Sweetness – English Lyrics
Lyrics & Translation
Learning a language through music is a delightful journey, and Elliot James Reay's “Sweetness” is a perfect starting point. The song's clear, heartfelt lyrics and repetitive chorus make it easy to follow along and pick up new vocabulary related to feelings and senses. Its vintage-inspired melody is not only catchy but also provides a unique cultural context, blending modern pop with the timeless romance of the 50s and 60s, making the learning process both enjoyable and enriching.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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sweetness /ˈswiːtnəs/ B1 |
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sweetest /ˈswiːtɪst/ A1 |
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dancing /ˈdɑːnsɪŋ/ (UK) /dænsɪŋ/ (US) A1 |
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tongue /tʌŋ/ A2 |
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heart /hɑːt/ A1 |
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begging /ˈbeɡɪŋ/ B1 |
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kiss /kɪs/ A2 |
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craving /ˈkreɪvɪŋ/ B2 |
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need /niːd/ A1 |
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satisfied /ˈsætɪsfaɪd/ B1 |
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rush /rʌʃ/ B1 |
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stuck /stʌk/ B1 |
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dose /dəʊs/ B2 |
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drop /drɒp/ (UK) /drɑːp/ (US) A2 |
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sour /saʊər/ B1 |
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honey /ˈhʌni/ A2 |
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hooked /hʊkt/ B2 |
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caramel /ˈkærəmel/ B1 |
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bubblegum /ˈbʌblɡʌm/ B1 |
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break /breɪk/ A2 |
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Key Grammar Structures
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YOU ARE THE SWEETEST THING
➔ Superlative Adjective
➔ "Sweetest" is the "superlative form" of the adjective "sweet," used here to express that the subject is the most "sweet" among all possible things. It follows the structure "the + adjective-est" or "the most + adjective."
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DANCING ON MY TONGUE
➔ Present Participle Phrase as an Adjectival Modifier
➔ The phrase "dancing on my tongue" uses the "present participle" ("dancing") to describe the "sweetest thing." It functions like an adjective, providing more information about the noun, often implying an ongoing action or state.
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LIKE A SONG I’VE NOT HEARD BEFORE
➔ Relative Clause (Omitted Relative Pronoun) & Present Perfect
➔ This is a "reduced relative clause". The relative pronoun "that" or "which" is omitted before "I've not heard before". The "Present Perfect" tense "I've not heard" (I have not heard) indicates an experience or action that happened at an unspecified time in the past and has relevance to the present.
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DON’T GO AND BREAK MY HEART
➔ Negative Imperative with "go and do something" construction
➔ This is a "negative imperative", a command or request not to do something, using "Don't". The phrase "go and break" is an informal yet common construction emphasizing the action or its consequence, similar to "don't just break my heart, but actively go and do it."
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I’M BEGGING FOR JUST ONE KISS MORE
➔ Present Continuous for Emphasis/Ongoing Action
➔ The "Present Continuous" tense "I'm begging" (I am begging) is used here to emphasize the immediate and "ongoing nature" of the action, highlighting the intensity and persistence of the speaker's request.
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I’VE GOT A CRAVING, NOT A WANT, BUT A NEED
➔ "Have got" (possession) & Contrastive Conjunctions
➔ ""I've got"" is an informal way of saying "I have," indicating possession. The phrase "not a want, but a need" uses "contrastive conjunctions" ("not...but") to create a strong emphasis, distinguishing between a mere desire and an "essential requirement".
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YOU CAN’T BE GOOD FOR MY HEART
➔ Modal Verb "can't" (Impossibility/Strong Deduction)
➔ The "modal verb" ""can't"" (cannot) is used here to express "strong deduction" or a conclusion that something is "impossible" or highly improbable, based on the speaker's assessment of the situation.
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I’LL DRINK IT UP UNTIL I DROP
➔ Future Simple (Will) & Time Clause with "until"
➔ ""I'll drink"" uses the "Future Simple" (will + base verb) to express a decision or intention. The phrase ""until I drop"" is a "time clause" introduced by "until," indicating the duration of the action, meaning the action will continue "up to a specific point" in time or exhaustion.
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IF LIFE DIDN’T GO MY WAY
➔ Second Conditional
➔ This is a part of a "Second Conditional" sentence (implied full sentence: "I'd turn sour if life didn't go my way"). It uses the "past simple tense" in the "if" clause ("didn't go") to talk about a "hypothetical or unreal situation" in the present or future, and implies a hypothetical result.
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SWEETER THAN ANYONE
➔ Comparative Adjective
➔ ""Sweeter"" is the "comparative form" of the adjective "sweet," used here to compare the subject's sweetness to "anyone" else. It follows the structure "adjective-er + than" or "more + adjective + than."
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