– 英语/中文 双语歌词

歌词与翻译

[中文]

- 大家最近怎么样？

Peter McKinnon 在这里，今天

我们正在讨论如何 让你的照片看起来更好。

快。

（激烈的音乐）

好的，所以你知道什么时候 从某个地方回家，

你一直在拍照， 也许是度假，也许是旅行，

和朋友一起出去玩， 然后您将照片

加载到计算机上，然后您会想，

（喘气）

这看起来太棒了！

将其发布到社交媒体上， Facebook、Instagram、

人正在双击 IG，心在流动，

，你只是感觉 对自己好一点，

就在太阳落山的时候 真是太美了。

有时你回到家，

然后你打开那张照片 在您的计算机上

，您会想， （跳过记录）

我记得这样好多了 当我在那里的时候，答应我。

所以这些是一些基本的编辑技巧，

基本编辑技巧，您可以在家对照片进行

随时使用 Photoshop。

我使用的是 Photoshop CC，所以 继续吧，前往 Adobe

并下载试用版，

或注册他们的 基于订阅的服务

，这就是我所做的，并且 您每月支付费用

即可基本上拥有他们所有的应用程序，

这就是我的建议。

我们可以采取平凡的 照片看起来像这样，

并将其变成某种东西 看起来像这样，

大约需要 10 分钟？

如果你这样做的话会更快 像我一样每天都做。

好的，我们已经拖动了 将我们的照片放入 Photoshop

中，我们就被击中了 使用弹出的 Camera Raw 插件

并显示： 嘿，这是一个原始文件，

你想做什么？

您想按原样打开图像吗？

您想用 Camera Raw 在这里稍微调整一下

然后打开它吗？

这就是你的地方 Pete 可能会对我说，

编辑

和做你正在做的一切有什么区别 即将在 Lightroom 中向我展示

而不是使用 Lightroom 和 Photoshop，

还是使用 Camera Raw 和 Photoshop？

是的，您可以在 Lightroom 中完成所有操作。

您可以在 Photoshop 中完成所有操作。

一切都与工作流程有关，什么 你更喜欢的程序，

我都喜欢使用它们。

Photoshop 更像 照片操纵器，

你可以，但我没有 就像那个人的脸一样！

我要把他的脸贴在他的脸上。

非常适合这类事情。

但我喜欢同时使用它们 彼此结合，

我将向您展示 我在这里是怎么做的。

不需要很长时间，所以不要 紧张或者像，哦，

这太激烈了，太激烈了 如果你不注意的话。

但是不，我们要撕裂 通过这个，所以 Camera Raw，

我只是要调整 曝光，调高对比度

一点，高光， 如果我拖动，您会在山顶看到

他们一直向右，

他们会爆炸，如果我带 它们一直向下，

有点太暗了，但是 我很高兴

就在中心以南一点的地方。

阴影，我很满意， 你可以看到它实际上只会影响那件 T 恤，如果我们 将它们一直向上拖动，

...

