[Music]
00:01
every day
00:13
those new mistakes
00:16
[Music]
00:24
[Applause]
00:33
try everything
00:38
[Music]
00:41
i'm gazelle welcome to zootopia
00:53
excuse me
00:58
down here
00:59
hi oh
01:01
am goodness they really did hire a bunny
01:03
what
01:06
i not tell you you are even cuter than i
01:07
thought you'd be oh uh you probably
01:09
didn't know but a bunny can call another
01:12
bunny cute but when other animals do it
01:15
it's a little oh
01:17
i am so sorry
01:20
me benjamin clawhauser the guy everyone
01:21
thinks is just a flabby donut-loving cop
01:24
stereotyping you oh it's okay
01:26
oh you've actually you've actually got
01:29
there's a
01:31
in your neck the foam the mm-hmm there's
01:33
where you went you little dickens
01:36
i should get a roll call so which way do
01:40
i oh bullpen's over there to the left
01:42
great thank you oh
01:44
that poor little buddy's gonna get eaten
01:46
alive
01:48
[Music]
01:49
oh
02:02
sorry coming through excuse me excuse me
02:04
pardon
02:07
[Music]
02:10
bon boy edgy flat foot
02:12
[Music]
02:16
[Applause]
02:27
hey stop right there have a donut copper
02:31
oh my god did you see those leopard
02:36
print jeggings
02:38
[Music]
02:39
oh
02:41
[Music]
02:42
i love your hair
02:46
thank you
02:47
come to papa
02:50
all right everybody set
02:53
i've got three items on the docket
02:56
first
02:59
we need to acknowledge the elephant in
03:01
the room
03:03
francine
03:05
happy birthday
03:06
number two
03:11
there are some new recruits with us i
03:12
should introduce but i'm not going to
03:14
because i don't care
03:16
finally we have 14 missing mammal cases
03:20
all predators from a giant polar bear to
03:24
a teensy little otter and city hall is
03:26
right up my tail to find him this is
03:30
priority number one
03:33
listen i don't know what you're doing
03:49
skulking around during daylight hours
03:51
but i don't want any trouble in here so
03:53
hit the road i'm not looking for any
03:56
trouble either sir i simply want to buy
03:58
a jumbo pop
04:01
for my little boy
04:02
you want the red or the blue pal
04:08
oh
04:14
i'm such a oh come on kid back up listen
04:16
buddy what there are only fox ice cream
04:19
joints in your part of town uh no no
04:21
there are there are it's just my boy
04:23
this goofy little stinker he loves all
04:26
things elephant wants to be one when he
04:28
grows up
04:30
is that adorable oh
04:32
who the heck am i to crush his little
04:34
dreams huh
04:35
right look you probably can't read fox
04:37
but the sign says we reserve the right
04:39
to refuse service to anyone so beat it
04:42
you're holding up the line
04:46
hello
04:51
excuse me hey you're gonna have to wait
04:52
your turn like everyone else meter maid
04:54
actually i'm an officer
04:56
just had a quick question
04:59
are your customers aware they're getting
05:00
snot and mucus with their cookies and
05:02
cream
05:04
what are you talking about well i don't
05:06
want to cause you any trouble but i
05:08
believe scooping ice cream with an
05:10
ungloved trunk is a class 3 health code
05:12
violation
05:14
which is kind of a big deal
05:16
of course i could let you off with a
05:19
warning if you were to glove those
05:20
trunks and
05:21
i don't know
05:23
finished selling this nice dad and his
05:24
son up
05:26
what was it
05:28
a jumbo pop
05:29
please
05:30
a jumbo pup
05:31
15
05:35
thank you so much thank you
05:36
oh no are you kidding me i don't have my
05:39
wallet
05:42
i'd lose my head if it weren't attached
05:44
to my neck that's the truth oh boy i'm
05:46
sorry pal got to be about the worst
05:49
birthday ever please don't be mad at me
05:51
thanks anyway
05:54
keep the change
06:01
officer i can't thank you enough so kind
06:03
really can i pay you back oh no my treat
06:07
it's just
06:10
you know it burns me up to see folks
06:11
with such backward attitudes towards
06:12
foxes i just want to say you're a great
06:14
dad and just a
06:16
a real articulate fella oh well that is
06:18
high praise
06:21
it's rare that i find someone so
06:23
non-patronizing
06:24
officer hopps mr wilde nick wilde
06:26
and you little guy you want to be an
06:30
elephant when you grow up you be an
06:32
elephant because this is zootopia anyone
06:34
can be anything
06:39
well now wait a minute
06:45
polar bear fur
06:47
rap pack music fancy cup i know his car
06:48
this is we got to go why whose car is it
06:51
the most feared crime boss in tundratown
06:53
they call him mr big and he does not
06:55
like me so we gotta go not leaving this
06:58
is a crime scene well it's gonna be an
07:00
even bigger crime scene if mr big finds
07:02
me here so we're leaving right now
07:03
raymond and is that kevin
07:07
long time no see and speaking of no see
07:09
how about you forget you saw me huh for
07:12
old time's sake
07:15
that's it now
07:17
what did you do that made mr pig so mad
07:32
