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(I adore you) 00:00
Plenty more, plenty more 00:02
But you're my hope for the night, oh 00:04
Gimme more control 00:06
Slow down for the night, oh 00:08
Lemme know, lemme know 00:10
That you're down for the vibe 00:12
Are you down for the vibe? Oh 00:14
We don't say bye-bye 00:16
You can see my eyes 00:18
That I'm on the rise, oh 00:20
I believe body lies 00:22
But your body be smilin' though (ay, ay) 00:24
These are the nights I love 00:28
'Cause you know, baby, I adore you, I adore you 00:32
Can't ignore you, can't ignore you, ah 00:37
Body-ody, my soul and that, I'm outta control, I can't 00:41
I adore you, I adore you, I do 00:45
Plenty more, plenty more (plenty more, ay) 00:49
But you're my hope for the night, oh 00:52
Gimme more control (control) 00:54
Slow down for the night, oh 00:56
Lemme know, lemme know (lemme know) 00:58
That you're down for the vibe 01:00
Are you down for the vibe? Oh 01:02
We don't say bye-bye 01:04
Le-le-le, le-le-le, yeah, yeah 01:06
Le-le-le, le-le-le, yeah, yeah 01:09
Le-le-le, le-le-le, yeah 01:13
Baby, I adore you, I adore you, I do 01:17
She gon' keep it minimum, poco 01:22
Pull you in and walk in like model 01:27
She like Mona Lisa, oh majo (oh majo) 01:31
Majo (oh majo), oh 01:35
You can see my eyes 01:38
That I'm on the rise, oh 01:40
I believe body lies 01:42
But your body be smilin' though (ay, ay) 01:44
These are the nights I love 01:48
'Cause you know, baby, I adore you, I adore you 01:52
Can't ignore you, can't ignore you, ah 01:57
Body-ody, my soul and that, I'm outta control, I can't 02:01
I adore you, I adore you 02:05
(Ooh, baby) baby, I adore you, I adore you 02:08
Can't ignore you, can't ignore you, ah 02:13
Body-ody, my soul and that, I'm outta control, I can't 02:17
I adore you, I adore you, I do 02:21
(I do, I do, I do, I do) 02:26
(I do, I do, I do, I do) 02:30
Body-ody, my soul and that, I'm outta control, I can't 02:33
I adore you 02:37
'Cause you know, baby, I adore you, I adore you 02:40
Can't ignore you, can't ignore you, ah 02:45
Body-ody, my soul and that, I'm outta control, I can't 02:49
I adore you, I adore you, I do 02:53
Plenty more, plenty more (pleanty more, ay) 02:58
But you're my hope for the night, oh 02:59
Gimme more control (control) 03:02
Slow down for the night, oh 03:04
Lemme know, lemme know (lemme know) 03:06
That you're down for the vibe 03:08
Are you down for the vibe? Oh 03:10
We don't say bye-bye 03:12
Le-le-le, le-le-le, yeah, yeah 03:14
Le-le-le, le-le-le, yeah, yeah 03:17
Le-le-le, le-le-le, yeah 03:21
Baby, I adore you, I adore you, I do 03:25
03:30

I Adore You – English Lyrics

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By
HUGEL, Topic, Arash, Daecolm
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Lyrics & Translation