，但我不希望它这么亮。

这只是有点奇怪，

如果你愿意的话，也有点尴尬。

我会把它们拖到 25 左右， 我们会在中间见面。

白人，我对白人很满意，

黑人，那很好， 清晰度我总是喜欢稍微调整一下

，因为它 只需定义所有这些边缘

，并直接在 Photoshop 中很好地锐化图像

。

我们要提高一点活力，

增加一点饱和度。

然后，因为这些 我们刚刚进行的清晰度调整，

有时会使图像变暗，

所以您可能想返回 然后稍微调高曝光

，然后 我们要点击“打开图像”。

好的，我们来了，第一个 我通常对照片

做的事情是清理某人衬衫上的灰尘

，或者如果他们的皮肤不好，我 通常使用像这样的画笔工具在他们的皮肤上

这个斑点修复刷，

之类的东西。

如果您观看了我的教程 关于如何在照片中漂浮

的东西，这是 与我使用的笔刷相同，

，我只需单击 要清除任何灰尘

或斑点，就是这把刷子 在颜色选择器正下方的左侧

。

就像，看， 你点击一下，它就消失了，

，这样你就可以清理任何你想要平滑的地方

用这把刷子结束。

现在有时如果你是 点击太大的东西，

假设这是我做的 画笔尺寸很大并点击，

你实际上可以看到 圆的轮廓。

所以你不想这样做。

如果您想摆脱 这里有一个红色的小标记，

你最好按S，

它会给你克隆图章，

你按住Option，选择 您想要克隆的区域，

，然后单击 克隆该区域。

我对漂亮很满意 就在那里。

他的皮肤很好 是这样，我准备出发了。

现在使用 Photoshop，您 从来不想只编辑

底层 开始在你的层

和层上结块，一个小时过去了， 你压碎了整个披萨。

然后你意识到，哦，

他的眼睛有点太黑了，

我要回去改变它。

你会说，哎呀，抱歉， 您拼合了该图像

并将这些编辑烘焙到 那张照片是 38 分钟前的。

没有回头路了。

但如果您在图层上执行所有操作，

您始终可以删除图层， 返回，删除您所做的操作，

调整该图层的 调整，改变颜色，

，这样你就总是想分层工作。

现在，我不只是 复制背景，

I Shift + Option + Command + N

会给你一个新层。

然后我要做的就是盖章 其上的可见层。

这听起来已经很疯狂了，对吧？

但请稍等，Shift + Option + Command + E

将该图像粘贴到 我们刚刚制作的新层

，而不是仅仅复制一个层。

如果我对某个图层进行了一系列编辑

然后我复制它，它是 将用它重复这些编辑

，我不想要那样， 我只想要一个干净的开始

这样我就可以操纵它并且 然后将所有东西混合在一起。

如果这还不行 感觉、倒带、观看，

如果您仍然倒带并观看 这没有意义，

尝试一下，回来，它就会有意义。

好的，我要开始了 通过锐化图像，

通过这样做，我开始 首先模糊图像。

听起来违反直觉， 是的，但这就是原因。

你要前往 滤镜、模糊、高斯模糊，

我将其预设为五， 因此，将半径设置为 5，

点击“确定”，将图层面板中的混合模式

更改为柔光。

哇！

看那个，看起来 温暖，看起来更有力，

看起来已经很酷了， 但是，我知道，它很模糊。

你会想，为什么会这样 我只是破坏了图像

来尝试让它变得更好？

有时你必须释放一些东西，

这句话是什么意思？

你必须放手才能让它回来吗？

或者，如果您喜欢它，请释放它？

你知道吗，没关系，

将不透明度更改为 50%，按回车键，好吗？

现在，如果我们使用那个小眼球，

可见和不可见，您可以看到

它如何使他的皮肤变暖， 它有点增加了这种光芒，

这种美好、光滑的一面。

舒缓、安慰，如果你愿意的话。

我们可以通过以下方式看到这一点 单击眼球的打开和关闭。

现在我们要对其进行锐化。

所以我又要换班了 + Option + Command + N

用于新图层，Shift + Option + Command + E

将该层标记在顶部。

我要降低它的饱和度，

因为我不想在锐化它时影响颜色

， 我只想影响

的光明和黑暗 当我磨它的时候。

所以 Shift + Command + U 是 要把所有颜色都拿走，

消失了，改变它 将混合模式设置为叠加，

你就走了，天哪 天哪，皮特，什么？

这看起来像《乌鸦》中的场景。

这是什么废话？

等我一下， 转到“过滤器”、“其他”，

我们将运行高通滤波器 关于它，刚刚发生了什么？

我知道，这很神奇，你会发现的 那个奇怪的乌鸦状过滤器

