This Is 50 – English Lyrics

• By: G-Unit, 50 Cent, Lloyd Banks, Tony Yayo

Lyrics & Translation

Dive into the raw energy of “This Is 50” by G-Unit, a track that showcases the unique styles of 50 Cent, Lloyd Banks, and Tony Yayo. This song offers a vivid glimpse into their world, marked by street credibility and unapologetic bravado. Explore the language of hardcore hip-hop and understand how these artists cemented their place in rap history through unflinching narratives and intense delivery.

[English]

Unstoppable, yeah, incredible, yeah, incredible, yeah.

This is the Unit.

You know how we do it.

I'ma make you dance to it.

Throw up your hands to it.

That's all about.

Girl, what's it gon' take to have you close to me?

Wrap my side waist close to me.

Let's start to undress you where they notice me, and you can have it all free your child.

Yeah. I know you like European cars.

Take a look at my garage.

Make, make we get on my nuts.

We in the middle when your legs to the sky.

I got that Bentley, Ferrari, the Lambo.

My car game crazy, I can't be seen.

The Aston Martin, Bugatti, the Range and the Rolls.

Got me freaking off with some high-class hoes.

You know with me, man, anything goes.

I had Shorty in the telly working all three holes.

Jesus, I bet you won't believe this unless I let you see this.

You deep throat my whole car.

Now digging this bitch is so hot.

I gotta take it to my hood, let them blow my whole block.

Yeah, I just happened to be what she likes.

She says I'm special, I'm like, "Yeah, baby, you're right."

A little Goose, a little Patron tonight, I had the club looking like a fucking zoo.

New music, you can't confuse it with the other clicks or crews.

It's the unit.

Girl, what's it gon' take to have you close to me?

Wrap my side waist close to me.

Let's start to undress you where they notice me, and you can have it all for your child.

I know you like European cars.

Take, take a look at my garage.

Make, make we get on my nuts, we in the middle when your legs to the sky.

Shorty came over, I told her, "I'ma move to her."

Told her, "To her ride, I'm rolling."

With a roll-up.

Fold her like a cobra.

Hold her 'til she sober, fold her and possess her 'til it's hard to bend over.

I'm a very special type.

I can't let you shine.

These rappers out they mind.

Don't compare to me, kid.

Take a look at my design.

My Louis fitting fine.

My jewelry might blind.

I'm a walking white line.

You can't get on my level, that'll take a lifetime.

And I got it at twenty-five, take your lifetime.

I don't care about crime.

Small notes is not mine.

I'ma be fine, stronger than white wine.

So girl, I ain't home 'til the early mornin'.

She's probably with the G-Unit, getting it on.

I told her she's Miss Right.

So it can't be wrong.

We were at it all night long.

Girl, what's it gon' take to have you close to me?

Wrap my side waist close to me.

Let's start to undress you where they notice me, and you can have it all for your child.

I know you like European cars.

Take, take a look at my garage.

Make, make we get on my nuts, we in the middle when your legs to the sky.

From one to ten, baby girl, off the rick-dock.

But I ain't tripping, I ain't Nelly and his stick-up.

Shake that ass, drop it low like a strip-club.

Shake that ass, drop it low like a strip-club.

Love again, on them drugs again.

Same clothes, same spots, same girls again.

Girls coming in and we popping them bottles.

By twelve o'clock, we be popping them bottles.

Fo' five bottles, the club go crazy like "ooh, ooh."

Oh, baby.

Okay, bottle rosé, Shorty see the porsche.

And I'm flying like "hey."

Drugs are pumping, watch me go zero to sixty.

Take it to the wrist, slot off your miss Sixty.

I know you heard of Fifty, I know you heard his name.

I Steve Nash these hoes, pass them all day.

Girl, what's it gon' take to have you close to me?

Wrap my side waist close to me.

Let's start to undress you where they notice me, and you can have it all for your child.

I know you like European cars.

Take, take a look at my garage.

Make, make we get on my nuts, we in the middle when your legs to the sky.

It's easy, man.

Believe me, man.

