– 英语/中文 双语歌词

歌词与翻译

[中文]

今晚我的第一位嘉宾出演了——《国家宝藏》、《特洛伊》，

以及《无耻混蛋》。

她现在主演的心理惊悚片是——

《失序》。

请欢迎黛安·克鲁格。

♪ ♪ ♪ - (掌声)

♪ 耶，黛安 ♪ - >> 你好。

>> 斯蒂芬：感谢你来这里。

>> 我很高兴来到这里。

我是你的忠实粉丝。

>> 斯蒂芬：真的吗？

我也是你的忠实粉丝。

有趣的是，你在美国是一位大明星，我们认识你是因为《特洛伊》、《无耻混蛋》、

《国家宝藏》。

但在欧洲，你可能根本无法走在街上，因为你在那里拍了太多电影，对吧。

BUT IN EUROPE YOU PROBABLY CAN'T WALK DOWN THE STREET YOU'RE SO

>> 我在法国住了一段时间，实际上，我是在法国开始演艺生涯的，

所以我拍的法国电影比美国电影多得多。

ACTUALLY, SO I'VE DONE MORE FRENCH MUCHS THAN AMERICAN.

我刚从法国回来。

我和凯瑟琳·德纳芙合作了一部电影。

你出生在德国，你的演艺生涯在法国发展。

>> 我最初是作为模特开始的，所以我就去了巴黎，在那里生活

当模特。

>> 斯蒂芬：当模特很有趣吗？

>> 很有…很有，嗯，

(笑声)。

>> 斯蒂芬：模特总是表现得好像，“我们的生活很美好，即使我们对此并不在意。”

你知道我的意思吗？

这应该是一种——奢华的生活，光鲜的生活。

IT'S SUPPOSED TO BE-- IT'S THE HIGH LIFE, IT'S THE GLAMOUR

>> 想象一下，在一个房子里和16岁的孩子们一起生活，整个

>> JUST IMAGINE BEING IN A HOUSE WITH 16-YEAR-OLDS, AN ENTIRE

房子里都是16岁的漂亮女孩，而且没有任何人监管。

>> 斯蒂芬：让我好好想想。

>> 当然。

>> 斯蒂芬：实际上，在CBS，我不应该想这个。

>> Stephen: ACTUALLY, ON CBS, I DON'T THINK I'M ALLOWED TO

>> 在广告休息期间。

>> DURING THE COMMERCIAL BREAK.

>> 斯蒂芬：在广告休息期间，我们可以好好想想。

既然你在这里，你后台喝了一杯啤酒。

>> 是的。

>> 斯蒂芬：我太嫉妒你了。

我发现美国电影制作和欧洲电影制作之间存在差异。

在欧洲，你可以喝一点酒，对吧？

YOU GET TO HAVE A LITTLE BIT OF WINE ON SERKT DON'T YOU?

>> 这可是工会规定，你信不信。

我知道。

我的意思是，我不知道为什么美国没有这个规定，首先，你只

工作10个小时，10个小时。

>> 斯蒂芬：一天10个小时，就这样。

>> 就这样。

而且你有午休时间，这是工会规定的，无论你是否愿意，每张桌子上都必须放一瓶酒。

IT OR NOT, THERE HAS TO BE A BOTTLE OF WINE ON EACH TABLE.

人们喜欢-- >> 我听说过，所以我

想也许我们可以喝一点。

>> 哦，谢谢，我很想来一杯桃红葡萄酒。

>> 斯蒂芬：今天是周五的节目，我想--

>> 为什么不呢。

>> 斯蒂芬：欧洲人。你喜欢喝酒吗？

>> 斯蒂芬：我喜欢，我真的很

喜欢。

>> 斯蒂芬：尤其是在周末前。

>> 我刚从斯里兰卡回来。

>> 斯蒂芬：这真是一段美好的生活。

>> 是的，但回来的路很长，你知道。

>> 斯蒂芬：这里有一些你在斯里兰卡的照片。

这是你在斯里兰卡的火车上。

这是你在做“喝椰子里的东西”的通用

THIS IS YOU MAKING THE UNIVERSAL "I'M DRINKING OUT OF A COCONUT"

