Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
love /lʌv/ A1 |
|
|
change /tʃeɪndʒ/ A2 |
|
|
fame /feɪm/ B1 |
|
|
fashion /ˈfæʃən/ A2 |
|
|
passion /ˈpæʃən/ B1 |
|
|
beautiful /ˈbjuːtɪfəl/ A2 |
|
|
face /feɪs/ A1 |
|
|
represent /ˌrɛprɪˈzɛnt/ B1 |
|
|
decline /dɪˈklaɪn/ B2 |
|
|
standards /ˈstændərdz/ B1 |
|
|
accept /əkˈsɛpt/ A2 |
|
|
portray /pɔrˈtreɪ/ B2 |
|
|
important /ɪmˈpɔrtənt/ A2 |
|
|
decline /dɪˈklaɪn/ B2 |
|
|
calendar /ˈkælənˌdər/ A2 |
|
|
people /ˈpiːpəl/ A1 |
|
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Key Grammar Structures
-
WOULD YOU LIKE TO LOOK OUTSIDE SOMETIMES?
➔ Polite offer using WOULD YOU
➔ "Would you" introduces polite offers/invitations. The base verb (like) follows "would you"
-
IF THAT'S WHAT YOU WANNA DO
➔ Informal conditional (WANNA)
➔ "Wanna" = colloquial contraction of "want to". Conditional clause modifies "love me"
-
YOU'VE BEEN READING ABOUT YOURSELF
➔ Present Perfect Continuous
➔ "Have been + -ing" describes ongoing actions started in past with current relevance
-
CAUGHT UP IN FASHION KARCRASHIAN PANACHE
➔ Reduced passive participle phrase
➔ Implied subject (you) omitted. "Caught up" modifies the subject instead of full clause "You are caught up"
-
YOU'VE GOT A BEAUTIFUL FACE BUT GOT NOTHING TO SAY
➔ Contrasting parallel structures
➔ Parallel verb clauses (you've got...but got...) show irony. Ellipsis of pronoun in second section
-
LET'S BE FRIENDS
➔ Suggestion with LET'S
➔ "Let's" (Let us) + bare infinitive expresses inclusive suggestion. Common in informal dialogues
-
GIVE IT TO THE PEOPLE
➔ Imperative pronoun object
➔ Direct command structure. "It" refers to abstract concept (calendar/time) requiring context
-
BE THE MAN THAT GETS THEM UP ON THEIR FEET
➔ Imperative + defining relative clause
➔ Command "be" modified by relative clause introduced with "that". "Them/their" maintains pronoun consistency
Album: Notes On A Conditional Form
Same Singer
A Change Of Heart
The 1975
Somebody Else
The 1975
Love Me
The 1975
I might say something stupid
Charli xcx, the 1975, jon hopkins
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