Lisboa Menina e Moça
Paroles:
Vocabulaire dans cette chanson:
Vocabulaire | Significations |
---|---|
castelo /kɐˈʃtɛlu/ A2 |
|
ponho /ˈpõju/ B1 |
|
cotovelo /kotuˈvɛlu/ A2 |
|
descanso /deˈzɐ̃su/ A2 |
|
olhar /ɔˈʎaɾ/ A2 |
|
mar /maɾ/ A1 |
|
luz /luʃ/ A2 |
|
olhos /ˈoʎus/ A2 |
|
colinas /koliˈnɐʃ/ B1 |
|
pregão /pɾeˈɡɐ̃w̃/ B2 |
|
cadeia /kɐˈdɐjɐ/ C1 |
|
cidade /siˈdɐdɨ/ A2 |
|
moça /ˈmɔsɐ/ A2 |
|
luz /luʃ/ A2 |
|
olhos /ˈoʎus/ A2 |
|
teus /tɛws/ A2 |
|
cidade /siˈdɐdɨ/ A2 |
|
Grammaire:
-
No Castelo, ponho um cotovelo
➔ Present tense for habitual actions.
➔ The phrase uses the present tense to indicate a habitual action, as in "I put my elbow on the table."
-
Lisboa, menina e moça, amada
➔ Use of adjectives to describe nouns.
➔ The phrase uses adjectives "menina" and "amada" to describe "Lisboa," enhancing the emotional connection.
-
Teus seios são as colinas, varina
➔ Use of metaphorical language.
➔ The line uses a metaphor comparing "seios" (breasts) to "colinas" (hills), creating a vivid image.
-
Cidade, mulher da minha vida
➔ Use of possessive constructions.
➔ The phrase uses the possessive "da minha vida" to express a deep connection to the city.
-
Aguardente de vida e medronho
➔ Use of compound nouns.
➔ The phrase combines two nouns "aguardente" (brandy) and "medronho" (a type of fruit) to create a new meaning.
-
Quando um pombo te olha, sorri
➔ Use of subordinate clauses.
➔ The phrase contains a subordinate clause "Quando um pombo te olha" that provides context for the main action.
-
E assim desfaço o novelo
➔ Use of conjunctions to connect ideas.
➔ The conjunction "E" (And) connects this line to the previous thought, indicating a continuation.
Même chanteur/chanteuse

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