Undel?
Lyrics:
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
mamá /maˈma/ A1 |
|
omi /ɔˈmi/ A1 |
|
vida /ˈvi.da/ A1 |
|
bebi /beˈbi/ A1 |
|
fuma /ˈfu.ma/ A2 |
|
rapariga /ʁɐ.paˈɾi.ɣɐ/ B1 |
|
xulu /ʃuˈlu/ Unknown |
|
bazofu /baˈzo.fu/ Unknown |
|
petolu /peˈto.lu/ Unknown |
|
zangalion /zaŋ.gaˈli.on/ Unknown |
|
azaradu /ɐ.zaˈɾa.du/ Unknown |
|
rakola /raˈkɔ.la/ Unknown |
|
txora /tʃɔ.ʁa/ A1 |
|
sabi /saˈbi/ A1 |
|
mudjer /muˈdʒɛɾ/ A1 |
|
Grammar:
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Undê-l, mamá?
➔ Interrogative sentence structure with ellipsis. Question word implied from context.
➔ The sentence directly translates to 'Where is it, Mom?'. "Undê-l" (likely a Creole word from Cape Verdean Creole) acts as 'where is it/he/she?'. The specific subject is understood to be the missing man.
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Undi omi di nha vida?
➔ Interrogative sentence structure using 'Undi' (where) to inquire about the location of 'omi di nha vida' (the man of my life). Possession is indicated by 'di'.
➔ This translates to 'Where is the man of my life?'. 'Undi' means where, 'omi' means man, 'di' indicates possession (of), and 'nha vida' means my life.
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Nhordés Nhu da-m un omi
➔ Imperative request/prayer structure. 'Da-m' is a contraction meaning 'give me'. 'Un omi' means 'a man'.
➔ This translates to 'Lord God, give me a man'. It's a direct plea to a higher power.
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Ki ka ta bebi, ka ta fuma
➔ Relative clause introduced by 'Ki' (that/who). Negative construction using 'ka ta' followed by the verb. Repeated pattern.
➔ This means 'Who doesn't drink, doesn't smoke'. 'Ki' introduces the clause, 'ka ta' is the negation, 'bebi' means drink, and 'fuma' means smoke.
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Libra-m di tudu xulu
➔ Imperative verb 'Libra-m' (free me) followed by 'di' (from) and 'tudu xulu' (all bad things/trash). 'Di' indicates separation/removal.
➔ This translates to 'Free me from all trash'. 'Libra-m' is a command to be freed, 'di' indicates 'from', and 'tudu xulu' means 'all the trash/bad things'.
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Ki sabi entra, sabi sai
➔ Relative clause with elided relative pronoun. 'Sabi' (knows) repeated for emphasis, followed by verbs of movement 'entra' (enter) and 'sai' (exit).
➔ This means 'Who knows how to enter, knows how to exit'. The repetition of 'sabi' emphasizes the importance of this quality. It implies someone who's capable and responsible.