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[♪♪♪] 00:00
♪ My heart was a hellhound ♪ 00:07
♪ Now my heart sits on your lap ♪ 00:11
♪ My hands were always clenching ♪ 00:16
♪ Till I held yours, and you held them back ♪ 00:21
♪ I wanted to be immortal ♪ 00:26
♪ Now I'm fine with growing old ♪ 00:30
♪ Cherries in the summer ♪ 00:36
♪ Blackberries in the cold ♪ 00:40
♪ Oh, take me back to the country ♪ 00:45
♪ To the hills and to the spires ♪ 00:47
♪ I hate the afterparties ♪ 00:50
♪ I want forests, I want fires ♪ 00:52
♪ Take me back to your parents ♪ 00:54
♪ I was barefaced in the light ♪ 00:57
♪ You swore I looked like Audrey Hepburn that night ♪ 00:59
♪ I was chasing phantoms ♪ 01:05
♪ Always starving, never full ♪ 01:09
♪ Then you made me dinner ♪ 01:14
♪ Where there was push, now there is pull ♪ 01:18
♪ To you, like a magnet ♪ 01:24
♪ I am drawn to your bones ♪ 01:28
♪ Coz love, when it's the right kind ♪ 01:33
♪ Well, it always points you home ♪ 01:38
♪ So take me back to the country ♪ 01:42
♪ To the hills and to the spires ♪ 01:45
♪ I hate the afterparties ♪ 01:48
♪ I want forests, I want fires ♪ 01:50
♪ Take me back to your parents ♪ 01:52
♪ I was barefaced in the light ♪ 01:55
♪ You swore I looked like Audrey Hepburn that night ♪ 01:56
♪ Mm, mm, mm ♪ 02:02
♪ Mm, mm ♪ 02:06
♪ Mm, mm ♪ 02:09
♪ Mm, mm, mm ♪ 02:12
♪ Mm, mm ♪ 02:16
♪ Mm, mm ♪ 02:18
♪ Love was a myth, now it's my morning coffee ♪ 02:22
♪ The one you leave me by our bed ♪ 02:27
♪ I don't need accolades or everyone to want me ♪ 02:31
♪ Coz you want me, and that's as good as it gets ♪ 02:35
♪ So take me back to the country ♪ 02:40
♪ To the hills and to the spires ♪ 02:43
♪ I'll trade the afterparties ♪ 02:45
♪ For my baby by the fire ♪ 02:48
♪ We'll go back to my parents ♪ 02:50
♪ I'll be barefaced in the light ♪ 02:53
♪ You'll say "You look like Audrey Hepburn tonight" ♪ 02:55

Audrey Hepburn – English Lyrics

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By
Maisie Peters
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Lyrics & Translation

Immerse yourself in Maisie Peters' "Audrey Hepburn," a beautifully crafted folk-pop ballad that offers a deep dive into the language of love, vulnerability, and self-acceptance. Through its stripped-back acoustics and poignant lyrics, you can explore expressions of emotional growth, the contrast between superficiality and genuine connection, and the comforting feeling of finding 'home' in a relationship. This song is special for its raw honesty and intimate storytelling, making complex emotions relatable and perfect for understanding authentic English sentiments.

[English]
[♪♪♪]
♪ My heart was a hellhound ♪
♪ Now my heart sits on your lap ♪
♪ My hands were always clenching ♪
♪ Till I held yours, and you held them back ♪
♪ I wanted to be immortal ♪
♪ Now I'm fine with growing old ♪
♪ Cherries in the summer ♪
♪ Blackberries in the cold ♪
♪ Oh, take me back to the country ♪
♪ To the hills and to the spires ♪
♪ I hate the afterparties ♪
♪ I want forests, I want fires ♪
♪ Take me back to your parents ♪
♪ I was barefaced in the light ♪
♪ You swore I looked like Audrey Hepburn that night ♪
♪ I was chasing phantoms ♪
♪ Always starving, never full ♪
♪ Then you made me dinner ♪
♪ Where there was push, now there is pull ♪
♪ To you, like a magnet ♪
♪ I am drawn to your bones ♪
♪ Coz love, when it's the right kind ♪
♪ Well, it always points you home ♪
♪ So take me back to the country ♪
♪ To the hills and to the spires ♪
♪ I hate the afterparties ♪
♪ I want forests, I want fires ♪
♪ Take me back to your parents ♪
♪ I was barefaced in the light ♪
♪ You swore I looked like Audrey Hepburn that night ♪
♪ Mm, mm, mm ♪
♪ Mm, mm ♪
♪ Mm, mm ♪
♪ Mm, mm, mm ♪
♪ Mm, mm ♪
♪ Mm, mm ♪
♪ Love was a myth, now it's my morning coffee ♪
♪ The one you leave me by our bed ♪
♪ I don't need accolades or everyone to want me ♪
♪ Coz you want me, and that's as good as it gets ♪
♪ So take me back to the country ♪
♪ To the hills and to the spires ♪
♪ I'll trade the afterparties ♪
♪ For my baby by the fire ♪
♪ We'll go back to my parents ♪
♪ I'll be barefaced in the light ♪
♪ You'll say "You look like Audrey Hepburn tonight" ♪