表情。

然后这个——这个——你在用很多滤镜。

你刚开始玩Instagram吗？

(笑声) - >> 你知道，这--我需要

几个滤镜。

>> 斯蒂芬：我喜欢这个，因为这是你在--这是什么

叫做。

>> 嘟嘟车。

我不得不为了一个广告开它，而且它像摩托车一样，我不知道

怎么开，而且那个表情是我最终没有

撞到任何人的表情。

>> 斯蒂芬：我喜欢这里的滤镜。

我想你上面用的是拇指滤镜。

>> 不，那是嘟嘟车的车主，他非常紧张

看到我开车。

>> 斯蒂芬：他担心你会把它弄坏吗？

>> 是的，它们很难开。

你不能像这样刹车。

你必须踩踏板。

想象一下，你开着一辆你从未开过的摩托车，

而且你必须踩踏板才能停下来。

>> 斯蒂芬：你担心你会把它开下悬崖吗？

>> 我担心会撞到火车。

>> 斯蒂芬：火车就在那里。

>> Stephen: THE TRAIN WAS RIGHT THERE.

>> 火车正要来，我正把嘟嘟车开过铁轨。

>> 斯蒂芬：为了你活下来干杯。

>> Stephen: HERE'S TO YOU SURVIVING.

>> 我知道。

>> 斯蒂芬：你在那里拍什么广告？

你在宣传什么？

你可以说吗？

>> 不可以。

>> 斯蒂芬：所以是小型武器之类的东西？

某种武器系统之类的东西？

让我问你--好吧。

>> 干杯。

为了周五。

(笑声) - 这真是一杯好桃红葡萄酒。

>> 斯蒂芬：是的，是的。

>> 你知道，这是布拉德·皮特拥有的。

>> 斯蒂芬：这个？

>> 我不是在开玩笑。

>> 斯蒂芬：我们太奢侈了。

我感觉立刻变得更帅了。

(笑声) - 真好。

所以布拉德和安吉丽娜拥有这个。

>> 是的。

他们需要更多的钱，所以--

>> 当然，为什么不呢？

你和有钱人交往吗？

你过着正常的生活吗，当你不在舞台上像现在这样，或者在你的嘟嘟车广告中时？

>> 描述一下正常的生活。

TUK-TUK.

>> DESCRIBE A NORMAL LIFE.

>> 斯蒂芬：你参加派对吗？

>> 我举办-- >> 你举办很多派对吗？

>> - >> 斯蒂芬：我可以参加你的一场派对吗？

>> 如果你想的话。

>> 斯蒂芬：它们在哪里举行？

>> Stephen: WHERE DO THEY TAKE PLACE?

>> 在我的家里。

>> 斯蒂芬：那在哪里？

我只是--你知道我的意思吗？

是在纽约吗？

是在洛杉矶吗？

是在巴黎吗？

>> 在这三个地方都有。

我可以自由选择。

>> 斯蒂芬：什么？

>> Stephen: WHAT?

这真好。

>> 这不是正常的生活，但这是一段美好的生活。

>> 斯蒂芬：所以——恭喜你。

让我问你关于欧洲的事情。

欧洲有像唐纳德·特朗普一样的人物吗？

(笑声)。

>> 有，头发更好，嗯，他们有玛丽娜·勒庞和费朗斯。

>> 斯蒂芬：他们的党派叫什么名字，前线。

>> 国家阵线。

听起来更好，但事实并非如此。

>> 斯蒂芬：你能用口音说唐纳德·特朗普吗？

>> 唐纳德·特朗普。

用法语说起来更好听。

听起来像，你知道，唐老鸭。

>> 斯蒂芬：唐老鸭。

>> 你是用德语长大的，会说法语。

你会说英语，专业上。

你会根据不同的情况使用不同的口音来

>> Stephen: AND ENGLISH PROFESSIONALLY.

