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[music] 00:01
>> I know these things aren't typical. 00:03
[music] 00:06
I don't want to come across difficult. 00:07
I wish [music] I could climb inside of 00:11
your head and make you a little less 00:13
miserable. [music] I'm 00:16
losing your time to a metronome. I'm in 00:18
[music] the next room with a megaphone. 00:22
I know you didn't hear [music] a word 00:25
that I said. I try, try, 00:27
try. 00:30
>> I 00:30
try to drive 00:32
>> [music] 00:34
>> from the passenger side. I've been 00:34
holding on tight to a telephone line. 00:36
Living your dream, baby, what about 00:39
mine? 00:42
Tell me I'm [music] yours. Wonder what 00:43
it feels like. 00:45
What it feels like. 00:49
>> [music] 00:52
>> Let's run from it all for the hell of 00:53
it. Oh my god, [music] put me back in my 00:56
element. 00:59
We talk 01:00
about things [music] we don't want to 01:01
address. I guess I'll make room for the 01:03
elephant. But I miss the way the night 01:06
sounds [music] back on the coast of 01:09
dancing with the lights out, burning the 01:11
toast. Yeah, I miss a [music] lot of 01:13
things, but I miss you the most. Yeah, I 01:15
try, 01:18
TRY, TRY. 01:19
I TRY TO drive from the passenger side. 01:22
[music] I've been holding on tight to a 01:25
telephone line. 01:27
Living your dream, baby, what [music] 01:29
about mine? Tell me I'm yours. Wonder 01:31
what it feels like. 01:34
What it feels like. 01:38
>> [music] 01:40
>> I put my heart out on a silver plate. 01:44
>> [music] 01:48
>> I would die for you, by the way. 01:48
Not that you would mind, but [music] I 01:51
try. 01:53
I try, 01:55
I DRIVE. 01:58
>> [music] 02:00
>> HOW DO I DRIVE FROM THE PASSENGER SIDE? 02:01
I've been holding on tight to a 02:04
telephone [music] line. 02:06
Living your dream, baby, what about 02:08
mine? 02:10
Tell me I'm yours. Wonder what it feels 02:11
like. 02:14
What [music] it feels like. 02:17
Living your dream, baby, [music] what 02:22
about mine? 02:24
Tell me I'm yours. Wonder what it feels 02:25
[music] like. 02:28

PASSENGER – English Lyrics

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By
Alex Warren
Album
WILDCHILD
Viewed
224,237
Language
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Lyrics & Translation

Dive into the heartfelt lyrics of 'PASSENGER' to master emotive English vocabulary and learn how to express profound feelings of loss and resilience. This song is special for its raw honesty, making it a perfect tool for understanding deep, conversational English through soulful storytelling.

[English]
[music]
>> I know these things aren't typical.
[music]
I don't want to come across difficult.
I wish [music] I could climb inside of
your head and make you a little less
miserable. [music] I'm
losing your time to a metronome. I'm in
[music] the next room with a megaphone.
I know you didn't hear [music] a word
that I said. I try, try,
try.
>> I
try to drive
>> [music]
>> from the passenger side. I've been
holding on tight to a telephone line.
Living your dream, baby, what about
mine?
Tell me I'm [music] yours. Wonder what
it feels like.
What it feels like.
>> [music]
>> Let's run from it all for the hell of
it. Oh my god, [music] put me back in my
element.
We talk
about things [music] we don't want to
address. I guess I'll make room for the
elephant. But I miss the way the night
sounds [music] back on the coast of
dancing with the lights out, burning the
toast. Yeah, I miss a [music] lot of
things, but I miss you the most. Yeah, I
try,
TRY, TRY.
I TRY TO drive from the passenger side.
[music] I've been holding on tight to a
telephone line.
Living your dream, baby, what [music]
about mine? Tell me I'm yours. Wonder
what it feels like.
What it feels like.
>> [music]
>> I put my heart out on a silver plate.
>> [music]
>> I would die for you, by the way.
Not that you would mind, but [music] I
try.
I try,
I DRIVE.
>> [music]
>> HOW DO I DRIVE FROM THE PASSENGER SIDE?
I've been holding on tight to a
telephone [music] line.
Living your dream, baby, what about
mine?
Tell me I'm yours. Wonder what it feels
like.
What [music] it feels like.
Living your dream, baby, [music] what
about mine?
Tell me I'm yours. Wonder what it feels
[music] like.

Key Vocabulary

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Vocabulary Meanings

typical

/ˈtɪpɪkəl/

B1
  • adjective
  • - characteristic of a particular person, group, or thing

difficult

/ˈdɪfɪkəlt/

A2
  • adjective
  • - hard to do, understand, or deal with

miserable

/ˈmɪzrəbəl/

B2
  • adjective
  • - very unhappy or uncomfortable

metronome

/ˈmɛtrəˌnoʊm/

C1
  • noun
  • - a device used by musicians that marks time

megaphone

/ˈmɛɡəˌfoʊn/

B2
  • noun
  • - a device used to make one's voice louder

passenger

/ˈpæsəndʒər/

A2
  • noun
  • - a person who is traveling in a vehicle but not driving

telephone

/ˈtɛləˌfoʊn/

A1
  • noun
  • - a device used to talk to people far away

element

/ˈɛləˌmənt/

B2
  • noun
  • - a natural environment or state of being

address

/əˈdrɛs/

B2
  • verb
  • - to think about and begin to deal with an issue

elephant

/ˈɛləfənt/

A2
  • noun
  • - a large mammal; often used in 'elephant in the room'

coast

/koʊst/

B1
  • noun
  • - the land next to or close to the ocean

burning

/ˈbɜːrnɪŋ/

B1
  • verb
  • - setting on fire or being on fire

silver

/ˈsɪlvər/

A2
  • adjective
  • - a precious shiny grayish-white metal

plate

/pleɪt/

A1
  • noun
  • - a flat dish from which food is eaten

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Key Grammar Structures

  • I wish I could climb inside of your head

    ➔ Wish + Subject + Past Subjunctive (could + verb)

    ➔ We use "wish" with the past form "could" to express a desire for a situation that is currently not true.

  • I'm losing your time to a metronome

    ➔ Present Continuous (be + verb-ing)

    ➔ The structure "be" + "losing" describes an action that is currently happening.

  • I've been holding on tight

    ➔ Present Perfect Continuous (have/has been + verb-ing)

    ➔ We use "have been holding" to talk about an action that started in the past and is still continuing.

  • Let's run from it all for the hell of it

    ➔ Imperative (Let's + base verb)

    ➔ We use "Let's" + "run" to make a suggestion that includes the speaker and the listener.

  • We talk about things we don't want to address

    ➔ Relative Clause with omitted object pronoun

    ➔ The sentence is "things (that/which) we don't want to address", where the relative pronoun is omitted.

  • I would die for you

    ➔ Second Conditional (would + base verb)

    ➔ The use of "would" + "die" indicates a hypothetical or conditional scenario.

  • Not that you would mind

    ➔ Adverbial phrase starting with "Not that..."

    "Not that" is used to clarify that a particular idea is not the reason for what has just been said.

  • I guess I'll make room for the elephant

    ➔ Future Simple (will + base verb)

    ➔ The structure "will" + "make" expresses a decision made at the moment of speaking or a future intention.