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(Music Starts) 00:00
(♪ ♪) 00:03
(♪ ♪) 00:11
♪ THIS ---- SO GOOD, SHOULD BE ILLEGAL ♪ 00:15
♪ NEED ROUND TWO, I NEED A SEQUEL ♪ 00:17
♪ HIT THE BACKBOARD LIKE A FREE THROW ♪ 00:19
♪ YOU NEXT LEVEL, YOU A CHEAT CODE ♪ 00:21
♪ IN SO DEEP, YOU HIT MY SEAFLOOR ♪ 00:23
♪ GOT ME SINGING LIKE ALICIA ♪ 00:25
♪ GOT ME USING ALL YOUR LINGO ♪ 00:27
♪ TELL YOUR GIRLFRIEND THAT YOU SINGLE ♪ 00:29
♪ CALL ME OVER CAUSE I GO HARD ♪ 00:31
♪ SWEET LIL' BIF, I LIKE A PORNSTAR ♪ 00:33
♪ NEXT DAY, ACT JUST LIKE YOUR ROAD DOG ♪ 00:35
♪ ------- ASKIN' HOW YOU KNOW HER ♪ 00:38
♪ HEAD GAME STUPID, BABY LOCA ♪ 00:39
♪ TOO LOUD, CALLATE LA BOCA ♪ 00:41
♪ OUT THIS WORLD, YOU SUPERNOVA ♪ 00:43
♪ ---- THAT, I AM COMING OVER ♪ 00:45
♪ CAN I COME OVER? ♪ 00:47
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪ 00:48
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪ 00:52
♪ CAN I STOP BY TO SEE YOU? (TONIGHT) ♪ 00:56
♪ WE BOTH ON FIRE, LOVE THE TEAMWORK ♪ 01:03
♪ LEAVE WITH JUICES ON YOUR T-SHIRT ♪ 01:05
♪ LOUD AND CLEAR, NO NEED FOR REVERB ♪ 01:07
♪ TELL THE UBER DRIVER REVERT ♪ 01:09
♪ FLIP THAT ----- AND MAKE A U-TURN ♪ 01:11
♪ SEXTAPE CRAZY, NEED THE BLOOPERS ♪ 01:13
♪ LAST SO LONG, BAE, YOU A TROOPER ♪ 01:15
♪ SNIPER GANG, NO BRADLEY COOPER ♪ 01:17
♪ HI, I'M HELL, IT'S NICE TO MEET YA ♪ 01:19
♪ KNOW YOU ------ WITH A DEMON ♪ 01:21
♪ DO 'BOUT ANYTHING TO PLEASE YA ♪ 01:23
♪ --- INSIDE ME, I'M A KEEPER ♪ 01:25
♪ WANT ME TO MAKE YOU A SENIOR? ♪ 01:27
♪ NEVER BEEN THAT HARD TO READ YA ♪ 01:29
♪ WHEN WE DONE, YOU SAY, "I NEED YA" ♪ 01:31
♪ I DONE MADE YOU A BELIEVER ♪ 01:33
♪ CAN I COME OVER? ♪ 01:35
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪ 01:36
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪ 01:40
♪ CAN I STOP BY TO SEE YOU? (TONIGHT) ♪ 01:44
♪ SHAWTY, YOU KNOW YOU CAN ALWAYS STOP BY ♪ 01:51
♪ YOU TOP FIVE AND NO, YOU'RE NOT FIVE ♪ 01:53
♪ AND NOT FOUR, THREE, OR TWO, BUT ONE, GIRL ♪ 01:55
♪ I'M HOT NOW, WANNA SEE WHAT'S UNDER ♪ 01:57
♪ THE ACCESS EASY IN A SUNDRESS ♪ 01:59
♪ YOUR ACCENT'S LEAKING ON MY TONGUE, YES ♪ 02:01
♪ YOU'RE BADDER THAN THE SONG ♪ 02:03
♪ THAT'S SANG FROM MIKE JACK ♪ 02:04
♪ I MADE YOU --- AND YOU CAME RIGHT BACK ♪ 02:05
♪ YOU CALLING ME UP ON A LATE NIGHT ♪ 02:07
♪ I GOT YOU LEAKING LIKE A BRAKE PIPE ♪ 02:09
♪ SWIMMING IN YOUR SEA, JUST LIKE A DIVER ♪ 02:11
♪ I'M IN IT, JUST CREEPING LIKE A GREAT WHITE ♪ 02:13
♪ AND I MIGHT ---- YOU IN YOUR OWN CAR ♪ 02:15
♪ YOU RIDE MY FACE JUST LIKE A PORNSTAR ♪ 02:17
♪ I'M IN IT SO DEEP, JUST CAUGHT A BROKE JAW ♪ 02:19
♪ AND I JUST WANT ONE THING, THAT'S A PHONE CALL ♪ 02:21
♪ CAN I COME OVER? (CAN I COME OVER?) ♪ 02:23
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪ 02:26
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪ 02:28
♪ CAN I (OH) STOP BY TO SEE YOU? (TONIGHT) ♪ 02:32
♪ CAN I ♪ ♪ CAN I ♪ 02:39
♪ SEE YOU, SEE YOU, SEE YOU? ♪ ♪ SEE YOU, SEE YOU, SEE YOU? ♪ 02:47
(Music Ends) 02:54