DO YOU, LIKE, USE DIFFERENT ACCENTS AT DIFFERENT TIMES TO

塑造不同的形象吗？

就像在现实生活中，你会使用--

>> 总是这样。

我被拦下，我会说法语。

你知道，就像-- >> 我想试试那个。

让我试试那个。

我先从那个开始，好吧？

决定在以下情况下使用英语、法语或德语口音，好吧？

FOLLOWING SITUATIONS, OKAY?

>> 好吧。

>> 斯蒂芬：你被拦下。

“请出示你的驾照或行驶证。”

>> 对不起，我不

明白。

我不是这个国家的人。

(笑声)。

>> 斯蒂芬：“这次我放你走。”

>> 以前也成功过。

>> 斯蒂芬：以前也成功过。

怎么样？

(掌声) - 你在电子商店里遇到麻烦，无法获得服务。

>> 怎么回事！（脏话）！

>> WHAT THE ( BLEEP )!

我想要网络。

天啊。

我刚刚说了脏话！

天啊！

我很抱歉！

(笑声) - (掌声)

>> 斯蒂芬：没事的。

没事的。

我们现在正好赶上奥运会。

没人看到那个。

好吧。

你试图在航班上升级。

>> 哦，法语。

I DON'T THINK WE'RE GOING TO TOP THAT.

YOU'RE TRYING TO GET UPGRADED ON A FLIGHT.

请，我太累了。

PLEASE, I'M SO TIRED.

我工作了一整天。

请-- >> “我们都工作了一整天，女士。”

>> 我知道，但是我的脚肿了，你看？

>> 斯蒂芬：“这次我让你上。”

(掌声) - 很好。

很好。

>> 我掌握了诀窍。

>> 斯蒂芬：很好。

真正的——真正的交易。

它真的把法国口音放进我们的

心里。

>> 我知道。

这很棒。

>> 斯蒂芬：太具有操控性了。

但是作为一名演员，你为了

谋生而操纵人们的情绪。

>> 以及我自己的，以及我自己的。

>> 斯蒂芬：哦，你操纵--这就是你

操纵我们情绪的方式吗？

>> 我想是的，你知道，是的。

这有点-- >> 这部电影肯定很有挑战性，因为它是一部心理惊悚片，关于--

这部电影--如果我错了，请纠正我--有一个患有创伤后应激障碍的退伍军人，并且有你认为的妄想

IT'S A MOVIE-- CORRECT ME IF I'M WRONG-- THERE IS A WAR VETERAN

幻想。

>> 他有那种哔哔的声音-- >> 就像耳鸣。

>> HE HAS THAT BEEPING SOUND -- >> LIKE TINNITUS.

>> 他变得偏执，他来保护我和我的

丈夫，事情变得非常糟糕。

所以-- >> 它是女性导演执导的。

你和一些伟大的男性导演合作过。

YOU WORKED WITH SOME OF THE GREAT MALE DIRECTORS.

女性导演和你要求的东西与男性导演不同吗？

>> 我认为是的。

>> 斯蒂芬：你认为存在亲密感差异吗？

>> Stephen: DO YOU THINK THERE'S AN INTIMACY DIFFERENCE?

