Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
veneno /beˈneno/ B1 |
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placer /plaˈθeɾ/ B2 |
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amor /aˈmoɾ/ A2 |
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fuego /ˈfweɣo/ A2 |
|
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volcán /bolˈkan/ B1 |
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alma /ˈalma/ B2 |
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instinto /insˈtinto/ B2 |
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mentira /menˈtiɾa/ B1 |
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farsa /ˈfaɾsa/ C1 |
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obsesión /obsesˈjon/ B2 |
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sombra /ˈsombɾa/ B1 |
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momento /moˈmento/ A2 |
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corazón /koɾaˈθon/ A2 |
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atrapar /atɾaˈpaɾ/ B1 |
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escapar /eskaˈpaɾ/ A2 |
|
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arder /aɾˈdeɾ/ B2 |
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vivir /biˈβiɾ/ A1 |
|
🚀 "veneno", "placer" – from “Dulce Veneno” still a mystery?
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Key Grammar Structures
-
Te siento respirar, al compás de mis latidos.
➔ Use of 'te siento + infinitive' (perception verb + infinitive).
➔ The phrase 'te siento respirar' means 'I feel you breathing', showing that the verb 'sentir' expresses perception followed directly by an infinitive.
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No hay tiempo, no hay final, lo que importa es el momento.
➔ Use of 'lo que' as a relative pronoun meaning 'what/that which'.
➔ The phrase 'lo que importa' translates as 'what matters', showing how 'lo que' introduces a nominal clause.
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Finges cada segundo, susurrándome lo eterno.
➔ Use of present tense 'finges' and gerund with pronoun 'susurrándome'.
➔ The gerund 'susurrándome' combines 'susurrando' (whispering) + 'me' (to me), a common structure in Spanish.
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Que lo hago solo por placer.
➔ Use of conjunction 'que' introducing a subordinate clause.
➔ Here 'que' connects with the previous idea indirectly, showing reported or explanatory structure.
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No hay amor, no hay ilusión.
➔ Structure of 'no hay' for expressing nonexistence.
➔ 'No hay' means 'there is not' or 'there is no', used with singular or uncountable nouns.
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Nunca hubo amor.
➔ Use of preterite 'hubo' (past form of 'haber').
➔ 'Hubo' refers to something that existed or occurred completely in the past.
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Me atrapas y me dejas escapar.
➔ Use of direct object pronoun 'me' with two verbs.
➔ The pronoun 'me' refers to the same subject of both actions: 'You catch me and let me go.'
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Como un volcán echando fuego.
➔ Use of simile with 'como' + noun + gerund phrase.
➔ This simile compares passion to a volcano erupting, using 'como' for 'like/as'.
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