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♪♪♪ 00:01
♪ I KNOW THAT THE BAR CLOSES AT 11 ♪ 00:16
♪ BUT I HOPE YOU NEVER FINISH THAT BEER ♪ 00:23
♪ YOU KNOW ALL THE WORDS TO “JUST LIKE HEAVEN” ♪ 00:31
♪ AND I KNOW WHY HE WROTE THEM ♪ 00:36
♪ NOW THAT YOU’RE STANDING RIGHT HERE ♪ 00:39
♪ OH ONE NIGHT I WAS BORED IN BED ♪ 00:44
♪ AND STALKED YOU ON THE INTERNET ♪ 00:49
♪ IT'S FEMININE INTUITION ♪ 00:52
♪ CUZ I ALWAYS HAD A VISION OF US STANDING LIKE THIS ♪ 00:56
♪ ALL PRESSED UP IN THE BATHROOM LINE ♪ 01:00
♪ YOU'RE LOOKING LIKE AN ANGEL ON THE WALLS OF VERSAILLES ♪ 01:03
♪ THE MOST ALIVE I'VE EVER BEEN ♪ 01:07
♪ BUT KISS ME AND I MIGHT DROP DEAD ♪ 01:11
♪♪♪ 01:15
♪ AND I FEEL LIKE I MIGHT THROW UP ♪ 01:22
♪ LEFT HOOK RIGHT PUNCH TO THE GUT ♪ 01:24
♪ YOU'RE SO SO PRETTY BOY ♪ 01:26
♪ I'M PARANOID I MADE YOU UP ♪ 01:27
♪ YEAH I'D LOVE IT IF YOU WALKED ME HOME ♪ 01:30
♪ IF YOU PROMISED WE COULD GO REAL SLOW ♪ 01:31
♪ CUZ I GOT CHEWING GUM ♪ 01:33
♪ AND A BUNCH OF STUFF I'D LIKE TO KNOW ♪ 01:35
♪ LIKE HAVE YOU EVER BEEN TO JAPAN ♪ 01:37
♪ OR TAKEN THAT EUROSTAR TO FRANCE? ♪ 01:38
♪ I'VE BEEN DROPPING HINTS ALL NIGHT ♪ 01:41
♪ THAT I'D LOVE IF YOU HELD MY HAND, GOD DAMN ♪ 01:42
♪ AND THEN MAYBE WE COULD MAKE MAKE OUT ♪ 01:44
♪ CLOTHES OFF AND FALL TO THE GROUND ♪ 01:46
♪ LET'S GO STEADY, LET'S GO OUT ♪ 01:48
♪ AND TELL THE WHOLE DAMN WORLD HOW ♪ 01:49
♪ ONE NIGHT I WAS BORED IN BED ♪ 01:51
♪ AND STALKED YOU ON THE INTERNET ♪ 01:55
♪ IT'S FEMININE INTUITION ♪ 01:58
♪ CUZ I ALWAYS HAD A VISION OF US STANDING LIKE THIS ♪ 02:02
♪ ALL PRESSED UP IN THE BATHROOM LINE ♪ 02:06
♪ YOU'RE LOOKING LIKE AN ANGEL ON THE WALLS OF VERSAILLES ♪ 02:09
♪ THE MOST ALIVE I'VE EVER BEEN ♪ 02:13
♪ BUT KISS ME AND I MIGHT... ♪ 02:17
♪ PISCES AND A GEMINI ♪ 02:21
♪ BUT I THINK WE MIGHT GO REALLY NICE TOGETHER ♪ 02:24
♪ IF YOU LET ME STAY THE NIGHT ♪ 02:28
♪ WELL I THINK I MIGHT JUST HAVE TO STAY FOREVER ♪ 02:32
♪ PISCES AND A GEMINI ♪ 02:36
♪ BUT I THINK WE MIGHT GO REALLY NICE TOGETHER ♪ 02:39
♪ IF YOU LET ME STAY THE NIGHT ♪ 02:43
♪ WELL I THINK I MIGHT JUST HAVE TO STAY FOREVER ♪ 02:46
♪♪♪ 02:51
♪ OH ONE NIGHT I WAS BORED IN BED ♪ 03:04
♪ AND STALKED YOU ON THE INTERNET ♪ 03:09
♪ IT'S FEMININE INTUITION ♪ 03:12
♪ CUZ I ALWAYS HAD A VISION OF US STANDING LIKE THIS ♪ 03:16
♪ ALL PRESSED UP IN THE BATHROOM LINE ♪ 03:20
♪ YOU'RE LOOKING LIKE AN ANGEL ON THE WALLS OF VERSAILLES ♪ 03:23
♪ THE MOST ALIVE I'VE EVER BEEN ♪ 03:27
♪ BUT KISS ME AND I MIGHT ♪ 03:31
♪ KISS ME AND I MIGHT ♪ 03:35
♪ KISS ME AND I MIGHT DROP DEAD ♪ 03:38

