Lyrics & Translation
Delve into the gritty world of Migos' “Trenchez,” a track that offers a vivid snapshot of street life and the hustle. This song is an opportunity to explore the language of trap culture, understand the nuances of its slang, and witness how artists use their lyrics to paint a picture of their reality. Experience the unique rhythm and flow that define Migos' signature sound and gain insights into the stories behind the music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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panoramic /ˌpæn.əˈræn.ɪk/ C1 |
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driveway /ˈdraɪv.weɪ/ B1 |
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feds /fɛdz/ B2 |
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trap /træp/ B1 |
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trench /trɛntʃ/ B2 |
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flex /flɛks/ B2 |
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police /pəˈliːs/ B1 |
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business /ˈbɪz.nəs/ B1 |
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assassin /əˈsæs.ɪn/ B2 |
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valet /væˈleɪ/ B2 |
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trigger /ˈtrɪɡ.ər/ B2 |
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digital /ˈdɪdʒ.ɪ.təl/ B2 |
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magic /ˈmædʒ.ɪk/ B1 |
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gram /ɡræm/ B1 |
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plastic /ˈplæs.tɪk/ B1 |
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brick /brɪk/ B1 |
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medical /ˈmɛd.ɪ.kəl/ B2 |
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professional /prəˈfɛʃ.ə.nəl/ B2 |
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million /ˈmɪl.jən/ B1 |
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biblical /bɪˈbɪl.ɪ.kəl/ C1 |
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Key Grammar Structures
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Feds watching, we in the project.
➔ Ellipsis in Informal Speech
➔ This line demonstrates **ellipsis**, where words like "are" are omitted (e.g., "Feds [are] watching," "we [are] in the project") for conciseness and informality, common in spoken English.
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They know we ain't supposed to be driving that.
➔ Informal Negative Obligation/Expectation ("ain't supposed to")
➔ The phrase "**ain't supposed to be driving**" uses the informal contraction "ain't" instead of "are not" or "is not," combined with "supposed to" to express a negative obligation or expectation. The continuous form "be driving" emphasizes the ongoing action.
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The police ain't liking that.
➔ Informal Negative Present Continuous ("ain't liking")
➔ "**ain't liking**" is an informal and dialectal way of saying "are not liking" or "do not like." It combines the informal "ain't" with the present continuous tense, which is sometimes used for a more immediate or ongoing sense of disapproval.
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I stand on the stove, I beat the pot up like I'm Cassius.
➔ Simile (using "like")
➔ The line uses a **simile** with "**like I'm Cassius**" to compare the speaker's intense action of "beating the pot up" (a metaphor for cooking drugs) to the powerful boxing of Cassius Clay (Muhammad Ali), creating a vivid image.
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Look at the scale, make sure the grams is accurate.
➔ Subject-Verb Agreement (Informal/Dialectal)
➔ The phrase "**the grams is accurate**" demonstrates informal or dialectal subject-verb disagreement, where a singular verb "is" is used with a plural subject "grams." Standard English would require "are." This highlights variations in spoken language.
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Buy how many bricks up in Africa.
➔ Exclamatory Question/Statement (Informal)
➔ This is an **exclamatory statement** disguised as a question. "**Buy how many bricks**" isn't asking for a number but rather expressing the vast quantity of bricks bought, implying "We buy so many bricks in Africa!" It's an informal way to emphasize a large, unspecified amount.
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I made a million, that's historical.
➔ Demonstrative Pronoun Reference
➔ The **demonstrative pronoun "that"** in "**that's historical**" refers back to the entire preceding clause ("I made a million"), summarizing and commenting on the significance of the achievement.
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When I cook up a baby, they come out identical.
➔ Temporal Clause ("When") + Phrasal Verb ("cook up")
➔ "**When I cook up a baby**" uses a **temporal clause** introduced by "When" to indicate a specific time or condition. "**cook up**" is a **phrasal verb** that, in this context, means to prepare something, often illicitly (referring to drugs).
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Since I committed, I counting no tickets.
➔ Temporal Clause ("Since") + Ellipsis + Informal Negative ("no tickets")
➔ "**Since I committed**" functions as a **temporal clause**, indicating a starting point in time. "**I counting no tickets**" demonstrates **ellipsis** (omitting "am") and uses the informal "no" instead of "not any" or "don't count any" to express negation.
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Nigga trying to steal my flow, hit a 44, make it brain blow.
➔ Reduced Relative Clause / Participial Phrase + Imperative/Implied Consequence
➔ "**Nigga trying to steal my flow**" uses a **reduced relative clause** (omitting "who is") or a participial phrase to describe the subject. The subsequent phrases "**hit a 44, make it brain blow**" are imperatives or implied consequences phrased as direct, forceful commands, common in rap lyrics.
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