Display Bilingual:

Hi again. 00:02
Hey. 00:05
Hey. Thank you so much. Oh, don't thank 00:11
me. Thank the jerk that never showed up. 00:14
Okay, I got to get to work. 00:17
You want some help with that? Oh, no 00:20
thanks. I got it. Oh, no I don't. 00:22
Whoa. Okay. 00:25
Yeah. 00:27
just stood up too fast. Got a little 00:29
head rush. 00:30
The heat 00:33
and and the humidity. 00:37
Yeah, that's a uh that's a tough 00:40
combination. 00:43
[Laughter] 00:46
Do you want to come in for some 00:49
lemonade? Like you wouldn't believe. 00:51
Wow, this is a great place. 01:00
Thank 01:04
you. Just make yourself comfortable. 01:05
Gotcha. So, this place is really my 01:12
[Applause] 01:16
grandmother's. I got it from her when 01:18
she moved to Florida. Otherwise, I could 01:20
never afford a place like this. 01:22
[Applause] 01:27
So, if the landlord ever asks, I'm an 01:28
87y old woman who's afraid of her VCR. 01:31
You thirsty? Oh, you bet I am. 01:33
Okay, here's your penis. 01:38
[Applause] 01:41
[Music] 01:44
Oh my god. What the hell are you doing? 01:46
You said you want to come in for some 01:49
lemonade. 01:51
So, 01:53
Ah, were you just going to give me 01:55
lemonade? Yeah. 01:56
Cover yourself up. Oh, right. Sorry. I 01:59
don't believe this. I mean, someone 02:02
asked you in for lemonade and to you 02:04
that means they want to have sex. Um, 02:06
usually. Yeah. Well, not just lemonade, 02:08
iced tea, sometimes juice. 02:11
Sorry. I just thought you liked me. Such 02:16
a jerk. 02:20
It's 02:23
okay. I suppose it could happen to 02:24
anyone. Not anyone I know, 02:27
but by the way, I can still see 02:32
it. Good 02:41
evening. I am Mr. 02:43
Tribani and I will be teaching acting 02:47
for soap operas. Now, 02:50
um, on my first day as Dr. Drake Remor 02:52
on Days of Our Lives, 02:56
uh, I learned that one of the most 03:01
important things in soap opera acting is 03:03
reacting. This does not mean acting 03:07
again. It means you don't have a line, 03:11
but someone else just did. And it goes 03:13
something like this. 03:16
Thanks. Thanks. Thanks a lot. Oh, by the 03:25
way, before I forget, to work in soap 03:26
operas, some of you are going to have to 03:29
become much more 03:30
attractive. All right, moving right 03:32
along. Some tricks of the trade. Now, 03:35
I've never been able to cry as an actor. 03:39
So, if I'm in a scene where I have to 03:41
cry, I cut a hole in my pocket, take a 03:43
pair of tweezers, 03:46
and just start 03:48
pulling. Okay? Or uh or let's say I want 03:52
to convey that I've uh just done 03:55
something evil. Well, that would be your 03:58
basic I've got a fish hook in my eyebrow 04:00
and I like 04:02
it. Okay. Let's say I've just gotten bad 04:07
news. Well, all I do there is try and 04:10
divide 232 by 13. 04:13
[Applause] 04:22
Hey, I got you something. Open it. Open 04:26
it. 04:30
Okay. 04:32
It's a chicken. 04:38
It's cute, huh? Whoa, whoa, whoa. You 04:41
guys, do you know anything about chicks? 04:43
Fowl? 04:45
No women. No. 04:46
Okay. Well, they are a huge 04:51
responsibility, especially at this age. 04:52
They require constant care. They They 04:55
need just the right food and lots and 04:57
lots of love. Oh, well, no problem. 04:59
[Laughter] 05:05
Easy, 05:08
Lenny. You go to the refrigerator, get a 05:09
nice glass of milk. But these darn 05:12
cartons are so flinging flanging hard to 05:14
open. Well, you said it, Mike. I don't. 05:16
There's got to be a better way. And 05:21
there is. Kevin, 05:22
can we please turn this off? No way. 05:24
Kevin, what if I told you that there's a 05:27
revolutionary new product that 05:29
guarantees you'll never have to open up 05:31
milk cartons again? Meet the Milk Master 05:34
2000. 05:37
Are you intrigued? You're flinging. 05:39
Flinging right. I am. 05:41
This is his first time. He's never used 05:44
this product before. You're going to see 05:45
how easy this is to do. Go 05:46
ahead. This works in any milk carton. 05:48
Wow, it is easy. Now I can have milk 05:51
every day. 05:54
Oh, sorry. Did I get you? 06:09
No, you didn't get me. It's an electric 06:12
drill. You get me, you kill me. 06:14
Calm down. Do you want this unit or not? 06:18
I do not want this unit. Oh, you should 06:21
have told me that before. Not a mind 06:24
readader. 06:26
Hey, we're out of here. Okay, I'm going 06:28
to Monica's. 06:30
Fine. 06:32
You got to pick a pocket or two, 06:39
boys. You've got to pick a pocket 06:43
[Music] 06:51
for Thanks. Listen, Joey, we definitely 06:57
want to see you for the call back on 07:00
Saturday. Excellent. 07:02
I'll be there. Okay. And listen, don't 07:04
forget to bring your jazz shoes for the 07:06
dance audition. 07:08
Uhhuh. My uh my agent said that it 07:12
wasn't a dancing part. Oh, Joey, all the 07:15
roles got to dance a little, but believe 07:18
me, with your dance background, it'll be 07:20
a piece of cake. Three years of modern 07:22
dance with Twilight Tharp. 07:24
Five years with the American Ballet 07:28
Theater. 07:30
Hey, everybody lies on their resume. 07:32
Okay. I wasn't one of the Zoom kids 07:35
either. 07:38
Well, can you like dance at all? Yeah, I 07:40
can dance, you know. 07:42
Oh, no. No, no, no. 07:53
What? What is that? Sure it looks stupid 07:57
now. There's no music playing. 08:00
Uh, Joey. Joey Triani. 08:08
Listen, Joey. I got a problem. I just 08:16
got a call from my dance captain. He's 08:18
having a relationship crisis and can't 08:20
get out of Long Island. So, does that 08:22
mean the audition's off? 08:24
Listen, Joey. Seeing as you've got the 08:26
most 08:28
experience, I want you to take these 08:28
dances and teach them the combination. 08:30
Oh, Joey, come on. It's easy. You know, 08:35
it's 08:37
hand 08:39
head 08:41
up. Big turn here. 08:43
Rhonda, slide back, step, step, and jazz 08:46
hands. 08:50
It's a Steppity step and jazz 08:54
hands. Have 08:57
fun. 08:59
Bye. All right, let's do it. 09:03
[Applause] 09:15
No, no, 09:24
no. What was that? I know. It's the best 09:25
I could get out of him. 09:29
Well, people 09:32
people, let's try it again. And this 09:36
time, let's everybody watch Joey. 09:38
