Oh, here it is. Oh, Joey, why did you
00:02
>> I didn't do that. Who would have done
00:10
>> Okay, maybe ask this guy. [laughter]
00:13
>> You get out of MY SHOP.
00:16
>> WHAT? WHAT DID HE DO?
00:18
>> He went out with my wife,
00:19
I Hey, I did not go out with your wife.
00:23
Okay. I I went out WITH HER.
00:26
>> Joey's having a party and he wasn't
00:36
going to invite us. Yeah, he does it
00:38
every year. That's why he's sending you
00:40
to the play. That's why he sent us to
00:42
that medieval restaurant and to that
00:44
button factory and that that horrible
00:46
>> No, I arranged that.
00:50
>> Hey, you guys, I'm turning in. Have fun.
00:55
>> We know about your party, Joey.
01:02
>> The game's over. Take off your robe.
01:04
>> LISTEN, UH, you guys think I have a
01:18
chance with Janine?
01:20
>> Well, honey, we have been through this
01:22
>> Yeah. Don't do this to yourself. She
01:24
made it pretty clear it is not going to
01:26
>> Well, all right then. I guess I
01:28
shouldn't get too excited about the fact
01:30
that I JUST KISSED HER.
01:32
>> SEE, THAT'S RIGHT. REALLY?
01:34
>> YEAH. WELL, we'll see.
01:36
>> Oh, we kissed it up real nice.
01:41
>> So, you kissed her. So, what happened
01:45
>> I came over here to tell you guys.
01:47
>> So, she's just waiting over there for
01:50
Well, is everybody else having just the
02:01
best time? Shh, Joey's asleep.
02:04
After he passed out, we put the sand
02:18
around him to keep him warm.
02:20
Well, I assume the uh happy couple isn't
02:24
up yet. Did you guys hear them last
02:27
>> Oh, yeah. I don't know what they were
02:30
doing, but at one point, sea turtles
02:31
actually came up to the house.
02:33
>> Hey. How'd everybody sleep?
02:39
>> Like a lo. [laughter] Us, too.
02:41
>> We're going for a walk.
02:45
>> Nice breast, by the way. [laughter]
02:54
>> Typical New York City apartment. Two
03:04
girls are just hanging out.
03:06
>> Hi. How are you doing, Kelly?
03:10
>> I'm doing just fine. God, Tiffany, you
03:12
>> It's my new perfume. Why don't you come
03:19
closer where you can really appreciate
03:21
>> Oh, you know, Joey, you are sick.
03:28
>> This is disgusting.
03:30
>> Wait, wait, wait. The handsome MAN WAS
03:33
>> FINE. OKAY, FINE. But I got to say,
03:36
technically, I didn't even do anything
03:37
>> What? You You didn't do anything wrong.
03:41
I I said I didn't technically.
03:44
Okay. Well, let's put aside the fact
03:47
that you accidentally picked up my
03:49
grandmother's ring and you accidentally
03:51
proposed to Rachel.
03:54
>> Can I just stop you right there for a
03:55
second? When people do this, I don't
03:57
really know what that means.
03:59
>> And I can even understand that you
04:08
couldn't tell Rachel, but why couldn't
04:11
you tell me? Huh? You had all day to and
04:13
>> I know. I should have.
04:17
>> Not using it right. Joe,
04:26
>> I'm going to go.
04:35
>> No. Come on. Look, Ross. We have to get
04:35
>> Give me the bag.
04:38
>> No. Look, I I don't know what else to
04:39
do. I said I'm sorry. Now, you should
04:40
scream at me or or or curse me or hit
04:42
>> I'm not going to hit you.
04:45
>> Why not? You'll feel better. I'll feel
04:46
better. And you know you want to. I can
04:48
see it in your eyes. [laughter]
04:49
>> Little bit more.
04:57
>> Give me the back.
05:00
>> Hit me, Joey. Give me the back.
05:01
>> Hit me, Joe. I'm not kidding. Hit me.
05:02
Hit me. Hit me. Hit me. Hit me.
05:04
>> I'M SORRY. IT WAS A REFLEX.
05:20
>> Oh my god. THIS THIS REALLY HURTS.
05:22
>> I COULDN'T help it. When a fist comes at
05:24
your face, you duck. Look.
05:26
>> What is THE MATTER WITH YOU? YOU WERE
05:32
SUPPOSED TO DUCK. WHY DIDN'T YOU DUCK?
05:34
WHY DON'T WE TALK ABOUT this on the way
05:36
>> Good. Good. Yeah. Maybe while we're
05:38
there, they can check your reflexes.
05:40
>> I broke my thumb. Your thumb?
05:43
>> That's weird. Are you sure you're
05:50
punching right? Make Make a fist.
05:52
Ross, I feel terrible.
05:58
>> You know what? You can go. I just have
06:00
to fill out some forms.
06:02
You uh you want you want me to help you
06:09
>> Why does it look like I'm having trouble
06:11
with my misshapen claw?
06:12
No, I know Ross, but what's it short
06:22
for? You know, like like Russell
06:24
>> Okay. Date of birth.
06:38
>> You know my birthday?
06:39
>> Occupation? Dinosaurs.
06:50
>> Actually, I'm a pale.
06:55
Dinosaurs is fine. [laughter]
06:58
The drawing is not.
07:01
Come on. I overslept. I was supposed to
07:04
be ON THE SET HALF AN HOUR AGO. I GOT TO
07:06
>> OH, WHAT? JOEY, you can't go like that.
07:09
>> Look, I don't I fell asleep before I
07:12
could take a shower. Now I don't have
07:13
time. They're just 10 blocks away. If I
07:14
run, I can make it.
