Accelerate – English Lyrics
Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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accelerate /əkˈseləreɪt/ B2 |
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speed /spiːd/ B1 |
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stamina /ˈstæmɪnə/ C1 |
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power /ˈpaʊər/ B1 |
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fire /ˈfaɪər/ A2 |
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ladies /ˈleɪdiz/ A1 |
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riot /ˈraɪət/ B2 |
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moola /ˈmuːlə/ C2 |
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drive /draɪv/ B1 |
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crash /kræʃ/ B1 |
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crazy /ˈkreɪzi/ B1 |
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guilty /ˈɡɪlti/ B2 |
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innocent /ˈɪnəsnt/ B2 |
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fill /fɪl/ A2 |
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spark /spɑːrk/ B2 |
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move /muːv/ A1 |
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work /wɜːrk/ A1 |
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kill /kɪl/ B1 |
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prove /pruːv/ B2 |
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Key Grammar Structures
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Hide it 'til we feel it, then we feel it, 'til we fight it, yeah
➔ Subordinating conjunctions (til, then, 'til)
➔ The song uses the subordinating conjunctions "**'til**" and "**then**" to show the sequence of events, connecting clauses and providing a temporal framework. Note the informal use of "**'til**" for "until".
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New York, worldwide (L.A., worldwide)
➔ Ellipsis and juxtaposition
➔ The use of ellipsis, omitting verbs or other elements to create a concise phrase. The parallel structure of "**New York**, **worldwide**" and "**(L.A.)**, **worldwide**" showcases juxtaposition, placing related ideas side by side for emphasis.
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All my day ones here with me (ah, yeah)
➔ Possessive pronoun and prepositional phrase
➔ The phrase "**my** day ones" uses the possessive pronoun "**my**" to indicate ownership. The prepositional phrase "**with me**" clarifies the presence of the day ones.
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Gonna get it how we want it, 'cause we 'bout it
➔ Informal contraction ('bout it), colloquial language, and adverbial clause of reason.
➔ The phrase "**'bout it**" is an informal contraction of "about it" or "about that," commonly used in colloquial English. "**'Cause**" is a casual contraction for "because". The use of "**'cause we 'bout it**" presents an adverbial clause of reason, explaining why they are going to get it how they want it.
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Baby, it's alright (Baby, it's alright)
➔ Repetition and interjection
➔ The repetition of "**Baby, it's alright**" serves as a rhythmic device and reinforces the message. The use of "**Baby**" can be seen as an interjection adding to the conversational tone.
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Accelerate, c'mon babe, pick up your speed
➔ Imperative mood and direct address.
➔ The use of the imperative verb "**Accelerate**" and "**pick up**" in the sentence gives a command or instruction. "**babe**" is used as direct address.
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Stamina, fill me up, that's what I need
➔ Noun phrase and verb phrase (ellipsis)
➔ The sentence starts with a noun phrase, "**Stamina**", followed by the verb phrase "**fill me up**". "**That's what I need**" is a complete clause clarifying what is desired. Note the implied verb in the first part.
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Another shot, you comin' home with me (Yeah)
➔ Sentence fragment and colloquial language
➔ "**Another shot**" is a sentence fragment, lacking a verb. The rest of the sentence, "**you comin' home with me**" uses colloquial language.
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Fuck all these drugs, fuck all these clubs
➔ Expletive and repetition
➔ The word "**fuck**" is used as an expletive, expressing strong emotion or emphasis. It is also repeated to add emphasis.
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Right, left, mic left, mic check, trap check
➔ Parallelism and Listing
➔ This sequence employs parallelism, mirroring the structure of phrases for emphasis. The list-like structure, "**Right, left, mic left, mic check, trap check**", contributes to a sense of rhythm and immediacy, possibly reflecting a rapid-fire sequence of actions or thoughts.
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