[English]
[Music]
[Music]
Homer's Iliad. It's the greatest epic
poem ever written. A tale of the
legendary heroes and battles of the
Trojan War when the Greeks fought to win
back Helen of Troy. What you have there
is this wonderful cast of characters,
this myth. But for one man, the Iliad's
tales were more than just myth. Homer
must be literally true, and it was going
to be his life's mission to prove it.
For Hinrich Schlean, the poem was a
treasure map which could trace a path to
untold
riches. Priceless jewels presented to
Helen of Troy by King Pryan. It was gold
and it was immensely valuable.
Schlean would pursue this obsession for
over 20 years. He had this incredible
self-confidence. He had one idea in
mind, which was to find the treasure.
And his story would become an epic in
its own right.
The tale of one man's hunt for the lost
jewels of Helen of
[Music]
Troy. In 1866, the man who would devote
his life to finding Homer's Troy arrived
in London.
Hinrich Schlean was a rich German
businessman with an appetite for travel
and an insatiable
curiosity. Schleman found London poised
at the edge of an intellectual
revolution. Charles Darwin had rewritten
human origins and his findings had
stirred a new wave of curiosity.
It was certainly true that the timing
for Schlean was perfect. Um, there was a
huge interest in
prehistory spreading around the
archaeological
world. Until now, European civilization
was thought to have begun with ancient
Greece. But there was a growing sense
that its origins might have been far
earlier, that an ancient human past was
just waiting to be found.
In Schllean's day, people had very
little idea that there was much
prehistory before classical
Greece. To Schllean, finding the first
great European civilization seemed a
worthy quest for a rich man wanting to
establish his reputation. And despite
his lack of expertise, he planned to
invest his large fortune in the booming
science of archaeology.
was probably the most exciting thing you
could think of doing when he turned to
archaeology. But I don't think Schlleman
was was going out to find
prehistory. His motives weren't so
intellectual. He was a successful
businessman, retired early, was looking
for something interesting to do.
Schllean was seduced by archaeologyy's
potential to unite his two great
passions, making money and the legendary
story of Troy.
Whoever could find it was sort of
insured a great and glorious future.
Schlleman claimed to have been obsessed
by Troy since boyhood when he first read
the
[Music]
Iliad. Written by the ancient Greek
author Homer, the Iliad tells the tale
of a great king named Priam who ruled
over the city of Troy at around 1250 BC.
The story of Troy in a way had
everything for
archaeologists because it had this this
very rich myth and it had these
[Music]
characters. King Pryam's son Paris
caused chaos by seducing the beautiful
Greek princess Helen, stealing her away
from her husband Menaaus and back to his
father's city.
Helen was reputed to be the most
beautiful woman in the world.
In response, Agamemnon, king of Myi, the
most powerful of all the Greek states,
launched a thousand ships to win Helen
back and camped a huge army near the
city walls.
The Greeks in a coalition under
Agamenon get together to take back Helen
by force. What makes it so fascinating
is is is the scale of it all.
After a dramatic 10-year siege, the
Greeks broke through, killing Troy's
remaining inhabitants and burning the
city to the ground.
So there you have it all. You have these
heroes, you have battles, you have
wealth, and you have beautiful women.
For Schllean, the most thrilling detail
of all was the promise of buried
riches. In the Iliad, Homer wrote of
Pryam's treasure, a priceless collection
of gold and jewels that the king had
bestowed upon
Helen. Schleman was transfixed by the
idea that this gold had been hidden away
in the dying city during Troy's final
destruction by fire.
This was the image he carried with him.
He was so obsessed by the Iliad that he
took the story of Pry's treasure as
literal fact.
Homer had had said there was gold. So
there was gold. Treasure does not in
fact play that big a part in the Iliad.
It played an enormous part in Schleman's
mentality.
Schlleman believed the Iliad was full of
clues for archaeologists to
discover and that by following them he
would be led to Pryam's
treasure. Most 19th century historians
disagreed. They thought Homer's Troy was
just a myth, not a real historical
event.
