Lyrics & Translation
Immerse yourself in the infectious rhythms of Karol G's "Tropicoqueta" and unlock the vibrant world of Spanish and Latin culture. This upbeat party anthem is a fantastic way to learn common Spanish phrases for dancing, celebration, and community interaction. The repetitive and clear dance instructions in the lyrics make it an engaging and fun tool for language acquisition, while its blend of diverse Latin genres offers a rich sonic experience that captures the essence of Latin identity.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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gente /ˈxente/ A2 |
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bailar /baˈilaɾ/ A2 |
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mesa /ˈmesa/ A2 |
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cocina /koˈsina/ A2 |
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presentar /pɾesenˈtaɾ/ B1 |
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romper /romˈpeɾ/ B1 |
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fila /ˈfila/ A2 |
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ver /beɾ/ A1 |
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manos /ˈmanos/ A1 |
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pena /ˈpena/ B1 |
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pereza /peˈɾesa/ B1 |
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empieza /emˈpjesa/ A2 |
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actitud /aktiˈtuð/ B2 |
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mover /moˈbeɾ/ A2 |
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pompis /ˈpompis/ B1 |
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suave /ˈswaβe/ B1 |
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pasito /paˈsito/ A2 |
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animaditos /aniˈmaðitos/ B1 |
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Key Grammar Structures
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¿DÓNDE TA' LA GENTE DE ESTA FIESTA?
➔ Contraction 'ta' for 'está'
➔ This is a common informal contraction in spoken Spanish, especially in certain regions and in music to maintain rhythm and a casual tone. It means 'where is'.
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QUE VINO PA' BAILAR NO PA' UNA SIESTA
➔ Contraction 'pa'' for 'para'
➔ Another common informal contraction in spoken Spanish, 'pa'' is used here to mean 'in order to' or 'for'. It emphasizes the purpose of attending the party.
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NO QUIERO A NADIE CALENTÁNDOME LA SILLA
➔ Present Progressive (Gerundio) - 'calentándome'
➔ The present progressive is formed with 'estar' + gerund. Here, 'calentándome' (warming myself) is used metaphorically to mean occupying a spot without contributing to the energy of the party, 'warming the chair'.
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QUE EL MENEITO APENAS EMPIEZA
➔ Subjunctive Mood (Present Subjunctive) - 'empieza'
➔ While 'empieza' is typically indicative, in this context, it expresses a desire or anticipation that the 'meneíto' (a type of dance move) is just starting, implying a wish for it to continue or be enjoyed. The phrasing suggests a hopeful or enthusiastic outlook.
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CON ESA ACTITUD TROPICOQUETA
➔ Adjective 'Tropicogrecha' modifying 'actitud'
➔ The word 'Tropicogrecha' is a portmanteau, blending 'tropical' and possibly 'coqueta' (flirty) or a similar term, creating a new adjective that describes a lively, sensual, and perhaps playfully provocative attitude associated with tropical vibes.
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MOVIENDO, LAS POMPIS SUAVECITO
➔ Adverb modifying the verb 'moviendo' - 'suavecito'
➔ 'Suavecito' is a diminutive of 'suave' (soft, gentle), used here as an adverb to describe the manner of moving the 'pompis' (buttocks). It indicates a smooth, gentle, and controlled movement.
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YA VI QUE YA TIENEN EL PASITO
➔ Past Tense Verb 'vi' (from 'ver' - to see) with present relevance
➔ The preterite tense 'vi' (I saw) is used to indicate an action completed in the past that has a direct consequence or relevance in the present. In this case, the singer has observed the dancers' steps and is reacting to that observation.
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ESTAMOS CONTENTOS TAMOS ANIMADITOS
➔ Informal contraction 'tamos' for 'estamos'
➔ Similar to 'ta', 'tamos' is a colloquial shortening of 'estamos' (we are). The repetition of the verb 'estar' in a contracted form reinforces the lively and informal atmosphere of the song.
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BAILANDO SIN PENA SIN PEREZA
➔ Adverbial phrase of manner - 'sin pena sin pereza'
➔ This phrase uses the preposition 'sin' (without) to describe the manner of dancing. It means 'dancing without shame, without laziness', emphasizing uninhibited and energetic movement.
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¡MIRA COMO MUEVE LOS HOMBRITOS!
➔ Imperative Mood (Affirmative) - 'Mira'
➔ The affirmative imperative 'Mira' (Look!) is used to draw attention to someone's actions. The repetition emphasizes the impressive or captivating way the person is moving their shoulders.
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