浮床
가사:
이 노래의 어휘:
어휘 | 의미 |
---|---|
漂盪 /piāodàng/ B2 |
|
海嘯 /hǎixiào/ C1 |
|
安身 /ānshēn/ B2 |
|
索 /suǒ/ B1 |
|
倦 /juàn/ B2 |
|
歇息 /xiūxī/ B2 |
|
躺 /tǎng/ A2 |
|
風波 /fēngbō/ C1 |
|
幸 /xìng/ B2 |
|
感激 /gǎnjī/ B2 |
|
望 /wàng/ B2 |
|
溫暖 /wēnnuǎn/ B2 |
|
温**潮** /wēncháo/ C2 |
|
문법:
-
多謝你 伴我惶恐歲月中漂盪
➔ Use of prepositional phrase (歲月中) as an adverbial modifier.
➔ The phrase "歲月中" (in the years/months) acts as an adverbial modifier, indicating the time frame in which the drifting (漂盪) occurred. "伴我" (accompany me) also shows the action taken towards the speaker.
-
太倦求歇息 你便來陪我躺
➔ Use of "便" (biàn) to indicate immediacy or consequence after a condition is met.
➔ The word "便" emphasizes the direct consequence: because of being tired (太倦), one seeks rest (求歇息), and *immediately* or *as a result*, you come to lie down with me (你便來陪我躺).
-
風波內猶幸你仍然在我旁
➔ Use of "猶幸" (yóuxìng) - Fortunately, Luckily. This is a more formal expression.
➔ "猶幸" indicates a feeling of good fortune amidst a difficult situation (風波內).
-
就算今天已告絕望
➔ Use of "就算" (jiùsuàn) - Even if, even though. Introducing a hypothetical or contrary-to-fact clause.
➔ "就算" sets up a condition that is contrary to desired outcomes - even if today is hopeless, something positive can still happen.
-
在晚間倘能同牀 觀穹蒼
➔ Use of "倘能" (tǎngnéng) - If able to, provided that, indicating a condition.
➔ "倘能" introduces the condition for being able to observe the starry sky (觀穹蒼) together.
-
相擁着 寒月裏仍然未算寒
➔ Use of "未算" (wèisuàn) - Not considered as, not counted as, to express a negation of a certain quality.
➔ Even in the cold moonlit night (寒月裏), being embraced makes it not considered cold (未算寒). "未算" downplays the feeling of cold.
-
衝浪客 可暫時登岸
➔ Use of "可" (kě) to indicate possibility or permission.
➔ "可" indicates that it is *possible* for the surfer to temporarily go ashore.
-
就算今天已告絕望 在晚間倘能同牀 觀穹蒼 清早乍醒 又似初生堅壯
➔ Parallel structure used for emphasis and creating a sense of rhythm. This includes the conditional clause "就算...倘能...又似..."
➔ This long sentence shows the use of parallel structure where phrases with similar grammatical structure (and often similar length) are arranged together for a more artistic effect and to emphasize the contrast between despair and renewed strength.