Lyrics & Translation
Dive into Paramore's "C'est Comme Ça" and discover a fresh take on embracing life's unpredictable nature. The song, whose title means "that's just how it is" in French, offers a unique blend of dance-punk energy and Hayley Williams' captivating spoken-word verses. Learning some French phrases through this track can deepen your understanding of its themes of finding comfort in chaos and navigating a desire for disorder.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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single /ˈsɪŋɡəl/ A2 |
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year /jɪə(r)/ A1 |
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aged /eɪdʒd/ B1 |
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life /laɪf/ A1 |
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chiropractic /kaɪ.roʊˈpræk.tɪk/ C1 |
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appointment /əˈpɔɪnt.mənt/ B1 |
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listen /ˈlɪs.ən/ A2 |
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atrophy /ˈæ.trə.fi/ C1 |
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caffeine /ˈkæf.iːn/ B2 |
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hormones /ˈhɔːr.moʊnz/ B2 |
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spite /spaɪt/ B2 |
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revenge /rɪˈvendʒ/ B2 |
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dependence /dɪˈpendns/ B2 |
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friction /ˈfrɪk.ʃən/ B2 |
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hinder /ˈhɪn.dər/ B2 |
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progression /prəˈɡreʃ.ən/ C1 |
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regression /rɪˈɡreʃ.ən/ C1 |
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disorder /dɪsˈɔːr.dər/ B2 |
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boring /ˈbɔː.rɪŋ/ A2 |
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degree /dɪˈɡriː/ B1 |
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Are there any new words in “C'est Comme Ça” you don’t know yet?
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Key Grammar Structures
-
in a single year **I've aged** 100 my social life
➔ Present Perfect
➔ The phrase **"I've aged"** uses the present perfect to describe an action that started in the past and has relevance to the present.
-
still long enough **to listen** to yourself
➔ Infinitive of purpose
➔ The infinitive **"to listen"** shows the purpose of being "long enough".
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or maybe just long enough **for you to atrophy**
➔ "for + object + to + verb" infinitive construction
➔ The clause **"for you to atrophy"** uses the pattern *for + pronoun + to + verb* to express a potential situation.
-
said it **was going to help** to level out my hormones
➔ "going to" future
➔ The phrase **"was going to help"** expresses a future intention from a past perspective.
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I run on **Spite** and **Sweet Revenge**
➔ Phrasal verb with preposition "on"
➔ The verb **"run on"** combines the verb *run* with the preposition *on* to indicate dependence on something.
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the friction that **really hinders** my progression
➔ Relative clause with relative pronoun "that"
➔ The clause **"that really hinders my progression"** is a relative clause introduced by the pronoun *that*, adding information about "friction".
-
I **know that** regression is really rewarded
➔ Noun clause as object of a verb
➔ The phrase **"that regression is really rewarded"** functions as a noun clause serving as the object of the verb *know*.
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I still **need** a certain degree of disorder
➔ Modal‑like verb "need" + noun phrase
➔ The verb **"need"** is followed directly by the noun phrase *a certain degree of disorder*, expressing a requirement.
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I **hate** to and it **gets** boring
➔ Verb + infinitive and simple present third‑person singular
➔ The verb **"hate"** is followed by the infinitive **"to"** (ellipsis of a verb) and **"gets"** shows the simple present form for third‑person singular.
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SEKAI NO OWARI