Hi again.
00:02
Hey.
00:05
Hey. Thank you so much. Oh, don't thank
00:11
me. Thank the jerk that never showed up.
00:14
Okay, I got to get to work.
00:17
You want some help with that? Oh, no
00:20
thanks. I got it. Oh, no I don't.
00:22
Whoa. Okay.
00:25
Yeah.
00:27
just stood up too fast. Got a little
00:29
head rush.
00:30
The heat
00:33
and and the humidity.
00:37
Yeah, that's a uh that's a tough
00:40
combination.
00:43
[Laughter]
00:46
Do you want to come in for some
00:49
lemonade? Like you wouldn't believe.
00:51
Wow, this is a great place.
01:00
Thank
01:04
you. Just make yourself comfortable.
01:05
Gotcha. So, this place is really my
01:12
[Applause]
01:16
grandmother's. I got it from her when
01:18
she moved to Florida. Otherwise, I could
01:20
never afford a place like this.
01:22
[Applause]
01:27
So, if the landlord ever asks, I'm an
01:28
87y old woman who's afraid of her VCR.
01:31
You thirsty? Oh, you bet I am.
01:33
Okay, here's your penis.
01:38
[Applause]
01:41
[Music]
01:44
Oh my god. What the hell are you doing?
01:46
You said you want to come in for some
01:49
lemonade.
01:51
So,
01:53
Ah, were you just going to give me
01:55
lemonade? Yeah.
01:56
Cover yourself up. Oh, right. Sorry. I
01:59
don't believe this. I mean, someone
02:02
asked you in for lemonade and to you
02:04
that means they want to have sex. Um,
02:06
usually. Yeah. Well, not just lemonade,
02:08
iced tea, sometimes juice.
02:11
Sorry. I just thought you liked me. Such
02:16
a jerk.
02:20
It's
02:23
okay. I suppose it could happen to
02:24
anyone. Not anyone I know,
02:27
but by the way, I can still see
02:32
it. Good
02:41
evening. I am Mr.
02:43
Tribani and I will be teaching acting
02:47
for soap operas. Now,
02:50
um, on my first day as Dr. Drake Remor
02:52
on Days of Our Lives,
02:56
uh, I learned that one of the most
03:01
important things in soap opera acting is
03:03
reacting. This does not mean acting
03:07
again. It means you don't have a line,
03:11
but someone else just did. And it goes
03:13
something like this.
03:16
Thanks. Thanks. Thanks a lot. Oh, by the
03:25
way, before I forget, to work in soap
03:26
operas, some of you are going to have to
03:29
become much more
03:30
attractive. All right, moving right
03:32
along. Some tricks of the trade. Now,
03:35
I've never been able to cry as an actor.
03:39
So, if I'm in a scene where I have to
03:41
cry, I cut a hole in my pocket, take a
03:43
pair of tweezers,
03:46
and just start
03:48
pulling. Okay? Or uh or let's say I want
03:52
to convey that I've uh just done
03:55
something evil. Well, that would be your
03:58
basic I've got a fish hook in my eyebrow
04:00
and I like
04:02
it. Okay. Let's say I've just gotten bad
04:07
news. Well, all I do there is try and
04:10
divide 232 by 13.
04:13
[Applause]
04:22
Hey, I got you something. Open it. Open
04:26
it.
04:30
Okay.
04:32
It's a chicken.
04:38
It's cute, huh? Whoa, whoa, whoa. You
04:41
guys, do you know anything about chicks?
04:43
Fowl?
04:45
No women. No.
04:46
Okay. Well, they are a huge
04:51
responsibility, especially at this age.
04:52
They require constant care. They They
04:55
need just the right food and lots and
04:57
lots of love. Oh, well, no problem.
04:59
[Laughter]
05:05
Easy,
05:08
Lenny. You go to the refrigerator, get a
05:09
nice glass of milk. But these darn
05:12
cartons are so flinging flanging hard to
05:14
open. Well, you said it, Mike. I don't.
05:16
There's got to be a better way. And
05:21
there is. Kevin,
05:22
can we please turn this off? No way.
05:24
Kevin, what if I told you that there's a
05:27
revolutionary new product that
05:29
guarantees you'll never have to open up
05:31
milk cartons again? Meet the Milk Master
05:34
2000.
05:37
Are you intrigued? You're flinging.
05:39
Flinging right. I am.
05:41
This is his first time. He's never used
05:44
this product before. You're going to see
05:45
how easy this is to do. Go
05:46
ahead. This works in any milk carton.
05:48
Wow, it is easy. Now I can have milk
05:51
every day.
05:54
Oh, sorry. Did I get you?
06:09
No, you didn't get me. It's an electric
06:12
drill. You get me, you kill me.
06:14
Calm down. Do you want this unit or not?
06:18
I do not want this unit. Oh, you should
06:21
have told me that before. Not a mind
06:24
readader.
06:26
Hey, we're out of here. Okay, I'm going
06:28
to Monica's.
06:30
Fine.
06:32
You got to pick a pocket or two,
06:39
boys. You've got to pick a pocket
06:43
[Music]
06:51
for Thanks. Listen, Joey, we definitely
06:57
want to see you for the call back on
07:00
Saturday. Excellent.
07:02
I'll be there. Okay. And listen, don't
07:04
forget to bring your jazz shoes for the
07:06
dance audition.
07:08
Uhhuh. My uh my agent said that it
07:12
wasn't a dancing part. Oh, Joey, all the
07:15
roles got to dance a little, but believe
07:18
me, with your dance background, it'll be
07:20
a piece of cake. Three years of modern
07:22
dance with Twilight Tharp.
07:24
Five years with the American Ballet
07:28
Theater.
07:30
Hey, everybody lies on their resume.
07:32
Okay. I wasn't one of the Zoom kids
07:35
either.
07:38
Well, can you like dance at all? Yeah, I
07:40
can dance, you know.
07:42
Oh, no. No, no, no.
07:53
What? What is that? Sure it looks stupid
07:57
now. There's no music playing.
08:00
Uh, Joey. Joey Triani.
08:08
Listen, Joey. I got a problem. I just
08:16
got a call from my dance captain. He's
08:18
having a relationship crisis and can't
08:20
get out of Long Island. So, does that
08:22
mean the audition's off?