This is the Unit, it's the Unit, it's the Unit, this is how we do it.

Banks.

Yeah.

Yayo.

Fifty.

Key Vocabulary

Vocabulary	Meanings
unstoppable /ʌnˈstɒpəbəl/ C1	adjective - cannot be stopped
incredible /ɪnˈkrɛdɪbəl/ B2	adjective - hard to believe; amazing
dance /dæns/ A1	verb - to move rhythmically to music noun - a social gathering for dancing
undress /ʌnˈdrɛs/ B2	verb - to remove clothing
garage /ɡəˈrɑːʒ/ A2	noun - a building for storing vehicles
car /kɑːr/ A1	noun - a motor vehicle with wheels
crazy /ˈkreɪzi/ B2	adjective - extremely enthusiastic or insane
high‑class /haɪ ˈklæs/ C1	adjective - of superior quality or status
special /ˈspɛʃəl/ B1	adjective - different from what is usual; noteworthy
love /lʌv/ A1	noun - a deep affection or strong feeling of attachment verb - to feel deep affection for someone
drug /drʌɡ/ B1	noun - a substance that alters bodily functions when ingested
club /klʌb/ A2	noun - a venue for dancing and entertainment; an association
bottle /ˈbɒtəl/ A2	noun - a container, typically made of glass, for liquids
rosé /roʊˈzeɪ/ B2	noun - a type of wine that is pink in colour
porsche /ˈpɔːrʃə/ B2	noun - a German luxury sports car brand
fly /flaɪ/ B1	verb - to move through the air using wings or an engine
believe /bɪˈliːv/ B1	verb - to accept something as true
lifetime /ˈlaɪftaɪm/ B2	noun - the duration of a person's life
level /ˈlɛvəl/ B1	noun - a specific height, rank, or degree
blow /bloʊ/ B1	verb - to move air from one place to another with the breath

Key Grammar Structures

• I'ma make you dance to it.

  ➔ Causative verb + bare infinitive; Future intention with 'going to' contraction

  ➔ In "I'ma", the speaker shortens "I am going to" to show a future plan. The verb "make" followed by an object and a bare infinitive ("dance") forms a causative construction.

• Girl, what's it gon' take to have you close to me?

  ➔ Interrogative with 'what' + future intention (going to) + infinitive

  ➔ The phrase "what's it gon' take" asks about the required effort; "gon'" is a contraction of "going to" indicating future intention, followed by the infinitive "to have".

• I know you like European cars.

  ➔ Present simple + object clause (that‑clause omitted)

  ➔ The verb "know" is in the present simple and is followed directly by the clause "you like European cars"; the usual "that" is omitted.

• I had Shorty in the telly working all three holes.

  ➔ Past simple + present participle (verb‑ing) as result/resultative clause

  ➔ The main clause "I had Shorty in the telly" is in the past simple; the participle phrase "working all three holes" describes the state/result of that situation.

• I can't let you shine.

  ➔ Modal verb + bare infinitive (let + object + verb)

  ➔ "Can't" is the negative modal of ability/permission, followed by the causative verb "let" and the bare infinitive "shine".

• You can't get on my level, that'll take a lifetime.

  ➔ Modal verb + infinitive; Contraction "that'll" (that will) + future simple

  ➔ "Can't" expresses inability; "get" is a bare infinitive. "That'll" is short for "that will", predicting a future result.

• I don't care about crime.

  ➔ Negative present simple with verb "care" + preposition "about"

  ➔ "Don't" is the negative form of "do" in the present simple; "care" takes the preposition "about" to introduce the thing one is indifferent to.

• I'm a walking white line.

  ➔ Present simple "be" + noun phrase with present participle used as adjective

  ➔ "I'm" is the contraction of "I am" (present simple of "be"). "Walking" is a present participle that describes the speaker as a moving "white line".

• This is the Unit.

  ➔ Simple present "be" + definite article + noun (identification)

  ➔ "This" is a demonstrative pronoun; "is" is the present simple of "be"; "the Unit" is a noun phrase that identifies the subject.