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Count me out like sovereigns, payback for the good times 00:20
Right foot in the roses, left foot on a landmine 00:25
I'm not gonna be there tripping on the grapevine 00:30
They can sing the words while I cry into the bassline 00:35
Wear me out like Prada, devil in my detail 00:40
I swear it's getting harder even just to exhale 00:45
Backed up into corners, bitter in the lens 00:50
I'm sick of trying to hide it every time thеy take mine 00:56
So stick to me 01:02
Stick to mе like caramel 01:05
Walk beside me till you feel nothin' as well 01:12
They ask me, "Is it goin' good in the garden?" 01:22
Say, "I'm lost, but I beg no pardon" 01:25
Up on the dice but low on the cards 01:27
I try not to talk about how it's harder now 01:30
Can I get a mirror side-stage? 01:34
Looking sideways at my own visage, gettin' worse 01:35
Every time they try to shout my real name just to get a rise from me 01:38
Acting like I'm never stressed out by the hearsay 01:41
I guess that's what I get for trying to hide in the limelight 01:45
Guess that's what I get for having 20/20 hindsight 01:48
Everybody wants eyes on 'em, I just wanna hear you sing that top line 01:50
And if you don't think I mean it, then I understand 01:55
But I'm still glad you came, so let me see those hands 01:59
So stick to me 02:03
Stick to me like caramel 02:06
Walk beside me till you feel nothin' as well 02:14
I'm fallin' free of the final parallel 02:24
The sweetest dreams are bitter 02:34
But there's no one left to tell 02:38
Too young to get bitter over it all 02:46
Too old to retaliate like before 02:51
Too blessed to be caught ungrateful, I know 02:56
So I'll keep dancin' along to the rhythm 03:01
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all) 03:06
A war of attrition, I'll take what I'm given (Too old to retaliate like before) 03:11
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know) 03:16
But maybe I didn't 03:21
(In these days of days) Tell me, did I give you what you came for? 03:45
(I wish it all away) Terrified to answer my own front door 03:56
(I thought things had changed) Missin' my wings in a realm of angels 04:07
(But everything's the same) 04:17
So I'll keep dancin' along to the rhythm 04:24
This stage is a prison, a beautiful nightmare 04:27
A war of attrition, I'll take what I'm given 04:33
The deepest incisions, I thought I got better 04:38
But maybe I didn't 04:43
04:47

Caramel

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Sleep Token
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Even In Arcadia
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Letra:

[English]

Count me out like sovereigns, payback for the good times

Right foot in the roses, left foot on a landmine

I'm not gonna be there tripping on the grapevine

They can sing the words while I cry into the bassline

Wear me out like Prada, devil in my detail

I swear it's getting harder even just to exhale

Backed up into corners, bitter in the lens

I'm sick of trying to hide it every time thеy take mine

So stick to me

Stick to mе like caramel

Walk beside me till you feel nothin' as well

They ask me, "Is it goin' good in the garden?"

Say, "I'm lost, but I beg no pardon"

Up on the dice but low on the cards

I try not to talk about how it's harder now

Can I get a mirror side-stage?

Looking sideways at my own visage, gettin' worse

Every time they try to shout my real name just to get a rise from me

Acting like I'm never stressed out by the hearsay

I guess that's what I get for trying to hide in the limelight

Guess that's what I get for having 20/20 hindsight

Everybody wants eyes on 'em, I just wanna hear you sing that top line

And if you don't think I mean it, then I understand

But I'm still glad you came, so let me see those hands

So stick to me

Stick to me like caramel

Walk beside me till you feel nothin' as well

I'm fallin' free of the final parallel

The sweetest dreams are bitter

But there's no one left to tell

Too young to get bitter over it all

Too old to retaliate like before

Too blessed to be caught ungrateful, I know

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare (Too young to get bitter over it all)

A war of attrition, I'll take what I'm given (Too old to retaliate like before)

The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know)

But maybe I didn't

(In these days of days) Tell me, did I give you what you came for?

(I wish it all away) Terrified to answer my own front door

(I thought things had changed) Missin' my wings in a realm of angels

(But everything's the same)

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare

A war of attrition, I'll take what I'm given

The deepest incisions, I thought I got better

But maybe I didn't

...