A lot of scholars thought that there was
no such place except in Homer's
imagination, that it was
mythological. But Schlleman's belief was
unshakable, and he set himself the task
of unraveling the Iliad's clues with the
same dedication that had made his
fortune in business. Well, he had
phenomenal energy. He was a man of huge
resolution and focus. And once he
decided to learn something, he set about
it as with a military
campaign. But he could get by in 22
languages. Schleman taught himself
ancient Greek in just a few months. He
spoke nothing else and filled notebooks
with translations until he could read
Homer fluently in the original.
The businessman was busy transforming
himself into a self-styled
archaeologist.
He set about acquiring a knowledge
of ancient literature and ancient
history. And he was a um very capable
man, a very intelligent man.
In late 1868, with Homer in his pocket,
Schleman set sail in search of Troy.
He had one idea in mind which was to
find the treasure.
His destination was the Troad, a plane
on the northwestern coast of
Turkey. Although Schllean was not the
first to seek Troy there, he was
convinced that with Homer's help, he
could succeed where others failed.
Since the 19th century, people have gone
to look for Troy in the northwestern
corner of what is now Turkey. But that's
a very big
area. Searching the Troad was never
going to be
easy. The area covered almost 100 square
miles, and Homer's Troy was a thousand
years older than ancient Rome. It would
inevitably be submerged below ground or
hidden beneath buildings that came
afterwards. Prehistory was not thought
to have any proper sights because they
were all buried under layers and layers
of later settlements.
Schlean was hopeful that a hilltop
village named Bernabashi might hold the
answer.
Bonabashi was surrounded by
archaeological remains and seemed the
perfect match for Homer's Troy.
Bunabashi had some of the attributes
that people were looking for, including
clearly prehistoric traces of
fortification. It was in a commanding
position. It had remains on the top. It
had burial mounds. It had rivers at the
bottom. It all fitted the description of
Homer's Troy very well.
Archaeologists had already excavated the
area in search of Troy, but had found
nothing. Schlean wasn't phased. He had
his own unique way to test whether
Bernabashi fitted the Iliad's bill.
[Music]
In a renowned episode of the Iliad, the
Greek hero Achilles chases the Trojan
warrior Hector around the walls of Troy
three times before finally slaying him
in single
combat. Schlean's idea was simply to
take Homer at his word by acting out
this famous scene.
If Schlean himself could run around the
hill three times, then Burabashi could
be
Troy. But Schleman saw a problem
straight
away. He realized that no one could
physically tackle the course Homer had
described here, not even the demigod
Achilles. He ended up practically
crawling on all fours.
The trouble was it was on a very steep
hill slope and anybody who is taking the
Iliad literally as Schleman was could
clearly see that that wouldn't do.
Schleman's mind was made up. Homer was
always right. So Bernabashi couldn't be
Troy.
He concluded that Troy wasn't there but
must be somewhere else.
Schlemer needed a new way
forward and his faith in Homer and the
Iliad was about to pay
off. It is an incredibly valuable
attribute to have to be simply lucky and
I think that Schlean
was. Schleman's next stop was a hill
called Hisalik 8 km northwest of
Bernabashi.
Standing in the shadow of Mount Ida,
Hisalic was no stranger to
suspicion. It was first alleged to be
Troy's location as far back as the 15th
century. But no one had ever found
evidence. When Schleman arrived, he
found the site already occupied by a
British archaeologist named Frank
Calbertt.
Calbertt too had dreams of finding Troy
and had purchased half of his Saleik's
land in order to conduct his own
excavations. The problem for Frank
Calvert was he just didn't have the
money to do anything on a large scale.
So when Schlean came along, uh I think
he saw an opportunity. Here was a man
with a lot of money and he could get him
interested in the site.
Excited by the prospect of a more
extensive dig, Calvert led Schlean into
the secret of
Hisalic, what looked like a hill was in
fact a man-made mound of earth.
What his excavations showed him was that
there were not only Greek and ro Roman
ruins on the top, which was quite
obvious from the
surface, but that underneath these ruins
there were deeper layers of earlier
periods.
No one, not even Calvin, knew for
certain just how old the hill
was. But he thought the site might date
all the way back to 1250 BC, the time of
the Iliad and Helen of
Troy. He believed there was a real
possibility that underneath these ruins
was the Troy talked about by Homer.