Can I (Quarantine Style) – English Lyrics

🕺 Listening to "Can I (Quarantine Style)" and picking up vocab? Open the app and learn it while it’s hot!
By
Kehlani
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Lyrics & Translation

Dive into the candid and sensual world of Kehlani's "Can I (Quarantine Style)." This R&B gem offers a bold exploration of intimacy and desire through its lyrics. Learning the language of this song provides a unique insight into contemporary R&B lyricism, with its playful metaphors and explicit honesty. The 'Quarantine Style' video itself is a testament to raw creativity, showing how artists connected with their audience during unprecedented times, making it a special piece for both its sound and its context.

[English]
(Music Starts)
(♪ ♪)
(♪ ♪)
♪ THIS ---- SO GOOD, SHOULD BE ILLEGAL ♪
♪ NEED ROUND TWO, I NEED A SEQUEL ♪
♪ HIT THE BACKBOARD LIKE A FREE THROW ♪
♪ YOU NEXT LEVEL, YOU A CHEAT CODE ♪
♪ IN SO DEEP, YOU HIT MY SEAFLOOR ♪
♪ GOT ME SINGING LIKE ALICIA ♪
♪ GOT ME USING ALL YOUR LINGO ♪
♪ TELL YOUR GIRLFRIEND THAT YOU SINGLE ♪
♪ CALL ME OVER CAUSE I GO HARD ♪
♪ SWEET LIL' BIF, I LIKE A PORNSTAR ♪
♪ NEXT DAY, ACT JUST LIKE YOUR ROAD DOG ♪
♪ ------- ASKIN' HOW YOU KNOW HER ♪
♪ HEAD GAME STUPID, BABY LOCA ♪
♪ TOO LOUD, CALLATE LA BOCA ♪
♪ OUT THIS WORLD, YOU SUPERNOVA ♪
♪ ---- THAT, I AM COMING OVER ♪
♪ CAN I COME OVER? ♪
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪
♪ CAN I STOP BY TO SEE YOU? (TONIGHT) ♪
♪ WE BOTH ON FIRE, LOVE THE TEAMWORK ♪
♪ LEAVE WITH JUICES ON YOUR T-SHIRT ♪
♪ LOUD AND CLEAR, NO NEED FOR REVERB ♪
♪ TELL THE UBER DRIVER REVERT ♪
♪ FLIP THAT ----- AND MAKE A U-TURN ♪
♪ SEXTAPE CRAZY, NEED THE BLOOPERS ♪
♪ LAST SO LONG, BAE, YOU A TROOPER ♪
♪ SNIPER GANG, NO BRADLEY COOPER ♪
♪ HI, I'M HELL, IT'S NICE TO MEET YA ♪
♪ KNOW YOU ------ WITH A DEMON ♪
♪ DO 'BOUT ANYTHING TO PLEASE YA ♪
♪ --- INSIDE ME, I'M A KEEPER ♪
♪ WANT ME TO MAKE YOU A SENIOR? ♪
♪ NEVER BEEN THAT HARD TO READ YA ♪
♪ WHEN WE DONE, YOU SAY, "I NEED YA" ♪
♪ I DONE MADE YOU A BELIEVER ♪
♪ CAN I COME OVER? ♪
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪
♪ CAN I STOP BY TO SEE YOU? (TONIGHT) ♪
♪ SHAWTY, YOU KNOW YOU CAN ALWAYS STOP BY ♪
♪ YOU TOP FIVE AND NO, YOU'RE NOT FIVE ♪
♪ AND NOT FOUR, THREE, OR TWO, BUT ONE, GIRL ♪
♪ I'M HOT NOW, WANNA SEE WHAT'S UNDER ♪
♪ THE ACCESS EASY IN A SUNDRESS ♪
♪ YOUR ACCENT'S LEAKING ON MY TONGUE, YES ♪
♪ YOU'RE BADDER THAN THE SONG ♪
♪ THAT'S SANG FROM MIKE JACK ♪
♪ I MADE YOU --- AND YOU CAME RIGHT BACK ♪
♪ YOU CALLING ME UP ON A LATE NIGHT ♪
♪ I GOT YOU LEAKING LIKE A BRAKE PIPE ♪
♪ SWIMMING IN YOUR SEA, JUST LIKE A DIVER ♪
♪ I'M IN IT, JUST CREEPING LIKE A GREAT WHITE ♪
♪ AND I MIGHT ---- YOU IN YOUR OWN CAR ♪
♪ YOU RIDE MY FACE JUST LIKE A PORNSTAR ♪
♪ I'M IN IT SO DEEP, JUST CAUGHT A BROKE JAW ♪
♪ AND I JUST WANT ONE THING, THAT'S A PHONE CALL ♪
♪ CAN I COME OVER? (CAN I COME OVER?) ♪
♪ (CAN) CAN I (I) STOP BY (STOP BY) ♪
♪ TO SEE YOU (SEE YOU) TONIGHT? ♪
♪ CAN I (OH) STOP BY TO SEE YOU? (TONIGHT) ♪
♪ CAN I ♪ ♪ CAN I ♪
♪ SEE YOU, SEE YOU, SEE YOU? ♪ ♪ SEE YOU, SEE YOU, SEE YOU? ♪
(Music Ends)