08:24
Listen, Joey. Seeing as you've got the
08:26
most
08:28
experience, I want you to take these
08:28
dances and teach them the combination.
08:30
Oh, Joey, come on. It's easy. You know,
08:35
it's
08:37
hand
08:39
head
08:41
up. Big turn here.
08:43
Rhonda, slide back, step, step, and jazz
08:46
hands.
08:50
It's a Steppity step and jazz
08:54
hands. Have
08:57
fun.
08:59
Bye. All right, let's do it.
09:03
[Applause]
09:15
No, no,
09:24
no. What was that? I know. It's the best
09:25
I could get out of him.
09:29
Well, people
09:32
people, let's try it again. And this
09:36
time, let's everybody watch Joey.
09:38
Show them how it's done.
09:43
Count it off.
09:51
[Music]
09:54
Don't rush into anything. Yeah. Come on.
10:00
Think about it. You're 18. Okay. She's
10:02
44. When you're 36, she's going to be
10:06
88.
10:09
But you don't think I know
10:12
that. Look, the point
10:15
is there's a lot of women out there you
10:18
haven't even had sex with yet. Yeah,
10:21
he's he's right. He's right. This is
10:22
your time, you know. Yeah. You're young.
10:24
You're you're weird. Chicks dig that.
10:27
Okay. But isn't sex better when it's
10:30
with one person that you really really
10:32
care about? Yeah. In a poem,
10:34
maybe. No, the man's right. That's what
10:37
I had with Rachel. You don't have it
10:40
anymore? No, I
10:43
uh I slept with someone else. Okay. So,
10:45
wait. All right. So, how did that make
10:48
things better?
10:50
It didn't.
10:52
Okay. So, what you used to have with
10:55
Rachel is what I got with Alice. Now,
10:57
what what what is that like? It's so
10:59
cool, man. It's so It's just cuz being
11:02
with her is so much better than like not
11:04
being with her.
11:06
Why can't I find that? Don't ask me. I
11:09
had it. I blew it. I want it. You can
11:11
have it. I don't know. Maybe I can. I
11:14
mean, maybe there's something wrong with
11:16
me. No, it's out there, man. I've seen
11:17
it. I got it.
11:20
Then you hold on to it. All right. All
11:22
right. Congratulations. You lucky.
11:25
You're Frank's best man.
11:29
I couldn't help it. Their love is so
11:33
pure.
11:35
Well, and what about you? Huh? I'm the
11:37
ring bearer.
11:40
Monica, listen. I uh saw down at the
11:42
hardware store. They got those designer
11:44
tiles on sale if you ever want to redo
11:46
your bathroom floor. What's wrong with
11:47
my bathroom floor? Nothing. It's just
11:49
old and dingy. That's all.
11:52
I highly doubt that. Oh, yeah. If you uh
11:55
move your hamper, you can see the color
12:00
the tile used to be. Yeah.
12:02
I can't live like this. What are we
12:07
going to do? What are we going to do?
12:09
Relax. Relax. Here, hold this. This old
12:10
stuff comes right up. I'll show you.
12:12
Little more than I wanted to see.
12:17
Look at that. Every inch of this is
12:22
glued down. It take forever to pry this
12:24
up. You should uh you should just leave
12:27
it.
12:29
I can't leave it. You gouched a hole in
12:31
my dingy floor.
12:34
There you go. A Yeah, that's nice. You
12:45
know, we can put it back there after the
12:48
surgeons remove it from your colon.
12:50
Why do you have a copy of The Shining in
12:52
your freezer? Oh, I was reading it last
12:55
night and I got scared.
12:57
But uh you're safe from it if it's in
13:02
the freezer. Well,
13:03
safer, you know. I mean, I never start
13:06
reading The Shining without making sure
13:08
we got plenty of room in the freezer,
13:09
you know.
13:11
How often do you read it? Haven't you
13:13
ever read the same book over and over
13:15
again? Well, um I guess I read Little
13:17
Women more than once, but I mean, that's
13:20
a classic. What's so great about The
13:21
Shining? The question should be, Ra,
13:22
what is not so great about The Shining?
13:25
Okay. And the answer would be
13:28
nothing. All right. This is like the
13:30
scariest book ever. I bet it's way
13:33
better than that classic of yours.
13:34
Okay. Uh well, we'll just see about
13:38
that. Okay. I will read The Shining and
13:41
you will read Little Women. All right.
13:44
You got it. All right. Okay. Okay. And
13:48
now Ra these uh these Little Women.
13:50
Yeah.
13:52
How little are they? I mean, are they
13:54
like scary little
13:57
Beth's really, really sick. A
14:07
Joe's there, but I don't think there's
14:14
anything she could do.
14:16
Joey. Yeah. You want to put the book in
14:22
the freezer?
14:24
Okay. Okay.
14:27
Hey, remember when she brought up that
14:30
thing about, you know, the three of us?
14:32
Yes. Vividly.
14:34
She was kidding about that, right? Yeah,
14:37
I think so.
14:38
Yeah, I I think so.
14:45
God, it'd be weird if that situation
14:47
presented itself tonight, huh?
14:49
Yeah. I mean,
14:53
uh, what what will we do,
14:54
dude? I don't know.
15:00
She was kidding. Yeah, she was.
15:03
But, you know what? Just in case, maybe
15:06
we should come up with a set of ground
15:07
rules. Yeah, for sure. Okay. probably
15:09
want the first one to be never open your
15:12
eyes, you know, because you don't want
15:15
to be doing something and then look up,
15:18
right, and see something that you don't
15:22
want to be
15:25
seeing. Good call. Nice. Hold it. Hold
15:27
it. What if my eyes are closed
15:31
and and my hand is out
15:35
there? Ah, okay. Hey, eyes open at all
15:38
times. Oh, hey. How do we decide where
15:44
we, you know, each would, you
15:49
know, be, right? Right. Well, I, you
15:53
know, we could flip for it. Yeah, I
15:57
guess. But like, what's heads and what's
15:59
tails?
16:00
Well, if you don't know that, then I
16:04
don't want to do this with you.
16:05
I took the quiz and it turns out I do
16:08
put career before men.
16:10
Get up. What? Near my seat. How is this
16:15
your seat?
16:20
Cuz I was sitting there. But then you
16:24
left.
