Lyrics & Translation
Dive into the evocative world of Vishal Mishra’s 'Tabaahi.' This song is a perfect resource for language learners interested in poetic Hindi-Urdu vocabulary related to emotions, grief, and romance. Its slow pacing and clear articulation make it an excellent tool for practicing emotional expression and lyrical interpretation.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
तबाही tabāhī B2 |
|
|
उसूल usūl B2 |
|
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लहर lahar A2 |
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रूह rūh C1 |
|
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बंदिशें bandishen B2 |
|
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दस्तूर dastūr C1 |
|
|
रिहाई rihāī B2 |
|
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धड़क dhaṛak B1 |
|
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फ़ना fanā C1 |
|
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राख rākh A2 |
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गवाही gavāhī B2 |
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“तबाही, उसूल, लहर” – got them all figured out?
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Key Grammar Structures
-
तोड़ो सारे उसूलों को
➔ Imperative Mood (Formal/Direct)
➔ The verb 'तोड़ो' (break) is in the imperative form, used to give a strong command or instruction.
-
तू हो बाँहों में
➔ Subjunctive Mood (Conditional/Hypothetical)
➔ The use of 'हो' indicates a hypothetical state or a wish ('If you were in my arms').
-
ये लहर, ये हवा कब चली पूछ के?
➔ Participial Phrase as an Adverbial Clause
➔ The structure 'पूछ के' (after asking/having asked) acts as a conjunctive participle.
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रूह पे क्यूँ भला हों कोई बंदिशें?
➔ Interrogative Pronoun + Subjunctive
➔ The sentence uses 'क्यूँ' (why) with the subjunctive 'हों' to question the existence of restrictions.
-
दुनिया के दस्तूर से आज ले रिहाई
➔ Infinitive structure (Implicit)
➔ The verb 'ले' (take/get) is used here as an imperative or desire to obtain 'रिहाई' (freedom/release).
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तू मुझे छील दे साँस की आग से
➔ Causative/Instrumental Phrase
➔ The phrase 'साँस की आग से' (with the fire of breath) denotes the instrument or medium of the action.
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हर धड़क पे दोनों हों फ़ना राख से
➔ Prepositional Phrase of Frequency
➔ 'हर धड़क पे' (on every heartbeat) expresses the frequency/condition under which they dissolve ('फ़ना').
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हर ग़लत-सही रेत पे लिखी गवाही
➔ Passive Participle as Adjective
➔ 'लिखी' (written) acts as a passive adjective modifying 'गवाही' (testimony/evidence).
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