Key Vocabulary

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Vocabulary Meanings

heart

/hɑːt/

A1
  • noun
  • - the organ in the chest that pumps blood

hold

/hoʊld/

A1
  • verb
  • - to grasp or carry something

immortal

/ɪˈmɔːrtəl/

B1
  • adjective
  • - living forever; never dying

cherries

/ˈtʃɛriz/

A1
  • noun
  • - small, round red fruit with a stone inside

country

/ˈkʌntri/

A1
  • noun
  • - a nation or state
  • noun
  • - rural areas

forests

/ˈfɔrɪsts/

A1
  • noun
  • - large areas covered with trees

fires

/ˈfaɪərz/

A1
  • noun
  • - flames or burning material

barefaced

/ˈbeərfɛɪst/

C1
  • adjective
  • - without makeup
  • adjective
  • - shameless

chasing

/ˈtʃeɪsɪŋ/

A2
  • verb
  • - to follow or pursue

phantoms

/ˈfæntəmz/

B2
  • noun
  • - a ghost or apparition

magnet

/ˈmægnɪt/

A2
  • noun
  • - an object that attracts certain metals

drawn

/drɔːn/

B1
  • verb
  • - past participle of draw; attracted to

accolades

/ˈækəleɪdz/

C1
  • noun
  • - awards or praise

spires

/spaɪrz/

B2
  • noun
  • - tall, slender structures, often on churches

myth

/mɪθ/

B1
  • noun
  • - a widely held but false belief or idea

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Key Grammar Structures

  • ♪ My heart was a hellhound ♪

    ➔ Past Simple Tense

    ➔ The past simple tense is used here in 'My heart was a hellhound' to describe a previous state that no longer applies.

  • ♪ Now my heart sits on your lap ♪

    ➔ Present Simple Tense

    ➔ The present simple tense appears in 'Now my heart sits on your lap' to express a current state or habitual action.

  • ♪ My hands were always clenching ♪

    ➔ Past Continuous Tense

    ➔ The past continuous tense is evident in 'My hands were always clenching' to indicate an ongoing action in the past.

  • ♪ I wanted to be immortal ♪

    ➔ Past Tense with Infinitive

    ➔ A past tense is used with an infinitive in 'I wanted to be immortal' to show a past desire followed by its purpose.

  • ♪ Cherries in the summer ♪

    ➔ Inversion for Rhythm

    ➔ Inversion is used in 'Cherries in the summer' to create a poetic rhythm absent of the subject.

  • ♪ Where there was push, now there is pull ♪

    ➔ There is/are Construction

    ➔ The 'there is/are' construction appears in 'Where there was push, now there is pull' to introduce new information contrastively.

  • ♪ Coz love, when it's the right kind ♪

    ➔ Relative Clause

    ➔ A relative clause modifies the noun in 'Coz love, when it's the right kind' to specify the type of love being discussed.

  • ♪ Well, it always points you home ♪

    ➔ Present Simple with Adverb

    ➔ The present simple tense uses an adverb like 'always' in 'Well, it always points you home' to emphasize habitual truth.

  • ♪ Love was a myth, now it's my morning coffee ♪

    ➔ Contrastive Tense Shift

    ➔ A shift from past to present tense in 'Love was a myth, now it's my morning coffee' contrasts former disbelief with current reality.