Show them how it's done. 09:43
Count it off. 09:51
[Music] 09:54
Don't rush into anything. Yeah. Come on. 10:00
Think about it. You're 18. Okay. She's 10:02
44. When you're 36, she's going to be 10:06
88. 10:09
But you don't think I know 10:12
that. Look, the point 10:15
is there's a lot of women out there you 10:18
haven't even had sex with yet. Yeah, 10:21
he's he's right. He's right. This is 10:22
your time, you know. Yeah. You're young. 10:24
You're you're weird. Chicks dig that. 10:27
Okay. But isn't sex better when it's 10:30
with one person that you really really 10:32
care about? Yeah. In a poem, 10:34
maybe. No, the man's right. That's what 10:37
I had with Rachel. You don't have it 10:40
anymore? No, I 10:43
uh I slept with someone else. Okay. So, 10:45
wait. All right. So, how did that make 10:48
things better? 10:50
It didn't. 10:52
Okay. So, what you used to have with 10:55
Rachel is what I got with Alice. Now, 10:57
what what what is that like? It's so 10:59
cool, man. It's so It's just cuz being 11:02
with her is so much better than like not 11:04
being with her. 11:06
Why can't I find that? Don't ask me. I 11:09
had it. I blew it. I want it. You can 11:11
have it. I don't know. Maybe I can. I 11:14
mean, maybe there's something wrong with 11:16
me. No, it's out there, man. I've seen 11:17
it. I got it. 11:20
Then you hold on to it. All right. All 11:22
right. Congratulations. You lucky. 11:25
You're Frank's best man. 11:29
I couldn't help it. Their love is so 11:33
pure. 11:35
Well, and what about you? Huh? I'm the 11:37
ring bearer. 11:40
Monica, listen. I uh saw down at the 11:42
hardware store. They got those designer 11:44
tiles on sale if you ever want to redo 11:46
your bathroom floor. What's wrong with 11:47
my bathroom floor? Nothing. It's just 11:49
old and dingy. That's all. 11:52
I highly doubt that. Oh, yeah. If you uh 11:55
move your hamper, you can see the color 12:00
the tile used to be. Yeah. 12:02
I can't live like this. What are we 12:07
going to do? What are we going to do? 12:09
Relax. Relax. Here, hold this. This old 12:10
stuff comes right up. I'll show you. 12:12
Little more than I wanted to see. 12:17
Look at that. Every inch of this is 12:22
glued down. It take forever to pry this 12:24
up. You should uh you should just leave 12:27
it. 12:29
I can't leave it. You gouched a hole in 12:31
my dingy floor. 12:34
There you go. A Yeah, that's nice. You 12:45
know, we can put it back there after the 12:48
surgeons remove it from your colon. 12:50
Why do you have a copy of The Shining in 12:52
your freezer? Oh, I was reading it last 12:55
night and I got scared. 12:57
But uh you're safe from it if it's in 13:02
the freezer. Well, 13:03
safer, you know. I mean, I never start 13:06
reading The Shining without making sure 13:08
we got plenty of room in the freezer, 13:09
you know. 13:11
How often do you read it? Haven't you 13:13
ever read the same book over and over 13:15
again? Well, um I guess I read Little 13:17
Women more than once, but I mean, that's 13:20
a classic. What's so great about The 13:21
Shining? The question should be, Ra, 13:22
what is not so great about The Shining? 13:25
Okay. And the answer would be 13:28
nothing. All right. This is like the 13:30
scariest book ever. I bet it's way 13:33
better than that classic of yours. 13:34
Okay. Uh well, we'll just see about 13:38
that. Okay. I will read The Shining and 13:41
you will read Little Women. All right. 13:44
You got it. All right. Okay. Okay. And 13:48
now Ra these uh these Little Women. 13:50
Yeah. 13:52
How little are they? I mean, are they 13:54
like scary little 13:57
Beth's really, really sick. A 14:07
Joe's there, but I don't think there's 14:14
anything she could do. 14:16
Joey. Yeah. You want to put the book in 14:22
the freezer? 14:24
Okay. Okay. 14:27
Hey, remember when she brought up that 14:30
thing about, you know, the three of us? 14:32
Yes. Vividly. 14:34
She was kidding about that, right? Yeah, 14:37
I think so. 14:38
Yeah, I I think so. 14:45
God, it'd be weird if that situation 14:47
presented itself tonight, huh? 14:49
Yeah. I mean, 14:53
uh, what what will we do, 14:54
dude? I don't know. 15:00
She was kidding. Yeah, she was. 15:03
But, you know what? Just in case, maybe 15:06
we should come up with a set of ground 15:07
rules. Yeah, for sure. Okay. probably 15:09
want the first one to be never open your 15:12
eyes, you know, because you don't want 15:15
to be doing something and then look up, 15:18
right, and see something that you don't 15:22
want to be 15:25
seeing. Good call. Nice. Hold it. Hold 15:27
it. What if my eyes are closed 15:31
and and my hand is out 15:35
there? Ah, okay. Hey, eyes open at all 15:38
times. Oh, hey. How do we decide where 15:44
we, you know, each would, you 15:49
know, be, right? Right. Well, I, you 15:53
know, we could flip for it. Yeah, I 15:57
guess. But like, what's heads and what's 15:59
tails? 16:00
Well, if you don't know that, then I 16:04
don't want to do this with you. 16:05
I took the quiz and it turns out I do 16:08
put career before men. 16:10
Get up. What? Near my seat. How is this 16:15
your seat? 16:20
Cuz I was sitting there. But then you 16:24
left. 16:26
Well, it's not like I went to 16:27
Spain. I went to the bathroom. You knew 16:30
I was coming back. What's the big deal? 16:32
Sit somewhere else. The big deal is I 16:34
was sitting there last. So that's my 16:36
seat. Well, actually, the last place you 16:39
were sitting was in there. So, 16:43
you guys, you know what? You know what? 16:46
It doesn't matter because you both have 16:47
to go get dressed before the big vein in 16:49
my head pops. So, all right, Ross. I 16:51
just have to do one thing really 16:54
quickly. It's not a big deal. Get up. 16:55
All right, fine. You know what? We'll 17:01
both sit in the chair. Fine with me. 17:02
I'm so comfortable. 17:08
Me, too. In fact, I think I might be a 17:11
little too comfortable. All right. 17:15
Okay. Look, we have 19 minutes. Okay. 17:20
Chandler, I want you to go and change, 17:22
okay? And then when you come back, Joey 17:24
will go change and he'll have vacated 17:26
