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Hey kid, you've got a lot of potential 00:00
But I think it's time to move up 00:04
So go on and blow us away with your sound 00:07
Now you're everything that we've come to love 00:10
You taught us to move, now we'll show it off 00:15
Just drop us the beat 00:20
Here's to the fast times, the times we felt alive 00:32
To all the nights that we forgot to get back home 00:38
Stay seventeen 00:43
The party scene has got the best of me and you 00:46
We've got to let this go 00:50
Drink up, last call 00:56
Before the sunrise sets the scene 00:57
Of empty bottles, heavy hearts 01:00
The memories of broken dreams 01:03
We were so tired yet so alive 01:05
Wrapped up in lies 01:09
Like sheets of another one night stand 01:11
You know you left the girl with nothing 01:14
But the sunrise through the window pane 01:16
Where tired eyes will close 01:22
Stay seventeen 01:27
The party scene has got the best of me and you 01:30
We've got to let this go 01:34
I know she hopes I choke on this last drink 01:39
Drop dead before my influence gets to her head 01:44
She said, "I'll love you forever 01:49
Or find something better 01:51
It's all just the same as when we sleep together 01:53
We wake up with headaches 01:55
And trouble remembering 01:57
What went wrong" 01:58
02:01
Stay seventeen 02:22
The party scene has got the best of me and you 02:25
We've got to let this go 02:29
02:34

The Party Scene – English Lyrics

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By
All Time Low
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Lyrics & Translation

Dive into "The Party Scene" by All Time Low, a quintessential pop-punk anthem that encapsulates the raw energy and poignant reflections of teenage life. This song, from their 2005 debut, offers a unique window into the language of youth culture and early 2000s pop-punk, with its relatable lyrics about wild nights and the bittersweet journey of growing up. Understanding the song's themes and lyrical depth provides insight into the band's foundational sound and the emotional landscape of their early fanbase.

[English]
Hey kid, you've got a lot of potential
But I think it's time to move up
So go on and blow us away with your sound
Now you're everything that we've come to love
You taught us to move, now we'll show it off
Just drop us the beat
Here's to the fast times, the times we felt alive
To all the nights that we forgot to get back home
Stay seventeen
The party scene has got the best of me and you
We've got to let this go
Drink up, last call
Before the sunrise sets the scene
Of empty bottles, heavy hearts
The memories of broken dreams
We were so tired yet so alive
Wrapped up in lies
Like sheets of another one night stand
You know you left the girl with nothing
But the sunrise through the window pane
Where tired eyes will close
Stay seventeen
The party scene has got the best of me and you
We've got to let this go
I know she hopes I choke on this last drink
Drop dead before my influence gets to her head
She said, "I'll love you forever
Or find something better
It's all just the same as when we sleep together
We wake up with headaches
And trouble remembering
What went wrong"
...
Stay seventeen
The party scene has got the best of me and you
We've got to let this go
...

Key Vocabulary

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Vocabulary Meanings

potential

/pəˈtɛnʃəl/

B2
  • noun
  • - having the capacity to develop into something in the future

move

/muːv/

A1
  • verb
  • - to change position or place

sound

/saʊnd/

A2
  • noun
  • - what you hear

memories

/ˈmɛməriz/

B1
  • noun
  • - the mental capacity or faculty of retaining and reviving facts, events, impressions, etc.

hearts

/hɑːrts/

A2
  • noun
  • - the organ in your chest that sends the blood around your body

dreams

/driːmz/

B1
  • noun
  • - a series of thoughts, images, or emotions occurring during sleep

tired

/ˈtaɪərd/

A2
  • adjective
  • - in need of rest or sleep

alive

/əˈlaɪv/

A2
  • adjective
  • - living; not dead

influence

/ˈɪnfluəns/

B2
  • noun
  • - the capacity to have an effect on the character, development, or behavior of someone or something

headaches

/ˈhɛdəkeɪz/

B1
  • noun
  • - a continuous pain in the head

girl

/ɡɜːrl/

A1
  • noun
  • - a female child or young woman

bottles

/ˈbɒtəlz/

A2
  • noun
  • - a container, typically made of glass or plastic, used for storing liquids

scene

/siːn/

B1
  • noun
  • - the place where an incident in real life or fiction occurs

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Key Grammar Structures

  • Hey kid, you've got a lot of potential

    ➔ Present Perfect (have got)

    "You've got" is a contraction of "you have got", which is an informal way of saying "you have". It expresses possession or a characteristic. Equivalent to "You have a lot of potential."

  • So go on and blow us away with your sound

    ➔ Imperative + Phrasal Verb

    "Go on and blow us away" is an imperative sentence encouraging action. "Blow someone away" is a phrasal verb meaning to impress someone greatly.

  • Here's to the fast times, the times we felt alive

    ➔ Exclamatory sentence structure (Here's to...)

    "Here's to..." is a common expression used to offer a toast or celebrate something. It expresses enthusiasm or appreciation for the mentioned subject.

  • To all the nights that we forgot to get back home

    ➔ Relative Clause with omitted relative pronoun

    "that we forgot to get back home" is a relative clause modifying "all the nights". The relative pronoun "that" (or "which") can be omitted when it is the object of the relative clause's verb.

  • The party scene has got the best of me and you

    ➔ Present Perfect (has got)

    "Has got the best of" means to have defeated or overcome someone or something. It can also imply that someone has been negatively affected or controlled by something.

  • We've got to let this go

    ➔ Semi-modal verb ('ve got to')

    "'ve got to" is a common, less formal way of saying "have to" or "must". It expresses obligation or necessity. In this case, it emphasizes the urgent need to "let this go".

  • Wrapped up in lies like sheets of another one night stand

    ➔ Simile using 'like'

    ➔ The simile uses "like" to compare being "wrapped up in lies" to "sheets of another one night stand". This suggests a feeling of being trapped, messy, and perhaps ashamed after a fleeting encounter.

  • I know she hopes I choke on this last drink

    ➔ Noun Clause as Object

    "She hopes I choke on this last drink" is a noun clause functioning as the object of the verb "know". The word "that" is omitted before the noun clause.