[English]
(I adore you)
Plenty more, plenty more
But you're my hope for the night, oh
Gimme more control
Slow down for the night, oh
Lemme know, lemme know
That you're down for the vibe
Are you down for the vibe? Oh
We don't say bye-bye
You can see my eyes
That I'm on the rise, oh
I believe body lies
But your body be smilin' though (ay, ay)
These are the nights I love
'Cause you know, baby, I adore you, I adore you
Can't ignore you, can't ignore you, ah
Body-ody, my soul and that, I'm outta control, I can't
I adore you, I adore you, I do
Plenty more, plenty more (plenty more, ay)
But you're my hope for the night, oh
Gimme more control (control)
Slow down for the night, oh
Lemme know, lemme know (lemme know)
That you're down for the vibe
Are you down for the vibe? Oh
We don't say bye-bye
Le-le-le, le-le-le, yeah, yeah
Le-le-le, le-le-le, yeah, yeah
Le-le-le, le-le-le, yeah
Baby, I adore you, I adore you, I do
She gon' keep it minimum, poco
Pull you in and walk in like model
She like Mona Lisa, oh majo (oh majo)
Majo (oh majo), oh
You can see my eyes
That I'm on the rise, oh
I believe body lies
But your body be smilin' though (ay, ay)
These are the nights I love
'Cause you know, baby, I adore you, I adore you
Can't ignore you, can't ignore you, ah
Body-ody, my soul and that, I'm outta control, I can't
I adore you, I adore you
(Ooh, baby) baby, I adore you, I adore you
Can't ignore you, can't ignore you, ah
Body-ody, my soul and that, I'm outta control, I can't
I adore you, I adore you, I do
(I do, I do, I do, I do)
(I do, I do, I do, I do)
Body-ody, my soul and that, I'm outta control, I can't
I adore you
'Cause you know, baby, I adore you, I adore you
Can't ignore you, can't ignore you, ah
Body-ody, my soul and that, I'm outta control, I can't
I adore you, I adore you, I do
Plenty more, plenty more (pleanty more, ay)
But you're my hope for the night, oh
Gimme more control (control)
Slow down for the night, oh
Lemme know, lemme know (lemme know)
That you're down for the vibe
Are you down for the vibe? Oh
We don't say bye-bye
Le-le-le, le-le-le, yeah, yeah
Le-le-le, le-le-le, yeah, yeah
Le-le-le, le-le-le, yeah
Baby, I adore you, I adore you, I do
...

Key Vocabulary

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Key Grammar Structures

  • Gimme more control

    ➔ Informal Imperative with Colloquial Contraction and Quantifier

    ➔ **Gimme** is a colloquial contraction of "give me," often used in informal speech. It acts as an imperative verb. **More control** uses "more" as a quantifier to express a greater amount of an uncountable noun, "control."

  • Slow down for the night, oh

    ➔ Phrasal Verb and Prepositional Phrase

    ➔ **Slow down** is a phrasal verb meaning to reduce speed. **For the night** is a prepositional phrase where "for" indicates a duration or specific period, meaning for the duration of this particular night.

  • That you're down for the vibe

    ➔ Noun Clause with Idiomatic Expression

    ➔ **That** introduces a noun clause, often following verbs of knowing, saying, or indicating. **Down for the vibe** is an informal idiom meaning to be willing or eager to participate in an activity or share a particular mood/atmosphere.

  • That I'm on the rise, oh

    ➔ Noun Clause with Idiomatic Expression

    ➔ **That** here introduces a noun clause, functioning as the object of a verb (implied from the previous line, "You can see my eyes"). **On the rise** is an idiom meaning increasing in success, popularity, or importance.

  • But your body be smilin' though (ay, ay)

    ➔ Non-Standard 'Be' Verb in Progressive Aspect (AAVE/Colloquial)

    ➔ The use of the bare infinitive **be** with a present participle (**smilin'**) instead of the standard "is smiling" is characteristic of African American Vernacular English (AAVE) or certain informal dialects. It often implies a habitual, continuous, or emphatic action rather than a single ongoing event.

  • These are the nights I love

    ➔ Relative Clause with Omitted Relative Pronoun

    ➔ This sentence contains a relative clause where the relative pronoun (e.g., "that" or "which") is omitted. The full phrase would be "These are the nights **that/which** I love." It's common in informal English when the relative pronoun is the object of the clause.

  • I'm outta control, I can't

    ➔ Colloquial Contraction and Elliptical Clause

    ➔ **Outta** is a colloquial contraction of "out of," meaning beyond control. **I can't** is an elliptical clause, where the implied full phrase is "I can't control myself" or "I can't do anything about it," relying on context for its meaning.

  • I adore you, I do

    ➔ Emphatic 'Do' in Affirmative Statements

    ➔ The auxiliary verb **do** is used here to add emphasis to the main verb "adore" in an affirmative statement. It strengthens the feeling or truth of the statement, implying "I really do adore you."

  • She gon' keep it minimum, poco

    ➔ Colloquial Future Tense (Gon') and Phrasal Verb

    ➔ **Gon'** is a colloquial and informal contraction of "going to," used to express future intention or prediction. **Keep it minimum** is a phrasal verb meaning to maintain something at the lowest or smallest possible level.

  • Pull you in and walk in like model

    ➔ Phrasal Verbs and 'Like' as a Preposition of Comparison

    ➔ **Pull you in** and **walk in** are phrasal verbs. "Pull in" suggests drawing someone closer, while "walk in" implies entering. **Like model** uses "like" as a preposition to compare the manner of walking to that of a model, meaning "in the manner of a model."