07:16
>> Yeah, run 10 blocks. That'll help THE
07:17
>> HEY, SLOW DOWN. NO, keep moving.
07:20
>> And this from the cry for health
07:28
department. Are you wearing makeup?
07:29
Yes, I am. As of today, I am officially
07:34
Joey Tribani, actor/mod.
07:36
>> That's so funny cuz I was thinking you
07:40
look more like Joey Tribani man/woman.
07:41
>> What were you modeling for?
07:47
>> Well, you know those posters for the
07:48
>> Oh, wow. So, you're going to be one of
07:51
those healthy healthy healthy guys?
07:52
>> You know, the asthma guy's really cute.
07:54
>> Do you know which one you're going to
07:58
be? No, no, but I hear Lyme disease is
07:58
>> Good luck, man. I hope you get it.
08:03
>> Is that a blanket? A video camera? Oh my
08:08
>> I can't believe you thought that YOU
08:14
WERE GOING TO VIDEOTAPE US HAVING SEX on
08:15
Joey is what she just said. Um,
08:26
oh my god. God, look. You are actually
08:30
going to [laughter]
08:32
>> What is going on here?
08:38
>> And with Chandler in the next room. What
08:42
are you What are you sick?
08:44
>> I make low-budget adult films.
09:00
[music] You guys promised you'd be more
09:06
careful. I mean, come on. The good Joey
09:08
name is being dragged through the mud
09:10
>> Well, I'm telling everyone about you.
09:15
That's the only way to explain the
09:17
underwear and the video camera that
09:18
doesn't make me look like a pig. I don't
09:20
know. All right. There's got to be a
09:22
better explanation. You could tell them
09:23
that you had to make an adult film for
09:24
your adult film class.
09:26
>> Yeah, I like that. But no, no. How does
09:31
that explain why Rachel found my
09:33
underwear at your place?
09:35
>> I don't know. Well, get ready to come
09:38
out of the non-gay closet.
09:41
>> See, Joe, that's why your parents told
09:54
you not to jump on the bed.
09:56
>> Oh, is it broken?
10:01
>> No. I'm going to wear this thing for a
10:03
>> Did you tell the doctor you did it
10:06
jumping up and down on your bed?
10:07
>> No. Had a whole story worked out, but
10:10
then uh Chandler sold me out.
10:12
>> Well, I'm sorry, Joe. I didn't think the
10:15
doctor was going to buy that. just fell
10:16
>> Oh, what's in the bag?
10:22
>> Oh. Uh, well, you know how Emma started
10:23
crawling? I realized that this place is
10:25
very unsafe for a baby. So, I went to
10:28
the store and I got some stuff to baby
10:30
proof the apartment.
10:32
>> Oh god. Baby proofing. Why is this such
10:34
a big deal now? You know, when I was a
10:37
kid, it was like, "Whoops, Joey fell
10:39
down the stairs." Or, "Uh, whoops, Joey
10:41
electrocuted himself again.
10:44
>> Anyway, um, are you going to get a
10:48
handyman to install this stuff?
10:51
>> No, I was just going to do it myself.
10:52
>> You're going to do it?
10:58
>> Yeah. Why? You don't think a woman can
10:59
>> Well, women can't. You can't.
11:03
>> Monica, will you please tell Joey that
11:07
>> You're a pig and you can't do this.
11:11
>> What? What? Come on. I found the
11:14
hardware store all by myself.
11:17
>> The hardware store is right down the
11:19
>> There is a hardware store right down the
11:21
>> Hi. So, you gave in and decided to call
11:26
>> Yeah. I don't know who I was kidding. I
11:30
can barely use chopsticks.
11:32
>> Oh, thank you so much. Oh. Oh, wait. You
11:35
uh forgot your um your game.
11:38
Thank you. [laughter]
11:42
so I can't do anything I like.
12:21
I better take all I can carry.
12:40
Who knows when I'll be able to get in
12:44
>> Ross, listen. You want anything to drink
12:48
cuz I'm heading up there.
12:50
>> Uh, yeah. I'll take a coffee. Thanks,
12:51
>> Coffee? Cuz I'm going up there.
12:56
>> Oh, no. Thank you. [laughter]
12:57
>> Do you guys need anything? Cuz I'm
13:00
I'd love a ice water.
13:03
>> You got it. [laughter]
13:05
>> Joey, what are you doing?
13:07
>> Just being friendly.
13:09
>> Joey, honey, I don't think you're
13:13
supposed to go back there.
13:14
>> No, no, it's okay. Right, Gunther?
13:15
>> Don't wink at me.
13:19
>> Put on your apron. [laughter]
13:22
>> Okay. I don't see you asking any other
13:25
paying customers to put on aprons.
13:28
>> Joey, do you work here?
13:32
>> Joey, what's going on? Why didn't you
13:43
tell us you work here?
13:45
that's kind of embarrassing, you know? I
13:49
mean, I was an actor. Now I'm a waiter
13:51
supposed to go in the other direction.
13:54
So's your apron. You're wearing it like
13:57
>> I mean, the job's easy and the money's
14:01
good, you know, and I guess if I'm going
14:03
to be hanging out here anyway, I might
14:05
as well get paid for it, right? Just
14:06
feel kind of weird serving you guys, you
14:09
>> Joey, come on. I did it and it was fine.
14:13
>> Yeah, why would it be weird? Hey, Joey.
14:15
Uh, can I get some coffee?
14:19
>> Okay, I guess it doesn't seem that
14:22
>> Seriously, I I asked you before. You
14:24
still haven't gotten it.
14:26
>> Now it's weird again.
14:29
>> I think it's great that you work here.