the chair. Okay? Okay. All right. Fine. 17:27
I'm going. Before I get back, it's chair 17:31
city and I'm the guy who's sitting in a 17:33
chair. All right. You will notice that I 17:39
am fully dressed. I in turn have noticed 17:42
that you are not. So in the words of aa 17:44
mil, get out of my chair, dealhole. 17:48
Okay. 17:54
[Applause] 18:00
What are you doing? Well, you said I had 18:03
to give you the chair. You didn't see 18:04
anything about the cushions. 18:05
The cushions are the essence of the 18:08
chair. That's right. I'm taking the 18:09
essence. He'll be 18:13
back. There's nobody in the room. 18:15
Where's my underwear? Whoa, whoa, whoa. 18:21
Come on. Come on. What? You took his 18:23
underwear? He took my essence. Okay, 18:25
hold on, 18:27
Joey. Why Why can't you just wear the 18:29
underwear you're wearing now? Cuz I'm 18:31
not wearing any underwear now. 18:33
Okay. Um, then why do you have to wear 18:36
underwear tonight? It's a rented tux. 18:38
Okay. Not going to go commando in 18:40
another man's fatigues. 18:42
Well, then it looks like somebody's 18:46
going to have to give somebody back his 18:48
cushions. 18:49
Okay, you hide my clothes. I'm going to 18:51
do the exact opposite to you. 18:53
What are you What are you going to show 18:57
me? My clothes. Hey, 18:59
opposite is opposite. 19:02
He's got nothing. 19:06
Okay, buddy boy. Here it 19:17
is. You hide my clothes. I'm wearing 19:19
everything you 19:22
own. Oh my god. 19:23
That is so not the opposite of taking 19:27
somebody's 19:29
underwear. Look at me. I'm Chandler. 19:30
Could I be wearing any more 19:33
clothes? Maybe if I wasn't going 19:36
commando. 19:42
Yeah. I'll tell you, it's hot with all 19:44
this stuff on. I uh I better not do any 19:46
I don't know, lunges. 19:48
Okay. Okay. Enough. But not for the 19:53
lunching. No, I'm sick of this. Okay, 19:55
I've had up to here with you two. 19:57
Neither of you can come to the party. 19:58
Jeez, what a baby. 20:01
Hey. 20:04
Hey. What are you doing? Well, I I 20:06
thought a lot about what you said and um 20:09
I realized maybe I was a little 20:11
judgmental. 20:14
Yeah. Oh, but Oh, now baby, remember, 20:15
hey, they're just fulfilling their 20:19
Christmas destiny. Yes. 20:22
Okay. 20:25
Yikes. That one doesn't look very 20:27
fulfilled. 20:29
Oh, that's uh that's one of the old 20:31
ones. He's just taking it to the back. 20:32
You keep the old ones in the back. That 20:34
is so aegist. 20:37
But we have to make room for the fresh 20:40
ones. So, what happens to the old guys? 20:41
Well, they go into the chipper. 20:45
Well, I have a feeling that's not as 20:48
happy as it sounds. 20:49
[Music] 20:54
[Applause] 20:55
Hey, hey, hey. 21:02
This is the last time with a chick chick 21:05
chick chick chick chick chick chick 21:07
chick chick chick chick chick chick 21:07
chick chick chick chick chick chick 21:07
chick chick chick chick chick chick 21:07
chick chick chick chick chick chick 21:07
chick chick chick chick chick chick 21:07
chick chick chick here and a chick chick 21:07
chick chick chick chick chick chick 21:09
chick chick chick chick chick chick 21:09
chick chick chick chick chick chick 21:09
chick there here a chick there a chick 21:09
everywhere a chick chick chick chick 21:11
chick chick chick chick chick chick 21:12
chick chick chick chick chick chick 21:12
chick chick chick chick chick chick 21:12
chick chick chick chick chick chick 21:12
chick chick chick chick chick chick 21:12
chick chick chick chick chick chick 21:12
chick chicken chicken chicken chicken 21:12
chicken 21:15
Hey how's she 21:17
doing she well yeah don't don't you 21:19
think it's a she I don't know 21:22
I can't tell. Whatever it was went back 21:36
in too quickly. 21:37
Anyway, I got to go change. I'm uh 21:40
meeting some of the cast for drinks. 21:41
Excuse me. What? 21:43
I stayed home from work today while you 21:46
at rehearsal so somebody could be here 21:48
with our chick. Hey, who was up from 21:50
2:00 this morning until 5:00 this 21:53
morning trying to get her back to 21:55
sleep? You don't think I get up when you 21:57
get up? 22:00
Oh, here it comes. Yes, here it comes. 22:01
I'm stuck here all day and then you come 22:05
in and spend two seconds with 22:07
us and then expect to go off 22:10
gallivanting with your 22:12
friends. Well, I don't think so, mister. 22:14
Hey, I need to relax, okay? I was 22:17
working all day. And you don't think 22:20
taking care of our chick is 22:23
work? That's not what I said. Okay. 22:27
Okay. I just meant I know what you 22:30
meant. 22:32
You notice that ever since we got this 22:39
chick, we've been fighting a lot more 22:41
than we used to. 22:44
I don't know. Maybe we weren't ready to 22:47
have a chick. 22:49
I'll take her back 22:52
tomorrow. You think we'll get our three 22:54
bucks back? Hey, Rich. How you doing 22:56
with the shining? Oh, Danny just went 22:59
into room 217. Oo, the next part's the 23:01
best. When that dead lady in the 23:04
bathtub. Oh, no, no, no, no, no, no, no. 23:06
Come on. You're going to ruin it. All 23:08
right, I'll talk in code. Remember when 23:09
the kid sees those two blanks in the 23:12
hallway? 23:14
That's very cool. Oh, all blank and no 23:16
blank makes blank a blank blank. 23:19
Oh, no, no, no. the end when Jack almost 23:24
kills them all with that blank, but then 23:27
in the last second they get away. Oh, 23:28
Joey. I can't believe he just did that. 23:32
I can't believe she cracked your code. 23:34
[Applause] 23:38
All right. Okay. Lori proposes to Joe 23:42
and she says no, even though she's still 23:45
in love with him. And then he ends up 23:47
marrying Amy. 23:48
Hey, mine was by 23:52
accident. All right, the boiler explodes 23:55
and destroys the hotel and kills the 23:58
dad. 24:00
Beth 24:03
dies. 24:12
Beth Beth 24:14
dies. Is that true? If I keep reading, 24:16
is Beth going to die? 24:19
No. Beth doesn't die. She doesn't die. 24:21
Does she, Rachel? What? Joey's asking if 24:24
you've just ruined the first book he's 24:26
ever loved that didn't starred Jack 24:28
Nicholson. 24:30
See, Joe, that's why your parents told 24:42