16:26
Well, it's not like I went to
16:27
Spain. I went to the bathroom. You knew
16:30
I was coming back. What's the big deal?
16:32
Sit somewhere else. The big deal is I
16:34
was sitting there last. So that's my
16:36
seat. Well, actually, the last place you
16:39
were sitting was in there. So,
16:43
you guys, you know what? You know what?
16:46
It doesn't matter because you both have
16:47
to go get dressed before the big vein in
16:49
my head pops. So, all right, Ross. I
16:51
just have to do one thing really
16:54
quickly. It's not a big deal. Get up.
16:55
All right, fine. You know what? We'll
17:01
both sit in the chair. Fine with me.
17:02
I'm so comfortable.
17:08
Me, too. In fact, I think I might be a
17:11
little too comfortable. All right.
17:15
Okay. Look, we have 19 minutes. Okay.
17:20
Chandler, I want you to go and change,
17:22
okay? And then when you come back, Joey
17:24
will go change and he'll have vacated
17:26
the chair. Okay? Okay. All right. Fine.
17:27
I'm going. Before I get back, it's chair
17:31
city and I'm the guy who's sitting in a
17:33
chair. All right. You will notice that I
17:39
am fully dressed. I in turn have noticed
17:42
that you are not. So in the words of aa
17:44
mil, get out of my chair, dealhole.
17:48
Okay.
17:54
[Applause]
18:00
What are you doing? Well, you said I had
18:03
to give you the chair. You didn't see
18:04
anything about the cushions.
18:05
The cushions are the essence of the
18:08
chair. That's right. I'm taking the
18:09
essence. He'll be
18:13
back. There's nobody in the room.
18:15
Where's my underwear? Whoa, whoa, whoa.
18:21
Come on. Come on. What? You took his
18:23
underwear? He took my essence. Okay,
18:25
hold on,
18:27
Joey. Why Why can't you just wear the
18:29
underwear you're wearing now? Cuz I'm
18:31
not wearing any underwear now.
18:33
Okay. Um, then why do you have to wear
18:36
underwear tonight? It's a rented tux.
18:38
Okay. Not going to go commando in
18:40
another man's fatigues.
18:42
Well, then it looks like somebody's
18:46
going to have to give somebody back his
18:48
cushions.
18:49
Okay, you hide my clothes. I'm going to
18:51
do the exact opposite to you.
18:53
What are you What are you going to show
18:57
me? My clothes. Hey,
18:59
opposite is opposite.
19:02
He's got nothing.
19:06
Okay, buddy boy. Here it
19:17
is. You hide my clothes. I'm wearing
19:19
everything you
19:22
own. Oh my god.
19:23
That is so not the opposite of taking
19:27
somebody's
19:29
underwear. Look at me. I'm Chandler.
19:30
Could I be wearing any more
19:33
clothes? Maybe if I wasn't going
19:36
commando.
19:42
Yeah. I'll tell you, it's hot with all
19:44
this stuff on. I uh I better not do any
19:46
I don't know, lunges.
19:48
Okay. Okay. Enough. But not for the
19:53
lunching. No, I'm sick of this. Okay,
19:55
I've had up to here with you two.
19:57
Neither of you can come to the party.
19:58
Jeez, what a baby.
20:01
Hey.
20:04
Hey. What are you doing? Well, I I
20:06
thought a lot about what you said and um
20:09
I realized maybe I was a little
20:11
judgmental.
20:14
Yeah. Oh, but Oh, now baby, remember,
20:15
hey, they're just fulfilling their
20:19
Christmas destiny. Yes.
20:22
Okay.
20:25
Yikes. That one doesn't look very
20:27
fulfilled.
20:29
Oh, that's uh that's one of the old
20:31
ones. He's just taking it to the back.
20:32
You keep the old ones in the back. That
20:34
is so aegist.
20:37
But we have to make room for the fresh
20:40
ones. So, what happens to the old guys?
20:41
Well, they go into the chipper.
20:45
Well, I have a feeling that's not as
20:48
happy as it sounds.
20:49
[Music]
20:54
[Applause]
20:55
Hey, hey, hey.
21:02
This is the last time with a chick chick
21:05
chick chick chick chick chick chick
21:07
chick chick chick chick chick chick
21:07
chick chick chick chick chick chick
21:07
chick chick chick chick chick chick
21:07
chick chick chick chick chick chick
21:07
chick chick chick chick chick chick
21:07
chick chick chick here and a chick chick
21:07
chick chick chick chick chick chick
21:09
chick chick chick chick chick chick
21:09
chick chick chick chick chick chick
21:09
chick there here a chick there a chick
21:09
everywhere a chick chick chick chick
21:11
chick chick chick chick chick chick
21:12
chick chick chick chick chick chick
21:12
chick chick chick chick chick chick
21:12
chick chick chick chick chick chick
21:12
chick chick chick chick chick chick
21:12
chick chick chick chick chick chick
21:12
chick chicken chicken chicken chicken
21:12
chicken
21:15
Hey how's she
21:17
doing she well yeah don't don't you
21:19
think it's a she I don't know
21:22
I can't tell. Whatever it was went back
21:36
in too quickly.
21:37
Anyway, I got to go change. I'm uh
21:40
meeting some of the cast for drinks.
21:41
Excuse me. What?
21:43
I stayed home from work today while you
21:46
at rehearsal so somebody could be here
21:48
with our chick. Hey, who was up from
21:50
2:00 this morning until 5:00 this
21:53
morning trying to get her back to
21:55
sleep? You don't think I get up when you
21:57
get up?
22:00
Oh, here it comes. Yes, here it comes.
22:01
I'm stuck here all day and then you come
22:05
in and spend two seconds with
22:07
us and then expect to go off
22:10
gallivanting with your
22:12
friends. Well, I don't think so, mister.
22:14
Hey, I need to relax, okay? I was
22:17
working all day. And you don't think
22:20
taking care of our chick is
22:23
work? That's not what I said. Okay.
22:27
Okay. I just meant I know what you
22:30
meant.
22:32
You notice that ever since we got this
22:39
chick, we've been fighting a lot more
22:41
than we used to.
22:44
I don't know. Maybe we weren't ready to
22:47
have a chick.
22:49
I'll take her back
22:52
tomorrow. You think we'll get our three
22:54
bucks back? Hey, Rich. How you doing
22:56
with the shining? Oh, Danny just went
22:59
into room 217. Oo, the next part's the
23:01
best. When that dead lady in the
23:04
bathtub. Oh, no, no, no, no, no, no, no.