>> 女性之间存在一种正确性。

我不需要用魅力打动她。

>> 斯蒂芬：你不需要对她使用口音。

>> 是的，不，是的。

所以--她们通常很严厉，我会说。

>> 斯蒂芬：女性导演很严厉？

她们非常强硬。

我可能和五位女性导演合作过，她们非常强硬，而且

要求很高，你无法控制她们。

口音不起作用。

没有紧身裙-- >> 好样的。

学好你的台词。

>> 少化妆，少打理头发。

>> 斯蒂芬：她们希望你少化妆和打理头发。

她们希望你看起来更真实。

我觉得男性，无论他们是否承认，都有一个

I FEEL MEN, WHETHER THEY WOULD ADMIT TO THAT OR NOT HAVE A

对女性的幻想-- >> 有时候，有时候。

(笑声) - 尤其是带着法国

口音。

这也有帮助。

>> 德国口音呢？

>> 斯蒂芬：你说什么？

>> 德国口音的幻想？

>> 斯蒂芬：对我来说？

我有没有德国口音？

>> 你幻想的，德国人不会起作用。

>> 斯蒂芬：当然，是的，他们是--他们是--更多--

>> 你怎么才能摆脱

这个困境？

(笑声)。

>> 斯蒂芬：让我们继续。

>> 我们应该聊什么？

>> 斯蒂芬：我可以坐在这里喝葡萄酒，听

你的口音一整晚，但不幸的是，我们必须做

这些广告，我真的很喜欢和你在一起。

>> 我也是。

>> 斯蒂芬：请回来。

>> 会的。

>> 斯蒂芬：我很想被迷住--

>> 用更多的法语。

>> 斯蒂芬：你随时都可以。

非常感谢。

黛安·克鲁格，大家。

《失序》下周五在影院上映。

我们马上回来。

[英语]

MY FIRST GUEST TONIGHT STARRED IN "NATIONAL TREASURE," "TROY",

AND "INGLOURIOUS BASTARDS."

SHE NOW STARS IN THE PSYCHOLOGICAL THRILLER,

"DISORDER."

PLEASE WELCOME DIANE KRUGER.

♪ ♪ ♪ ( APPLAUSE )

♪ YEAH DIANE ♪ >> HELLO.

>> Stephen: THANK YOU FOR BEING HERE.

>> I'M SO HAPPY TO BE HERE.

I'M A HUGE FAN.

>> Stephen: REALLY?

I'M A HUGE FAN, TOO.

THE THE INTERESTING THING ABOUT YOU, YOU'RE A BIG STAR IN THE

UNITED STATES, WE KNOW YOU FROM "TROY," "INGLOURIOUS BASTARDS,"

"NATIONAL TREASURE."

BUT IN EUROPE YOU PROBABLY CAN'T WALK DOWN THE STREET YOU'RE SO

FAMOUS BECAUSE YOU'VE DONE SO MANY MOVIES OVER THERE, RIGHT.

>> I LIVE PART TIME IN FRANCE AND STARTED OUT IN FRANCE,

ACTUALLY, SO I'VE DONE MORE FRENCH MUCHS THAN AMERICAN.

I JUST AM COMING BACK FROM FRANCE.

I DID A MOVIE WITH KATHERINE DENEUVE.

YOU WERE BORN IN GERMANY AND YOUR CAREER WAS IN FRANCE.

>> I STARTED AS A MODEL, SO I WENT TO PARIS AND LIVED THERE AS

A MODEL.

>> Stephen: WAS THAT FUN BEING A MODEL?

>> IT WAS... IT WAS, UM, EDUCATIONAL.

( LAUGHTER ).

>> Stephen: MODELS ARE ALWAYS SUPPOSED TO BE LIKE, "WE'RE

LIVING SUCH A GREAT LIFE, EVEN WE'RE NOT IMPRESSED BY IT."

YOU KNOW WHAT I MEAN?

IT'S SUPPOSED TO BE-- IT'S THE HIGH LIFE, IT'S THE GLAMOUR

LIFE.

>> JUST IMAGINE BEING IN A HOUSE WITH 16-YEAR-OLDS, AN ENTIRE

HOUSE OF HOT GIRLS WHO ARE 16 LIVING IN A HOUSE WITHOUT

SUPERVISION.

>> Stephen: LET ME THINK ABOUT THAT.

>> EXACTLY.

>> Stephen: ACTUALLY, ON CBS, I DON'T THINK I'M ALLOWED TO

THINK ABOUT THAT.

>> DURING THE COMMERCIAL BREAK.

>> Stephen: DURING COMMERCIAL BREAK, WE'LL THINK ABOUT IT.

SINCE I'VE GOT YOU HERE, YOU WERE HAVING A BEER BACKSTAGE.

>> I WAS.

>> Stephen: I WAS SO JEALOUS OF YOU.