you not to jump on the bed. 24:44
Hey. Hey. Oh, is it broken? No. I'm 24:49
going to wear this thing for a couple of 24:52
weeks. Did you tell the doctor you did 24:54
it jumping up and down on your bed? No. 24:55
Had a whole story worked up, but then uh 24:59
Chandler sold me out. Well, I'm sorry, 25:02
Joe. I didn't think the doctor was going 25:04
to buy that. It just fell out of the 25:05
socket. 25:07
Look at me. I'm making jam. Been at it 25:09
since 4:00 this morning. Where'd you get 25:12
fruit at 4 in the morning? went down to 25:14
the docks. Hey, bet you didn't know you 25:16
can get it wholesale. I didn't know 25:18
there were docks. 25:20
Hey. Hey. Oh, is it broken? No. I'm 25:24
going to wear this thing for a couple of 25:27
weeks. Did you tell the doctor you did 25:29
it jumping up and down on your bed? No. 25:31
Had a whole story worked out, but then 25:34
uh Chandler sold me out. Well, I'm 25:36
sorry, Joe. I didn't think the doctor 25:39
was going to buy that. It just fell out 25:40
of the socket. 25:42
What is this? Fruit. 25:45
Monica's making jam. Whoa, jam. I love 25:51
jam. Hey, how come we never have jam at 25:54
our place? Because the kids need new 25:56
shoes. 25:58
One end of business, people. I'm sick 26:01
and tired of being depressed about 26:02
Richard. I needed a plan. Plan to get 26:04
over my man. What's the opposite of man? 26:06
Jam. Oh, Joey. No, it's way too hot. 26:11
This will just be my 26:22
batch. Remember when you were a kid and 26:27
your mom would drop you off at the 26:29
movies with a jar of jam and a little 26:31
spoon? 26:33
You're so pretty. 26:38
[Music] 26:41
[Applause] 26:42
M 26:46
gone for more jars. Back later, Monica 26:50
Geller. 26:52
[Applause] 26:56
I called the sperm bank today. They 26:59
haven't sold a single unit of 27:01
Tribani. Nobody wants my 27:03
product. I mean, I I I don't get it, you 27:07
know. 27:09
I mean, 27:14
maybe if they met me in person, 27:16
you got a little thing in your Oh, yeah. 27:20
Get it? 27:27
Yeah. 27:29
He's got to really give her a reason, 27:31
you know? Maybe he could slip her the 27:33
tongue. 27:36
Or maybe maybe he could grab her and and 27:43
and lift her up. Yeah. Yeah. And then 27:46
Adrien she maybe she could wrap her legs 27:49
around his waist. And then she could rip 27:51
off his shirt and kiss his chest and his 27:54
his stomach. And then he could use his 27:56
teeth his teeth to undo her dress and 27:58
and and bite her. And then right right 28:00
when the scene ends, he could take her 28:04
with this raw animal. 28:06
Something like that. 28:14
Yeah, that's pretty much what I had in 28:17
mind. Where's Chandler? Uh, he can't 28:18
make it. He said he had to go back to 28:20
his uh job and do uh Who 28:21
Joey? Joey Tribani. 28:28
Joey, I can see you. Okay. You're hiding 28:36
behind the coats. 28:39
Close one. 28:52
Hey, 28:54
is uh is Chandler around? No. Um he met 28:56
some girl at the coffee house. 28:59
Yeah. Ginger or something? No. 29:01
No. No. Uh, are you sure it wasn't 29:05
something that sounded like ginger? Like 29:07
uh ginger? 29:09
No, it was Ginger. I remember because 29:12
when he told me I said the movie star. 29:14
Oh man, that's the girl I was hiding 29:19
from. When she finds out he's my 29:22
roommate, she's going to tell him what I 29:24
did. Why? What did you do? Oh. Oh. Oh 29:25
no. No. I can't. 29:28
I can't tell you that. It's like the 29:30
most awful, horrible thing I've ever 29:32
done in my whole life. You know what? 29:33
Don't tell us. We'll just wait till 29:35
Trainer gets home because it'll be more 29:37
fun that way. All 29:38
right. Okay. It was like four years ago. 29:41
Okay. Ginger and I had gone out a few 29:44
times and then this one weekend, we went 29:46
up to her dad's cabin. Just me, her, and 29:48
her annoying little dog, 29:51
Pepper. Well, that night, I cooked this 29:53
really romantic dinner. You gave her 29:55
food poisoning. 29:57
I 29:59
wish after dinner, me, her, and Pepper 30:01
all fell asleep in front of the fire. 30:04
Well, I woke up in the middle of the 30:06
night and I saw that the fire was dying 30:07
out. So, I picked up a log and threw it 30:09
on. Or at least what I thought was a 30:14
log. Oh my god, you threw pepper on the 30:16
fire. I 30:19
wish. See, I guess another thing I 30:23
probably should have told you about 30:26
Ginger is that she kind of has a 30:27
uh artificial leg. 30:30
Oh my 30:38
god, Joey, what did you do after you 30:39
threw her leg on the fire? 30:42
I ran. 30:45
I'm going to get on this spaceship. 30:47
[Music] 30:50
And I'm going to go to Bloggon 7 in 30:57
search of alternative 30:59
fuels. But when I return 200 years from 31:01
now, you'll be long 31:05
gone. But I won't have aged at 31:08
all. So you tell your great great 31:14
granddaughter to look me up. 31:18
Because 31:22
Adrien baby, 31:23
I'm going to want to meet her. 31:27
[Music] 31:34
So long, Vic. Chloe, finish up with your 31:38
customer first. Come on, Co. Come on. 31:41
Come. Can I help you? 31:44
Uhoh. Uh, you know what? We're having 31:47
second thoughts about our copying needs 31:50
and uh we'll need a little more time to 31:53
think about it. 31:54
Chloe, switch with me. There's some guys 31:56
here got a crush on you. 31:58
Okay, that hurt us. 32:02
Hi guys. I haven't seen you since this 32:04
morning. 32:06
Well, 32:08
uh you know, 32:11
hey, what are you guys doing tomorrow 32:14
night? 32:16
Both of us. Maybe. Does that scare you? 32:17
Relax. Just Isaac's DJing at the Philly. 32:26
You should come. Oh, we'll be there. 32:29
Great. I'll uh see you then. All right. 32:31
Rock on. 32:34
Motel 32:39
Theater. Joey Tribani gives an uneven 32:41
performance about Mr. Tribani is not the 32:47
worst thing in this production. Yes, 32:49
Kate Miller's awkward and mannered 32:56
portrayal is 32:58
laughable. Aha, here it is. The 33:00
direction by Marshall Townend 33:03
is Thank you, boys and girls. You've 33:12
ruined my life. Please stuff your 33:17
talentless faces with my mother's crab 33:20
cakes. Excuse 33:24
me. Does anyone mind if I save this? 33:31
[Music] 33:37