就消失了，现在我们 如果有一些看起来

更锐利的东西，你就会点击“确定”。

现在让我们放大他的脸

，看看发生了什么。

如果我们隐藏它，它就会变得模糊， 我们把它揭开，它很锋利。

现在，如果我们取消隐藏它，并取消隐藏它，

您会看到颜色不仅

的饱和度有所提高，

而且皮肤也很漂亮 光滑，现在锋利。

然后我们缩小，结果是 看起来不错天哪。

如果你想让这些效果加倍，

如果你想说，你知道吗？

我可以再用一点 那种锐化，皮特。

或者，我希望皮肤 看起来更加梦幻，

按住Command， 选择这两个图层，

将它们向下拖动到“新图层”选项卡，

，这将复制具有所有效果的图层

。

现在这对我来说太强了，

所以当这两层静止时，

当它们仍然被选中时，

我什至无法想象

将不透明度更改为 任何适合你的喜好。

我会降到 20 左右，

我不想过分夸大

复制这些效果，

但只要它能提供就足够了 我一点点，再一点点。

好吧，皮特，我们现在做什么？

嗯，它需要一些温暖，

现在不是冬天 现在在这张照片中，

，但看起来有点太冷了。

所以我们要预热照片，

我们要这样做 通过，你猜对了，

Shift + Option + Command + N，新图层，

，然后我们将 Shift + Delete，

这会弹出 内容感知框。

然后您将点击内容下的颜色，

，然后打开颜色选择器。

我选择了橙色， 有十六进制代码

如果您想查看 F57900，

您可以将其插入同一位置

，最终会得到相同的结果 我正在使用的橙色。

但是，这一切都取决于 您正在编辑的照片，

所以有点不重要。

点击“确定”，再次点击“确定”，现在 你有它，看起来很漂亮。

漂亮、坚固、南瓜般的外观 照片，完全橙色。

更改混合模式 到这里去柔光。

现在看起来好多了，

看起来仍然有黄疸，

情况变得很糟糕，

但我们要改变这一点 喜欢的不透明度，我不知道，

也许像 15，我想说 15 是一个好地方。

也许是 13，我本来想去 10，但后来是 15，

所以中间的 13 听起来 就像，我对此很满意。

现在看起来更温暖了，

所以让我们隐藏所有这些 看看我们做了什么，

看看它看起来怎么样了？

好吧，不错。

现在，如果我想怎么办 让他的眼睛更明亮，

或者让山脉 背景变暗？

因为它们有点太褪色了，

或者他的眼睛现在看起来有点太黑了

因为所有的 我们添加高斯模糊的锐化和饱和度

。

好吧，这就是你要做的。

你要创建一个新图层，

Shift + Option + Command + N，

你要在上面标记可见的图层，

然后你要抓住 套索工具，按住 Command，

按键盘上的加号， 这会放大。

如果您按住空格键，您将 看到这只小手弹出，

，您可以使用那只手 移动图像。

再次按下 Command + Plus 进行放大，

我们只需选择虹膜，

我不想将 他的眼白太亮

，因为那样他就会看起来像 《行尸走肉》中的某人。

因此，一旦我们选择了该区域，

您就会看到所谓的行进蚂蚁的小选择

，

这意味着该区域已被选中。

按住 Shift 键，您将 看到套索、套索、套索、套索旁边弹出一个小加号

吗？

无论如何。

选择另一只眼睛，非常 小心不要过多

进入皮肤，但是没关系，

现在我们已经选择了两只眼睛。

现在您要来到这里

并使用亮度和对比度创建一个新的调整图层

。

点击它，现在如果 我们提高亮度

你只会看到眼球 越来越亮。

这太可怕了， 直接看起来像僵尸，

如果我们缩小那里，除非，

如果你就是这样 去吧，你就完成了。

但不在这里，我们只是要 稍微提一下，

我不希望它太明显。

如果你让某人的容光焕发

人都知道，眼睛抬得太多了 看起来很糟糕，就像，

哦，那家伙在 Photoshop 中玩得很开心。

我们不希望这样，我们 希望它是微妙的。

更细微的修改 我们应用到这个，

只是更令人愉快 最终都会结束。

所以我只是将其改为 小，就在那里很好，

24 对我来说，我很乐意接受。

现在我们要再次制作另一层，

，我要用这个层

做的就是使背景中的那些土堆变暗。

同样的事情，Shift + Option + Command + N，

Shift + Option + Command + E，

我觉得我必须一直说

，以防人们在调整 进出或分区进出，

所以我很抱歉，我只是道歉了，

一半因为我是加拿大人， 一半是因为我很抱歉。