I FOUND OUT THAT THERE'S A DIFFERENCE BETWEEN AMERICAN

MOVIE MAKING AND EUROPEAN MOVIE MAKING.

YOU GET TO HAVE A LITTLE BIT OF WINE ON SERKT DON'T YOU?

>> IT'S UNION LAW, BELIEVE IT OR NOT.

I KNOW.

I MEAN, I DON'T KNOW WHY IT'S NOT HERE FIRST OF ALL, YOU ONLY

WORK 10 HOURS, 10 HOURS.

>> Stephen: 10 HOURS A DAY, THAT'S IT.

>> THAT'S IT.

AND YOU HAVE LUNCH BREAK, AND IT'S UNION LAW, WHETHER YOU WANT

IT OR NOT, THERE HAS TO BE A BOTTLE OF WINE ON EACH TABLE.

PEOPLE LIKE -- >> I HEARD ABOUT THAT, SO I

THOUGHT MAYBE WE'D HAVE A LITTLE--

>> OH, THANKS I WOULD LOVE A GLASS OF ROSE.

>> Stephen: IT'S A FRIDAY SHOW AND I FIGURE--

>> WHY NOT.

>> Stephen: EUROPEAN. DO YOU LIKE TO DRINK.

>> Stephen: I LOVE IT, I DO LOVE IT.

>> SO NICE.

>> Stephen: ESPECIALLY RIGHT BEFORE THE WEEKEND.

>> I JUST CAME BACK FROM SRI LANKA.

>> Stephen: IT'S A NICE LIFE.

>> IT IS, BUT IT WAS A LONG TRIP BACK, YOU KNOW,.

>> Stephen: THERE ARE ACTUALLY SOME PHOTOS HERE OF YOU IN SRI

LANKA.

THAT'S YOU ON A TRAIN IN SRI LANKA.

THIS IS YOU MAKING THE UNIVERSAL "I'M DRINKING OUT OF A COCONUT"

FACE.

AND THEN THIS-- THIS-- YOU'RE USING A LOT OF FILTERS HERE.

ARE YOU NEW TO INSTAGRAM?

( LAUGHTER ) >> YOU KNOW, IT'S-- I NEED A

COUPLE OF FILTERS.

>> Stephen: I LIKE THIS ONE BECAUSE THIS IS YOU IN-- WHAT'S

THIS CALLED.

>> A TUK-TUK.

I HAD TO DRIVE IT IN A COMMERCIAL AND IT DRIVES LIKE A

MOTORCYCLE, WHICH I DID NOT KNOW HOW TO DRIVE, AND THAT

EXPRESSION IS ME FINALLY NOT KILLING SOMEBODY.

>> Stephen: I LIKE THE FILTER HERE.

I THINK YOU'RE USING THE THUMB FILTER UP HERE.

>> NO, THAT'S THE OWNER OF THE TUK-TUK, WHO WAS SO STRESSED OUT

SEEK ME DRIVE.

>> Stephen: HE WAS WORRIED YOU MIGHT BREAK IT?

>> YEAH, THEY'RE HARD TO DRIVE.

YOU CAN'T BREAK LIKE THIS.

YOU HAVE TO PUMP IT.

IMAGINE YOU'RE DRIVING A MOTORCYCLE YOU'VE NEVER DRIVEN,

AND YOU HAVE TO PUMP TO STOP.

>> Stephen: WERE YOU EVER WORRIED YOU WERE GOING TO DRIVE

IT OFF A CLIFF OR SOMETHING?

>> I WAS WORRIED DRIVING INTO THE TRAIN.

>> Stephen: THE TRAIN WAS RIGHT THERE.

>> THE TRAIN WAS COMING AND I WAS DRIVING IT ACROSS THE TRAIN

RAILS.

>> Stephen: HERE'S TO YOU SURVIVING.

>> I KNOW.

>> Stephen: WHAT WERE YOU COMMERCIALIZING OVER THERE?

WHAT WERE YOU ADVERTISING?