– English Lyrics

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Lyrics & Translation

[English]
Hi again.
Hey.
Hey. Thank you so much. Oh, don't thank
me. Thank the jerk that never showed up.
Okay, I got to get to work.
You want some help with that? Oh, no
thanks. I got it. Oh, no I don't.
Whoa. Okay.
Yeah.
just stood up too fast. Got a little
head rush.
The heat
and and the humidity.
Yeah, that's a uh that's a tough
combination.
[Laughter]
Do you want to come in for some
lemonade? Like you wouldn't believe.
Wow, this is a great place.
Thank
you. Just make yourself comfortable.
Gotcha. So, this place is really my
[Applause]
grandmother's. I got it from her when
she moved to Florida. Otherwise, I could
never afford a place like this.
[Applause]
So, if the landlord ever asks, I'm an
87y old woman who's afraid of her VCR.
You thirsty? Oh, you bet I am.
Okay, here's your penis.
[Applause]
[Music]
Oh my god. What the hell are you doing?
You said you want to come in for some
lemonade.
So,
Ah, were you just going to give me
lemonade? Yeah.
Cover yourself up. Oh, right. Sorry. I
don't believe this. I mean, someone
asked you in for lemonade and to you
that means they want to have sex. Um,
usually. Yeah. Well, not just lemonade,
iced tea, sometimes juice.
Sorry. I just thought you liked me. Such
a jerk.
It's
okay. I suppose it could happen to
anyone. Not anyone I know,
but by the way, I can still see
it. Good
evening. I am Mr.
Tribani and I will be teaching acting
for soap operas. Now,
um, on my first day as Dr. Drake Remor
on Days of Our Lives,
uh, I learned that one of the most
important things in soap opera acting is
reacting. This does not mean acting
again. It means you don't have a line,
but someone else just did. And it goes
something like this.
Thanks. Thanks. Thanks a lot. Oh, by the
way, before I forget, to work in soap
operas, some of you are going to have to
become much more
attractive. All right, moving right
along. Some tricks of the trade. Now,
I've never been able to cry as an actor.
So, if I'm in a scene where I have to
cry, I cut a hole in my pocket, take a
pair of tweezers,
and just start
pulling. Okay? Or uh or let's say I want
to convey that I've uh just done
something evil. Well, that would be your
basic I've got a fish hook in my eyebrow
and I like
it. Okay. Let's say I've just gotten bad
news. Well, all I do there is try and
divide 232 by 13.
[Applause]
Hey, I got you something. Open it. Open
it.
Okay.
It's a chicken.
It's cute, huh? Whoa, whoa, whoa. You
guys, do you know anything about chicks?
Fowl?
No women. No.
Okay. Well, they are a huge
responsibility, especially at this age.
They require constant care. They They
need just the right food and lots and
lots of love. Oh, well, no problem.
[Laughter]
Easy,
Lenny. You go to the refrigerator, get a
nice glass of milk. But these darn
cartons are so flinging flanging hard to
open. Well, you said it, Mike. I don't.
There's got to be a better way. And
there is. Kevin,
can we please turn this off? No way.
Kevin, what if I told you that there's a
revolutionary new product that
guarantees you'll never have to open up
milk cartons again? Meet the Milk Master
2000.
Are you intrigued? You're flinging.
Flinging right. I am.
This is his first time. He's never used
this product before. You're going to see
how easy this is to do. Go
ahead. This works in any milk carton.
Wow, it is easy. Now I can have milk
every day.
Oh, sorry. Did I get you?
No, you didn't get me. It's an electric
drill. You get me, you kill me.
Calm down. Do you want this unit or not?
I do not want this unit. Oh, you should
have told me that before. Not a mind
readader.
Hey, we're out of here. Okay, I'm going
to Monica's.
Fine.
You got to pick a pocket or two,
boys. You've got to pick a pocket
[Music]
for Thanks. Listen, Joey, we definitely
want to see you for the call back on
Saturday. Excellent.
I'll be there. Okay. And listen, don't
forget to bring your jazz shoes for the
dance audition.
Uhhuh. My uh my agent said that it
wasn't a dancing part. Oh, Joey, all the
roles got to dance a little, but believe
me, with your dance background, it'll be
a piece of cake. Three years of modern
dance with Twilight Tharp.
Five years with the American Ballet
Theater.
Hey, everybody lies on their resume.
Okay. I wasn't one of the Zoom kids
either.
Well, can you like dance at all? Yeah, I
can dance, you know.
Oh, no. No, no, no.
What? What is that? Sure it looks stupid
now. There's no music playing.
Uh, Joey. Joey Triani.
Listen, Joey. I got a problem. I just
got a call from my dance captain. He's
having a relationship crisis and can't
get out of Long Island. So, does that
mean the audition's off?
Listen, Joey. Seeing as you've got the
most
experience, I want you to take these
dances and teach them the combination.
Oh, Joey, come on. It's easy. You know,
it's
hand
head
up. Big turn here.
Rhonda, slide back, step, step, and jazz
hands.
It's a Steppity step and jazz
hands. Have
fun.
Bye. All right, let's do it.
[Applause]
No, no,
no. What was that? I know. It's the best
I could get out of him.
Well, people
people, let's try it again. And this
time, let's everybody watch Joey.
Show them how it's done.
Count it off.
[Music]
Don't rush into anything. Yeah. Come on.
Think about it. You're 18. Okay. She's
44. When you're 36, she's going to be
88.
But you don't think I know
that. Look, the point
is there's a lot of women out there you
haven't even had sex with yet. Yeah,
he's he's right. He's right. This is
your time, you know. Yeah. You're young.
You're you're weird. Chicks dig that.
Okay. But isn't sex better when it's
with one person that you really really
care about? Yeah. In a poem,
maybe. No, the man's right. That's what
I had with Rachel. You don't have it
anymore? No, I
uh I slept with someone else. Okay. So,
wait. All right. So, how did that make
things better?
It didn't.
Okay. So, what you used to have with
Rachel is what I got with Alice. Now,
what what what is that like? It's so
cool, man. It's so It's just cuz being
with her is so much better than like not
being with her.
Why can't I find that? Don't ask me. I
had it. I blew it. I want it. You can
have it. I don't know. Maybe I can. I
mean, maybe there's something wrong with
me. No, it's out there, man. I've seen
it. I got it.
Then you hold on to it. All right. All
right. Congratulations. You lucky.
You're Frank's best man.
I couldn't help it. Their love is so
pure.
Well, and what about you? Huh? I'm the
ring bearer.
Monica, listen. I uh saw down at the
hardware store. They got those designer
tiles on sale if you ever want to redo
your bathroom floor. What's wrong with
my bathroom floor? Nothing. It's just
old and dingy. That's all.
I highly doubt that. Oh, yeah. If you uh