23:06
Come on. You're going to ruin it. All
23:08
right, I'll talk in code. Remember when
23:09
the kid sees those two blanks in the
23:12
hallway?
23:14
That's very cool. Oh, all blank and no
23:16
blank makes blank a blank blank.
23:19
Oh, no, no, no. the end when Jack almost
23:24
kills them all with that blank, but then
23:27
in the last second they get away. Oh,
23:28
Joey. I can't believe he just did that.
23:32
I can't believe she cracked your code.
23:34
[Applause]
23:38
All right. Okay. Lori proposes to Joe
23:42
and she says no, even though she's still
23:45
in love with him. And then he ends up
23:47
marrying Amy.
23:48
Hey, mine was by
23:52
accident. All right, the boiler explodes
23:55
and destroys the hotel and kills the
23:58
dad.
24:00
Beth
24:03
dies.
24:12
Beth Beth
24:14
dies. Is that true? If I keep reading,
24:16
is Beth going to die?
24:19
No. Beth doesn't die. She doesn't die.
24:21
Does she, Rachel? What? Joey's asking if
24:24
you've just ruined the first book he's
24:26
ever loved that didn't starred Jack
24:28
Nicholson.
24:30
See, Joe, that's why your parents told
24:42
you not to jump on the bed.
24:44
Hey. Hey. Oh, is it broken? No. I'm
24:49
going to wear this thing for a couple of
24:52
weeks. Did you tell the doctor you did
24:54
it jumping up and down on your bed? No.
24:55
Had a whole story worked up, but then uh
24:59
Chandler sold me out. Well, I'm sorry,
25:02
Joe. I didn't think the doctor was going
25:04
to buy that. It just fell out of the
25:05
socket.
25:07
Look at me. I'm making jam. Been at it
25:09
since 4:00 this morning. Where'd you get
25:12
fruit at 4 in the morning? went down to
25:14
the docks. Hey, bet you didn't know you
25:16
can get it wholesale. I didn't know
25:18
there were docks.
25:20
Hey. Hey. Oh, is it broken? No. I'm
25:24
going to wear this thing for a couple of
25:27
weeks. Did you tell the doctor you did
25:29
it jumping up and down on your bed? No.
25:31
Had a whole story worked out, but then
25:34
uh Chandler sold me out. Well, I'm
25:36
sorry, Joe. I didn't think the doctor
25:39
was going to buy that. It just fell out
25:40
of the socket.
25:42
What is this? Fruit.
25:45
Monica's making jam. Whoa, jam. I love
25:51
jam. Hey, how come we never have jam at
25:54
our place? Because the kids need new
25:56
shoes.
25:58
One end of business, people. I'm sick
26:01
and tired of being depressed about
26:02
Richard. I needed a plan. Plan to get
26:04
over my man. What's the opposite of man?
26:06
Jam. Oh, Joey. No, it's way too hot.
26:11
This will just be my
26:22
batch. Remember when you were a kid and
26:27
your mom would drop you off at the
26:29
movies with a jar of jam and a little
26:31
spoon?
26:33
You're so pretty.
26:38
[Music]
26:41
[Applause]
26:42
M
26:46
gone for more jars. Back later, Monica
26:50
Geller.
26:52
[Applause]
26:56
I called the sperm bank today. They
26:59
haven't sold a single unit of
27:01
Tribani. Nobody wants my
27:03
product. I mean, I I I don't get it, you
27:07
know.
27:09
I mean,
27:14
maybe if they met me in person,
27:16
you got a little thing in your Oh, yeah.
27:20
Get it?
27:27
Yeah.
27:29
He's got to really give her a reason,
27:31
you know? Maybe he could slip her the
27:33
tongue.
27:36
Or maybe maybe he could grab her and and
27:43
and lift her up. Yeah. Yeah. And then
27:46
Adrien she maybe she could wrap her legs
27:49
around his waist. And then she could rip
27:51
off his shirt and kiss his chest and his
27:54
his stomach. And then he could use his
27:56
teeth his teeth to undo her dress and
27:58
and and bite her. And then right right
28:00
when the scene ends, he could take her
28:04
with this raw animal.
28:06
Something like that.
28:14
Yeah, that's pretty much what I had in
28:17
mind. Where's Chandler? Uh, he can't
28:18
make it. He said he had to go back to
28:20
his uh job and do uh Who
28:21
Joey? Joey Tribani.
28:28
Joey, I can see you. Okay. You're hiding
28:36
behind the coats.
28:39
Close one.
28:52
Hey,
28:54
is uh is Chandler around? No. Um he met
28:56
some girl at the coffee house.
28:59
Yeah. Ginger or something? No.
29:01
No. No. Uh, are you sure it wasn't
29:05
something that sounded like ginger? Like
29:07
uh ginger?
29:09
No, it was Ginger. I remember because
29:12
when he told me I said the movie star.
29:14
Oh man, that's the girl I was hiding
29:19
from. When she finds out he's my
29:22
roommate, she's going to tell him what I
29:24
did. Why? What did you do? Oh. Oh. Oh
29:25
no. No. I can't.
29:28
I can't tell you that. It's like the
29:30
most awful, horrible thing I've ever
29:32
done in my whole life. You know what?
29:33
Don't tell us. We'll just wait till
29:35
Trainer gets home because it'll be more
29:37
fun that way. All
29:38
right. Okay. It was like four years ago.
29:41
Okay. Ginger and I had gone out a few
29:44
times and then this one weekend, we went
29:46
up to her dad's cabin. Just me, her, and
29:48
her annoying little dog,
29:51
Pepper. Well, that night, I cooked this
29:53
really romantic dinner. You gave her
29:55
food poisoning.
29:57
I
29:59
wish after dinner, me, her, and Pepper
30:01
all fell asleep in front of the fire.
30:04
Well, I woke up in the middle of the
30:06
night and I saw that the fire was dying
30:07
out. So, I picked up a log and threw it
30:09
on. Or at least what I thought was a
30:14
log. Oh my god, you threw pepper on the
30:16
fire. I
30:19
wish. See, I guess another thing I
30:23
probably should have told you about
30:26
Ginger is that she kind of has a
30:27
uh artificial leg.