ARE YOU ALLOWED TO SAY?

>> NO.

>> Stephen: SO SMALL ARMS OR SOMETHING LIKE THAT?

SOME WEAPONS SYSTEM OR SOMETHING LIKE THAT?

LET ME ASK YOU-- OKAY, MMM.

>> CHEERS.

TO FRIDAY.

( LAUGHTER ) THAT'S REALLY NICE ROSE.

>> Stephen: THAT IS, THAT IS.

>> YOU KNOW, IT'S OWNED BY WRAD PITT THIS.

>> Stephen: THIS?

>> I'M NOT KIDDING.

>> Stephen: WE'RE SUPER FANCY.

I FEEL MORE HANDSOME RIGHT AWAY.

( LAUGHTER ) THAT'S REALLY NICE.

SO BRAD AND ANGELINA OWN THIS.

>> YEAH.

THEY NEEDED A LITTLE MORE MONEY, SO --

>> EXACTLY, WHY NOT?

DO YOU HANG OUT WITH FANCY PEOPLE?

DO YOU HAVE, LIKE, A NORMAL LIFE WHEN YOU'RE NOT BEING A FANCY

PERSON ON STAGE LIKE NOW OR DOING YOUR COMMERCIALS WITH

TUK-TUK.

>> DESCRIBE A NORMAL LIFE.

>> Stephen: DO YOU GO TO PARTIES?

>> I HOST -- >> YOU HOST A LOT OF PARTIES?

>> >> Stephen: CAN I COME TO ONE

OF YOUR PARTIES?

>> IF YOU WANT TO.

>> Stephen: WHERE DO THEY TAKE PLACE?

>> AT MY HOUSE.

>> Stephen: WHERE IS THAT?

I'LL JUST-- YOU KNOW WHAT I MEAN?

IS IT IN NEW YORK?

IS IT IN LOS ANGELES?

IS IT IN PARIS.

>> IT'S ALL THREE.

I GET TO PICK.

I LOVE IT.

>> Stephen: WHAT?

IT'S REALLY NICE.

>> IT'S REALLY NOT A NORMAL LIFE BUT IT'S A GREAT LIFE.

>> Stephen: SO CONGRATULATIONS.

LET ME ASK YOU ABOUT EUROPE FOR A SECOND.

DOES EUROPE HAVE A VERSION OF DONALD TRUMP?

( LAUGHTER ).

>> YEAH, BETTER HAIR, UM, THEY HAVE MARIAN LEPEN IN FERENCE.

>> Stephen: WHAT'S THE NAME OF THEIR PARTY, THE FRONT.

>> THE FRONT NASHINAL.

IT SOUNDS SO MUCH BETTER BUT IT'S NOT.

>> Stephen: CAN YOU SAY DONALD TRUMP WITH AN ACCENT?

>> DONALD TRUMP.

IS SOUNDS BETTER IN FRENCH.

IT SOUNDS LIKE, YOU KNOW, DONALD DUCK.

>> Stephen: DONALD DUCK.

SO YOU GREW UP SPEAKING GERMAN.

DO YOU SPEAK FRENCH?

>> YES.

>> Stephen: AND ENGLISH PROFESSIONALLY.

DO YOU, LIKE, USE DIFFERENT ACCENTS AT DIFFERENT TIMES TO

PROJECT A DIFFERENT IMAGE?

LIKE OUT IN THE WORLD WOULD YOU USE--

>> ALL TIME.

I GET PULLED OVER, I'M FRENCH.

YOU KNOW, LIKE -- >> I'D LIKE TO TRY THAT.

LET ME TRY THAT.

I'LL START WITH THAT ONE, OKAY?

DECIDE WHETHER TO USE ENGLISH, FRENCH OR GERMAN ACCENT FOR THE

FOLLOWING SITUATIONS, OKAY?

>> OKAY.

>> Stephen: YOU GET PULLED OVER.

"CAN I SEE YOUR LICENSE OR REGISTRATION, PLEASE?"