move your hamper, you can see the color
the tile used to be. Yeah.
I can't live like this. What are we
going to do? What are we going to do?
Relax. Relax. Here, hold this. This old
stuff comes right up. I'll show you.
Little more than I wanted to see.
Look at that. Every inch of this is
glued down. It take forever to pry this
up. You should uh you should just leave
it.
I can't leave it. You gouched a hole in
my dingy floor.
There you go. A Yeah, that's nice. You
know, we can put it back there after the
surgeons remove it from your colon.
Why do you have a copy of The Shining in
your freezer? Oh, I was reading it last
night and I got scared.
But uh you're safe from it if it's in
the freezer. Well,
safer, you know. I mean, I never start
reading The Shining without making sure
we got plenty of room in the freezer,
you know.
How often do you read it? Haven't you
ever read the same book over and over
again? Well, um I guess I read Little
Women more than once, but I mean, that's
a classic. What's so great about The
Shining? The question should be, Ra,
what is not so great about The Shining?
Okay. And the answer would be
nothing. All right. This is like the
scariest book ever. I bet it's way
better than that classic of yours.
Okay. Uh well, we'll just see about
that. Okay. I will read The Shining and
you will read Little Women. All right.
You got it. All right. Okay. Okay. And
now Ra these uh these Little Women.
Yeah.
How little are they? I mean, are they
like scary little
Beth's really, really sick. A
Joe's there, but I don't think there's
anything she could do.
Joey. Yeah. You want to put the book in
the freezer?
Okay. Okay.
Hey, remember when she brought up that
thing about, you know, the three of us?
Yes. Vividly.
She was kidding about that, right? Yeah,
I think so.
Yeah, I I think so.
God, it'd be weird if that situation
presented itself tonight, huh?
Yeah. I mean,
uh, what what will we do,
dude? I don't know.
She was kidding. Yeah, she was.
But, you know what? Just in case, maybe
we should come up with a set of ground
rules. Yeah, for sure. Okay. probably
want the first one to be never open your
eyes, you know, because you don't want
to be doing something and then look up,
right, and see something that you don't
want to be
seeing. Good call. Nice. Hold it. Hold
it. What if my eyes are closed
and and my hand is out
there? Ah, okay. Hey, eyes open at all
times. Oh, hey. How do we decide where
we, you know, each would, you
know, be, right? Right. Well, I, you
know, we could flip for it. Yeah, I
guess. But like, what's heads and what's
tails?
Well, if you don't know that, then I
don't want to do this with you.
I took the quiz and it turns out I do
put career before men.
Get up. What? Near my seat. How is this
your seat?
Cuz I was sitting there. But then you
left.
Well, it's not like I went to
Spain. I went to the bathroom. You knew
I was coming back. What's the big deal?
Sit somewhere else. The big deal is I
was sitting there last. So that's my
seat. Well, actually, the last place you
were sitting was in there. So,
you guys, you know what? You know what?
It doesn't matter because you both have
to go get dressed before the big vein in
my head pops. So, all right, Ross. I
just have to do one thing really
quickly. It's not a big deal. Get up.
All right, fine. You know what? We'll
both sit in the chair. Fine with me.
I'm so comfortable.
Me, too. In fact, I think I might be a
little too comfortable. All right.
Okay. Look, we have 19 minutes. Okay.
Chandler, I want you to go and change,
okay? And then when you come back, Joey
will go change and he'll have vacated
the chair. Okay? Okay. All right. Fine.
I'm going. Before I get back, it's chair
city and I'm the guy who's sitting in a
chair. All right. You will notice that I
am fully dressed. I in turn have noticed
that you are not. So in the words of aa
mil, get out of my chair, dealhole.
Okay.
[Applause]
What are you doing? Well, you said I had
to give you the chair. You didn't see
anything about the cushions.
The cushions are the essence of the
chair. That's right. I'm taking the
essence. He'll be
back. There's nobody in the room.
Where's my underwear? Whoa, whoa, whoa.
Come on. Come on. What? You took his
underwear? He took my essence. Okay,
hold on,
Joey. Why Why can't you just wear the
underwear you're wearing now? Cuz I'm
not wearing any underwear now.
Okay. Um, then why do you have to wear
underwear tonight? It's a rented tux.
Okay. Not going to go commando in
another man's fatigues.
Well, then it looks like somebody's
going to have to give somebody back his
cushions.
Okay, you hide my clothes. I'm going to
do the exact opposite to you.
What are you What are you going to show
me? My clothes. Hey,
opposite is opposite.
He's got nothing.
Okay, buddy boy. Here it
is. You hide my clothes. I'm wearing
everything you
own. Oh my god.
That is so not the opposite of taking
somebody's
underwear. Look at me. I'm Chandler.
Could I be wearing any more
clothes? Maybe if I wasn't going
commando.
Yeah. I'll tell you, it's hot with all
this stuff on. I uh I better not do any
I don't know, lunges.
Okay. Okay. Enough. But not for the
lunching. No, I'm sick of this. Okay,
I've had up to here with you two.
Neither of you can come to the party.
Jeez, what a baby.
Hey.
Hey. What are you doing? Well, I I
thought a lot about what you said and um
I realized maybe I was a little
judgmental.
Yeah. Oh, but Oh, now baby, remember,
hey, they're just fulfilling their
Christmas destiny. Yes.
Okay.
Yikes. That one doesn't look very
fulfilled.
Oh, that's uh that's one of the old
ones. He's just taking it to the back.
You keep the old ones in the back. That
is so aegist.
But we have to make room for the fresh
ones. So, what happens to the old guys?
Well, they go into the chipper.
Well, I have a feeling that's not as
happy as it sounds.
[Music]
[Applause]
Hey, hey, hey.
This is the last time with a chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick here and a chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick there here a chick there a chick
everywhere a chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chick chick chick chick chick
chick chicken chicken chicken chicken
chicken
Hey how's she
doing she well yeah don't don't you
think it's a she I don't know
I can't tell. Whatever it was went back
in too quickly.
Anyway, I got to go change. I'm uh
meeting some of the cast for drinks.
Excuse me. What?
I stayed home from work today while you
at rehearsal so somebody could be here
with our chick. Hey, who was up from
2:00 this morning until 5:00 this
morning trying to get her back to
sleep? You don't think I get up when you
get up?
Oh, here it comes. Yes, here it comes.
I'm stuck here all day and then you come
