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[HIGH-PITCHED CAMERA NOISE] 00:01
[CAMERAS CLICKING] 00:02
[MAN] - NO MATTER WHAT, NO MATTER WHAT 00:05
YOU GOT TO STRUT 00:09
♪♪♪ 00:11
♪ WALK, I'M FEELIN' FAB ♪ 00:15
♪ I'M FEELIN' FREE ♪ 00:16
♪ I FEEL EXCEPTIONALLY ME ♪ 00:17
♪ HATE ALL YOU WANT, BUT I'M DANGEROUS ♪ 00:19
♪ YOU GON' BURN YOUR TONGUE ON THIS TEA ♪ 00:21
♪ MIGHT SHOW UP LATE, MIGHT BE ON TIME ♪ 00:23
♪ JUST WAIT I'M COMING, KIKI ♪ 00:25
♪ THIS PAPARAZZI ROUTINE ♪ 00:28
♪ BITCH, I CAME TO BE SEEN (YES) ♪ 00:29
♪ SERVE A LIL' SASS (YES) ♪ 00:32
♪ WITH A LITTLE SIDE'A ASS (YES) ♪ 00:33
♪ GOT THE FRONT ROW SCREAMIN' OKAY!, OKAY! (OKAY, OKAY, YES) ♪ 00:35
♪ DO A LIL' TWIRL (YES) ♪ 00:40
♪ LET ‘EM KNOW I'M THAT GIRL (YES) ♪ 00:41
♪ MONDAY THROUGH SUNDAY ♪ 00:44
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 00:45
♪ TURN IT UP, TURN AROUND ♪ 00:48
♪ BITCH ♪ 00:50
♪ MONDAY THROUGH SUNDAY ♪ 00:52
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 00:53
♪ TURN IT UP, TURN AROUND ♪ 00:56
♪ BITCH ♪ 00:58
♪ MONDAY THROUGH SUNDAY ♪ 01:00
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:01
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:02
♪ TELL EM' MAKE ROOM, MY BODY'S A ENTREE ♪ 01:05
♪ I CAN TURN A MAD HO INTO A FAN ♪ 01:07
♪ CAMERAS FLASHIN' ♪ 01:09
♪ LIGHTS ON, FUCK IT UP ♪ 01:10
♪ CLICK, CLICK, CLICK, CLICK, EVERYWHERE I GO ♪ 01:11
♪ GETTY CAN'T GET ME FACE CARD FROZE ♪ 01:13
♪ NEVER GON' SEE ME WAITIN' AT THE DOOR, NO ♪ 01:15
♪ GET OUT THE WAY HO (YES) ♪ 01:17
♪ SERVE A LIL' SASS (YES) ♪ 01:20
♪ WITH A LITTLE SIDE'A ASS (YES) ♪ 01:21
♪ GOT THE FRONT ROW SCREAMIN' OKAY!, OKAY! (OKAY, OKAY, YES) ♪ 01:23
♪ DO A LIL' TWIRL (YES) ♪ 01:28
♪ LET ‘EM KNOW I'M THAT GIRL (YES) ♪ 01:29
♪ MONDAY THROUGH SUNDAY ♪ 01:31
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:33
♪ TURN IT UP, TURN AROUND ♪ 01:36
♪ BITCH ♪ 01:38
♪ MONDAY THROUGH SUNDAY ♪ 01:40
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:41
♪ TURN IT UP, TURN AROUND ♪ 01:44
♪ BITCH ♪ 01:46
♪ MONDAY THROUGH SUNDAY ♪ 01:48
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:49
♪ TURN IT UP, TURN AROUND ♪ 01:52
♪ BITCH ♪ 01:54
♪ MONDAY THROUGH SUNDAY ♪ 01:56
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 01:57
♪ TURN IT UP, TURN AROUND ♪ 02:00
♪ WOO, I CAN, I CAN, I CAN, I CAN ♪ 02:02
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 02:05
♪ POSE (POSE) ♪ 02:07
♪ I AIN'T SCARED OF NO CAMERAS (CAMERAS) ♪ 02:08
♪ BORN FOR THE RUNWAY (RUNWAY) ♪ 02:11
♪ SASHAY, DOECHAY! ♪ 02:12
♪ POSE (BORN FOR THE RUNWAY) ♪ 02:14
♪ I AIN'T SCARED OF NO CAMERAS ♪ 02:16
♪ BORN FOR THE RUNWAY ♪ 02:19
♪ SASHAY, GAGAY! ♪ 02:20
♪ YOU WERE BORN FOR THE RUNWAY ♪ 02:22
♪ YOU WERE BORN FOR THE RUNWAY, WAY, WAY, WAY ♪ 02:26
♪ YOU WERE BORN FOR THE RUNWAY ♪ 02:30
♪ YOU WERE BORN FOR THE RUNWAY, RUN, RUN, WAY, BORN FOR ♪ 02:34
♪ YOU WERE BORN ♪ 02:40
♪ BORN ♪ 02:42
♪ BORN, RUN, RUN, RUN ♪ 02:44
♪ YOU WERE BORN FOR THE RUNWAY ♪ 02:46
♪ MONDAY THROUGH SUNDAY ♪ 02:52
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪ 02:53

