - to move forward on the hands and knees

Are there any new words in “” you don’t know yet?

💡 Hint: emergency, bleeding… Jump into the app and start learning now!

Key Grammar Structures

  • You don't like me.

    ➔ Simple Present Tense (Negative)

    ➔ Used to express a general state or fact. Here, the speaker uses 'do not' ('don't') to negate the verb 'like'.

  • We haven't seen each other since then.

    ➔ Present Perfect Tense

    ➔ Describes an action that started in the past and continues or has relevance to the present, using 'have/has' + past participle ('seen').

  • If you were at lunch alone, how come it cost you $53?

    ➔ Second Conditional (Hypothetical condition)

    ➔ Uses 'if' + past tense ('were') to express an unlikely or hypothetical situation in the present/past.

  • I've been doing it since the ninth grade.

    ➔ Present Perfect Continuous

    ➔ Focuses on the duration of an activity that started in the past and is still ongoing ('have been' + verb-ing).

  • If you don't help me cook, I'm going to...

    ➔ First Conditional (Future real condition)

    ➔ Expresses a real possibility for the future using 'if' + present simple, followed by 'will' (or 'be going to').

  • You are so wearing that bracelet.

    ➔ Present Continuous for emphasis/insistence

    ➔ The continuous form 'are wearing' is used here to show strong conviction or insistence about a future action.

  • It's like I'm 16 all over again.

    ➔ Simile with 'like' + subordinate clause

    ➔ 'Like' is used here as a conjunction to compare a present state to a past time.

  • I've never heard myself sing before.

    ➔ Adverb of frequency 'never' with Present Perfect

    ➔ Used to describe an experience that has not occurred at any time up to the present moment.

Related Songs