in and spend two seconds with
us and then expect to go off
gallivanting with your
friends. Well, I don't think so, mister.
Hey, I need to relax, okay? I was
working all day. And you don't think
taking care of our chick is
work? That's not what I said. Okay.
Okay. I just meant I know what you
meant.
You notice that ever since we got this
chick, we've been fighting a lot more
than we used to.
I don't know. Maybe we weren't ready to
have a chick.
I'll take her back
tomorrow. You think we'll get our three
bucks back? Hey, Rich. How you doing
with the shining? Oh, Danny just went
into room 217. Oo, the next part's the
best. When that dead lady in the
bathtub. Oh, no, no, no, no, no, no, no.
Come on. You're going to ruin it. All
right, I'll talk in code. Remember when
the kid sees those two blanks in the
hallway?
That's very cool. Oh, all blank and no
blank makes blank a blank blank.
Oh, no, no, no. the end when Jack almost
kills them all with that blank, but then
in the last second they get away. Oh,
Joey. I can't believe he just did that.
I can't believe she cracked your code.
[Applause]
All right. Okay. Lori proposes to Joe
and she says no, even though she's still
in love with him. And then he ends up
marrying Amy.
Hey, mine was by
accident. All right, the boiler explodes
and destroys the hotel and kills the
dad.
Beth
dies.
Beth Beth
dies. Is that true? If I keep reading,
is Beth going to die?
No. Beth doesn't die. She doesn't die.
Does she, Rachel? What? Joey's asking if
you've just ruined the first book he's
ever loved that didn't starred Jack
Nicholson.
See, Joe, that's why your parents told
you not to jump on the bed.
Hey. Hey. Oh, is it broken? No. I'm
going to wear this thing for a couple of
weeks. Did you tell the doctor you did
it jumping up and down on your bed? No.
Had a whole story worked up, but then uh
Chandler sold me out. Well, I'm sorry,
Joe. I didn't think the doctor was going
to buy that. It just fell out of the
socket.
Look at me. I'm making jam. Been at it
since 4:00 this morning. Where'd you get
fruit at 4 in the morning? went down to
the docks. Hey, bet you didn't know you
can get it wholesale. I didn't know
there were docks.
Hey. Hey. Oh, is it broken? No. I'm
going to wear this thing for a couple of
weeks. Did you tell the doctor you did
it jumping up and down on your bed? No.
Had a whole story worked out, but then
uh Chandler sold me out. Well, I'm
sorry, Joe. I didn't think the doctor
was going to buy that. It just fell out
of the socket.
What is this? Fruit.
Monica's making jam. Whoa, jam. I love
jam. Hey, how come we never have jam at
our place? Because the kids need new
shoes.
One end of business, people. I'm sick
and tired of being depressed about
Richard. I needed a plan. Plan to get
over my man. What's the opposite of man?
Jam. Oh, Joey. No, it's way too hot.
This will just be my
batch. Remember when you were a kid and
your mom would drop you off at the
movies with a jar of jam and a little
spoon?
You're so pretty.
[Music]
[Applause]
M
gone for more jars. Back later, Monica
Geller.
[Applause]
I called the sperm bank today. They
haven't sold a single unit of
Tribani. Nobody wants my
product. I mean, I I I don't get it, you
know.
I mean,
maybe if they met me in person,
you got a little thing in your Oh, yeah.
Get it?
Yeah.
He's got to really give her a reason,
you know? Maybe he could slip her the
tongue.
Or maybe maybe he could grab her and and
and lift her up. Yeah. Yeah. And then
Adrien she maybe she could wrap her legs
around his waist. And then she could rip
off his shirt and kiss his chest and his
his stomach. And then he could use his
teeth his teeth to undo her dress and
and and bite her. And then right right
when the scene ends, he could take her
with this raw animal.
Something like that.
Yeah, that's pretty much what I had in
mind. Where's Chandler? Uh, he can't
make it. He said he had to go back to
his uh job and do uh Who
Joey? Joey Tribani.
Joey, I can see you. Okay. You're hiding
behind the coats.
Close one.
Hey,
is uh is Chandler around? No. Um he met
some girl at the coffee house.
Yeah. Ginger or something? No.
No. No. Uh, are you sure it wasn't
something that sounded like ginger? Like
uh ginger?
No, it was Ginger. I remember because
when he told me I said the movie star.
Oh man, that's the girl I was hiding
from. When she finds out he's my
roommate, she's going to tell him what I
did. Why? What did you do? Oh. Oh. Oh
no. No. I can't.
I can't tell you that. It's like the
most awful, horrible thing I've ever
done in my whole life. You know what?
Don't tell us. We'll just wait till
Trainer gets home because it'll be more
fun that way. All
right. Okay. It was like four years ago.
Okay. Ginger and I had gone out a few
times and then this one weekend, we went
up to her dad's cabin. Just me, her, and
her annoying little dog,
Pepper. Well, that night, I cooked this
really romantic dinner. You gave her
food poisoning.
I
wish after dinner, me, her, and Pepper
all fell asleep in front of the fire.
Well, I woke up in the middle of the
night and I saw that the fire was dying
out. So, I picked up a log and threw it
on. Or at least what I thought was a
log. Oh my god, you threw pepper on the
fire. I
wish. See, I guess another thing I
probably should have told you about
Ginger is that she kind of has a
uh artificial leg.
Oh my
god, Joey, what did you do after you
threw her leg on the fire?
I ran.
I'm going to get on this spaceship.
[Music]
And I'm going to go to Bloggon 7 in
search of alternative
fuels. But when I return 200 years from
now, you'll be long
gone. But I won't have aged at
all. So you tell your great great
granddaughter to look me up.
Because
Adrien baby,
I'm going to want to meet her.
[Music]
So long, Vic. Chloe, finish up with your
customer first. Come on, Co. Come on.
Come. Can I help you?
Uhoh. Uh, you know what? We're having
second thoughts about our copying needs
and uh we'll need a little more time to
think about it.
Chloe, switch with me. There's some guys
here got a crush on you.
Okay, that hurt us.
Hi guys. I haven't seen you since this
morning.
Well,
uh you know,
hey, what are you guys doing tomorrow
night?
Both of us. Maybe. Does that scare you?
Relax. Just Isaac's DJing at the Philly.
You should come. Oh, we'll be there.
Great. I'll uh see you then. All right.
Rock on.
Motel
Theater. Joey Tribani gives an uneven
performance about Mr. Tribani is not the
worst thing in this production. Yes,
Kate Miller's awkward and mannered
portrayal is
laughable. Aha, here it is. The
direction by Marshall Townend
is Thank you, boys and girls. You've
ruined my life. Please stuff your
talentless faces with my mother's crab
cakes. Excuse
me. Does anyone mind if I save this?
[Music]