14:31
You're going to make a lot of money. And
14:33
here is your first tip.
14:34
Don't eat yellow snow. [laughter]
14:36
>> What are you working on?
14:43
>> Oh, it's a uh it's a welcome home sign
14:44
>> How sweet. Oh, is that the baby?
14:47
>> No, I sat in a paint.
14:51
Hey, so did you talk to Rachel?
14:55
>> No. And uh I'm not going to.
14:58
>> Why not? Because she's just going to
15:01
shoot me down. You guys saw what
15:02
happened with Gunther. That did not look
15:04
>> How can you compare yourself to Gunther?
15:06
I mean, sure, he's sexy in a more
15:09
obvious way. [laughter] But
15:11
you have a relationship with her. You
15:14
slept together last night.
15:16
>> Yeah. And she still wants to go. It's
15:17
pretty clear where she is. Yeah, I know
15:20
what you mean. I mean, sometimes.
15:23
>> Hey. How's it going? Did you make any
15:28
>> Yeah. Yeah. I met this woman.
15:31
>> Hey, Mom. Whoa. What's she like?
15:34
>> Uh, well, she's really good in bed.
15:37
>> I thought you going to try to be friends
15:43
>> Well, look. Hey, it's all your fault.
15:45
>> Because you didn't give me advice. No,
15:48
you gave me a pickup line. As soon as I
15:50
told her I wanted to, you know, build a
15:52
foundation and be friends first, I
15:53
suddenly, through no fault of my own,
15:56
became irresistible to her
15:58
>> What about the closeness?
16:05
>> Closeness? There was three of us for
16:07
>> What just happened?
16:11
>> I am so so sorry. I was going to do it
16:11
really. But then I was standing there
16:14
with $327 in one hand and $238 in the
16:16
other hand. And I was thinking, "Wow,
16:21
it's been a long time since I had
16:22
>> Joey, we had a deal that that's why
16:30
you're here. I've got to fire you.
16:32
>> And I got to pay rent.
16:34
how how about this? You don't fire me.
16:39
Instead, I stay here. I gain their trust
16:41
and then they'll start listening to all
16:44
the nice things I've been saying about
16:45
>> Kind of things you've been saying.
16:49
>> Well, nothing yet. They really hate you
16:50
and I want to fit in.
16:52
>> Agent has just gotten me a job in the
16:54
new Alpuccino movie.
16:57
>> I love the part.
17:02
>> Can you believe this? Al Pacino. This
17:02
guy's the reason I became an actor. I'm
17:05
out of order. P. You're out of order.
17:07
This whole courtroom's out of order.
17:10
>> Seriously, what? What's the part?
17:13
>> Just when I thought I was out, they pull
17:15
me back in. [laughter] Come on.
17:17
Seriously, Joey, what's the part? Uh,
17:20
>> you're you're his what? [laughter]
17:24
>> I'm his butt double. Okay.
17:28
[laughter] I play Al Puccini's butt.
17:35
All right. He goes into the shower and
17:40
then I'm his butt. [laughter]
17:43
>> Come on, you guys. This is a real movie
17:47
and Alpuccino's in it. And that's big.
17:50
>> Oh, no. It's terrific. It's It's You
17:52
know, you deserve this. After all your
17:54
years of struggling, you've finally been
17:56
able to crack your way into [laughter]
17:57
Listen, I just want to thank you for
18:00
this great opportunity.
18:02
with me. That would work,
18:07
>> right? Okay. Losing the robe.
18:10
>> Okay. And the robe is lost.
18:14
>> Okay, everybody. I would like to get
18:17
this in one take, please. Let's roll it.
18:18
And cut. Hey, butt guy. What the hell
18:28
>> I'm I'm chowing.
18:33
>> No, that was clenching.
18:34
Well, the way I see it, the guy's upset
18:37
here, you know? I mean, his wife's dead,
18:40
his brother's missing. I think his butt
18:42
would be angry here.
18:44
I think his butt would like to get the
18:47
shot before lunch. [laughter] Once
18:48
again, rolling. Water working.
18:51
And cut. What was that?
18:58
I was going for quiet desperation,
19:01
>> but if you have to ask.
19:05
>> Hey. Wait a minute. Aren't you the guy
19:11
who plays the butt in the new Alpuccino
19:13
>> No. What happened, big guy?
19:18
>> It felt like a big guy moment.
19:24
>> yeah. They said I acted too much with
19:30
>> Hey Ra, how you doing with the shiny?
19:33
>> Oh, Danny just went into room 217.
19:36
>> Ooh, the next part's the best when that
19:39
dead lady in the bathtub.
19:41
>> Oh, no, no, no, no, no, no, no, no. Come
19:42
on. You're going to ruin it.
19:44
>> All right, I'll talk in code. Remember
19:45
when the kid sees those two blanks in
19:48
>> That's very cool.
19:52
>> All blank and no blank makes blank a
19:54
>> Oh, no, no, no. The end when Jack almost
20:00
kills them all with that blank, but then
20:03
in the last second they get away.
20:04
>> Joey, I can't believe you just did that.
20:08
>> I can't believe she cracked your code.
20:10
>> All right. Okay. Lori proposes to Joe
20:18
and she says no, even though she's still
20:21
in love with him. And then he ends up
20:23
Hey, mine was by accident.
20:28
All right. The boiler explodes and
20:32
destroys the hotel and kills the dad.
20:34
Is that true? If I keep reading, is Beth
20:53
>> No. Beth doesn't die. She doesn't die.
20:57
>> Joey's asking if you've just ruined the
21:01
first book he's ever loved that didn't
21:03
star Jack Nicholson.
