Smooth Operator
Lyrics:
[English]
(gentle upbeat music)
♪ Diamond life ♪
♪ Lover boy ♪
♪ We move in space with minimum waste ♪
♪ And maximum joy ♪
♪ City lights ♪
♪ And business nights ♪
♪ When you require streetcar desire ♪
♪ For higher heights ♪
♪ No place for beginners or sensitive hearts ♪
♪ When sentiment is left to chance ♪
♪ No place to be ending but somewhere to start ♪
♪ No need to ask ♪
♪ He's a smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Coast to coast, LA to Chicago ♪
♪ Western male ♪
♪ Across the north and south to Key Largo ♪
♪ Love for sale ♪
(gentle poignant upbeat music)
(gentle upbeat music)
♪ Face-to-Face ♪
♪ Each classic case ♪
♪ We shadow box and double cross ♪
♪ Yet need the chase ♪
♪ A license to love, insurance to hold ♪
♪ Melts all your memories and change into gold ♪
♪ His eyes are like angels but his heart is cold ♪
♪ No need to ask ♪
♪ He's a smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Coast to coast, LA to Chicago ♪
♪ Western male ♪
♪ Across the north and south to Key Largo ♪
♪ Love for sale ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
♪ Smooth operator ♪
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
diamond /ˈdaɪ.ə.mənd/ B2 |
|
lover /ˈlʌv.ər/ A2 |
|
space /speɪs/ A1 |
|
joy /dʒɔɪ/ A2 |
|
business /ˈbɪz.nɪs/ B1 |
|
hearts /hɑːrt/ A2 |
|
desire /dɪˈzaɪər/ B2 |
|
place /pleɪs/ A1 |
|
start /stɑːrt/ A1 |
|
smooth /smuːð/ B2 |
|
operator /ˈɒp.ə.reɪ.tər/ B2 |
|
license /ˈlaɪ.səns/ B2 |
|
insurance /ɪnˈʃʊr.əns/ B2 |
|
memories /ˈmem.ər.iz/ B1 |
|
gold /ɡoʊld/ A2 |
|
eyes /aɪz/ A1 |
|
cold /koʊld/ A2 |
|
Grammar:
-
We move in space with minimum waste
➔ Prepositional Phrase of Manner
➔ The phrase "with minimum waste" describes *how* the movement occurs. It indicates the manner in which they move.
-
When you require streetcar desire
➔ Subordinate Clause of Time (when)
➔ "When you require streetcar desire" functions as an adverbial clause, modifying the main clause (which is implied in the context). It sets the time *when* the following action takes place.
-
No place for beginners or sensitive hearts
➔ Parallel Structure with "or"
➔ "beginners" and "sensitive hearts" are nouns (or noun phrases) connected by "or", creating a parallel structure. This emphasizes the two types of people who don't belong in this situation.
-
When sentiment is left to chance
➔ Passive Voice ("is left")
➔ The passive voice "is left" indicates that sentiment is not actively being chosen, but rather it *receives* the action of being left to chance. The agent (who/what leaves sentiment to chance) is not specified.
-
No place to be ending but somewhere to start
➔ Infinitive Phrases as Adjectives
➔ The phrases "to be ending" and "to start" are infinitive phrases functioning as adjectives modifying "place" and "somewhere" respectively. They describe the *purpose* or *function* of the place.
-
His eyes are like angels but his heart is cold
➔ Simile ("like angels") contrasted with a stark statement
➔ The line uses a simile ("like angels") to create an initial impression of innocence or purity. This is then immediately contrasted with the blunt statement "his heart is cold", highlighting the operator's deceptive nature.
-
Melts all your memories and change into gold
➔ Ellipsis (Subject Omission)
➔ The sentence implies the subject "he" (smooth operator) for both verbs, "melts" and "change". Ellipsis makes the language more concise and rhythmically appropriate for a song.