Schlean put the mound to his Achilles
test.
Unlike Bernabashi, it passed with flying
colors. His fitted Schlean's mental
image of Troy in every
way. There was a ruined temple, rivers
on the plane below, and a mountain range
in the
distance. The whole landscape was
straight from the pages of the Iliad.
[Music]
Schlean was ready to dig for Troy and he
wanted to get started straight
away. But Calbertt said he'd need
permission from the Turkish government.
Calbertt was a cautious man. The exact
opposite of Schlean.
But Schllean hadn't made his fortune
being cautious.
Ignoring Calbertt, he employed workers
to begin the dig regardless. Permission
could wait. He was a man of influence.
He had a lot of money. Uh what he didn't
have was diplomacy,
um which is a useful asset if you're
going to dig in a foreign country.
The Turks were outraged when they
learned Schlean was already digging.
They demanded he left
his but Schllean wasn't about to give
up.
He established many, many connections
with the powerful and highly regarded.
He was firing off letters left, right,
and center.
Schlean bombarded the Turks with a
mixture of apologies and threats.
Schleman's letters reveal a bullying
attitude towards the weak and a very
graveling sickopantic attitude towards
the strong. He knew how to pull strings.
He knew which strings to pull. Um he
knew where maybe to grease a palm. And I
think that helped him to persuade the
Turkish authorities to let him do what
he wanted.
After 3 years, Schlean struck a
deal. He would have to pay for all
excavations at Hisleik and then spit any
findings 50/50 with the Turkish
government. But at last, he had his
official go-ahad to dig for
Troy. So he set to work. But Schlleman
soon learned that Hisalic was a highly
complex
site. There were many different eras of
human history buried in the mound. The
way the mound had built up over time,
was that one layer had formed on top of
another, one after another, like a
series of upside down pudding
basins. Over the centuries, successive
inhabitants of Hisalic had added new
layers, each one built up over hundreds
of years.
Schllean naturally assumed that if
Homer's Troy dated from 1250 BC, 3,000
years ago, then it had to be at the
bottom. In Schlleman's mind, the fact
that Homer is at the beginning of Greek
literature meant that Homer's Troy must
be at the beginning of the succession of
tries. Schleman developed a plan that
was simple and brutal.
He would cut a massive trench,
bulldozing right through the middle of
the mound. To do that was an incredibly
drastic measure, even by the lights of
the 1870s. Schlean wasn't like that. He
just wanted to sort of cut straight
through, find the treasure, build up the
picture of Troy, and be the man who
discovered Troy.
Frank Calvert was horrified. As a
professional archaeologist, he urged
Schleman to take a less reckless
approach, peeling away thin layers of
soil and sifting evidence carefully. We
can see from his own excavations how
Frank Calvert went about things. He
would have wanted Schlean to excavate
sort of gently and slowly,
but Schllean could practically smell
Pryam's treasure. He wanted to press on
full steam ahead. Schllean vitally
ignored the advice that Calvat gave him
that this was going to be a complicated
site and should be treated with caution.
The reaction to this is the beginning of
the falling out between Calvert and
Schlemer. Schleman brought in huge
resources of equipment and men. His
fortune meant that he could buy all the
machinery of open cast
mining. His object was to pull down
great chunks of earth to get down to the
bottom as quickly as possible. There
were winches, levers, even battering
rams. And perhaps most shockingly of
all, dynamite.
Well, his methods do read slightly,
alarmingly.
He was a thoughtless and clumsy
archaeologist. He did not respect sites.
He did not pinpoint things properly. It
did mean that uh a lot of detail was
lost to him if he was moving such large
amounts of
spoil. Schleman was often joined on site
by his wife Sophia, a young Greek woman,
30 years his
[Music]
junior. Sophia reminded Schlean of Helen
of Troy, and he was desperate to involve
her in the quest for Pry's treasure.
He's a little strange, I have to say.
But so far his finds were disappointing.
[Music]
He kept on having in mind that somewhere
in this mound there was going to be
gold.
Instead of gold, Schleman was finding
only pottery, and it seemed strangely
primitive.