30:30
Oh my
30:38
god, Joey, what did you do after you
30:39
threw her leg on the fire?
30:42
I ran.
30:45
I'm going to get on this spaceship.
30:47
[Music]
30:50
And I'm going to go to Bloggon 7 in
30:57
search of alternative
30:59
fuels. But when I return 200 years from
31:01
now, you'll be long
31:05
gone. But I won't have aged at
31:08
all. So you tell your great great
31:14
granddaughter to look me up.
31:18
Because
31:22
Adrien baby,
31:23
I'm going to want to meet her.
31:27
[Music]
31:34
So long, Vic. Chloe, finish up with your
31:38
customer first. Come on, Co. Come on.
31:41
Come. Can I help you?
31:44
Uhoh. Uh, you know what? We're having
31:47
second thoughts about our copying needs
31:50
and uh we'll need a little more time to
31:53
think about it.
31:54
Chloe, switch with me. There's some guys
31:56
here got a crush on you.
31:58
Okay, that hurt us.
32:02
Hi guys. I haven't seen you since this
32:04
morning.
32:06
Well,
32:08
uh you know,
32:11
hey, what are you guys doing tomorrow
32:14
night?
32:16
Both of us. Maybe. Does that scare you?
32:17
Relax. Just Isaac's DJing at the Philly.
32:26
You should come. Oh, we'll be there.
32:29
Great. I'll uh see you then. All right.
32:31
Rock on.
32:34
Motel
32:39
Theater. Joey Tribani gives an uneven
32:41
performance about Mr. Tribani is not the
32:47
worst thing in this production. Yes,
32:49
Kate Miller's awkward and mannered
32:56
portrayal is
32:58
laughable. Aha, here it is. The
33:00
direction by Marshall Townend
33:03
is Thank you, boys and girls. You've
33:12
ruined my life. Please stuff your
33:17
talentless faces with my mother's crab
33:20
cakes. Excuse
33:24
me. Does anyone mind if I save this?
33:31
[Music]
33:37
歌词与翻译
[中文]
你好。
嘿。
嘿。太感谢了。哦，别感谢
我。感谢那个从未出现的混蛋。
好的，我得开始工作了。
您需要帮助吗？哦，不
谢谢。我得到了它。哦，不，我不。
哇哦。好的。
是的。
站得太快了。有点
头晕。
热量
和湿度。
是的，呃，这是一个艰难的
组合。
[笑声]
你想进来喝点
柠檬水吗？就像你不会相信一样。
哇，这真是个好地方。
谢谢
你。只要让自己舒服就可以了。
问题。所以，这个地方确实是我的
[鼓掌]
祖母的。当
她搬到佛罗里达时，我从她那里得到了它。否则，我可能
永远买不起这样的地方。
[鼓掌]
所以，如果房东问起来，我是一个
87 岁的老太太，她害怕她的录像机。
你渴吗？哦，你敢打赌我是。
好的，这是你的阴茎。
[掌声]
[音乐]
天啊。你到底在做什么？
你说你想进来喝点
柠檬水。
所以，
啊，你只是要给我
柠檬水吗？是的。
把自己遮起来。哦，对了。对不起。我
不相信这一点。我的意思是，有人
请你进来喝柠檬水，对你来说
这意味着他们想要发生性关系。嗯，通常是
。是的。好吧，不仅仅是柠檬水，
冰茶，有时还有果汁。
抱歉。我只是以为你喜欢我。这样的
混蛋。
没关系
。我想这可能发生在
任何人身上。我不认识任何人，
，但顺便说一句，我仍然可以看到
。
晚上好。我是
Tribani 先生，我将教授肥皂剧表演
。现在，
嗯，在我在 Days of Our Lives 中饰演 Drake Remor
的第一天，
呃，我了解到肥皂剧表演中最
重要的事情之一就是
反应。这并不意味着再次执行
。这意味着你没有线路，
但其他人刚刚这么做了。事情是这样的
。
谢谢。谢谢。多谢。哦，顺便说一句，
，在我忘记之前，要在
肥皂剧中工作，你们中的一些人将不得不
变得更具
吸引力。好的，向右
前进。一些交易技巧。现在，
作为演员我从来没有哭过。
所以，如果我在一个不得不
哭泣的场景中，我会在口袋里切一个洞，拿一把
镊子
然后开始
拉。好的？或者呃，或者假设我想要
传达出我呃刚刚做了
件邪恶的事情。好吧，这就是你的
基本款，我眉毛上有一个鱼钩
，我喜欢
它。好的。假设我刚刚收到
坏消息。好吧，我所做的就是尝试
将 232 除以 13。
[鼓掌]
嘿，我给你带来了一些东西。打开它。打开
。
好的。
这是一只鸡。
很可爱吧？哇，哇，哇。你们#{27}伙计们，你们了解小鸡吗？
...
家禽？
没有女性。不。
好的。嗯，他们是一个巨大的
责任，尤其是在这个年纪。
他们需要持续的照顾。他们
需要适当的食物和大量
大量的爱。哦，好吧，没问题。
[笑声]
简单，
莱尼。你去冰箱拿一杯
好牛奶。但这些该死的
纸箱翻边太厉害，很难
打开。好吧，你说的是，迈克。我不知道。
一定有更好的方法。还有
。凯文，
我们可以将其关闭吗？决不。
凯文，如果我告诉你有一种
革命性的新产品，
保证你再也不用打开
牛奶盒了？认识牛奶大师
2000。
你感兴趣吗？你在乱扔。
向右猛击。我是。
这是他第一次。他以前从未使用过
该产品。您将看到
这是多么容易做到的。继续
。这适用于任何牛奶盒。
哇，这很简单。现在我每天都可以喝牛奶
。
哦，抱歉。我得到你了吗？
不，你没有明白我的意思。这是一个
电钻。你抓住我，你就杀了我。
冷静下来。您是否想要这个单位？
我不想要这个单位。哦，你应该
之前告诉我的。不是心灵
读者。
嘿，我们要离开这里了。好的，我要去
去莫妮卡家。
好的。
你得扒一两个口袋，
孩子们。您必须掏出口袋
[音乐]
表示感谢。听着，乔伊，我们绝对
希望在
周六回电时见到您。出色的。
我会在那里。好的。听着，别
忘记带上你的爵士鞋参加
舞蹈试镜。
嗯。我呃我的经纪人说这
不是舞蹈部分。哦，乔伊，所有
的角色都得跳舞一点，但相信
我，以你的舞蹈背景，这将是
小菜一碟。与 Twilight Tharp 一起学习现代
舞蹈三年。
与美国芭蕾舞团
剧院合作五年。
嘿，每个人都会在简历上撒谎。
好的。我也不是 Zoom 孩子之一
。
那么，你喜欢跳舞吗？是的，我
会跳舞，你知道。
哦，不。不，不，不。
什么？那是什么？当然现在看起来很愚蠢
。没有音乐播放。
呃，乔伊。乔伊·特里亚尼。
听着，乔伊。我遇到问题了。我刚刚
接到了我的舞蹈队长的电话。他
遇到了感情危机，无法
离开长岛。那么，
是否意味着试镜结束了？
听着，乔伊。鉴于您拥有
最
的经验，我希望您参加这些
舞蹈并教他们组合。
哦，乔伊，来吧。这很容易。你知道，
...