21:05
>> Say, Joe, I had a strange idea for what
21:07
we could do for our last night. What do
21:09
you say we play a little uh foosball for
21:10
>> Are you crazy? You haven't beaten me
21:13
once since my injury plague 97 season.
21:15
Be easier if you just give me your
21:17
What do you say to $50?
21:23
>> Okay, you're on.
21:25
>> I win again. That's like 500 bucks you
21:27
$500. That is a lot of electricity.
21:32
I got to buy some food. [laughter]
21:38
>> Okay. Give me a chance to win my money
21:41
back. Okay. Sudden death. One goal.
21:42
>> Okay. Get ready to owe me.
21:49
>> Okay. Okay. Here we go. Ready?
21:52
>> No, no, no, no, no,
22:18
>> no, no. One can beat me.
22:20
>> See, now that's why only the little fake
22:27
men are supposed to do the kicking.
22:29
>> We can play a new game. A new game. It's
22:32
>> Well, what's it called?
22:35
>> I don't know how to play cup.
22:40
>> I'll teach you. Come on. Come on. It's
22:41
really easy. Really, really fun.
22:42
>> Okay. Here you go.
22:44
>> I have two queens. What do you have?
22:47
>> A two and a five.
22:50
>> You win $50. [laughter]
22:51
>> Oh, yeah. Okay, let's play again. Ready?
22:55
>> Four and a nine.
23:02
>> You're kidding, right?
23:03
>> Well, that's a full cup.
23:07
>> You win. Oh, what did you have? Well, it
23:10
doesn't matter. Nothing beats a three
23:13
That, my friend, is decup.
23:17
>> Okay. Now, how much have you won so far?
23:21
>> Not 700 exactly. Yeah.
23:26
>> Yes. See, in cups, once you get $700,
23:31
you have to double it. [laughter]
23:34
Hey, I didn't make up the rules.
23:37
Okay. So, now after you receive the
23:40
doubling bonus, you get uh one card.
23:42
Now, that one card could be worth $100,
23:45
which brings your total to $1,500. No,
23:48
no, don't get too excited because that's
23:50
not going to happen unless you get the
23:53
>> Ross and I were helping the girls pack.
23:58
Took a little break. I lost $1,500 to
24:00
him at Cops. [laughter]
24:03
What? How did you lose at Cops? The same
24:05
way you lost. I start out with the king
24:09
and a queen. Bam. Ross gets a two and a
24:11
three. [laughter] Then I get a jack and
24:14
a king. Boom. Ross, it's a four and a
24:16
five. Maybe Ross was getting the the cup
24:18
card, the the D cup, the the sitting
24:21
down bonus. Meanwhile, I didn't even get
24:23
A HALF A CUP. NOTHING. [laughter]
24:26
>> Where's Chandler?
24:29
>> Uh, he can't make it. He said he had to
24:30
go back to his uh job and do uh Whoa.
24:32
>> Joey, I can see you. Okay. You're hiding
24:47
>> Is uh is Chandler around?
25:07
>> No. Um he met some girl at the coffee
25:08
>> Yeah. Ginger or something?
25:12
>> No. No. Uh are you sure it wasn't
25:16
something that sounded like ginger? Like
25:18
No, it was Ginger. I remember because
25:23
when he told me I said the movie star.
25:25
>> Oh man, that's the girl I was hiding
25:30
from. When she finds out he's my
25:33
roommate, she's going to tell him what I
25:35
>> Well, what did you do?
25:36
>> Oh. Oh. Oh, no. No. I can't
25:37
I can't tell you that. It's like the
25:41
most awful, horrible thing I've ever
25:42
done in my whole life.
25:44
>> You know what? Don't tell us. We'll just
25:45
wait till Trainer gets home because
25:47
it'll be more fun that way.
25:48
Okay, it was like four years ago. Okay,
25:52
Jinger and I had gone out a few times
25:56
and then this one weekend we went up to
25:57
her dad's cabin. Just me, her, and her
25:59
annoying little dog, Pepper. Well, that
26:02
night, I cooked this really romantic
26:05
>> You gave her food poisoning.
26:08
>> I wish [laughter]
26:10
after dinner, me, her, and Pepper all
26:13
fell asleep in front of the fire. Well,
26:15
I woke up in the middle of the night and
26:17
I saw that the fire was dying out. So, I
26:18
picked up a log and threw it on.
26:21
Or at least what I thought was a log.
26:26
>> Oh my god, you threw pepper on the fire.
26:28
See, I guess another thing I probably
26:35
should have told you about Ginger is
26:37
that she kind of has a uh
26:38
>> Joey. What did you do after you threw
26:51
her leg on the fire?
26:53
>> Really? A purse?
27:03
>> It's not a purse. It's a shoulder bag.
27:05
>> Looks like a woman's purse.
27:09
>> No, Joey. Look, trust me. I'm telling
27:10
all the men are carrying them in the
27:12
spring catalog. Okay.
27:14
>> See, look. Men carrying the bag.
27:16
>> See? Look. Women carrying the bag.
27:19
>> But it is odd how a woman's purse looks
27:29
so good on me. A man.
27:32
>> Exactly. Unisex.
27:36
>> Maybe you need sex. I had sex a couple
27:38
Oh no, Joey. You and I sex.
27:43
>> Well, I ain't going to say no to that.
27:47
>> Wow, you look just like your son, Mrs.
28:04
>> What are you referring to? my man's bag.
28:09
At first, I thought it just looked good,
28:13
but it's practical, too. Check it out.
28:14
It's got compartments for all your
28:17
stuff. Your wallet, your keys, your
28:18
address book, your makeup.
28:20
>> Joey, what are you doing with the bag?
28:24
Your audition's not till tomorrow.