但无论如何，让我们回到这个话题。

你要做的是 再次，使用套索工具

，您只需绘制一个 沿着水线，

越过他的头，越过 树，就像这样，

沿着边界 照片，横跨顶部，

并横跨左侧， 退下来，就在那里。

对此感到满意，现在我们已经 我们的选择在这里。

同样的事情，调整 图层，这次是曲线。

现在我们要使用这条曲线，

我们将带来 降低亮度。

我们会粉碎 这里更是如此。

我们已经讨论过如何制作它 使用曲线时的 S 曲线，

但现在，我只是 想让它变暗。

但这样做只是 让它真的变蓝了。

正如我所说，我们 试图摆脱它

感觉就像是冬天，

因为现在是冬天 这张照片中的夏天，

，因此我们可以从 RGB 更改为红色通道，

，然后我们可以将更多的红色添加到该通道上。

现在我们不希望它看起来像火星。

所以我们只需调整一下 稍微，只是一点点。

我对此很满意， 它有点太紫了，

就在那里很好。

再说一遍，我会尽量微妙地处理这个问题，

然后我们就结束它。

现在因为它是一个调整图层，

我们可以点击 B 来使用画笔工具，

闭括号来制作 稍微小一点，

然后我们可以画掉 那条严厉的线就在那里。

所以我们要在边缘上绘画，

并去掉那条粗糙的线

，因为那看起来不太好。

然后我将把整件事的不透明度

降低到喜欢的程度，60。

现在如果我们隐藏该层， 你会看到发生了什么，

它基本上放弃了 山顶的亮度和对比度

， 只是稍微定义了它们

，它们迷路了，

，我想带 他们重新回到焦点，

基本上就是这样 通过这样做就完成了。

现在你能做的最后一件事

是 Shift + Option + Command + N，

Shift + Option + Command + E，

然后你可以再次降低饱和度，

这只是如果你 想要在这张照片中多一点对比度

和情绪， 我喜欢在镜头中做事。

但是，我们会降低它的饱和度 用 Shift + Command + U，

然后我要改变 将混合模式设置为 Overlay，

就像我们之前所做的那样 添加了高通滤镜，

，但现在我要降低不透明度

，我不知道， 15，我要预览，

看看这对我有什么作用。

它只是增加了一点 态度，我对此感到满意。

它可以只使用一点点 整体亮度有所提升。

所以最后一件事，这是最后一层

我们要在这里添加，我 为曲线添加一个调整图层

，我只是 将在这里找到底部，

并凸出这些曲线 只涨一点点。

只是一点点，

不要小题大做，就是这样。

我要选择顶层，

我要按住 Shift，

，然后单击背景上方的底层

，

，然后按 Command + G，

将所有内容分组 我们一起编辑的

，我们可以双击 并为其命名编辑。

现在当我们看这张照片时，

如果我们只是隐藏这一层， 这就是我们在调整后从

开始的内容 Camera Raw 插件

开头，

现在看起来像这样。

所以我要把它压平 图像只是为了举例，

然后我要带 在此相机中再次编辑

，以便您可以看到它，但我要重置，

我们将返回到默认值，

回到它的样子，并且 我要打开那张图片。

我要复制它，关闭该窗口，

然后我要把它粘贴到此上。

这真是一个漂亮的 准确的表述

照片的样子 从相机中出来，

以及现在的样子 应用我们的编辑后。

再次强调，这完全是个人喜好。

您可能不喜欢您的 照片对比鲜明

，同样有力，或者像这张

一样流行，这就是美 成为摄影师

、艺术家和编辑是 你可以让它看起来

无论你想要它的样子。

并且您停留的时间越长 与这种风格一致，

它越成为你的风格，

人们开始选择

甚至不知道自己拍了

拍摄的照片，因为他们说，嘿，这看起来

很像皮特的照片。

这就是彼得·麦金农 (Peter McKinnon)。

开始真的很酷 看到你自己的风格发展，

所以，如果这不是你喜欢的，

不用担心，

你可以尝试一下 完成所有这些设置后，

会遵循相同的基本步骤，

并自己想出一些看起来非常相似的东西

或 看起来完全不同。

一切都好。

但我们从这里出发， 对此，我想说

这是一个非常漂亮的小 编辑时间不多。

就是这样，谢谢 非常感谢您的观看，

我真的很感激。

如果您喜欢这个视频， 点击“赞”按钮，

在下面给我留言，让 我知道你的想法。

我很高兴收到你的来信 伙计们并互动。

我们下次见 教程或下一个视频博客，

以先到者为准。

（欢快的音乐）

[英语]

- What's up everybody?