It was nothing like the splendor of
Homer's Troy that he'd imagined. He
wasn't terribly interesting in finding
shards and little bits of pottery,
particularly as they didn't sort of seem
to belong to what his idea of Troy
was. His dream of Troy seemed to be
fading. This was a treasure hunt with no
treasure.
The 1871 dig drew a
blank. But Schlleman wasn't yet ready to
give
up. It was just a question of going deep
enough and digging enough and the gold
would be
there. In 1872, Schlean returned for a
second season.
[Music]
And at last, he got some real
encouragement and some genuine
treasure. His workers unearthed a huge
marble
freeze. It showed the god Apollo in his
chariot driving four horses.
Schlleman realized it came from a Greek
temple that occupied the mound in around
300
BC. So it was a thousand years too late
to be from Homer's
Troy. But he had at least found
something. It was a very significant
piece and it must
have must have had quite high value.
But there was a big problem with the
find. Schleman had found the marble on
Frank Calvert's land. And his deal with
Calvert was that they'd split the
proceeds. The deal was between him and
Frank Calbertt that fines were to be
halved. You couldn't have a thing like
this. One of them, one or other of them
had to have it. Schllean haggled with
Calvert as if they were rivals rather
than partners. He was ruthless with
people. if things didn't go his way, uh,
he could be hard and difficult. Schlean
offered to buy his share of the marble
at what he claimed was its market price.
Of course, the real value was much
higher. It shouldn't have been a
surprise to Calvert that Schlleman was a
cutthroat businessman. But I think he
was shocked by this all the same.
It was the last straw for Calvert. He
walked off the excavation.
For many, losing their archaeological
mentor would have been a major setback,
but it didn't deter Schlean. Though
inexperienced, he carried on and started
to use what Calvert had taught him. As
time went on, he did improve. He did
have this training in
bookkeeping and this must have ingrained
in him a habit of accurate
recording. Schleman began to note the
precise position of each find and
variations in the soil from layer to
layer. He brought photographers in to
record every detail.
Schlean introduced photography
um eventually beautiful
photography. I think they surpass
anything done on the site
[Music]
since. Schlean was gradually building up
a detailed picture of the
mound. And by the third dig season in
1873, Schlean's efforts paid off. Deep
in the mound, he uncovered signs of what
looked like a prehistoric
city. There was a paved ramp, a
magnificent tower, and an imposing
gate. For Schlean, it was everything
that Homer had described as
Troy. He was convinced he'd found the
gateway to the palace of the great king
Prior.
and there was a gate and there was
behind it a building which he thought
might be Pryam's
palace. So he
was definitely of the view that this
this fitted with Homer. By the close of
that season, Schleman had uncovered
another vital clue. He had found what he
thought was very important was that
which was that the period he was
investigating had been heavily
burnt. This charring and ash was on the
layer Schllean called Troy 2, just above
the bottom of the mound. Here, it seemed
was the proof he had been searching
for. For Schlean, these were clear signs
of Troy's infamous destruction by fire.
Once the Greeks had laid siege to the
city, Schlean was convinced this layer
was Homer's Troy and trumpeted his
discovery to the
world. But when the news reached his
hometown of Berlin, Schlean was stunned
to find himself the object of ridicule.
The attacks on Schlean were
astonishingly strong and and hard. His
whole manner of publicizing them just
invited academic scorn.
He was caricatured in the press as a
gold digger with a trophy
wife. His methods were mercilessly
lampuned.
The Berlin intelligencia thought he was
vulgar and provincial. This mania for
gold meant that he was a treasure
seeker. He was not a serious inquirer
after the truth. And Schleman found this
very hard.
Worst of all, his key findings about
Pryam's palace and Homer's Troy were
dismissed. His methods lacked precision,
and his one find lacked a
date. Schlean accused his enemies of
liel and
lies. But privately, even he was racked
with doubts.
In Schllean's mind, there were two
particularly serious problems with the
site of Troy
[Music]
2. It did by 1873 realize that the site
was really too small by comparison with
what you'd expect from Homer. According
to Homer, Troy was a well-popled city of
approximately a 100,000 inhabitants at
the time of the Trojan War. But the site
Schlean had found was only the length of
a football pitch along the side. If Troy
2 was really Homer's magnificent city,
it should be bigger.