>> I'M SOR SORRY, I DON'T UNDERSTAND.

I'M NOT FROM THE COUNTRY.

I DIDN'T SEE THE RED LIGHT.

( LAUGHTER ).

>> Stephen: "I'M GOING TO LET YOU OFF THIS TIME."

>> IT'S WORKED BEFORE.

>> Stephen: IT'S WORKED BEFORE.

HOW ABOUT THIS?

( APPLAUSE ) YOU'RE HAVING TROUBLE GETTING

SERVICE AT AN ELECTRONICS STORE.

>> WHAT THE ( BLEEP )!

I WANT THE INTERNET.

OH, MY GOD.

I JUST TOTALLY CURSED!

OH, MY GOD!

I'M SO SORRY!

( LAUGHTER ) ( APPLAUSE )

>> Stephen: IT'S GOING TO BE FINE.

IT'S GOING TO BE FINE.

WE'RE OPPOSITE THE OLYMPICS RIGHT NOW.

NO ONE SAW THAT.

OKAY.

YOU TRIED TO GET-- ALL RIGHT.

I DON'T THINK WE'RE GOING TO TOP THAT.

I DON'T THINK WE'RE GOING TO TOP THAT.

YOU'RE TRYING TO GET UPGRADED ON A FLIGHT.

>> OH, FRENCH.

PLEASE, I'M SO TIRED.

I WAS WORKING ALL DAY.

PLEASE -- >> "WE ALL WORK ALL DAY, MA'AM."

>> I KNOW, BUT MY FEET ARE SWOLLEN, SEE?

>> Stephen: "I'M GOING TO LET YOU ON THIS TIME."

( APPLAUSE ) THAT'S GOOD.

THAT'S GOOD.

>> I HAVE IT DOWN, MAN.

>> Stephen: THAT'S GOOD.

THE REAL-- THE REAL DEAL.

IT REALLY PUTS IT'S FRENCH ACCENT PUTS A HOOK INTO OUR

HEARTS OVER HERE IN AMERICA.

>> I KNOW IT DOES.

IT'S GREAT.

>> Stephen: SO MANIPULATIVE.

BUT AS AN ACTRESS, YOU MANIPULATE PEOPLE'S EMOTIONS FOR

A LIVING.

>> AND MY OWN, AND MY OWN.

>> Stephen: OH, YOU MANIPULATE-- THAT'S HOW YOU

MANIPULATE OUR EMOTIONS?

>> I GUESS, YOU KNOW, YEAH.

IT'S A LITTLE -- >> THIS MOVIE HAS GOT TO BE

CHALLENGING BECAUSE IT IS, IT'S A PSYCHOLOGICAL THRILLER ABOUT--

IT'S A MOVIE-- CORRECT ME IF I'M WRONG-- THERE IS A WAR VETERAN

WHO HAS P.T.S.D., AND HAS WHAT YOU BELIEVE ARE PARANOID

FANTASIES.

>> HE HAS THAT BEEPING SOUND -- >> LIKE TINNITUS.

>> AND HE'S GETTING PARANOID AND HE'S THERE TO PROTECT ME AND MY

HUSBAND AND THINGS JUST GO AWFULLY WRONG.

SO IT'S -- >> IT'S DIRECTED BY A FEMALE

DIRECTOR.

YOU WORKED WITH SOME OF THE GREAT MALE DIRECTORS.

IS THERE A DIFFERENCE BETWEEN A WOMAN WHO DIRECTS YOU OR THINGS

THEY CAN ASK OF YOU THAT A MALE DIRECTOR CAN'T?

>> I THINK SO.

>> Stephen: DO YOU THINK THERE'S AN INTIMACY DIFFERENCE?

>> THERE'S A CORRECTNESS BETWEEN WOMEN.

I DON'T HAVE TO CHARM HER.

>> Stephen: YOU DON'T HAVE TO USE THE ACCENT ON HER.

>> YEAH, NO, YEAH.

SO THAT-- THEY'RE USUALLY A PAIN IN THE ASS, I WILL SAY.