Peter McKinnon here, and today,

we're talking about how to make your photos look better.

Fast.

(intense music)

Okay, so you know when you get home from somewhere,

you've been taking photos, maybe vacation, maybe trip,

hanging out with friends, and you load that photo

onto your computer and you're like,

(gasps)

this looks so good!

Throw it up on the socials, Facebook, Instagram,

people are double tapping that IG, hearts are flowing,

and you're just feeling good about yourself,

right as the sun sets and it's just so beautiful.

And then there's sometimes you get home,

and you open that photo up on your computer

and you're like, (record skips)

I remember this being way better when I was there, promise.

So these are some basic editing skills,

basic editing skills, that you can do

on your photographs at home at any time using Photoshop.

I'm using Photoshop CC, so go ahead, head over to Adobe

and download the trial of that,

or sign up for their subscription based service

which is what I do, and you pay a monthly fee

to basically own all of their apps,

that's what I recommend.

We can take a mundane photo that looks like this,

and turn it into something that looks like this,

in pretty much like 10 minutes maybe?

Even faster if you do this thing on a daily basis like I do.

Okay, so we've dragged our photo into Photoshop

and here we are, we are hit with the Camera Raw plugin

that pops up and says, hey this is a raw file,

what do you wanna do?

Do you wanna just open the image as is?

Do you wanna tweak it a little bit here

with Camera Raw and then open it?

And this is where you might say to me, Pete,

well what's the difference between editing

and doing everything you're about to show me in Lightroom

instead of using Lightroom and Photoshop,

or using Camera Raw and Photoshop?

Yeah, you can do everything in Lightroom.

You can do everything in Photoshop.

It's all about workflow, what programs you like better,

I like using them both.

Photoshop's more of like a photo manipulator,

where you can, I don't like that guy's face!

I'm gonna put his face on his face.

Great for that kind of thing.

But I like using them both in conjunction with one another,

and I'm gonna show you how I do it right here.

Doesn't take long, so don't be nervous or like, oh,

this is intense, it's intense if you don't pay attention.

But no, we're gonna rip through this, so Camera Raw,

I'm just gonna tweak the exposure, bring up the contrast

a little bit, highlights, you'll see in the mountain

there at the top if I drag them all the way to the right,

they blow out, if I bring them all the way down,

it's a little too dark, but I'm happy kind of just, just,

just a little south of the center there.

Shadows, I'm fine with, you can see it really only

affects that T-shirt if we drag 'em all the way up,

but I don't want it to be this bright.

It's just a little bit weird,

little bit awkward if you will.

I'll drag 'em up to like 25, we'll meet in the middle.

The whites, I'm happy with the whites,

the blacks, that's good, the clarity I always like to tweak

a little bit because it just defines all those edges

and really sharpens the image nicely

straight into Photoshop.

The vibrance we're gonna up a little bit,

little bit more saturation.

And then, because of those clarity adjustments we just did,

that sometimes darkens the image,

so you might wanna go back and just bring that exposure

up slightly, and then we're gonna hit Open Image.

Okay, here we are, the first thing I usually do with a photo

is clean up any dust on someone's shirt

or if they have bad skin I usually go over their skin

with a brush tool like this spot healing brush,

that kinda thing.

And if you watched my tutorial on how to float things

in your photos, this is the same brush that I'm using,

and I'm just clicking to get rid of any dust

or specks, that's this brush over here on the left side

right below the color picker.

And it just like, look, you click, it's gone,

so you can kinda clean up any spots

that you want to smooth over with this brush.

Now sometimes if you were to click something too big,

like let's say I made this brush size huge and clicked,

you can actually see the outline of the circle.

So you don't wanna do that.

If you wanted to get rid of this little red mark here,

you'd be better off hitting S,

which gives you the clone stamp,

you hold down Option, select the area you wanna clone,

and then you click to clone that area over.

And I'm happy with pretty much just that right there.

He's got good skin as it is, so, I am ready to go.

Now with Photoshop, you never wanna just edit

the bottom layer and just start caking on your layers

and layers, an hour goes by, you crushed an entire pizza.