28:26
>> Yeah, but sandwich time is right now.
28:27
>> Joey, you know, you get any mustard on
28:30
that bag, you can't return it.
28:32
>> Why would I return this? I love this
28:33
>> All right. Well, then you owe me $350.
28:36
Fine. Do you take Vasa or Mooster Card,
28:39
>> All right, relax. Look, I'll pay you
28:45
with the money from the acting job I am
28:47
definitely going to get thanks to you.
28:49
>> What's the part? Auntie Mame. [laughter]
28:51
>> Don't listen to them. I think it's sexy.
28:54
>> Hey, I'm off to my audition. How do I
29:05
I think you look great, Joey. That bag
29:09
is going to get you that part.
29:11
>> And a date with a man. [laughter]
29:12
>> You know what? Make fun all you want.
29:16
This is a great bag, okay? And it's as
29:18
handy as it is becoming.
29:21
Now, just because you don't understand
29:23
something doesn't make it wrong. All
29:25
right? So, from now on, you guys are
29:27
going to have to get used to the fact
29:29
that Joey comes with a bag.
29:30
[clears throat] Well, you must be new
29:37
here. Maybe we get a table. I'd buy you
29:38
>> I'm sorry. Could you Could you try it
29:41
>> Well, you must be new here. Maybe we
29:52
sit. I'm sorry. Can I ask you something?
29:54
>> Well, first, it's not a purse.
29:59
Okay. Anytime. I mean, if if you're
30:02
thinking it's a woman's bag, it's not.
30:05
It's a man's bag. [laughter]
30:07
I Let me show you the catalog.
30:14
Look. See? Huh? It's the latest thing.
30:17
Everyone's got one. Men, women,
30:21
children, everyone's carrying them. Um,
30:22
do you sell these bags?
30:24
>> Oh, no, no, no, no, no. These babies
30:27
Okay. Thank you. That was great.
30:32
>> Yeah, but I didn't even read anything.
30:35
>> I think we've seen enough.
30:37
>> Okay. All right. I'll see it. We got it.
30:39
>> Yeah. So, you going to call this one
30:44
>> But what are you talking about? Sarah's
30:49
>> Oh, really? You want to know what your
30:51
>> We were out to dinner. Okay. We were
30:56
getting along, having a really nice
30:58
time. I was thinking she was really
30:59
cool. And then out of nowhere.
31:01
That's it. That That's why you won't go
31:28
out with her again. So, she took some
31:30
>> Hey. Hey, look. It's not about a few
31:33
fries. It's about what the fries
31:35
>> Well, I'm I'm sorry. I I I can't believe
31:41
I set you up with such a monster.
31:44
>> Hey, hey, hey, hey, hey. [laughter]
31:46
Look, I take a girl out, she can order
31:47
whatever she wants. The more the better.
31:49
All right. Just don't order a garden
31:51
salad and then eat my food.
31:53
That's a good way to lose some fingers.
31:57
Oh, thank god you're here. Listen to
32:01
>> So Joey and my friend are out last
32:04
night. They're having dinner and she
32:05
reaches over and takes a few of his
32:07
You you know about the the the plate
32:14
>> Oh, yeah. Yeah. No, Joey doesn't share
32:16
food. I mean, just just last week, we
32:18
were having breakfast and and he had a
32:21
couple of grapes on his plate.
32:23
>> You wouldn't let her have a grape?
32:24
>> Oh, no. Not me, Emma.
32:25
JOEY DOESN'T SHARE FOOD.
32:31
>> WELL, I still think that is a stupid
32:38
reason not to call someone again. You
32:40
are calling her. Okay. And if if you
32:42
need to, then just get an extra plate of
32:44
fries for the table.
32:46
I like that. A sharing buffer. Yeah.
32:52
Yeah. I'll order some extra fries, maybe
32:57
a plate of onion rings. Yeah. Yeah. And
32:59
>> But I I I can't stay too long. I got to
33:05
get up early for a commercial audition
33:07
tomorrow and I got to look good.
33:08
Supposed to be playing a 19-year-old.
33:10
>> What? So, when you said get up early,
33:15
>> You guys don't think I look 19?
33:21
>> Oh, 19. We thought you said 90.
33:26
>> Okay, everybody, LET'S GO. LET'S GO.
33:32
What's up, dude? [laughter]
33:54
>> Take whatever you want. Just please
33:56
>> It's like playing a little PlayStation,
34:01
That's whack. [laughter]
34:04
is whack. [laughter]
34:09
Sup with the whack PlayStation sump.
34:13
Come on. Am I 19 or what? [laughter]
34:18
>> Yes. On a scale from 1 to 10, 10 being
34:21
the dumbest a person can look, you are
34:24
>> Come on, man. Really? How old?
34:29
>> Young. You're a manchild. Okay. Now, go
34:31
get changed because everybody's ready.
34:34
And please Oh, please keep my underwear.
34:36
>> Okay, [laughter]
34:41
now I can pass for 19, right?
34:43
>> Yes, you can pass for 19.
34:47
>> Yes. Seriously? Seriously? Seriously?
34:49
No. Okay. You can play your own age,
34:53
>> Joey, you are not. You're 31.
35:04
So, what happened? Did a forest tick you
35:14
>> No. You know how we're always saying we
35:19
need a place for the mail?
35:21
>> Well, I started building one, but then I
35:28
decided to take it to the next step.
35:31
>> You're building a post office?
35:35
>> No, an entertainment unit with a mail
35:38
cubby built right in. It's a one day
35:40
My word, those are snug.
35:46
Oh yeah, this is my old work pants.
35:50
>> Power saw kind of got away from me
36:05
Oh, sorry. Did I get you?
