Lyrics & Translation
Dive into the smoky, noir-inspired world of Portishead to master English through atmosphere and emotion. 'Sour Times' is perfect for learners looking to understand how repetitive phrasing and evocative vocabulary can create a deep, cinematic mood, making it a special gateway into soulful, alternative songwriting.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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pretend /prɪˈtend/ B1 |
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fallacies /ˈfæləsiz/ C2 |
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forbidden /fəˈbɪdn/ B2 |
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courtesies /ˈkɜːrtəsiz/ C1 |
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despise /dɪˈspaɪz/ C1 |
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fantasies /ˈfæntəsiz/ B2 |
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sinful /ˈsɪnfl/ C1 |
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assume /əˈsuːm/ B2 |
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vows /vaʊz/ C1 |
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sour /ˈsaʊər/ B1 |
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bitter /ˈbɪtər/ B1 |
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innocence /ˈɪnəsns/ B2 |
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decent /ˈdiːsnt/ B2 |
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scattered /ˈskætərd/ B2 |
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mysteries /ˈmɪstriz/ B2 |
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disguise /dɪsˈɡaɪz/ B2 |
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revolve /rɪˈvɑːlv/ B2 |
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circumstance /ˈsɜːrkəmstæns/ B2 |
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decide /dɪˈsaɪd/ A2 |
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🚀 "pretend", "fallacies" – from “Sour Times” still a mystery?
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Key Grammar Structures
-
To pretend no one can find
➔ Infinitive of purpose / Subject
➔ "To pretend" functions as the subject of the implied sentiment of the song.
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Courtesies that I despise in me
➔ Defining Relative Clause
➔ "that" introduces a relative clause describing "courtesies".
-
'Cause nobody loves me, it's true
➔ Indefinite pronoun as subject
➔ "nobody" is an indefinite pronoun acting as the singular subject.
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Not like you do
➔ Pro-form (do)
➔ "do" is used here as a pro-verb to avoid repeating the verb "love".
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Covered by the blind belief
➔ Past Participle Phrase
➔ "Covered" functions as a passive participle modifying the subject.
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Who am I, what and why
➔ Wh- interrogative pronouns
➔ These words function as the head of interrogative structures.
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All I have left is my memories
➔ Relative clause with omitted 'that'
➔ "All (that) I have left" contains a relative clause where "that" is optional.
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Circumstance will decide
➔ Future tense with 'will'
➔ "will" is used here to indicate a future outcome or certainty.
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