Key Vocabulary

Start Practicing
Vocabulary Meanings

humidity

/hjuːˈmɪdɪti/

B2
  • noun
  • - the amount of water vapor in the air

combination

/ˌkɒmbɪˈneɪʃən/

B2
  • noun
  • - the joining of two or more things into one

lemonade

/ˈlɛməndeɪ/

A2
  • noun
  • - a sweetened drink made from lemon juice, water and sugar

revolutionary

/ˌrɛvəˈluːʃəˌnɛri/

C1
  • adjective
  • - causing a complete or dramatic change

drill

/drɪl/

B1
  • noun
  • - a tool used for making holes
  • verb
  • - to train by repeated practice

flinging

/ˈflɪŋɪŋ/

B2
  • verb (gerund)
  • - throwing something with force

responsibility

/rɪˌspɒn.sɪˈbɪl.ɪ.ti/

C1
  • noun
  • - the state of being accountable for something

constant

/ˈkɒn.stənt/

B2
  • adjective
  • - unchanging; occurring continuously over a period of time

refrigerator

/rɪˈfrɪdʒ.əˌreɪ.tər/

B1
  • noun
  • - an appliance for keeping food and drinks cold

product

/ˈprɒdʌkt/

B1
  • noun
  • - something that is made or grown and sold

intrigued

/ɪnˈtriːɡd/

C1
  • adjective
  • - aroused curiosity or interest

applause

/əˈplɔːz/

B2
  • noun
  • - the sound of clapping to show approval

actor

/ˈæktə(r)/

A2
  • noun
  • - a person who performs in plays, movies, or television

soap

/soʊp/

A2
  • noun
  • - a substance used for cleaning; also short for 'soap opera'

tweezers

/ˈtwiːzərz/

B2
  • noun
  • - small pincers used for picking up tiny objects

eyebrow

/ˈaɪˌbraʊ/

B2
  • noun
  • - the strip of hair above the eye

awkward

/ˈɔːkwəd/

B2
  • adjective
  • - causing or feeling embarrassment or inconvenience

laughter

/ˈlɑːftə/

B1
  • noun
  • - the sound made when people laugh

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