Vocabulario en esta canción:

Vocabulario Significados

sovereigns

/ˈsɒvrɪnz/

C2
  • noun
  • - soberanos, monarcas

roses

/ˈroʊzɪz/

A2
  • noun
  • - rosas

landmine

/ˈlændmaɪn/

B2
  • noun
  • - mina terrestre

cry

/kraɪ/

A2
  • verb
  • - llorar
  • noun
  • - llanto

devil

/ˈdevl/

B1
  • noun
  • - diablo

bitter

/ˈbɪtər/

B2
  • adjective
  • - amargo
  • adjective
  • - amargado

caramel

/ˈkærəməl/

B1
  • noun
  • - caramelo
  • adjective
  • - de color caramelo

garden

/ˈɡɑːrdn/

A2
  • noun
  • - jardín

dice

/daɪs/

A2
  • noun
  • - dados

mirror

/ˈmɪrər/

A2
  • noun
  • - espejo

visage

/ˈvɪzɪdʒ/

C1
  • noun
  • - rostro

stressed

/strest/

B1
  • adjective
  • - estresado

limelight

/ˈlaɪmlaɪt/

B2
  • noun
  • - el centro de atención

hindsight

/ˈhaɪn(d)saɪt/

C1
  • noun
  • - retrospectiva

dreams

/driːmz/

A2
  • noun
  • - sueños

prison

/ˈprɪzn/

B1
  • noun
  • - prisión

nightmare

/ˈnaɪtmeər/

B1
  • noun
  • - pesadilla

angels

/ˈeɪndʒlz/

A2
  • noun
  • - ángeles

Gramática:

  • Count me out like sovereigns, payback for the good times

    ➔ Modo imperativo ("Count me out") y símil ("like sovereigns")

    ➔ La frase usa el modo imperativo "Count me out" para excluirse. La frase "like sovereigns" emplea un símil, comparando el acto de ser excluido con el rechazo de los gobernantes, sugiriendo un rechazo o exclusión significativo.

  • I'm not gonna be there tripping on the grapevine

    ➔ Futuro informal ("gonna") e idioma ("tripping on the grapevine")

    "gonna" es una abreviatura coloquial de "going to", utilizada para el futuro. "Tripping on the grapevine" es una expresión idiomática que significa ser atrapado en rumores o chismes.

  • I'm sick of trying to hide it every time they take mine

    ➔ Presente continuo con "sick of" y objeto implícito después de "take"

    "I'm sick of trying" usa el presente continuo para enfatizar la frustración continua. "They take mine" implica que "ellos" están tomando algo que pertenece al hablante, pero el objeto específico no se indica. La estructura 'sick of + gerund' es común.

  • Walk beside me till you feel nothin' as well

    ➔ Modo imperativo ("Walk beside me"), conjunción subordinada ("till") y adverbio negativo ("nothin'")

    "Walk beside me" es una orden o solicitud. "Till" introduce una cláusula de tiempo. "Nothin'" es una forma coloquial de "nothing", que actúa como un adverbio.

  • I'm lost, but I beg no pardon

    ➔ Presente Simple e Imperativo Negativo (indirecto)

    "I'm lost" declara una condición actual. "I beg no pardon" es una forma indirecta de decir 'No pido perdón', un imperativo negativo.

  • Can I get a mirror side-stage?

    ➔ Verbo modal ("Can") para una solicitud cortés

    "Can" se usa para hacer una solicitud cortés. Es una forma común de pedir algo.

  • Acting like I'm never stressed out by the hearsay

    ➔ Participio presente ("Acting") introduciendo una cláusula, y el modo subjuntivo ("I'm never stressed out") después de "like" para mostrar incredulidad

    "Acting like" introduce la forma en que alguien está fingiendo ser. "I'm never stressed out" sugiere que el hablante no cree que la persona nunca esté estresada, lo que implica que se están presentando falsamente. El subjuntivo se usa para expresar algo contrario a los hechos.

  • Guess that's what I get for trying to hide in the limelight

    ➔ Voz pasiva con la expresión idiomática "that's what I get for..."

    "That's what I get for..." es una expresión idiomática común que expresa una consecuencia de las acciones de uno. A menudo implica arrepentimiento. La estructura muestra el resultado de una acción o decisión anterior.

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