>> Stephen: WOMEN DIRECTORS ARE A PAIN IN THE ASS?

>> THEY'RE VERY TOUGH.

I'VE DONE MAYBE FIVE FILMS WITH WOMEN AND THEY'RE VERY TOUGH AND

VERY DEMANDING AND THERE'S NO TIMING THEM.

THE ACCENT DOESN'T WORK.

NO TIGHT SKIRTS -- >> NICE TRY.

LEARN YOUR LINES.

>> LESS MAKEUP, LESS HAIR.

>> Stephen: THEY WANT YOU TO DO LESS MAKEUP AND HERE.

THEY WANT YOU TO BE LESS ATTRACTIVE.

>> JUST MORE REAL.

I FEEL MEN, WHETHER THEY WOULD ADMIT TO THAT OR NOT HAVE A

FANTASY ABOUT WOMEN -- >> SOMETIMES, SOMETIMES.

( LAUGHTER ) ESPECIALLY WITH THE FRENCH

ACCENT.

THAT HELPS, TOO.

>> WHAT ABOUT THE GERMAN ACCENT?

>> Stephen: WHAT DID YOU SAY?

>> NO GERMAN ACCENT FANTASY?

>> Stephen: FOR MINE?

DO I HAVE A GERMAN ACCENT?

>> YOU FANTASIZE ABOUT, THE GERMAN DOESN'T COME TO PLAY.

>> Stephen: SURE, IT IS, THEY'RE A-- THEY'RE A-- MORE--

>> HOW DO YOU GET OUT OF THAT HOLE?

NO PUN INTENDED.

( LAUGHTER ).

>> Stephen: LET'S MOVE ON.

>> WHAT SHOULD WE TALK ABOUT?

>> Stephen: I COULD SIT HERE AND DRINK WINE AND LISTEN TO

YOUR ACCENTS ALL NIGHT, BUT, UNFORTUNATELY, WE'VE GOT TO DO

THESE COMMERCIALS AND I'VE REALLY LOVED HAVING YOU HERE.

>> ME, TOO.

>> Stephen: PLEASE COME BACK.

>> WILL DO.

>> Stephen: I'D LOVE TO BE CHARMED--

>> FRENCH MORE.

>> Stephen: ANY TIME YOU WANT.

THANK YOU SO MUCH.

DIANE KRUGER, EVERYBODY.

"DISORDER" OPENS IN THEATERS NEXT FRIDAY.

WE'LL BE RIGHT BACK.

重点词汇

词汇	含义
starred /stɑːrd/ B2	verb - 主演 (zhǔyǎn)
thriller /ˈθrɪlər/ B1	noun - 惊悚片 (jīngsǒngpiàn)
psychological /ˌsaɪkəˈlɒdʒɪkəl/ C1	adjective - 心理的 (xīnlǐ de)
huge /hjuːdʒ/ A2	adjective - 巨大的 (jùdà de)
interesting /ˈɪntrəstɪŋ/ A2	adjective - 有趣的 (yǒuqù de)
famous /ˈfeɪməs/ B1	adjective - 著名的 (zhùmíng de)
actually /ˈæktʃuəli/ B1	adverb - 实际上 (shíjì shang)
educational /ˌedjuˈkeɪʃənəl/ B2	adjective - 教育的 (jiàoyù de)
commercial /kəˈmɜːʃəl/ B1	noun - 广告 (guǎnggào)
surviving /sərˈvaɪvɪŋ/ B2	verb - 幸存 (xìngcún)
filters /ˈfɪltərz/ B1	noun - 滤镜 (lǜjìng)
commercializing /kəˈmɜːʃəlaɪzɪŋ/ C1	verb - 商业化 (shāngyè huà)
manipulate /məˈnɪpjuleɪt/ C1	verb - 操纵 (cāozòng)
intimacy /ˈɪntɪməsi/ C1	noun - 亲密 (qīnmì)
demanding /dɪˈmændɪŋ/ B2	adjective - 苛刻的 (kākè de)