RUNWAY – English Lyrics

💥 Jamming to "RUNWAY" but don’t get the lyrics? Dive into the app for bilingual learning and level up your English!
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Lady Gaga, Doechii
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Lyrics & Translation

Dive into the rhythmic world of 'RUNWAY' to master modern English slang and expressive, high-energy phrasing. This collaboration is perfect for learners looking to understand the intersection of pop culture, fashion terminology, and contemporary rap flow, making it a unique tool for mastering conversational confidence and stylistic expression.

[English]
[HIGH-PITCHED CAMERA NOISE]
[CAMERAS CLICKING]
[MAN] - NO MATTER WHAT, NO MATTER WHAT
YOU GOT TO STRUT
♪♪♪
♪ WALK, I'M FEELIN' FAB ♪
♪ I'M FEELIN' FREE ♪
♪ I FEEL EXCEPTIONALLY ME ♪
♪ HATE ALL YOU WANT, BUT I'M DANGEROUS ♪
♪ YOU GON' BURN YOUR TONGUE ON THIS TEA ♪
♪ MIGHT SHOW UP LATE, MIGHT BE ON TIME ♪
♪ JUST WAIT I'M COMING, KIKI ♪
♪ THIS PAPARAZZI ROUTINE ♪
♪ BITCH, I CAME TO BE SEEN (YES) ♪
♪ SERVE A LIL' SASS (YES) ♪
♪ WITH A LITTLE SIDE'A ASS (YES) ♪
♪ GOT THE FRONT ROW SCREAMIN' OKAY!, OKAY! (OKAY, OKAY, YES) ♪
♪ DO A LIL' TWIRL (YES) ♪
♪ LET ‘EM KNOW I'M THAT GIRL (YES) ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ BITCH ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ BITCH ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TELL EM' MAKE ROOM, MY BODY'S A ENTREE ♪
♪ I CAN TURN A MAD HO INTO A FAN ♪
♪ CAMERAS FLASHIN' ♪
♪ LIGHTS ON, FUCK IT UP ♪
♪ CLICK, CLICK, CLICK, CLICK, EVERYWHERE I GO ♪
♪ GETTY CAN'T GET ME FACE CARD FROZE ♪
♪ NEVER GON' SEE ME WAITIN' AT THE DOOR, NO ♪
♪ GET OUT THE WAY HO (YES) ♪
♪ SERVE A LIL' SASS (YES) ♪
♪ WITH A LITTLE SIDE'A ASS (YES) ♪
♪ GOT THE FRONT ROW SCREAMIN' OKAY!, OKAY! (OKAY, OKAY, YES) ♪
♪ DO A LIL' TWIRL (YES) ♪
♪ LET ‘EM KNOW I'M THAT GIRL (YES) ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ BITCH ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ BITCH ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ BITCH ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ TURN IT UP, TURN AROUND ♪
♪ WOO, I CAN, I CAN, I CAN, I CAN ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪
♪ POSE (POSE) ♪
♪ I AIN'T SCARED OF NO CAMERAS (CAMERAS) ♪
♪ BORN FOR THE RUNWAY (RUNWAY) ♪
♪ SASHAY, DOECHAY! ♪
♪ POSE (BORN FOR THE RUNWAY) ♪
♪ I AIN'T SCARED OF NO CAMERAS ♪
♪ BORN FOR THE RUNWAY ♪
♪ SASHAY, GAGAY! ♪
♪ YOU WERE BORN FOR THE RUNWAY ♪
♪ YOU WERE BORN FOR THE RUNWAY, WAY, WAY, WAY ♪
♪ YOU WERE BORN FOR THE RUNWAY ♪
♪ YOU WERE BORN FOR THE RUNWAY, RUN, RUN, WAY, BORN FOR ♪
♪ YOU WERE BORN ♪
♪ BORN ♪
♪ BORN, RUN, RUN, RUN ♪
♪ YOU WERE BORN FOR THE RUNWAY ♪
♪ MONDAY THROUGH SUNDAY ♪
♪ I CAN TURN A DANCEFLOOR INTO A RUNWAY ♪