手
头
举起。这里大转弯。
朗达，向后滑动，跨步，跨步，爵士乐
双手。
这是Steppity步骤和爵士乐
手。玩得开心
。
再见。好吧，我们开始吧。
[鼓掌]
不，不，
没有。那是什么？我知道。这是我能从他那里得到的最好的
。
好吧，
人，我们再试一次。这次
时间，让我们大家来看乔伊。
向他们展示它是如何完成的。
算一下。
[音乐]
不要急于做任何事情。是的。快点。
想一想。你18岁了。好吧。她的
44 岁。当你 36 岁时，她会
88 岁。
但你以为我不知道
。听着，重点是
是有很多女人
甚至还没有与你发生过性关系。是的，
他是对的。他是对的。你知道，这是
你的时间。是的。你还年轻。
你真是个奇怪的人。小鸡们喜欢这个。
好的。但是，当
与一个你真正
关心的人发生性关系时，不是更好吗？是的。在一首诗中，也许是
。不，这个人是对的。这就是我和瑞秋的
。您不再拥有
了吗？不，我
呃我和别人睡过。好的。所以，
等等。好的。那么，这如何让
的事情变得更好呢？
没有。
好的。所以，你以前和
Rachel 的经历就是我和 Alice 的经历。现在，
那是什么样子？这真是
太酷了，伙计。之所以如此只是因为
和她在一起比不
和她在一起要好得多。
为什么我找不到它？别问我。我
拥有它。我搞砸了。我要它。你可以
拥有它。我不知道。也许我可以。我
的意思是，也许
我有什么问题。不，它就在那里，伙计。我已经看过
了。我得到了它。
然后你就坚持下去。好的。全部
都对。恭喜。你很幸运。
你是弗兰克的伴郎。
我没办法。他们的爱是如此
纯洁。
那么，你呢？啊？我是
戒指持有者。
莫妮卡，听着。我呃在
五金店看到了。如果您想重做
瓷砖。
浴室地板，他们会出售这些名牌
我的浴室地板有什么问题吗？没有什么。这只是
又旧又脏。就这样。
我非常怀疑这一点。哦，是的。如果你呃
移动你的篮子，你可以看到图块原来的颜色
。是的。
我不能这样生活。我们
要做什么？我们要做什么？
放松。放松。在这里，拿着这个。这个旧的
东西马上就出现了。我会告诉你。
比我想看到的多一点点。
看看那个。每一英寸都被
粘住了。撬起这个
需要很长时间。你应该呃你应该留下
它。
我不能离开它。你在
我肮脏的地板上挖了一个洞。
就这样吧。是的，那很好。你
知道，
外科医生将其从您的结肠中取出后，我们可以将其放回原处。
为什么你的冰箱里
有一本《闪灵》？哦，我昨晚
晚上读到了它，我很害怕。
但是呃，如果它放在
冰箱里，你就安全了。好吧，
更安全，你知道。我的意思是，如果没有确保
阅读《闪灵》，
我们的冰箱里有足够的空间，我永远不会开始
你知道。
您多久读一次？你
没有一遍又一遍地读过同一本书
吗？嗯，嗯，我想我不止一次读过《小
女人》，但我的意思是，那是
的经典。 《
闪灵》有何精彩之处？问题应该是，Ra，
《闪灵》有什么不好的地方？
好的。答案是
什么都没有。好的。这就像
有史以来最恐怖的书。我敢打赌它比你的经典作品好
。
好的。呃，好吧，我们就看看
。好的。我会读《闪灵》，
你会读《小妇人》。好的。
你明白了。好的。好的。好的。
现在 Ra 这些呃这些小妇人。
是的。
它们有多小？我的意思是，他们
像可怕的小
贝丝真的真的病得很厉害吗？
乔在那里，但我认为她无能为力
。
乔伊。是的。你想把书放进去
冰箱？
好的。好的。
嘿，还记得她提起
关于我们三个人的事情吗？
是的。生动地。
她是在开玩笑吧？是的，
我想是的。
是的，我想是的。
天哪，如果
今晚出现这种情况那就太奇怪了，是吧？
是的。我的意思是，
呃，我们要做什么，
老兄？我不知道。
她在开玩笑。是的，她是。
但是，你知道吗？以防万一，也许
我们应该制定一套基本的
规则。是的，当然。好的。可能
希望第一个永远不要睁开你的
眼睛，你知道，因为你不想
正在做某事，然后向上看，
右，看到一些你
不想
看到的东西。打得好。好的。握住它。按住
。如果我闭上眼睛
并且我的手伸出
怎么办？啊，好吧。嘿，眼睛睁开了
次。哦，嘿。我们如何决定
我们，你知道，每个人，你
知道，在哪里，对吗？正确的。好吧，我，你
知道，我们可以翻转。是的，我
猜想。但是，什么是正面，什么是
反面？
好吧，如果你不知道这一点，那么我
不想和你一起做这件事。
我参加了测验，结果证明我确实
将事业置于男性之上。
站起来。什么？靠近我的座位。
这个座位怎么样？
因为我坐在那里。但后来你
离开了。
嗯，我没去过
西班牙。我去了洗手间。你知道
我会回来。有什么大不了的？
坐在其他地方。重要的是我
最后坐在那里。这就是我的
座位。嗯，实际上，你
最后坐的地方就在那里。所以，
你们知道吗？你知道吗？
没关系，因为你们都
要在
我头上的大静脉爆开之前穿好衣服。那么，好吧，罗斯。我
只需要快速
做一件事。这没什么大不了的。起床。
好吧，好吧。你知道吗？我们
都坐在椅子上。对我来说很好。
我很舒服。
我也是。事实上，我想我可能是一个
有点太舒服了。好的。
好的。看，我们还有 19 分钟。好的。
钱德勒，我要你去换衣服，
好吗？然后当你回来时，乔伊
会去换衣服，他会腾出
椅子。好的？好的。好的。美好的。
我走了。在我回来之前，它是
城市的椅子，而我就是坐在
椅子上的人。好的。你会注意到我
