竈門炭治郎のうた – Bilingual Lyrics Vietnamese/English
Lyrics & Translation
“Gurenge” is an intense rock track that defines a generation of anime music. By exploring its lyrics, you can master vocabulary related to determination, battle, and emotional resolve. Its dynamic language, combined with LiSA's powerful delivery, makes it an excellent song for practicing high-energy Japanese and understanding the emotional depth of modern J-rock storytelling.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
強く /tsɯjo̞kɯ̥/ A2 |
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理由 /ɾʲi.jɯː/ B1 |
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知る /ɕiɾɯ̥/ A1 |
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進む /susɯ̥mu/ A2 |
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泥 /doɾo/ A1 |
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走馬灯 /soːma̠toː/ C1 |
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酔う /joː/ B1 |
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こわばる /ko̞wa̠baɾɯ̥/ B2 |
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心 /kokoɾo/ A1 |
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震える /ɸɯɾɯe̞ɾe̞/ B1 |
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手 /te/ A1 |
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掴む /tsɯ̥ka̠mɯ̥/ B2 |
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夜 /jo̞ɾɯ̥/ A1 |
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匂い /ɲi.o̞i/ A2 |
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空 /so̞ɾa/ A1 |
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変わる /ka̠waɾɯ̥/ B1 |
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夢 /jɯ̥me̞/ A1 |
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立ち上がる /ta̠t͡ɕi aɡaɾɯ̥/ B1 |
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世界 /se̞ka̠i/ B2 |
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運命 /ɯ̥n.me̞i/ B2 |
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What does “強く” mean in the song "竈門炭治郎のうた"?
Learn fast – go deep – and remember longer with interactive exercises in the app!
Key Grammar Structures
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強くなれる理由を知った
➔ Potential form + past tense
➔ In the line "強くなれる理由を知った", "強くなれる" uses the potential form (naru → nareru) to express 'can become strong', combined with the past tense "知った" (shitta) to indicate realization in the past.
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僕を連れて進め
➔ Te-form + imperative
➔ In the line "僕を連れて進め", "連れて" is the te-form of tsureru (to bring along), connecting to the imperative "進め" (susume, 'advance') to command 'take me and go forward'.
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こわばる心 震える手は
➔ Verb stems as modifiers
➔ In the line "こわばる心 震える手は", "こわばる" and "震える" are verb stems (ren'yōkei) used as attributive adjectives modifying nouns 'heart' and 'hands', describing a stiffening heart and trembling hands.
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掴みたいものがある それだけさ
➔ Tai-form + existential structure
➔ In the line "掴みたいものがある それだけさ", "掴みたい" is the desiderative tai-form of tsukamu (to grab), followed by the existential "ものがある" meaning 'there is something I want to grab', emphasizing that's all.
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変わっていけるのは自分自身だけ
➔ Cleft sentence with potential progressive
➔ In the line "変わっていけるのは自分自身だけ", "変わっていける" is the potential form of the progressive 'kawatte iku' (can keep changing), in a cleft structure "no wa ... dake" to emphasize 'only oneself can change'.
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消せない夢も 止まれない今も
➔ Negative potential + inclusive particle mo
➔ In the line "消せない夢も 止まれない今も", "消せない" and "止まれない" are negative potential forms (kesenai: cannot erase; tomarenai: cannot stop), with "mo" (also) linking 'unerasable dreams and unstoppable present' inclusively.
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誰かのために強くなれるなら
➔ Conditional clause with potential
➔ In the line "誰かのために強くなれるなら", "強くなれるなら" combines the potential 'nareru' (can become strong) with the conditional "nara" (if), forming 'if one can become strong for someone's sake'.
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何度でも立ち上がれ
➔ Indefinite frequency + imperative
➔ In the line "何度でも立ち上がれ", "何度でも" (nando demo, any number of times) modifies the imperative "立ち上がれ" (tachiagare, 'stand up!'), urging to rise repeatedly no matter how many times.
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世界に撃のめされて
➔ Passive te-form
➔ In the line "世界に撃のめされて", "撃のめされて" is the te-form of the passive uchimo(y)aseru (to be beaten down), indicating 'being defeated by the world' as a connected action.
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紅蓮の花よ咲き誇れ!
➔ Vocative + imperative
➔ In the line "紅蓮の花よ咲き誇れ!", "よ" acts as a vocative particle addressing 'red lotus flower', followed by the imperative "咲き誇れ" (sakihokore, 'bloom proudly!') to command exuberant blooming.
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