And then you realize to yourself, oh,

his eyes are a little bit too dark,

I'm gonna go back and change that.

And you're like, woops, sorry, you flattened that image

and baked those edits into that photo like 38 minutes ago.

There's no going back.

But if you do everything on layers,

you can always delete a layer, go back, delete what you did,

tweak that layer's adjustments, change the colors,

so you always wanna work in layers.

Now, I don't just duplicate the background,

I Shift + Option + Command + N

is gonna give you a new layer.

And then what I do is stamp visible layer on top of that.

This sounds crazy already, right?

But hang on, Shift + Option + Command + E

pastes that image into the new layer we just made

instead of just duplicating a layer.

If I've made a bunch of edits to a layer

then I duplicate it, it's gonna duplicate those edits

with it, I don't want that, I just want a clean start

so I can manipulate that and then blend everything together.

If that doesn't make sense, rewind, watch it,

if you still rewound and watch and it doesn't make sense,

do a shot, come back, it'll make sense.

Okay, I'm gonna start by sharpening the image,

and by doing that, I start by blurring the image first.

Sounds counterintuitive, yes, but this is why.

You're gonna go over to Filter, Blur, Gaussian Blur,

I have it preset to five, so set your radius to five,

hit OK, change the blending mode down here

in your layers panel to Soft Light.

Woo!

Look at that, it looks warm, it looks more punchy,

it already looks cooler, but, I know, it's blurry.

You're like, why would I just wreck an image

to try and make it better?

Sometimes you gotta set something free to,

what's the saying?

You gotta let it go to make it come back?

Or if you love it set it free?

You know what, doesn't matter,

change the opacity to 50%, hit Enter, okay?

Now, if we use that little eyeball there,

visible and invisible, you can see

how it's warmed his skin up, it's kind of added this glow,

this nice, smooth aspect to it.

Soothing, comforting, if you will.

And we can see that by just clicking the eyeball on and off.

Now is where we're going to sharpen it.

So again, I'm gonna Shift + Option + Command + N

for a new layer, Shift + Option + Command + E

to stamp that layer on top.

And I'm gonna desaturate this,

because I don't want to affect the colors

when I'm sharpening it, I just want to affect

the lightness and the darkness while I'm sharpening it.

So Shift + Command + U is gonna take all that color away,

gone, change that blending mode to Overlay,

you're gonna go, oh my goodness, Pete, what?

This looks like a scene from The Crow.

What is this nonsense?

Hang on with me here, go up to Filter, Other,

we're gonna run a High Pass on it, what just happened?

I know, it's magic, you'll see that weird crow-like filter

just vanished, and now we have something that looks

a little sharper, you're gonna hit OK.

Now let's zoom in to his face here

and take a look at what's happened.

If we hide that, it's blurry, we unhide it, it's sharp.

Now if we unhide that, and unhide this,

you'll see the colors have not only

been pumped up a little bit in saturation,

but that skin's nice and smooth, and now it's sharp.

And we zoom out, and it's looking pretty good gosh darn it.

If you want to double those effects,

if you want to say, you know what?

I could use a little bit more of that sharpening, Pete.

Or, I'd like the skin to look even more dreamy,

hold down Command, select both those layers,

drag them down to this New Layers tab,

and that's gonna duplicate the layers

with all of the effects.

Now that's too strong for me,

so while those two layers are still,

while they're still selected,

I couldn't even think of what to say there,

change your opacity to whatever suits your fancy.

I'm gonna go down to like 20,

I don't want to really over exaggerate

duplicating those effects,

but just enough that it gives me a little, little more.

Okay, what do we do now Pete?

Well, it could use some warmth,

it's not winter time right now in this photo,

but it's looking a little too cold.

So we're gonna warm the photo up,

and we're gonna do that by, you guessed it,

Shift + Option + Command + N, new layer,

and then we are going to Shift + Delete,

that's gonna bring up the Content Aware box.

And you're gonna hit Color under Contents,

which then opens up the Color Picker.

I have orange selected, there's the hexadecimal code

if you want to see that, F57900,

you can plug that into the same spot

and you'll end up with the same color orange that I'm using.

But, it all depends on the photo you're editing,

so kinda doesn't matter.