已经穿戴整齐了。我又注意到
你不是。所以用 aa
mil 的话来说，从我的椅子上站起来，dealhole。
好的。
[鼓掌]
你在做什么？好吧，你说我有
把椅子给你。您没有看到
任何有关垫子的信息。
坐垫是
椅子的精髓。这是正确的。我正在服用
精华。他会
回来。房间里没人。
我的内衣在哪里？哇，哇，哇。
来吧。快点。什么？你拿走了他的
内裤？他夺走了我的本质。好的，
等等，
乔伊。为什么为什么你不能只穿你现在穿的
内衣？因为我现在
没有穿任何内衣。
好的。嗯，那你为什么今晚必须穿
内衣？这是租来的礼服。
好的。不会穿着
另一个人的迷彩服去突击队。
好吧，那么看起来某人的
必须归还某人的
垫子。
好吧，你把我的衣服藏起来。我将
做与你完全相反的事情。
你是什么，你要给我看什么
？我的衣服。嘿嘿，
对面就是对面。
他什么都没有。
好的，伙计。这里是
。你把我的衣服藏起来。我穿着
你
拥有的一切。我的天啊。
这与拿走
某人的
内衣并不相反。看着我。我是钱德勒。
我可以再穿一点吗
件衣服？也许如果我不去
突击队的话。
是的。我告诉你，穿上
这些东西会很热。我呃我最好不要做任何
我不知道的动作，弓步。
好的。好的。足够的。但不适合
午餐。不，我厌倦了这个。好的，
我已经和你们两个聊到这里了。
你们谁都不能参加聚会。
天哪，真是个宝贝。
嘿。
嘿。你在干什么？好吧，我
对你所说的话想了很多，嗯
我意识到我可能有点
评判。
是的。哦，但是哦，现在宝贝，记住，
嘿，他们刚刚实现了
圣诞节的命运。是的。
好的。
哎呀。那看起来不太
满足。
哦，那是呃，那是旧的
之一。他只是把它带到后面。
你把旧的放在后面。那个
太支持了。
但是我们必须为新鲜的
腾出空间。那么，老人们的结局又如何呢？
好吧，他们进入削片机。
嗯，我有一种感觉，
并不像听起来那么快乐。
[音乐]
[掌声]
嘿嘿嘿。
这是最后一次和小鸡小鸡在一起
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡这里和小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡这里小鸡那里小鸡
到处都是小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡小鸡
小鸡小鸡小鸡小鸡小鸡
小鸡鸡鸡鸡
鸡
嘿，她怎么样
她做得很好，是的，你不觉得吗
认为这是一个我不认识的她
我不知道。不管是什么，
回来得太快了。
不管怎样，我得去换衣服了。我呃
和一些演员见面喝一杯。
对不起。什么？
今天你
排练时我没有上班，所以有人可以在这里
和我们的小妞在一起。嘿，谁从今天早上
2:00 起床到今天
早上 5:00 试图让她恢复
睡眠状态？你不认为你
起床时我也起床吗？
哦，来了。是的，它来了。
我一整天都被困在这里，然后你
进来并与
我们呆了两秒钟，然后期望离开
与你的
朋友一起嬉戏。嗯，我不这么认为，先生。
嘿，我需要放松一下，好吗？我
工作了一整天。你不认为
照顾我们的小鸡是
工作吗？我不是这么说的。好的。
好的。我只是想说我知道你
的意思。
你注意到，自从我们得到了这只
小鸡后，我们的争斗次数就比以前多了
。
我不知道。也许我们还没有准备好
生一个小鸡。
明天我会带她回来
。你认为我们会拿回三
块钱吗？嘿，里奇。
的闪亮效果怎么样？哦，丹尼刚刚进入
进入 217 号房间。噢，下一部分是
最好的部分。当那个死去的女士在
浴缸里时。哦，不，不，不，不，不，不，不。
来吧。你会毁掉它的。好吧
，我会用代码来说话。还记得
孩子在
走廊看到那两个空白吗？
太酷了。哦，全部空白且没有
空白会使空白成为空白。
哦，不，不，不。最后杰克几乎
用那张空白杀死了他们所有人，但
在最后一秒他们逃脱了。哦，
乔伊。我不敢相信他竟然这么做了。
我不敢相信她破解了你的密码。
[鼓掌]
好吧。好的。洛瑞向乔求婚
，她拒绝了，尽管她仍然
爱着他。然后他最终
与艾米结婚。
嘿，我的事情是
意外造成的。好吧，锅炉爆炸
并摧毁了酒店并杀死了
爸爸。
贝丝
去世。
贝丝贝丝
去世。这是真的吗？如果我继续读下去，
贝丝会死吗？
不。贝丝没有死。她没有死。
她是吗，雷切尔？什么？乔伊问
你是否刚刚毁了他
所喜爱的第一本不是由杰克
尼克尔森主演的书。
瞧，乔，这就是为什么你的父母告诉
你不要跳到床上。
嘿。嘿。哦，坏掉了吗？不。我
将佩戴这件东西
周。你有没有告诉医生你
在床上跳来跳去？不。
有一个完整的故事，但后来呃
钱德勒出卖了我。好吧，我很抱歉，
乔。我不认为医生会
去买那个。它刚刚从
插槽中掉出来。
看着我。我正在做果酱。从今天早上 4:00 开始
。凌晨 4 点你在哪里买
个水果？前往
码头。嘿，我打赌你不知道你
可以批发。我不知道
有码头。
嘿。嘿。哦，坏掉了吗？不。我
将佩戴这件东西
周。你有没有告诉医生你
在床上跳来跳去？不。
整个故事已经解决了，但后来
呃钱德勒出卖了我。好吧，我
抱歉，乔。我不认为
医生会买这个。它刚刚从插座的
中掉出来。
这是什么？水果。
莫妮卡正在做果酱。哇，果酱。我喜欢
果酱。嘿，为什么我们的
店从来没有果酱？因为孩子们需要新的