36:21
>> No, you didn't get me. It's an electric
36:24
drill. You get me, you kill me.
36:26
>> Calm down. Do you want this unit or not?
36:30
>> I do not want this unit.
36:33
>> Oh, you should have told me that before.
36:35
Not a mind reader. [laughter]
36:37
>> Hey, we're out of beer. Okay, I'm going
36:40
>> What's the matter?
36:51
>> You know what? It's my fault, really,
37:00
because the couch is where we usually
37:01
>> Hey, somebody want to hand me one of
37:06
>> What's going on?
37:11
>> He's retiling my floor.
37:12
>> now you started this. You will finish
37:19
>> He started mine first.
37:21
>> Build the unit, Cinderelli. Lay the
37:23
>> Okay, on three. One, two. Why don't we
37:31
>> Why two? Because it's faster. Yo, I
37:37
could have counted to three like four
37:40
times without all this two talk. All
37:41
right. But in THE FUTURE,
37:43
>> OKAY, HEAVY THING NOT getting lighter.
37:45
>> So, we are going with two.
37:51
>> Well, good job, Joe.
38:02
Yeah. Yeah. So big that it actually
38:09
makes our doors look smaller.
38:10
Maybe my ruler's wrong.
38:13
>> Maybe all the rulers are wrong.
38:15
>> it's not that bad. So what? It blocks a
38:18
little of your door, a little of my
38:20
>> Yeah. You know what? I got a better
38:23
idea. How How about it blocks none of my
38:24
door and a lot of your door?
38:25
Listen, before I forget, that side is
38:31
Bet you I could fit in there.
38:37
I get five bucks as you can
38:41
>> get out your checkbook, mister.
38:45
>> Well, I think I have the cash.
38:48
>> You are dog, man.
38:56
>> Yeah, you got me. I'm at five big ones.
39:01
>> Thank you. Cha-ching.
39:11
>> Oh, well, hello, Mr. Lincoln. [laughter]
39:16
Better luck next time, buddy.
39:20
And the drinks are on me.
39:23
>> What am I sitting on?
39:27
>> Top of the world. Dock of the Bay.
39:29
>> all right. Who's are they?
39:41
>> Well, they're Joey's. They got to be
39:46
>> Yeah, they're mine.
39:53
>> See? Joy's. They're Joey. Joy's.
39:54
>> Why are they here?
39:57
>> I don't know. Uh,
39:59
Yeah, I'm disgusting. I take my
40:06
underwear off in other people's homes.
40:08
>> Well, get him out of here. What's wrong
40:12
>> Joey, you can touch them. They're your
40:21
>> Chandler, a word.
40:29
THAT'S IT. I'm tired of covering for you
40:39
two. This has got to stop.
40:41
>> So, is she around?
40:44
>> Uh, no. She's at dance class.
40:45
>> Can I check out what she did with my
40:47
>> Yeah, but hey, look, don't go through
40:48
her stuff. She gets really mad.
40:50
>> Oh my god. What is It's like a guy never
40:55
Look, you got to be careful. This girl
41:00
thing is dangerous. It's spreading
41:02
>> Yeah. Is this your pretty pink pillow on
41:06
the couch? [laughter]
41:09
>> Is that your tiny little box that's TOO
41:11
SMALL TO PUT anything in?
41:13
>> No. Okay. This is not good. You are a
41:16
guy. Okay. This is a guy's place. If you
41:19
let this go, you're going to be sitting
41:22
around with your fingers soaking and
41:23
>> All right. All right. You're right. I
41:26
>> YES. TALK TO HER. BE A MAN. I'M A MAN.
41:28
>> DEFEND YOURSELF. H [laughter]
41:30
>> Taylor, come on. We have to h the new
41:33
>> Be right there, sweets. [laughter]
41:35
Totally different situation.
41:40
>> Hey. Uh, can I talk to you for a second?
41:51
There's a kid in this picture. Do you uh
41:54
you know this kid? Is that like a
41:56
relative or something? [laughter]
41:58
No, I just thought it was cute.
41:59
>> Yeah, that's what I was afraid of. Okay.
42:01
look, Janine, I really want you to feel
42:05
at home here. But some of this new
42:06
stuff, it's just it's too girly.
42:09
>> Uh, like this pictures of cute babies.
42:13
We can't have that,
42:17
>> Joey. It's an Giddy. She's a famous
42:19
>> Look, I don't know this baby. I don't
42:21
know if she's a famous artist or not,
42:24
you know, and I don't want to be a jerk,
42:27
but you you're changing too much around
42:30
>> I'm sorry. I just thought I'd try and
42:33
make the place a little nicer.
42:34
>> Yeah, but it's it's too much stuff, you
42:36
know? Like you got the candles and the
42:38
the foofy schmoer thing here. And over
42:40
here you got a picture of a watering
42:43
>> Well, I just thought
42:47
>> I'm sure it's a famous watering can.
42:48
Okay, but come on. And what is with the
42:50
really hot stick in the bathroom?
42:53
>> It's a curling iron.
42:57
>> Well, that's okay then. But okay, my
43:05
towels for instance. Okay, I come in the
43:08
bathroom here and my towel is not on the
43:10
floor where I keep it.
43:13
>> It's up here on some hook and smells
43:16
>> It's clean. Yeah, but it it feels
43:20
>> It's dry. [laughter]
43:23
>> All right, I can make my piece with the
43:27
clean, dry towels. And okay, also, what
43:28
is with these chips you bought? I don't
43:31
>> No, no, no, no. It's po puri. You're
43:32
supposed to smell it.
43:35
>> Well, that's like summer in a bowl.