drop dead (stalked you on the internet) – Letras bilingües /Español

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Letras y Traducción

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Vocabulario clave

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Vocabulario Significados

bar

/bɑːr/

A1
  • noun
  • - bar

internet

/ˈɪntərˌnɛt/

B1
  • noun
  • - internet

intuition

/ˌɪntjʊˈɪʃən/

C1
  • noun
  • - intuición

vision

/ˈvɪʒən/

B2
  • noun
  • - visión

angel

/ˈeɪndʒəl/

A2
  • noun
  • - ángel

Versailles

/vɛrˈseɪz/

B2
  • proper noun
  • - Versalles

alive

/əˈlaɪv/

A2
  • adjective
  • - vivo

paranoid

/ˈpærəˌnɔɪd/

C1
  • adjective
  • - paranoico

drop

/drɒp/

B1
  • verb
  • - dejar caer

dead

/dɛd/

A2
  • adjective
  • - muerto

throw

/θroʊ/

A2
  • verb
  • - lanzar

punch

/pʌntʃ/

B1
  • noun
  • - golpe

chew

/tʃuː/

A2
  • verb
  • - masticar

hint

/hɪnt/

B1
  • noun
  • - pista

promise

/ˈprɒmɪs/

B1
  • verb
  • - prometer

forever

/fɔːˈrɛvər/

B2
  • adverb
  • - para siempre

Pisces

/ˈpaɪsiːz/

B2
  • proper noun
  • - Piscis

Gemini

/ˈdʒɛmɪnaɪ/

B2
  • proper noun
  • - Géminis

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Estructuras gramaticales clave

  • I KNOW THAT THE BAR CLOSES AT 11

    ➔ Oración de contenido introducida por “that” como objeto del verbo know

    ➔ En esta oración, la palabra "that" introduce una **cláusula sustantiva** – “that the bar closes at 11” – que funciona como objeto de "know".

  • BUT I HOPE YOU NEVER FINISH THAT BEER

    ➔ Verbo *hope* + infinitivo sin “to” para expresar deseo

    ➔ El verbo "hope" va seguido del **infinitivo sin “to”** "finish". Este patrón se usa tras verbos de deseo como hope, want, expect.

  • IT'S FEMININE INTUITION CUZ I ALWAYS HAD A VISION OF US STANDING LIKE THIS

    ➔ Conjunción coloquial *cuz* = because (significa «porque»)

    ➔ La palabra "cuz" es una contracción informal de "because". Introduce una **cláusula causal**: "cuz I always had a vision…"

  • ALL PRESSED UP IN THE BATHROOM LINE

    ➔ Participio pasado usado como adjetivo (pressed) con verbo “be” elidido

    ➔ El participio "pressed" actúa como **adjetivo** que describe al sujeto; el verbo de enlace "is/are" se omite, una abreviatura típica de las letras: "All *pressed* up…"

  • YOU'RE LOOKING LIKE AN ANGEL ON THE WALLS OF VERSAILLES

    ➔ Presente progresivo (be + looking) + símil con *like*

    ➔ La forma verbal "are *looking*" está en **presente progresivo**, señalando una acción temporal. La palabra "like" introduce una **símil** que compara a la persona con un ángel.

  • BUT KISS ME AND I MIGHT DROP DEAD

    ➔ Modal *might* + infinitivo sin “to” para expresar posibilidad

    ➔ El modal "*might*" va seguido del infinitivo sin “to” "drop" para indicar una **posibilidad**: "I *might* drop dead".

  • IF YOU WALKED ME HOME

    ➔ Condicional tipo 2: pasado simple en la cláusula if, con "would" implícito en la cláusula principal

    ➔ El verbo "walked" está en **pasado simple** después de "if" para referirse a una situación irreal o poco probable en el presente/futuro. La cláusula principal normalmente incluye "would" (p.ej., "you would walk me home").

  • I'VE BEEN DROPPING HINTS ALL NIGHT

    ➔ Presente perfecto continuo (have/has + been + gerundio)

    ➔ La combinación "have/has + been + *dropping*" corresponde al **presente perfecto continuo**, que señala una acción iniciada en el pasado y que sigue hasta el presente (toda la noche).

  • I'M PARANOID I MADE YOU UP

    ➔ Supresión de "that" después del adjetivo (paranoid) antes de una oración subordinada

    ➔ Tras el adjetivo "paranoid", la oración subordinada "I made you up" puede ir con o sin "that". En la canción se omite: "I'm paranoid *that* I made you up""I'm paranoid I made you up".

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