Key Vocabulary

Start Practicing
Vocabulary Meanings

strut

/strʌt/

B1
  • verb
  • - walk with a proud, confident gait.

dangerous

/ˈdeɪndʒərəs/

B1
  • adjective
  • - able or likely to cause harm or injury.

routine

/ruːˈtiːn/

A2
  • noun
  • - a sequence of actions regularly followed.

sass

/sæs/

B2
  • noun
  • - impertinent or cheeky behavior; impudence.

exceptional

/ɪkˈsepʃənəl/

C1
  • adjective
  • - unusually good; outstanding.

turn

/tɜːrn/

A2
  • verb
  • - move around an axis or center.

routine

/ruːˈtiːn/

A2
  • noun
  • - a sequence of actions regularly followed.

flash

/flæʃ/

A2
  • verb
  • - shine brightly and suddenly.

freeze

/friːz/

B1
  • verb
  • - become rigid or solid due to cold.

sashay

/səˈʃeɪ/

B2
  • verb
  • - walk in a confident and flamboyant way.

gag

/ɡæɡ/

B2
  • verb
  • - to be overcome with disgust.

born

/bɔːrn/

A2
  • adjective
  • - brought into life by birth.

pose

/poʊz/

A2
  • verb
  • - assume a particular position in order to be photographed.

camera

/ˈkæmərə/

A2
  • noun
  • - an instrument for taking photographs.

runway

/ˈrʌnweɪ/

B1
  • noun
  • - a raised platform on which models walk in a fashion show.

🚀 "strut", "dangerous" – from “RUNWAY” still a mystery?

Learn trendy vocab – vibe with music, get the meaning, and use it right away without sounding awkward!

Key Grammar Structures

  • NO MATTER WHAT, YOU GOTTA STRUT

    ➔ modal verb "have to" (gotta)

    ➔ The word "gotta" is the informal contraction of "have to", which expresses an obligation: "you **gotta** strut".

  • ♪ I'm feeling free ♪

    ➔ present continuous (be + -ing)

    "I'm" is the contraction of "I am" followed by the -ing verb "feeling", showing a temporary state: "I **am feeling** free".

  • MIGHT SHOW UP LATE, MIGHT BE ON TIME

    ➔ modal verb "might" + base verb (possibility)

    "MIGHT" expresses uncertainty. It is followed by the base verb: "He **might show** up late".

  • LET ‘EM KNOW I’M THAT GIRL

    ➔ imperative with object pronoun + that‑clause (demonstrative "that")

    "LET" is an imperative verb. "‘EM" is the contracted object pronoun for "them". The clause "I’m **that** girl" uses the demonstrative "that" to identify a specific person.

  • I CAN TURN A DANCEFLOOR INTO A RUNWAY

    ➔ modal verb "can" + base verb (ability)

    "CAN" expresses ability. It is followed by the base verb "turn": "I **can turn** a dancefloor into a runway".

  • I AIN'T SCARED OF NO CAMERAS

    ➔ double negative with informal "ain't" (non‑standard negation)

    "AIN'T" is a colloquial negative form of "am/is/are not". Combined with "no" it creates a double negative, which in informal English emphasizes the statement: "I **ain't** scared of **no** cameras".

  • BORN FOR THE RUNWAY

    ➔ past participle used as adjective (passive‑like construction)

    "BORN" is the past participle of "birth" used adjectivally, meaning "having been born for": "I am **born** for the runway".

  • TURN IT UP, TURN AROUND

    ➔ imperative verbs with phrasal verbs (turn up / turn around)

    "TURN" is the base verb used in two phrasal verbs: **turn up** (increase volume) and **turn around** (change direction). Both are given as commands.

  • GET OUT THE WAY HO (YES)

    ➔ imperative + colloquial interjection "ho"

    "GET OUT THE WAY" is a command. The added "HO" is an informal exclamation that adds attitude, similar to "hey!".

  • YOU WERE BORN FOR THE RUNWAY

    ➔ passive‑like construction with "be" + past participle (was/were born)

    "WERE BORN" combines the past tense of "be" with the past participle "born" to indicate the time of birth: "you **were born** for the runway".