43:44
So, what's really neat is if you sear
43:48
the stems of the flowers first in a
43:51
frying pan, your arrangement will look
43:52
fresh much longer. [laughter]
43:54
>> Joey, that is such a great tip.
43:57
>> Monica, could you excuse us for a
44:00
second? I need to talk to the girl with
44:02
the flowers. [laughter]
44:03
>> Okay. Oh, Joey, come over later cuz I'm
44:06
going to teach you how to make a bird
44:08
feeder out of just a pine cone and some
44:09
>> WHAT IS THE MATTER with you?
44:17
>> YOU'RE ARRANGING FLOWERS. [laughter]
44:20
>> You get You GET YOU GOT DEAD FLOWERS.
44:22
YOU GOT A YOU GOT A PICTURE OF A BABY
44:25
DRESSED LIKE FLOWERS. [laughter]
44:26
>> This is not Joey.
44:30
>> Hey. Hey, look. I am still Joey. Okay.
44:31
Flowers. They're just, you know, they're
44:35
nice to look at. And that happens to be
44:36
a picture by a famous artist of a famous
44:38
>> You're turning into a woman.
44:43
No, I'm not. Why would you say that?
44:46
>> Now I've upset you. What did I say?
44:52
>> Not what you said. It's just the way you
44:55
said it. [laughter]
44:57
>> I'm glad you're back. I really need your
45:02
>> Oh, why? What's up?
45:03
>> Well, I have an audition for this play
45:04
and for some of it, I have to speak
45:05
French, which according to my resume,
45:07
>> Joey, you shouldn't lie on your resume.
45:11
Yeah, you really shouldn't. And by the
45:14
way, how was that year-long dig in
45:16
>> I did not know you spoke French.
45:23
>> Seriously, stop it. I'm going to jump on
45:38
>> All right. Well, it seems pretty [music]
45:41
simple. Your first line is my name is
45:42
Claude. So, just repeat after me.
45:45
>> Let's just Let's try it again. Okay.
45:55
>> Huh? It's not quite what I'm saying.
46:05
>> Really? Sounds exactly the same to me.
46:10
>> It does. Really?
46:13
>> All right. Well, let's just try it
46:16
again. Really? Listen.
46:17
>> should call blue.
46:33
>> Okay, maybe if we just break it down.
46:37
>> Okay, let's just let's try it one
46:40
syllable at a time. Okay, so repeat
46:41
>> Great. Okay, faster. Jm
46:49
>> It's too hard. I can't teach you.
46:59
>> What are you doing?
47:01
>> I I have to go before I put your head
47:01
>> No, don't go. I need you. My audition is
47:04
>> I'll count from one to five.
47:15
>> Blue blah flu flank.
47:23
>> Listen, I feel really badly about
47:34
yesterday and I thought about it a lot.
47:36
No, I was too impatient. So, let's try
47:38
>> Oh, no. That's okay. I don't I don't
47:41
need your help. I worked on it myself
47:43
and I got to say I am pretty good.
47:44
>> Really? Can I hear some of it?
47:47
>> Okay. [clears throat]
47:52
you're not you're again you're you're
48:06
not speaking French.
48:08
>> Oh well I think I am. Yeah. And I think
48:13
I'm definitely going to get the part.
48:15
>> How could you possibly think that?
48:16
>> For one thing. THE GUY ON THE TAPE SAID
48:19
I WAS DOING A GOOD JOB.
48:20
Whenever you're ready, Joey, right?
48:22
>> I'm sorry. What's going on, dude? Come
48:33
Joey, do you speak French?
48:39
>> You know what? I think this audition is
48:48
Uh, excuse me. Uh, I am Rejene Fange.
48:52
Uh, I I was passing by when I heard this
48:59
man speaking the the regional dialect of
49:02
my French town of Estee Lauder.
49:05
>> You really think this man is speaking
49:11
>> Good job, little buddy.
49:43
>> That was some really good French, but I
49:48
think we're going to go with someone
49:51
>> Oh, yeah. All right. But my French was
49:53
>> Really? Oh. Uh, but just give me five
50:05
more minutes with it.
50:07
>> What are you doing? Oh, well, I uh I
50:10
found the keys and now I'm just
50:12
>> But it's my car.
50:15
>> Yeah, but it's my wax.
50:17
>> Listen, I don't come to this city much
50:20
and I don't know if you're crazy or if
50:22
this is some kind of street theater, but
50:24
could I have my keys?
50:28
>> I'll uh I'll save your parking spot.
50:31
>> Not coming back.
50:33
>> So, the Porsche guy took his car back.
50:44
>> But you found the keys to his clothes.
50:50
>> No, I just uh I just love the way it
50:54
feels when everybody thinks I own a
50:57
>> And people would think you own a Porsche
50:59
because you're wearing the clothes.
51:00
only an idiot would wear this stuff if
51:04
you didn't have the car. [laughter]
51:05
>> Yeah, but only a genius would swallow a
51:13
>> Oh, I've been there.
51:17
>> I am going to go drive my Porsche.
51:21
>> Joey, you know you don't actually have
51:24
>> Come on. What are you doing? I'm in
51:27
character. Will you talk to her?
51:29
>> Hey, hey, hey, careful around my porch.
51:33
>> Hey, how you doing?
51:40
>> He has the most amazing Porsche under
51:43
>> I'd love to show you, but I just tucked
51:46
her in. She's sleeping. [laughter]
51:48
>> Hey, uh, would you two girls like to go
51:50
>> Oh, still too ethnic. My agent thinks I
51:58
should have a name that's more neutral.
52:00
Plus, you know, I think it should be
52:08
Joe. You know, Joey makes me sound like
52:10
I'm this big, which I'm not.