Key Vocabulary

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Vocabulary Meanings

come

/kʌm/

A1
  • verb
  • - to move or travel toward a place or person

stop

/stɒp/

A1
  • verb
  • - to cease moving or progressing

see

/siː/

A1
  • verb
  • - to perceive with the eyes

over

/ˈoʊvər/

A1
  • adjective
  • - above or higher than something else

need

/niːd/

A1
  • verb
  • - to require something because it is essential

hit

/hɪt/

A1
  • verb
  • - to strike or collide with

deep

/diːp/

A2
  • adjective
  • - extending far down from the top or surface

loud

/laʊd/

A2
  • adjective
  • - producing much noise

clear

/klɪər/

A2
  • adjective
  • - easy to perceive or understand

call

/kɔːl/

A1
  • verb
  • - to speak to someone on the telephone

make

/meɪk/

A1
  • verb
  • - to create or produce something

sing

/sɪŋ/

A1
  • verb
  • - to produce musical sounds with the voice

tell

/tɛl/

A1
  • verb
  • - to communicate information or a story to someone

flip

/flɪp/

B1
  • verb
  • - to turn over or cause to turn over

leak

/liːk/

B1
  • verb
  • - to escape or allow to escape through a hole or crack

swim

/swɪm/

A2
  • verb
  • - to move through water by using the arms, legs, and body

creep

/kriːp/

B1
  • verb
  • - to move slowly and quietly, especially in a way that is frightening

ride

/raɪd/

A2
  • verb
  • - to sit on and travel on an animal, vehicle, or something else

senior

/ˈsiːniər/

B1
  • noun
  • - a student in the final year of high school or college

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Key Grammar Structures

  • ♪ NEED ROUND TWO, I NEED A SEQUEL ♪

    ➔ Present Simple with 'need'

    ➔ The verb 'need' in the present simple tense expresses a recurring or general need. Here, it emphasizes the desire for a repetition ('ROUND TWO') and a continuation ('SEQUEL').

  • ♪ GOT ME SINGING LIKE ALICIA ♪

    ➔ Past Simple with 'got'

    ➔ The phrase 'got me singing' uses the past simple tense to describe a completed action in the past. It highlights the effect of the situation on the speaker, making them sing like Alicia.

  • ♪ TELL YOUR GIRLFRIEND THAT YOU SINGLE ♪

    ➔ Imperative Mood

    ➔ The imperative mood is used to give a direct command or instruction. Here, 'tell' is a direct order to inform the girlfriend about being single.

  • ♪ WE BOTH ON FIRE, LOVE THE TEAMWORK ♪

    ➔ Present Continuous for Ongoing Action

    ➔ The present continuous tense ('both on fire') describes an action happening now. It emphasizes the ongoing intensity of the situation and the collaboration ('teamwork').

  • ♪ TELL THE UBER DRIVER REVERT ♪

    ➔ Imperative Mood with Object

    ➔ The imperative mood with an object ('tell the Uber driver') directs the command to a specific person or thing. Here, it instructs the Uber driver to revert or turn back.

  • ♪ YOU'RE BADDER THAN THE SONG THAT'S SANG FROM MIKE JACK ♪

    ➔ Comparative Adjective

    ➔ The comparative adjective ('badder') is used to compare two things, indicating that one is more than the other. Here, it compares the subject's 'badness' to a song by Michael Jackson.

  • ♪ I'M IN IT SO DEEP, JUST CAUGHT A BROKE JAW ♪

    ➔ Past Simple with 'caught'

    ➔ The past simple tense with 'caught' describes a completed action in the past. It highlights the result of being 'so deep' in the situation, leading to a 'broke jaw'.

  • ♪ AND I JUST WANT ONE THING, THAT'S A PHONE CALL ♪

    ➔ Present Simple with 'want'

    ➔ The present simple tense with 'want' expresses a general desire or need. Here, it emphasizes the speaker's current and ongoing wish for a phone call.