This is too small obviously for the
great city that Homer talks about. And
then there was the second problem. Homer
spoke of Troy as a city rich in gold,
but all Schlean had found was primitive
pottery.
With just two weeks remaining in the dig
season, Schllean knew he had to do
something to salvage his reputation. He
had to find hard evidence of Homer's
Troy. Everybody was very skeptical about
what he was doing. And he found any form
of criticism extremely hard to bear. And
then just before the season ended,
something happened.
[Music]
Schlean claimed that as the excavations
continued, he suddenly spotted something
in a wall of Troy
2. He used a pretext to send the workers
for an early break, leaving Schllean and
Sophia alone on
site. She was, he said, the only witness
to the discovery of a lifetime.
[Music]
There it is. There is this
astonishing cache of brightly shining
gold. And it's everything he always
dreamt it might be.
There were bracelets and
necklaces, gold rings,
goblets, and so much
more. It was uh gold and silver vessels
and a lot of bronze
objects all apparently packed up into
one tight little collection. It was gold
and it was immensely valuable.
So on every score at that one moment he
must have thought I've done it. I've
done what I really wanted to
do. For Schlean there was only one way
the gold could have got
there. It was Pry's treasure abandoned
in the wall as the Trojans fled the
burning city.
He had in his hands the proof of
everything that he had maintained and
the people had not believed. And this
all helped to prove that this really was
Troy and that the Trojan War had
happened. Schleman called his find the
jewels of
Helen. As a final flourish, Schleman
claimed that Sophia carried some of the
treasure home in her red shore. You can
sense this unbelievable excitement about
what was going on. Once again, Schllean
shouted his discovery to the world, but
this time he chose an ingenious way to
go about it. He summoned his
photographer and in the process created
one of the most famous archaeological
photographs ever seen. He got Sophia to
dress up and wear this jewelry and be
photographed in it. The photograph went
worldwide.
[Music]
It was a brilliant piece of public
relations. Schleman was now famous. That
in a sense was almost his finest eye to
say to all his opponents, look, I got
the jewelry. And what's more, here it is
on my wife.
But back in Berlin, Schlean's critics
were enraged.
For them, the photograph was proof once
more that Schlean was a treasure seeker,
not a serious archaeologist.
The photograph must have been almost
most calculated to drive his his
opponents completely mad. The
establishment ramped up their
attack. And Schllean's version of events
gave his enemies the perfect ammunition.
He was caught out by two unfortunate
facts. He said that his wife Sophie was
there at the time and helped him dig it
out. It's totally untrue. She had left
earlier in the season to go home to
Athens. Despite Schleman's account, it
seemed that he had invented a witness to
a discovery that had never
happened. Schleman's response was that
he simply wanted to involve Sophia in
his life's work. Sophie didn't like
archaeology at all and she hated being
on site and Schlean wanted her to be
involved. He he would do such a crass
thing. Secondly, Schllean was shifty
about where exactly he had found the
treasure in Troy 2.
Sometimes he says it he found it outside
the citadel wall of Troy 2. Sometimes he
says he found it on the citadel wall of
Troy 2 and this is supposed to
be an indication that the whole treasure
was or or part of it was made up. The
allegations implied that Schleman had
the treasure faked by a jeweler and even
today most experts agree that his
accounts can't be trusted.
The discovery of the treasure of Pry had
been embroidered, manipulated, and was
in part totally
false. But despite all of the
accusations, the public wanted to
believe Schlean, and crucially, the
jewels themselves seemed to back him
up. Schlean had all his finds
photographed or drawn by artists for
publication. And when experts studied
it, the treasure matched closely in
style, as it would if it was all from
the same find. For all of the
allegations, Helen's jewels seem to be
what Schleman said they were. I think
Pryime's treasure was substantially or
wholly genuine, and Schlean found it
more or less as he says. There may be a
little bit of confusion over some of the
objects.
Soon critics were the least of
Schllean's
problems. The government wanted their
half of the spoils and to keep the
treasure in
Turkey. There was an outcry from the
Turks who quite rightly said that the
treasure was theirs.
But in Schlean's mind, he had found it
so he owned it.
Schlean certainly believed that
everything he found was his.