Hit OK, hit OK again, and now you have it, looks beautiful.

A nice, solid, pumpkin looking photo, completely orange.

Change that blending mode down here to Soft Light.

And now it looks a little better,

it still looks like he has jaundice,

and things are going bad,

but we're gonna change that opacity to like, I don't know,

maybe like 15, I'd say 15 is like a good spot.

Maybe 13, I wanted to go 10, but then 15,

so 13 in the middle sounds like, I'm happy with that.

So now that looks warmer,

so let's hide all of these and see what we've done,

see how it's looking better already?

Let's, boop, not bad.

Now, what if I wanted to make his eyes brighter,

or make the mountains in the background darker?

Because they're a little too washed out,

or his eyes now look a little too dark

because of all the sharpening and the saturation

that we've added with the gaussian blur.

Well this is how you're gonna do that.

You're gonna make a new layer,

Shift + Option + Command + N,

you're gonna stamp that visible on there,

and you're gonna grab the lasso tool, hold Command down,

hit plus on your keyboard, that's gonna zoom in.

If you hold spacebar, you'll see this little hand pop up,

and you can use that hand to move the image around.

Command + Plus again to zoom in,

and we're just gonna select the iris,

I don't wanna make the whites of his eyes too bright

because then he'll look like someone from The Walking Dead.

So once we've selected that,

you'll see that little selection

of what's called marching ants,

that means this area is selected.

You hold Shift, you'll see a little plus pop up

beside the lasso, lasso, lasso, lasso?

Whatever.

Select the other eye, be very careful not to go too much

into the skin, but it's okay,

and now we've got both eyes selected.

Now you're gonna come down here

and make a new adjustment layer

with brightness and contrast.

Click on that, now if we up that brightness

you'll see just the eyeballs are getting brighter.

Now that's terrifying, that straight up looks like a zombie,

if we zoom out there, unless,

if that's what you're going for, you're done.

But not here, we're just gonna up that just a little bit,

I don't want it to be too obvious.

If you brighten someone's eyes up way too much,

people know and it looks bad and it's like,

oh that guy had some fun in Photoshop.

We don't want that, we want it to be subtle.

The more subtle edits that we apply to this,

just the more pleasing it's gonna end up in the end.

So I'm just bumping that a little, right there is fine,

24 for me, I am good to go with that.

Now we're gonna make another layer again,

and what I'm gonna do with this layer

is darken those mounds in the background.

Same thing, Shift + Option + Command + N,

Shift + Option + Command + E,

I feel like I have to keep saying that

in case people are tuning in or zoning in and out,

so I'm sorry, and I just apologized,

half because I'm Canadian, and half because I am sorry.

But anyway, let's get back to this.

What you're gonna do, is again, with that lasso tool,

you're just gonna draw a line along the water line,

over his head, over the trees, just like this,

up that border of the photo, across the top,

and across the left side, back down, right there.

Happy with that, now we've got our selection here.

Same thing, adjustment layer, Curves this time.

Now we're gonna use this curve,

and we're going to bring down that brightness.

And we're gonna crush it here even more too.

We've talked about making that S curve when using curves,

but right now, I just wanna make it darker.

But in doing so, it just made it really blue.

And like I said, we're trying to get rid of it

feeling like it's winter,

'cause it's the middle of summer in this photo,

so we can change from RGB to red channel,

and then we can push more reds onto that.

Now we don't want it to look like Mars.

So we're just gonna tweak that slightly, just a little bit.

I'm happy with that, it's a little too purple,

it's good right about there.

Again, I'm trying to be subtle with this,

and then we're gonna close that.

Now because it's an adjustment layer,

we can hit B for our brush tool,

closed bracket to make that a little bit smaller,

and then we can paint away that harsh line right there.

So we're just gonna paint over that edge,

and get rid of that harsh line

because that does not look good.

And then I'm gonna drop the opacity

of this whole thing to like, 60.

Now if we hide that layer, you'll see what's happened,

it just basically dropped the brightness and the contrast

in the top of the mountains, and just kind of defined them

a little more, they got lost,

and I wanted to bring them back into focus,

and that's basically accomplished by doing that.