鞋子。
工作的目的之一，各位。我厌倦了
并厌倦了为
理查德而感到沮丧。我需要一个计划。计划让
战胜我的男人。人的反面是什么？
果酱。哦，乔伊。不，天气太热了。
这只是我的
批次。还记得当你还是个孩子的时候，
你妈妈会带着一罐果酱和一个小
电影吗？
勺子送你去看
你真漂亮。
[音乐]
[掌声]
M
去买更多罐子。稍后回来，莫妮卡
盖勒。
[鼓掌]
我今天给精子库打了电话。他们
还没有售出任何一套
Tribani。没有人想要我的
产品。我的意思是，我我我不明白，你
知道。
我的意思是，
也许如果他们亲自见到我，
你的哦，是的，你会发现一些东西。
明白了吗？
是的。
他必须给她一个真正的理由，
你知道吗？也许他可以让她
舌头。
或者也许他可以抓住她并
把她举起来。是的。是的。然后
阿德里安，她也许可以用双腿
缠住他的腰。然后她可以撕下
他的衬衫并亲吻他的胸部和
他的肚子。然后他可以用他的
牙齿解开她的衣服和
并咬她。然后就
，当场景结束时，他可以带着她
和这只生动物。
类似的东西。
是的，这正是我
的想法。钱德勒在哪里？呃，他无法
成功。他说他必须回到
他的呃工作并做呃谁
乔伊？乔伊·特里巴尼。
乔伊，我能看到你。好的。你把
藏在外套后面。
关闭一个。
嘿，
嗯，钱德勒在吗？不。嗯，他在咖啡馆遇到了
某个女孩。
是的。姜什么的？不。
不。不。呃，你确定这不是
听起来像生姜的东西吗？就像
呃姜？
不，是姜。我记得因为
当他告诉我时我说的是电影明星。
天哪，这就是我躲着
的那个女孩。当她发现他是我的
室友时，她会告诉他我
做了什么。为什么？你做了什么？哦。哦。哦
没有。不，我不能。
我不能告诉你这一点。这就像我一生中
最可怕、最可怕的事情。你知道吗？
做过的
别告诉我们。我们会等到
训练师回家，因为那样会更
有趣。全部
正确。好的。就像四年前一样。
好的。我和金杰出去了几次
次，然后这个周末，我们
去了她爸爸的小屋。只有我、她和#{11}她烦人的小狗
...
Pepper。好吧，那天晚上，我做了这顿
非常浪漫的晚餐。你让她
食物中毒。
我
希望晚饭后，我、她和佩珀
都在火炉前睡着了。
好吧，我在
半夜醒来，看到火正在熄灭
。于是，我拿起一根木头，把它扔到
上。或者至少我认为是
日志。天哪，你把胡椒粉扔到
火上。我
希望。看，我想我
可能应该告诉你关于
金杰的另一件事是她有一条
呃假腿。
哦天哪，乔伊，
...
把她的腿扔到火上之后你做了什么？
我跑了。
我要登上这艘宇宙飞船。
[音乐]
我要去 Bloggon 7
搜索替代
燃料。但当我从
200 年后回来时，你早已
消失了。但我不会老到
。所以你告诉你的曾曾
孙女来找我。
因为
艾德里安宝贝，
我想见见她。
[音乐]
再见，维克。 Chloe，首先完成您的
客户。来吧，公司。来吧。
来吧。我可以帮你吗？
呃。呃，你知道吗？我们正在
重新考虑我们的复制需求
，呃，我们需要更多时间
考虑它。
克洛伊，跟我换吧。这里有一些人
迷恋着你。
好吧，这伤害了我们。
大家好。从这以后我就没见过你了
早上。
嗯，
呃，你知道，
嘿，你们明天
晚上要做什么？
我们俩。或许。这吓到你了吗？
放松。只是艾萨克在费城打碟。
你应该来。哦，我们会在那里。
太棒了。到时候见。好的。
继续摇滚。
汽车旅馆
剧院。乔伊·特里巴尼 (Joey Tribani) 对特里巴尼先生的表演参差不齐
并不是这部作品中
最糟糕的事情。是的，
凯特·米勒的尴尬和举止
的描绘是
可笑的。啊哈，就是这里。 Marshall Townend
方向是谢谢你们，男孩们、女孩们。你
的
毁了我的生活。请用我妈妈的螃蟹
无能的脸。对不起
蛋糕填满你
。有人介意我保存这个吗？
[音乐]
[英语]
Show
重点词汇
开始练习
| 词汇 | 含义 |
|---|---|
|
humidity /hjuːˈmɪdɪti/ B2 |
|
|
combination /ˌkɒmbɪˈneɪʃən/ B2 |
|
|
lemonade /ˈlɛməndeɪ/ A2 |
|
|
revolutionary /ˌrɛvəˈluːʃəˌnɛri/ C1 |
|
|
drill /drɪl/ B1 |
|
|
flinging /ˈflɪŋɪŋ/ B2 |
|
|
responsibility /rɪˌspɒn.sɪˈbɪl.ɪ.ti/ C1 |
|
|
constant /ˈkɒn.stənt/ B2 |
|
|
refrigerator /rɪˈfrɪdʒ.əˌreɪ.tər/ B1 |
|
|
product /ˈprɒdʌkt/ B1 |
|
|
intrigued /ɪnˈtriːɡd/ C1 |
|
|
applause /əˈplɔːz/ B2 |
|
|
actor /ˈæktə(r)/ A2 |
|
|
soap /soʊp/ A2 |
|
|
tweezers /ˈtwiːzərz/ B2 |
|
|
eyebrow /ˈaɪˌbraʊ/ B2 |
|
|
awkward /ˈɔːkwəd/ B2 |
|
|
laughter /ˈlɑːftə/ B1 |
|
重点语法结构
即将推出！
我们正在更新此部分，敬请期待！
相关歌曲