He hastily packed the treasure up and
smuggled it to
Greece, where it is said Sophia's family
hid it in the Athenian
countryside. His prize was safe overseas
and successfully out of the government's
clutches. But although Schllean had kept
his gold, now he needed more. The
trouble for Schlean was that finding the
gold was not enough.
To Schlean, it was now about more than
treasure. He had critics to silence and
truths he was desperate to prove. He
really wanted to be a
scholar and he wanted to be accepted. He
was almost pathetically grateful to be
accepted by scholars as a scholar.
Schlean needed to prove he really had
found Pryam's treasure by confirming it
was made in 1250 BC, the time of the
Iliad. There clearly remained this
question about whether he had really
found Troy or not.
But in the early days of archaeology,
dating finds wasn't simple. The only
reliable method was to compare the
pottery Schlean had found near Helen's
jewels to a sample from the correct
era. So Schllean resolved to dig at the
one place he was certain he could
accurately date.
Myi was the palace of King Pryam's great
nemesis, the Greek king Agamemnon.
So it should have dated from the Iliad's
era. And crucially, structures from that
period had already been excavated there.
If Schlean could find pottery in Myi, he
could use it to put a date on Homer's
Troy and silence his critics.
[Music]
I think that Schlean was
so determined to prove that what he'd
found was right. It was a sort of
desperation in a way. With his
reputation at stake, Schllean set about
his dig in
Greece. Once again, he decided to
excavate according to the clues in his
favorite type of guide, the writings of
an ancient author.
The Greek writer Porcenius had said that
five graves of King Agamemnon and his
closest companions could be found at
Myi. Experts thought Porcenius was
highly
unreliable. But Schleman followed his
descriptions like a guide
book. What he read in Porcenas was that
Agamemnon had been buried within the
wall.
So, Schleman, ignoring the very fine
built tombs outside the walls, went and
dug within the
[Music]
wall. Within days, he had found
something. Tombstones marking out a
circle of graves, each lined with
treasure, exactly as Posanius predicted.
Sleman was led by this reading of a very
questionable source to dig in a place
that proved quite literally a gold
mine. And one particular find was
greater than all of the others.
It was a funeral mask found on the face
of a 35-year-old
warrior. A famous story says Schlean
cabled the king of Greece with the
words, "I have gazed upon the face of
Agamemnon." Schlean's literal-minded
approach shouldn't have worked, but it
had. The same thing happened as had
happened at Troy that through a series
of
blunders. He stumbled
upon a discovery of of
tremendous fame and
appeal. But chiefly for Schllean, above
all of these new riches, he had found
sufficient proof to authenticate
Troy. The layout of the palace and the
style of the pottery told him what a
power center of the 13th century BC
would actually look like. He found there
what the buildings looked like, what the
pottery looked like, what the small
fines looked like. With his newfound
archaeological confidence, Schleman
believed that if he could return to
Hisalic just one last time, he could
finally prove that he had found Homer's
Troy. Bit by bit, he was beginning to
assemble proof for what he was trying to
establish, which was the the legend of
Troy and the the siege of
Troy. By 1890, Schlean had repaired his
relations with the Turkish government,
and he was granted permission to tackle
Troy one last time. His plan to use
Mysai's pottery and buildings to confirm
once and for all that the mound at his
dated to 1250 BC and that he really had
found the treasure of King
Pryam. By now Schleman had recruited
brilliant technical help in the form of
the ingenious architect Wilhelm Dupfeld.
He had a very good understanding of
architecture and how to record it and he
had a very good understanding of how to
put on paper the complexities of the
site. Under Dupeld's influence, Schleman
was persuaded to turn his attention from
Troy 2 to a layer called Troy 6 almost
40 ft near the
surface. At just 6 and 1/2 ft below
ground, Schlean had previously ignored
this level. Passing straight through it
in his search for Troy 2, Derpfeld
suggested that they try digging for Troy
6 further a field away from Schleman's
previous excavations at the center of
the
mound. Sure enough, their broader
excavation soon produced results.
Troy 6 was a much bigger city with
buildings and pottery matching those
that Schlean had found at
Myi. Finally, Schlean believed he'd
found the object of his obsession,
Homer's
Troy. But with triumph came devastating
realizations.