52:12
Joe. Joe. Joe. Stalin. [laughter]
52:18
Stalin. Do I know that name? That sounds
52:26
familiar. Well, it does not ring a bell
52:28
>> You know that's pretty good.
52:38
>> You might want to try Joseph.
52:40
>> I think you'd remember that.
52:52
>> Oh yes. [laughter]
52:53
Bye-bye birdie starring Joseph Stalin.
52:56
Joseph Stalin is the fiddler on the
52:59
>> You know, there already is a Joseph
53:08
Apparently, he was this Russian dictator
53:19
who slaughtered all these people.
53:21
You'd think you would have known that.
53:25
You know, you'd think I would have.
53:27
>> Oh, Joey. Um, you look familiar. Are,
53:29
uh, are you on TV or something?
53:32
>> Well, Joey doesn't like to talk about
53:35
it, but he's one of the stars of Days of
53:36
>> That's right. That's right. Don't you
53:42
play a woman? [laughter]
53:44
>> A woman in a man's body. [laughter]
53:49
So, you know, Ross, it's funny cuz you
53:55
look familiar to me, too. Have you ever
53:57
been married? [laughter]
53:59
>> Well, yes. Yes, I have. In fact, um,
54:03
just the other day, Chris and I were
54:06
talking about how I've been married and
54:07
>> Yeah, little Eric.
54:11
>> That's right. Wait, no, Ben.
54:12
>> So, you just been married the one time
54:18
>> you've been married twice.
54:25
another time after that.
54:31
Boy, I'm getting hungry.
54:36
Uh, hey Joey, have you ever been so
54:39
hungry on a date that when the girl goes
54:42
to the bathroom, you eat some of her
54:44
You said the waiter ate my crab cake.
54:50
>> Yeah. So, uh, Ross, that now why did
54:54
that first marriage break up?
54:57
Was it because the woman was straight or
55:00
because she was a lesbian?
55:02
>> Hey, is this true that you write a lot
55:05
>> Uh, well, kind of. Yeah.
55:09
>> Like remember last week when Alex was in
55:12
the accident? Well, the line in the
55:14
script was, "If we don't get this woman
55:16
to a hospital, she's going to die." But
55:18
I made it. If this woman doesn't get to
55:20
a hospital, she's not going to live.
55:23
>> Oh, okay. I see what you did there.
55:27
>> Aren't you afraid though that the
55:33
writers are going to be kind of mad when
55:34
>> Huh? Never really thought about the
55:37
writers. The scripts just kind of come
55:40
But you know what? This makes me look
55:46
good, which makes the show look good,
55:49
which makes the writers look good. So,
55:51
how could they be mad about that?
55:53
Makes up most of his lines. Son of a
55:57
Yeah, write this jerkwaited.
56:02
>> I fall down an elevator shaft. What the
56:05
hell does this mean? I fall down an
56:07
>> Uh, I don't know. I just bring the
56:10
They can't kill me. I'm Franchesca's
56:15
I want you to know that I'll always be
56:24
there for you as a friend and as your
56:25
>> Huh? Where's the medical award?
56:32
>> Yeah, some guys are just lucky, I guess.
56:35
>> Dr. Ramore, report to first floor
56:40
emergency staff. All
56:42
right. Well, then uh
56:44
we uh guess that's me.
56:47
Anyone else need to go in the elevator?
56:51
Dr. Wong? Dr. Wong? No. No. They only
56:53
>> I love you, Drake.
57:03
>> DRAKE, LOOK OUT. [screaming]
57:08
Did they just kill off Joey?
57:14
>> All right, fine. You know what? We'll
57:23
both sit in the chair.
57:24
>> I'm so comfortable.
57:30
>> In fact, I think I might be a little too
57:35
Okay, look. We have 19 minutes, okay?
57:42
Chandler, I want you to go and change,
57:44
okay? And then when you come back, Joey
57:46
will go change and he'll have vacated
57:48
the chair. Okay? Okay.
57:49
>> All right. Fine. I'm going. When I GET
57:51
BACK, IT'S CHAIR CITY AND I'M THE GUY
57:54
who's sitting in a chair.
57:56
All right. You will notice that I am
58:02
fully dressed. I in turn have noticed
58:04
that you are not. So in the words of aa
58:06
mil get out of my chair dealhole.
58:10
>> What are you doing?
58:25
>> Well, you said I had to give you the
58:25
chair. You didn't see anything about the
58:27
>> The cushions are the essence of the
58:30
>> That's right. I'm taking the essence.
58:32
Oh, he'll be back. Oh, there's nobody in
58:36
>> Where's my underwear? Whoa, whoa, whoa,
58:43
whoa. Come on. Come on. What? You took
58:45
>> He took my essence.
58:48
>> Joey, why why can't you just wear the
58:51
underwear you're wearing now?
58:53
>> Cuz I'm not wearing any underwear now.
58:54
>> Okay. Um, then why do you have to wear
58:58
>> It's a rented tux. Okay. Not going to go
59:01
commando in another man's fatigues.
59:03
>> [applause and cheering]
59:06
>> Well, then it looks like somebody's
59:08
going to have to give somebody back his
59:10
>> Okay, you hide my clothes. I'm going to
59:13
do the exact opposite to you.
59:15
What are you What are you going to show
59:19
me my clothes? Hey, opposite
59:21
>> Okay, buddy boy. Here it is.
59:39
You hide my clothes, I'm wearing
59:42
everything you own.
59:44
that is so not the OPPOSITE OF TAKING
59:49
SOMEBODY'S UNDERWEAR.
59:51
Look at me. I'm Chandler. Could I be
59:53
wearing any more clothes?
59:56