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What? 00:00
A lot of brothers, claimin' they hard 00:04
I grab the microphone and leave 'em scarred 00:07
But not scarred physically, more like scarred mentally 00:09
I correct your ego, I'ma show you how it go 00:14
'Cause you killin me, ain't no skill in you 00:19
With my hands on you I wouldn't be feelin' you 00:21
Yeah you platinum, but you whack as hell 00:23
I dubbed over your single like a Maxell 00:26
You need to stop now, get original 00:28
Start practicin', master your flow 00:31
You might as well, turn in your mic 00:34
And start collectin' dollars at the turnpike 00:36
'Cause the rhymes you kick, need to be fixed 00:38
But you couldn't even fix them in the mix 00:41
If you ate pebbles, your shit wouldn't rock 00:43
You one of them balloons made to go pop 00:46
You need to stop now, get original 00:48
Start practicin', master your flow 00:51
Stop now, get original, what? 00:53
Stop now, get original 00:58
Start practicin', master your flow 01:01
There is really nothin' you can do 01:03
We about to hit you in your face with my kung-fu 01:05
Risky on the microphone, I am 01:08
Got the energy of Goliath and Rovalynn 01:10
I'm about to let you know the deal on how I feel 01:13
Many people can't be real, so they gotta chase the steel 01:15
What the deal? Is it really all about the bills? 01:17
What's the thrill? I'd rather have my soul fulfilled 01:20
You gotta stop now, get original 01:22
Start practicin', master your flow 01:25
We delegate the skills to conversatin' 01:27
The loss of motivation of MC's to create 01:29
Sent it in for quick hit, waitin' for the break 01:32
You didn't pay your dues, so you got on Rikki Lake 01:34
How does it feel to be the man on top 01:37
When everythin' you got ain't any of your props? 01:39
You need to stop now, get original 01:42
Start practicin', master your flow 01:45
Stop now, get original, stop now, get original 01:47
Start practicin', master your flow 01:55
When you think about rap in it's entirety 01:56
Violence became variety 01:58
Silently personalities differ from what they try to be 01:59
2na be on the frontline, with rhyme shell I hit you 02:02
You're sluggish like a barbiturate 02:04
We can make you admit you bit 02:05
A hectic thrill, connect with Will 02:07
Then we create with the kung-fu collected skill 02:09
The checks get real, people think this shit is hunky-dory 02:11
It's another story while we be fightin' for redemption 02:14
Pimps and prostitutes get the break they need 02:17
With breakneck speed, the fakes succeed indeed 02:19
Thinkin' life is a party and it's a must to please 02:22
But many pop MC's work for Mephistopheles stop it please 02:24
Choppin' broccoli happily for your company 02:26
Publically sellin' Satan when really you should be bumpin' the truth 02:28
So stop now, get original 02:31
Just practice and master your flow 02:34
02:37

Get Original – English Lyrics

🚀 "Get Original" helps you learn 20+ new words without getting bored – tap the app and try it now!
By
Black Eyed Peas, Chali 2na
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Lyrics & Translation

Discover the roots of the Black Eyed Peas with their track "Get Original." This song is a fantastic way to learn English through music, especially if you're interested in the language of hip-hop and its culture of lyrical skill and authenticity. The wordplay and confident delivery can help you understand rhythm, rhyme, and assertive communication in English. It's a special track that captures a moment in hip-hop where originality was passionately championed.

[English]

What?
A lot of brothers, claimin' they hard
I grab the microphone and leave 'em scarred
But not scarred physically, more like scarred mentally
I correct your ego, I'ma show you how it go
'Cause you killin me, ain't no skill in you
With my hands on you I wouldn't be feelin' you
Yeah you platinum, but you whack as hell
I dubbed over your single like a Maxell
You need to stop now, get original
Start practicin', master your flow
You might as well, turn in your mic
And start collectin' dollars at the turnpike
'Cause the rhymes you kick, need to be fixed
But you couldn't even fix them in the mix
If you ate pebbles, your shit wouldn't rock
You one of them balloons made to go pop
You need to stop now, get original
Start practicin', master your flow
Stop now, get original, what?
Stop now, get original
Start practicin', master your flow
There is really nothin' you can do
We about to hit you in your face with my kung-fu
Risky on the microphone, I am
Got the energy of Goliath and Rovalynn
I'm about to let you know the deal on how I feel
Many people can't be real, so they gotta chase the steel
What the deal? Is it really all about the bills?
What's the thrill? I'd rather have my soul fulfilled
You gotta stop now, get original
Start practicin', master your flow
We delegate the skills to conversatin'
The loss of motivation of MC's to create
Sent it in for quick hit, waitin' for the break
You didn't pay your dues, so you got on Rikki Lake
How does it feel to be the man on top
When everythin' you got ain't any of your props?
You need to stop now, get original
Start practicin', master your flow
Stop now, get original, stop now, get original
Start practicin', master your flow
When you think about rap in it's entirety
Violence became variety
Silently personalities differ from what they try to be
2na be on the frontline, with rhyme shell I hit you
You're sluggish like a barbiturate
We can make you admit you bit
A hectic thrill, connect with Will
Then we create with the kung-fu collected skill
The checks get real, people think this shit is hunky-dory
It's another story while we be fightin' for redemption
Pimps and prostitutes get the break they need
With breakneck speed, the fakes succeed indeed
Thinkin' life is a party and it's a must to please
But many pop MC's work for Mephistopheles stop it please
Choppin' broccoli happily for your company
Publically sellin' Satan when really you should be bumpin' the truth
So stop now, get original
Just practice and master your flow

