Lyrics & Translation
Dive into the dramatic soundscape of Stravaganzza's "Cárcel de Piel y Hueso." Learning the Spanish lyrics of this powerful Symphonic Metal track offers insight into profound themes of personal struggle and transformation, making it a rich piece for anyone interested in the expressive power of Spanish-language rock music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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nacer /naˈθeɾ/ or /naˈseɾ/ A2 |
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día /ˈdi.a/ A1 |
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sombrío /somˈbɾi.o/ C1 |
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crecer /kɾeˈθeɾ/ or /kɾeˈseɾ/ A2 |
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escondido /eskonˈdiðo/ B2 |
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pensar /penˈsaɾ/ A2 |
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cristal /kɾisˈtal/ B1 |
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agua /ˈaɡwa/ A1 |
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dolor /doˈloɾ/ B1 |
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acabar /akaˈβaɾ/ A2 |
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fe /fe/ B1 |
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odiar /oˈðjaɾ/ B1 |
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cruel /kɾuˈel/ B2 |
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caparazón /kapaɾaˈθon/ or /kapaɾaˈson/ C2 |
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interior /inteˈɾjoɾ/ B2 |
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insecto /inˈsekto/ A2 |
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vuelo /ˈbwelo/ B1 |
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atardecer /ataɾdeˈθeɾ/ or /ataɾdeˈseɾ/ B2 |
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letargo /leˈtaɾɡo/ C1 |
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Key Grammar Structures
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Soy lo que nadie ve
➔ Relative clause with 'que' (I am what nobody sees).
➔ The word 'que' links 'lo' (what) and 'nadie ve' (nobody sees), expressing identity or definition.
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Crecer escondido en ti
➔ Infinitive used as a noun with past participle phrase.
➔ 'Crecer' acts as the subject; 'escondido en ti' describes a hidden state while growing.
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Tiemblo al pensar
➔ Periphrastic construction: 'al' + infinitive to express cause or time.
➔ 'Al pensar' means 'when thinking' or 'upon thinking'; the action causes trembling.
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Odio al cruel caparazón
➔ Use of preposition 'a' before a definite article to mark the direct object (personal a).
➔ In poetic form, 'al' = 'a + el'. It emphasizes direction or attachment toward the object of hatred.
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Soy solo en mi interior
➔ Use of adverb 'solo' modifying the verb 'soy'.
➔ 'Solo' means 'alone' here, describing the existential state conveyed by 'soy'.
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La fe se disipa al ver
➔ Reflexive verb 'disiparse' with 'se' and 'al' + infinitive.
➔ 'Se disipa' means 'dissipates'; the 'se' shows that faith fades by itself when seeing something.
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Del letargo, un nuevo ser
➔ Elliptical structure omitting the verb for emphasis.
➔ The verb (like 'surge' or 'nace') is omitted; poetic ellipsis creates imagery and rhythm.
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Si el insecto abandona su piel, puedes observar en él
➔ Conditional sentence with 'si' + present indicative + main clause in present.
➔ It expresses a general truth: if one thing happens, another always follows.
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SEKAI NO OWARI