Lyrics & Translation
Delve into the poignant lyricism of SZA's "Babylon" to enhance your English vocabulary with its rich, metaphorical language. The song's exploration of complex emotions and its biblical allusions offer a unique and compelling way to learn and appreciate the nuances of expressive language in music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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crucify /ˈkrʊsɪfaɪ/ C2 |
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recall /rɪˈkɔːl/ B1 |
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advice /ədˈvaɪs/ B1 |
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trust /trʌst/ A2 |
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hate /heɪt/ A2 |
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crown /kraʊn/ B1 |
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peace /piːs/ A1 |
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piece /piːs/ A1 |
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spike /spaɪk/ B2 |
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swallow /ˈswɒləʊ/ B1 |
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complex /ˈkɒmpleks/ B2 |
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confession /kənˈfeʃn/ B2 |
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desperate /ˈdespərət/ B2 |
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apartment /əˈpɑːtmənt/ A2 |
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coffin /ˈkɒfɪn/ B2 |
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offended /əˈfendɪd/ B2 |
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colder /ˈkəʊldə/ A2 |
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lose /luːz/ A2 |
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moods /muːdz/ B1 |
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amends /əˈmendz/ C1 |
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Key Grammar Structures
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I can't recall the last time I took advice from anyone
➔ Negative modal + verb (can't + recall) + past simple in a subordinate clause
➔ The modal **"can't"** expresses inability; the verb **"recall"** is in the base form, and the past simple **"took"** appears in the noun clause after *the last time*.
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I'm sure I'll be the death of me
➔ First person present simple (am) + adjective (sure) + future simple with will + infinitive phrase
➔ The contraction **"I'm"** (I am) shows present simple; **"sure"** is an adjective; **"I'll"** (I will) forms the future simple, and **"be"** is the infinitive verb that follows.
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Are you hating yourself?
➔ Present continuous interrogative with verb *hate* (normally stative) – rhetorical question
➔ The auxiliary **"Are"** forms a question in the present continuous; **"hating"** is the -ing form of a verb that is usually not used in continuous tenses, giving a strong emotional emphasis.
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Would you do it again?
➔ Modal verb *would* + base verb (do) – conditional question, polite request or speculation
➔ The modal **"Would"** introduces a hypothetical situation; **"do"** stays in the base form because modals are followed by infinitives without *to*.
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I belong somewhere on ice
➔ Verb *belong* + prepositional phrase (somewhere on ice) – expressing location or state
➔ The verb **"belong"** is followed by the prepositional phrase **"somewhere on ice"**, which tells where the subject feels they fit.
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My apartment is lost in a coffin
➔ Passive voice (is lost) + prepositional phrase (in a coffin)
➔ The auxiliary **"is"** + past participle **"lost"** forms the passive; the prepositional phrase **"in a coffin"** indicates where the loss is imagined.
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I have nothing to lose, my dark side been well in‑tuned
➔ Infinitive of purpose (*to lose*) after *nothing*; reduced clause (*my dark side been…*) – ellipsis of *has*
➔ The phrase **"nothing to lose"** uses the infinitive **"to lose"** to express purpose; the second part **"my dark side been well in‑tuned"** drops the auxiliary **"has"**, a common colloquial ellipsis.
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Was it worth it?
➔ Past simple interrogative with *was*; rhetorical question about value
➔ The auxiliary **"Was"** forms a past‑tense question; **"it"** refers to the previously mentioned action, and **"worth"** functions as an adjective meaning valuable.
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Who's got one anyway?
➔ Contraction *who's* (who is) + present perfect *got*; informal rhetorical question
➔ The contraction **"Who's"** stands for **"who is"**; **"got"** is the past participle used here as a present perfect to mean *has*; the sentence is a rhetorical way to ask if anyone actually has one.
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