Key Vocabulary

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Vocabulary Meanings

microphone

/ˈmaɪkroʊˌfoʊn/

B2
  • noun
  • - a device that converts sound into electrical signals for amplification

scar

/skɑːr/

B1
  • noun
  • - a mark left on the skin after a wound has healed
  • verb
  • - to mark or damage the surface of something in a lasting way

ego

/ˈiːɡoʊ/

B2
  • noun
  • - a person's sense of self‑importance or self‑esteem

skill

/skɪl/

B1
  • noun
  • - the ability to do something well, especially because of training or experience

original

/əˈrɪdʒənl/

B2
  • adjective
  • - new and not derived from something else; authentic
  • noun
  • - the first form of something from which copies are made

practice

/ˈpræktɪs/

B1
  • noun
  • - repeated exercise in or performance of an activity or skill so as to acquire or maintain proficiency
  • verb
  • - to perform an activity or exercise repeatedly in order to improve or maintain proficiency

master

/ˈmæstər/

B2
  • verb
  • - to become highly skilled or proficient at something
  • noun
  • - a person who has control or authority over something; an expert

flow

/floʊ/

B2
  • noun
  • - a smooth, continuous movement of something, especially a rhythm in music or speech
  • verb
  • - to move in a smooth, continuous manner

rhyme

/raɪm/

B2
  • noun
  • - a correspondence of sounds between words or the endings of words, especially in poetry and rap
  • verb
  • - to make words correspond in sound, especially at the end

platinum

/ˈplætɪnəm/

C1
  • noun
  • - a precious silvery-white metal; also a high-level music award (e.g., platinum record)
  • adjective
  • - relating to or made of platinum; of the highest quality (e.g., platinum album)

whack

/wæk/

C1
  • adjective (slang)
  • - bad, inferior, or of poor quality
  • verb (slang)
  • - to strike or hit forcefully; to kill (in slang)

dub

/dʌb/

C1
  • verb (slang)
  • - to add a new audio track, especially a voiceover, to an existing recording
  • noun (slang)
  • - a version of a song with altered or added vocals, often in hip‑hop

balloon

/bəˈluːn/

B1
  • noun
  • - a flexible bag that can be inflated with air or gas, often used as a toy or decoration

kung‑fu

/kʊŋ ˈfuː/

B2
  • noun
  • - a Chinese martial art emphasizing speed, power, and fluid movement

Goliath

/ˈɡɒliæθ/

C2
  • noun (proper)
  • - a giant figure from the biblical story of David and Goliath, symbolizing a powerful opponent

chase

/tʃeɪs/

B1
  • verb
  • - to pursue in order to catch or overtake
  • noun
  • - the act of pursuing something; a pursuit

thrill

/θrɪl/

B2
  • noun
  • - a sudden feeling of excitement and pleasure
  • verb
  • - to cause someone to feel excited or delighted

redemption

/rɪˈdɛmpʃən/

C1
  • noun
  • - the act of being saved from sin, error, or evil; a compensatory gain or benefit

What does “microphone” mean in the song "Get Original"?

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Key Grammar Structures

  • I grab the microphone and leave 'em scarred

    ➔ Present Simple with 'em as an informal contraction of 'them'

    ➔ The verb 'grab' is in the present simple tense, and 'em' is a colloquial contraction of 'them'.

  • I'ma show you how it go

    ➔ Contraction of 'I am going to'

    ➔ 'I'ma' is a colloquial contraction of 'I am going to', often used in informal speech.

  • You need to stop now, get original

    ➔ Modal verb 'need to' for necessity, imperative form 'get'

    ➔ The modal verb 'need to' expresses necessity, and 'get' is in the imperative form to give a direct command.

  • Start practicin', master your flow

    ➔ Gerund 'practicin'' (practicing), imperative 'master'

    ➔ 'Practicin'' is a gerund form of 'practicing', and 'master' is in the imperative form to give a direct command.

  • We delegate the skills to conversatin'

    ➔ Verb 'delegate' with gerund 'conversatin'' (conversating)

    ➔ The verb 'delegate' is followed by the gerund 'conversatin'', which is a non-standard form of 'conversating'.

  • The loss of motivation of MC's to create

    ➔ Prepositional phrase 'of MC's', infinitive 'to create'

    ➔ 'Of MC's' is a prepositional phrase indicating possession, and 'to create' is an infinitive used as a noun.

  • You couldn't even fix them in the mix

    ➔ Modal 'couldn't' for past inability, pronoun 'them'

    ➔ The modal 'couldn't' indicates past inability, and 'them' is a pronoun referring to the previously mentioned rhymes.

  • If you ate pebbles, your shit wouldn't rock

    ➔ Conditional sentence with 'if', modal 'wouldn't'

    ➔ This is a conditional sentence using 'if' to express a hypothetical situation, and 'wouldn't' indicates the negative outcome.