Bad Episode – English Lyrics

• By: Petit Biscuit

Lyrics & Translation

Dive into the emotive soundscape of Petit Biscuit's "Bad Episode," a captivating electronic track that blends dreamy melodies with poignant lyrics. This song offers a unique opportunity to explore the language of emotion through music, showcasing Petit Biscuit's signature style of combining electronic elements with heartfelt expression .

[English]

I don’t wanna believe in luck Same heartbreak at this same spot 

Bad episode the last that we got You’re trading your tears for my touch 

Yeah, I never wanna play it safe But I miss you seven days a week 

I’ve heard about those notes under your bed With all locations where we met

Bad episode I don’t wanna talk 

About this bad episode I don’t wanna talk 

I don’t wanna believe in luck

Same story on the same globe This pool party made you lose your boy 

You gave in to this drink and this dose, yeah

‘Cause you know how far I came All these risks that I take 

You may have heard about this club that I went to The bouncer threw me out with my

Bad episode I don’t wanna talk 

About this bad episode I don’t wanna talk 

Bad episode

I don’t wanna talk

I don’t wanna talk

I don’t wanna believe in luck But we got a sort of love 

So don’t be too long I keep trusting symbols

Bad episode I don’t wanna talk 

About this bad episode I don’t wanna talk

Bad episode I don’t wanna talk 

About this bad episode I don’t wanna talk

Key Vocabulary

Vocabulary	Meanings
bad /bæd/ A1	adjective - of poor quality or a low standard
episode /ˈepɪsəʊd/ B1	noun - an event or a sequence of events forming part of a larger sequence
luck /lʌk/ A2	noun - success or failure apparently brought by chance rather than through one's own actions
heartbreak /ˈhɑːrtbreɪk/ B2	noun - overwhelming distress
tears /tɪərz/ A2	noun - drops of clear salty liquid secreted from glands in the eye
touch /tʌtʃ/ A2	noun - the action of coming into physical contact with someone or something. verb - come into or be in contact with something
miss /mɪs/ A1	verb - to feel the absence of someone or something
notes /noʊts/ A2	noun - a brief record of points or ideas written down as an aid to memory
bed /bed/ A1	noun - a piece of furniture for sleep or rest
locations /loʊˈkeɪʃənz/ B1	noun - a particular place or position
met /met/ A1	verb - past tense of meet (to encounter someone)
story /ˈstɔːri/ A1	noun - an account of imaginary or real people and events told for entertainment
globe /ɡloʊb/ B2	noun - the earth
pool /puːl/ A1	noun - an area of water artificially enclosed for swimming.
party /ˈpɑːrti/ A1	noun - a social gathering of invited guests, typically involving eating, drinking, and entertainment
drink /drɪŋk/ A1	noun - a liquid that is swallowed as refreshment or nourishment
dose /doʊs/ B2	noun - a quantity of a medicine or drug taken or administered at one time
risks /rɪsks/ B1	noun - a situation involving exposure to danger
club /klʌb/ A2	noun - an organization or group of people with a shared interest or activity.
love /lʌv/ A1	noun - an intense feeling of affection.
symbols /ˈsɪmbəlz/ B2	noun - a thing that represents or stands for something else, especially a material object representing something abstract.

Key Grammar Structures

• I don’t wanna believe in luck

  ➔ Use of "wanna" as a colloquial contraction of "want to"

  ➔ "Wanna" simplifies the phrase, making it sound more casual and conversational. It's common in informal speech and song lyrics. The correct way to use is as a replacement for "want to".

• Same heartbreak at this same spot

  ➔ Repetition of "same" for emphasis.

  ➔ The use of "same" twice emphasizes the repetitive nature of the heartbreak. This highlights the feeling of being stuck in a cycle.

• Bad episode the last that we got

  ➔ Use of "that" as a relative pronoun.

  ➔ "That" introduces a relative clause modifying "episode". It defines which episode is being referred to, making the statement more specific.

• You’re trading your tears for my touch

  ➔ Present continuous tense ("You're trading") to describe an ongoing action.

  ➔ The present continuous emphasizes that the trading of tears for touch is happening at the moment of speaking or writing. It suggests a temporary exchange or a process in progress.

• I never wanna play it safe

  ➔ Adverb of frequency "never" modifying the verb phrase "wanna play it safe".

  ➔ "Never" indicates that the speaker has absolutely no intention of playing it safe, emphasizing their desire for risk and adventure.

• I’ve heard about those notes under your bed

  ➔ Present perfect tense ("I've heard") to indicate an action completed at an unspecified time in the past.

  ➔ The present perfect suggests that the speaker's hearing about the notes is relevant to the present situation, even though the event of hearing occurred in the past. The exact time is not important; what matters is the impact on the present.

• With all locations where we met

  ➔ "Where" as a relative adverb introducing a clause modifying "locations".

  ➔ "Where" connects the clause "we met" to "locations", specifying that the locations are those where the speaker and another person encountered each other. It functions as an adverb, providing information about place.

• This pool party made you lose your boy

  ➔ Causative "make" structure: "made you lose" indicates that the pool party caused the loss.

  ➔ The verb "make" is used to show that one thing (the pool party) caused another thing to happen (the loss of the boyfriend). This is a common causative structure.

• You gave in to this drink and this dose, yeah

  ➔ Phrasal verb "gave in to", meaning to surrender or yield to something.

  ➔ "Gave in to" indicates that the person succumbed to the temptation or influence of the drink and the dose. It implies a loss of resistance or self-control.