Now the last thing you can do

is Shift + Option + Command + N,

Shift + Option + Command + E,

and then you can desaturate this again,

and this is just if you want a little more contrast

and mood in this photo, which I like to do in my shots.

But, we'll desaturate it with Shift + Command + U,

and then I'm gonna change that blending mode to Overlay,

like we did right before we added the high pass filter,

but now I'm just gonna drop that opacity

to like, I don't know, 15, I'm gonna preview,

see what that does for me.

It just adds a little more attitude, I'm happy with this.

It could just use a slight overall bump in brightness.

So the last thing, this is the last layer

we're gonna add here, I'm gonna add an adjustment layer

for Curves, and I'm just gonna take the bottom here,

and bump those curves up just a little bit.

Just ever so slightly,

not making a big deal of it, that's it.

I'm gonna select that top layer,

I'm gonna hold down Shift,

and I'm gonna click the bottom layer

right above the background,

and then I'm gonna hit Command + G,

that's gonna group all of our edits together,

and we can double click on that and name it edits.

And now when we look at this photo,

if we just hide this layer, that's what we started with

after we adjusted it in the Camera Raw plugin

at the beginning,

now it looks like this.

So I'm gonna flatten this image just for example's sake,

and then I'm gonna bring in this camera edit again

so you can see it, but I'm gonna reset,

we're gonna go back to defaults,

to what it looked like, and I'm gonna open that image.

I'm going to copy it, close that window,

and I'm gonna paste it onto this.

And that is a pretty accurate representation

of what the photo looked like coming out of the camera,

and what it looks like now after we've applied our edits.

Again, this is all personal preference.

You might not like your photos as contrasty

and as punchy, or to pop as much as this,

and that's the beauty of being photographers

and artists and editing is that you can make it look

however you want it to look.

And the more that you stay consistent with that style,

the more it becomes your style,

and people start to pick up on shots that you take

without even knowing you took them

because they say, hey, that looks a lot

like how Pete's photos look.

That's very Peter McKinnon.

And it's really cool to start seeing your own style develop,

so, if this isn't your cup of tea,

there's no worries with that,

you can play around with all those settings,

kind of follow the same basic steps,

and come up with something yourself

that looks pretty similar or looks completely different.

Everything's okay.

But we went from this, to this, and I'd say

that's a pretty nifty little edit in not much time.

So that's it guys, thank you so much for watching,

I really appreciate it.

If you like this video, hit that like button,

drop me a comment below, let me know what you thought.

I love hearing from you guys and interacting.

And I'll see you in the next tutorial, or the next vlog,

whichever comes first.

(upbeat music)

重点词汇

词汇	含义
intense /ɪnˈtens/ B2	adjective - 强烈的 (qiángliè de)
vacation /veɪˈkeɪʃən/ A2	noun - 假期 (jiàqī)
trip /trɪp/ A2	noun - 旅行 (lǚxíng)
socials /ˈsoʊʃəlz/ B1	noun - 社交媒体 (shèjiāo méitǐ)
flowing /ˈfloʊɪŋ/ B1	adjective - 流动的 (liúdòng de)
beautiful /ˈbjuːtɪfəl/ A2	adjective - 美丽的 (měilì de)
promise /ˈprɒmɪs/ A2	noun - 承诺 (chéngnuò)
basic /ˈbeɪsɪk/ A2	adjective - 基本的 (jīběn de)
editing /ˈedɪtɪŋ/ B1	noun - 编辑 (biānjí)
Photoshop /ˈfoʊtəʃɒp/ B2	noun - Photoshop (fótòshóp)
subscription /səbˈskrɪpʃən/ B2	noun - 订阅 (dìngyuè)
mundane /mʌnˈdeɪn/ C1	adjective - 平凡的 (píngfán de)
manipulator /məˈnɪpjʊleɪtər/ C1	noun - 操纵者 (cāozòngzhě)
conjunction /kənˈdʒʌŋkʃən/ B2	noun - 结合 (jiéhé)
exposure /ɪkˈspəʊʒər/ B1	noun - 曝光 (bàoguāng)
contrast /ˈkɒntræst/ B1	noun - 对比度 (duìbǐdù)
highlights /ˈhaɪlaɪts/ B1	noun - 高光 (gāoguāng)