If Troy 6 was Homer's Troy, then Troy 2,
where Schllean had found Pry's treasure,
couldn't be. I think it must be
shattering for anybody to have their
own discoveries and their own thesis so
conclusively
disproved without really any scope for
argument.
And worse still, in his rush to reach
the bottom of the mound, Schleman had
blasted right through the very city he
had spent 20 years searching for. In the
process, he had destroyed vast amounts
of the real Troy and ruined vital
archaeological evidence. He must have
had to face up to the fact that he had
destroyed a great deal of evidence by
the way that he had dug earlier.
When the truth dawned on him, Schleman
was overcome by shock.
Schllean went off into his tent and
didn't come out for 3
days. And then eventually when he did
come out, he quietly said, "I think
you're right."
[Music]
It was the first and only time that
Schlean ever admitted his mistake.
That one story of him talking to Doc
Dogfeld in is in a sense his
acknowledgement of what he'd done.
In 1890, Schlleman went to his grave,
publicly maintaining his belief in Troy
2 and the amazing jewels of Helen of
Troy, avoiding confrontation of the
awful truth.
But the mystery of Pryam's treasure was
far from
over. Schlean bequeethed Helen's jewels
to the Museum of Berlin, and there they
lay safe until the 20th century when
they disappeared, becoming the lost
jewels all over again.
It was rather a parallel to the whole
story of the Troy treasure, which had
always been a mystery.
In April
1945, Berlin, like Troy, faced total
destruction at the hands of enemy
invaders. The Nazi Third Reich entered
its final death throws in the Battle of
Berlin as the Soviet Union's Red Army
surrounded the
city. But when Hitler was dead and the
war was over, the treasure had vanished.
Nobody knew where it was. It seemed to
have disappeared.
The Russians denied taking it, leaving
Helen of Troy's treasure missing once
more. Then suddenly, after almost 50
years, Hinrich Schlean and his finds hit
the headlines yet again.
One of the world's most famous
archaeological finds, the Trojan gold,
goes on show in Moscow tomorrow.
In 1994, after the fall of the Soviet
Union, the Russians finally admitted to
possession of the treasure. They felt
they were entitled to it as war
reparations for all the huge damage done
by the Germans in Russia.
The treasure was in Moscow and was put
on display at the Pushkin
Museum. Donald Eastston was one of the
few Western archaeologists invited to
view the collection.
There was absolutely no doubt that these
were the objects which had been in
Berlin. Eastston became convinced that
the treasure had not been faked by
Schlean himself. It had clearly been in
a Trojan soil for centuries. What was
also clear was that these were objects
which had come out of the
ground. There's no question of there
having been manufactured to order in the
19th century.
But with this recognition came a twist.
Eastston confirmed what Schleman
probably knew but could never admit.
What we call Pry's treasure wasn't
actually Pry's treasure. It was a
thousand years earlier than any Trojan
war which may have taken place.
Troy 2, where Schlean had found the
treasure, had been built in around 2,300
BC, a thousand years earlier than
Homer's Troy. So Schleman's find could
not have been Helen of Troy's jewels.
But what he had found was evidence of
one of the first European
civilizations, earlier than anything
unearthed before.
Today, Schllean lies in a spectacular
morale in
Athens. On its walls, scenes from the
Iliad meet stories from Schlean's own
excavations, forever uniting their two
tales. For many, Schlean doesn't deserve
it. Some people were very dismissive.
They thought he was a charlatan. is one
of the most intensely dislikable and
certainly disliked figures in the whole
history of the 19th
[Music]
century. Yet despite his detractors,
Schlean's legacy is ultimately one of
archaeological success.
He had discovered an entire period of
human history even older than Troy known
as the early Bronze
Age. It was uh and still is a very
important thing in its own right. It's
a very important piece of documentation
for what society was like in the early
Bronze Age. And it was found by Schlean.
He found something very wonderful and it
makes him an extraordinary character.
To most such a find would have been
glory
enough. But for Schlean there had only
ever been one
prize. And although his discovery
remains one of the world's greatest
treasures, it wasn't Helen's jewels. But
then Schllean himself would never have
admitted that
[Music]