Lyrics & Translation
Delve into the emotional depths of "Stay," a poignant ballad by Rihanna and Mikky Ekko. Through its simple yet powerful lyrics, you can learn to express complex feelings of vulnerability and longing in English. The song's raw honesty and minimalist arrangement make it a compelling piece for understanding the nuances of emotional language in music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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stay /steɪ/ A1 |
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feel /fiːl/ A1 |
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move /muːv/ A1 |
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know /nəʊ/ A1 |
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want /wɒnt/ A1 |
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live /lɪv/ A1 |
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sure /ʃʊə/ A2 |
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take /teɪk/ A1 |
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give /ɡɪv/ A1 |
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way /weɪ/ A1 |
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light /laɪt/ A1 |
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broken /ˈbrəʊkən/ B1 |
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hard /hɑːd/ A2 |
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reason /ˈriːzən/ A2 |
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hole /həʊl/ A2 |
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fever /ˈfiːvə/ B1 |
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sweat /swet/ B1 |
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dare /deə/ B2 |
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What does “stay” mean in the song "Stay"?
Learn fast – go deep – and remember longer with interactive exercises in the app!
Key Grammar Structures
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Not really sure how to feel about it
➔ "how to + infinitive" (Infinitive Clause)
➔ This structure, as in "how to feel", is used to express uncertainty or a question about how to perform an action. It often functions as an embedded question or noun phrase, replacing a full clause like 'how should I feel'.
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Makes me feel like I can't live without you
➔ Causative verb "make" + object + base form; "feel like + clause"
➔ "Makes me feel" shows that one thing causes another to happen (e.g., 'something in the way you move' causes 'me to feel'). "Feel like + clause" introduces a feeling or impression, indicating a strong inclination or belief.
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I want you to stay
➔ Verb + object + to-infinitive (Verb Pattern)
➔ The phrase "I want you to stay" uses the common verb pattern 'want + object + to-infinitive'. Many verbs (e.g., ask, tell, advise, expect) follow this structure to express a desire or instruction for someone else to do something.
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It's not much of a life you're living
➔ Reduced Relative Clause (omitted 'that/which'); Present Continuous for ongoing action
➔ In "a life you're living", the relative pronoun 'that' or 'which' is omitted, forming a reduced relative clause (e.g., 'a life that you're living'). "You're living" uses the present continuous tense to describe an ongoing or habitual action that characterizes the 'life'.
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it's given
➔ Passive Voice (Present Simple)
➔ The phrase "it's given" is in the passive voice. It emphasizes the action ('given') and its recipient ('it') rather than the agent (who gives), which is either unknown or considered less important in this context.
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Ooh, 'cause I need this hole gone
➔ "need + object + past participle/adjective" (Causative-like structure)
➔ The structure "I need this hole gone" expresses a requirement for something ('this hole') to be in a certain state ('gone'). It's similar to causative verbs like 'have' or 'get' (e.g., 'I need this hole to be gone'). "Gone" here functions as an adjective.
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But I'm the only one who needed saving
➔ Relative Pronoun "who" + Passive Infinitive ("needed saving" / "needed to be saved")
➔ "who needed saving" uses the relative pronoun 'who' to refer to a person. "Needed saving" is a common passive infinitive construction, meaning 'needed to be saved', where the action of saving is performed on the subject.
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Funny, you're the broken one
➔ Adjective as a Commenting Adverbial (Sentence Adverb)
➔ When "Funny" is placed at the beginning of a sentence, separated by a comma, it functions as a sentence adverb. It comments on the entire situation or statement that follows, meaning 'It's funny that...' or 'It's ironic that...'. "Broken" is a past participle used as an adjective.
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It's hard to know which one of us is caving
➔ Dummy "It" + adjective + infinitive; Embedded Question with "which"
➔ "It's hard to know" uses the dummy 'It' as a placeholder subject, where the real subject is the infinitive clause 'to know which one of us is caving'. "which one of us is caving" is an embedded question acting as the object of 'know', inquiring about identity within a group.
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