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♪ We don't know what we're made of ♪ 00:16
♪ the same thing we're afraid of might improve us ♪ 00:19
♪ stay up all night just lay up ♪ 00:27
♪ use half of this pay stub to make moves with ♪ 00:30
♪ or all of it of course ♪ 00:35
♪ And it ain't no room in Paris ♪ 00:38
♪ we can still fly high then crash here ♪ 00:44
♪ just make sure you pass it ♪ 00:49
♪ know you can't imagine ♪ 00:52
♪ ooo, its automatic ♪ 00:54
♪ the life we live is lavish ♪ 00:57
♪ We don't have to be here if we stay ♪ 01:01
♪ we don't have to leave if we go ♪ 01:03
♪ roll some mo' ♪ 01:07
♪ and we ain't too high if we see eye to eye ♪ 01:12
♪ know you feel the rush from a simple touch ♪ 01:15
♪ baby roll some mo' ♪ 01:18
♪ twisting, kissing , lifted off of your vision ♪ 01:24
♪ got me on my knees you're my religion ♪ 01:27
♪ speaking tongues all on your body no one's listening ♪ 01:30
♪ tap out on you that's a submission know you give in ♪ 01:32
♪ can't let no time go wasted ♪ 01:35
♪ this moment can't replace it ♪ 01:38
♪ sitting around so lazy ♪ 01:41
♪ comfortably we'll fade away ♪ 01:44
♪ And it ain't no room in Paris ♪ 01:47
♪ we can still fly high then crash here ♪ 01:52
♪ just make sure you pass it ♪ 01:57
♪ know you can't imagine ♪ 02:00
♪ ooo, its automatic ♪ 02:02
♪ the life we live is lavish ♪ 02:05
♪ We don't have to be here if we stay ♪ 02:08
♪ we don't have to leave if we go ♪ 02:11
♪ roll some mo' ♪ 02:14
♪ and we ain't too high if we see eye to eye ♪ 02:20
♪ know you feel the rush from a simple touch ♪ 02:23
♪ baby roll some mo' ♪ 02:25
♪♪ 02:31
♪♪ 02:41

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Paroles:

[English]

♪ We don't know what we're made of ♪

♪ the same thing we're afraid of might improve us ♪

♪ stay up all night just lay up ♪

♪ use half of this pay stub to make moves with ♪

♪ or all of it of course ♪

♪ And it ain't no room in Paris ♪

♪ we can still fly high then crash here ♪

♪ just make sure you pass it ♪

♪ know you can't imagine ♪

♪ ooo, its automatic ♪

♪ the life we live is lavish ♪

♪ We don't have to be here if we stay ♪

♪ we don't have to leave if we go ♪

♪ roll some mo' ♪

♪ and we ain't too high if we see eye to eye ♪

♪ know you feel the rush from a simple touch ♪

♪ baby roll some mo' ♪

♪ twisting, kissing , lifted off of your vision ♪

♪ got me on my knees you're my religion ♪

♪ speaking tongues all on your body no one's listening ♪

♪ tap out on you that's a submission know you give in ♪

♪ can't let no time go wasted ♪

♪ this moment can't replace it ♪

♪ sitting around so lazy ♪

♪ comfortably we'll fade away ♪

♪ And it ain't no room in Paris ♪

♪ we can still fly high then crash here ♪

♪ just make sure you pass it ♪

♪ know you can't imagine ♪

♪ ooo, its automatic ♪

♪ the life we live is lavish ♪

♪ We don't have to be here if we stay ♪

♪ we don't have to leave if we go ♪

♪ roll some mo' ♪

♪ and we ain't too high if we see eye to eye ♪

♪ know you feel the rush from a simple touch ♪

♪ baby roll some mo' ♪

♪♪

♪♪

Vocabulaire dans cette chanson:

Vocabulaire Significations

afraid

/əˈfreɪd/

A2
  • adjective
  • - effrayé, apeuré

improve

/ɪmˈpruːv/

B1
  • verb
  • - améliorer, perfectionner

night

/naɪt/

A1
  • noun
  • - nuit

crash

/kræʃ/

B1
  • verb
  • - s'écraser
  • noun
  • - accident (généralement dans un véhicule)

imagine

/ɪˈmædʒɪn/

B1
  • verb
  • - imaginer

life

/laɪf/

A1
  • noun
  • - vie

lavish

/ˈlævɪʃ/

B2
  • adjective
  • - somptueux, luxueux
  • verb
  • - accorder généreusement

touch

/tʌtʃ/

A2
  • verb
  • - toucher, entrer en contact avec
  • noun
  • - toucher, contact

rush

/rʌʃ/

B1
  • noun
  • - ruée, vague
  • verb
  • - se déplacer avec urgence

knees

/niːz/

A2
  • noun
  • - genoux

religion

/rɪˈlɪdʒən/

B1
  • noun
  • - religion

body

/ˈbɒdi/

A1
  • noun
  • - corps

submission

/səbˈmɪʃən/

C1
  • noun
  • - soumission, reddition

wasted

/ˈweɪstɪd/

B1
  • adjective
  • - gaspillé, inutile

moment

/ˈməʊmənt/

A1
  • noun
  • - moment

lazy

/ˈleɪzi/

A2
  • adjective
  • - paresseux

fade

/feɪd/

B2
  • verb
  • - s'estomper, disparaître

Grammaire:

  • the same thing we're afraid of might improve us

    ➔ Verbe modal 'might' exprimant la possibilité

    ➔ Ici, 'might' suggère une possibilité plus faible que 'will' ou 'may'. 'The same thing we're afraid of' est le sujet du verbe 'improve'.

  • use half of this pay stub to make moves with

    ➔ Infinitif de but ('to make moves with')

    ➔ La phrase infinitive 'to make moves with' explique le but d'utiliser la moitié du talon de paie. 'With' à la fin est familier et fait référence à l'utilisation de l'argent.

  • And it ain't no room in Paris

    ➔ Double négation (non standard)

    ➔ L'expression 'ain't no room' est une double négation, courante dans le langage familier. En anglais standard, ce serait 'there isn't any room' ou 'there is no room'.

  • know you can't imagine

    ➔ Ellipse de 'I' (sujet implicite)

    ➔ La phrase implique 'I know you can't imagine'. Le sujet 'I' est omis pour plus de concision et un ton conversationnel.

  • the life we live is lavish

    ➔ Proposition subordonnée relative avec pronom relatif omis

    ➔ 'The life *that/which* we live is lavish.' Le pronom relatif 'that' ou 'which' est omis mais compris.

  • we don't have to be here if we stay

    ➔ Verbe modal 'have to' exprimant l'obligation/la nécessité (forme négative), proposition conditionnelle avec 'if'

    ➔ 'Don't have to' signifie qu'il n'y a aucune obligation. La clause 'if' établit une condition : si nous restons, nous n'avons pas à être ici (vraisemblablement au sens émotionnel/mental, et non physique).

  • and we ain't too high if we see eye to eye

    ➔ Adverbe 'too' modifiant un adjectif ('high'), proposition conditionnelle avec 'if', familier 'ain't'

    ➔ 'Too high' signifie excessivement haut. 'See eye to eye' est une expression idiomatique signifiant être d'accord. La clause 'if' fournit la condition dans laquelle ils ne sont pas 'too high'. 'Ain't' est une contraction familière de 'are not/is not/am not/has not/have not'.

  • got me on my knees you're my religion

    ➔ Métaphore, Attribut du sujet

    ➔ 'You're my religion' est une métaphore : L'intensité de l'amour est comparée à la religion. 'religion' est un attribut du sujet, décrivant 'you'.

  • speaking tongues all on your body no one's listening

    ➔ Groupe participe présent ('speaking tongues') agissant comme modificateur adverbial ; sujet implicite

    ➔ 'Speaking tongues all on your body' modifie le sujet implicite (probablement 'I' ou 'we') et indique comment l'action est effectuée. 'No one's listening' fournit le contexte. 'Speaking in tongues' ici fait référence à des baisers/caresses fervents et passionnés.