at you i am i may have sold him a very
07:34
expensive wool rug that was made from
07:37
the fur of a skunk
07:39
but
07:43
oh sweet cheese and crackers
07:45
thank you
07:53
never let them see that they get to you
07:55
so
07:59
things do get to you
08:01
well i mean not not anymore but
08:03
i was
08:06
small and emotionally unbalanced like
08:07
you once
08:09
har har no it's true
08:10
i think i was
08:13
eight or maybe nine and all i wanted to
08:14
do was join the junior ranger scouts
08:18
so my mom scraped together enough money
08:22
to buy me a brand-new uniform because by
08:24
god i was gonna fit in even if i was the
08:28
only predator in the troop the only fox
08:31
okay nick i was gonna be part of a pack
08:34
ready for initiation yeah pretty much
08:37
born ready
08:39
i was so proud
08:41
okay now raise your right paw and
08:45
deliver the oath i nicholas wilde
08:48
promise to be brave
08:51
loyal
08:52
helpful and trustworthy
08:53
even though you're a fox
08:56
what
09:00
no no what did i do wrong you guys know
09:03
please tell me what did i do wrong what
09:06
did i do
09:08
[Music]
09:09
if you thought we would ever trust a fox
09:11
without a muzzle you're even dumber than
09:13
you look
09:15
i learned two things that day
09:37
one
09:39
i was never gonna let anyone see that
09:41
they got to me
09:43
and two
09:46
if the world's only gonna see a fox as
09:48
shifty and untrustworthy
09:51
there's no point in trying to be
09:54
anything else
09:55
nick
09:57
you are so much more than that
09:58
ma'am our detectives are very busy
10:04
please
10:07
there's got to be somebody to find my
10:08
emmett mrs
10:10
i will find him
10:11
oh thank you
10:14
bless you bless you little bunny
10:16
take this
10:22
find my emmett
10:23
bring him home to me and my babies
10:25
please
10:26
uh um mrs archerton please wait out here
10:28
of course oh thank you both so much one
10:30
second
10:33
you're fired what
10:35
why insubordination
10:38
now i'm going to open this door and
10:40
you're going to tell that otter you're a
10:42
former meter maid with delusions of
10:44
grandeur who will not be taking the case
10:46
i just heard officer hopps has taken the
10:49
case assistant mayor bellwether the
10:51
mammal inclusion initiative is really
10:53
starting to pay off
10:55
mayor lionheart is just gonna be so just
10:57
no no let's not tell the mayor just yet
10:59
and i sent it and it is done so i did do
11:01
that
11:03
hey everyone it's shakira and i'm so
11:05
happy to announce that i'm gonna be a
11:07
part of the new disney movie zootopia
11:08
where i'm gonna be playing gazelle
11:10
i'm letting you guys into my studio
11:13
today because it is a special occasion
11:15
and i'm gonna play a small snippet of my
11:17
new song that's gonna be in the movie
11:19
try everything
11:22
good evening zootopia
11:26
put your paws up
11:29
i messed up tonight
11:31
i lost another fight
11:33
but i'll just start again
11:37
i keep falling
11:39
[Music]
11:41
birds don't just fly
11:49
they fall down and
11:52
[Music]
11:57
[Applause]
11:58
[Music]
12:03
until
12:08
[Music]
12:14
i won't give up
12:22
[Music]
12:24
though i could fail
12:35
[Music]
12:38
[Applause]
12:41
try everything
12:47
[Music]
12:50
this is zootopia where predators and
12:57
prey live in harmony and sing kumbaya
12:59
i'm judy your new neighbor yeah well
13:01
we're loud don't expect us to apologize
13:03
for it we have the most amazing cast
13:05
[Music]
13:09
jennifer goodwin plays judy hopps and
13:12
she's been a lot of fun it's me again
13:14
hey it's officer toot
13:16
both judy and i are fiercely optimistic
13:19
hey you ready to make the world a better
13:23
place
13:24
jason bateman plays nick wilde sly fox
13:27
dumb bunny this fox that i'm playing is
13:30
conniving and a bit dry with his wit
13:33
it's called a hustle sweetheart so i
13:36
guess that's why they called it's so
13:38
distinctively jason but in a whole new
13:41
way it's a perfect role for him well
13:44
that is high
13:45
praise we have idris elba playing chief
13:46
bogo you strike out
13:49
you resign this is an opportunity to do
13:52
something that's funny and i have to
13:54
really give him some depth well this
13:56
should be good
13:58
we are working with shakira on this film
14:00
and she has done a song for this movie
14:03
called try everything that is amazing
14:06
the zootopia team is just fantastic jk
14:11
simmons plays mayor leodore lionheart
14:13
okay officer hopps let's see those teeth
14:15
there's sort of a range of your voice
14:18
that you use it's great to see that
14:20
coming out of this fantastical character
14:21
i heard you bellwether take care of it
14:24
jenny slate as bellwether a really
14:26
distinctive voice it's a real proud day
14:28
for us little guys to be a character in
14:31
a disney movie that's top of the list
14:33
[Music]
14:38
my name is corey loftus and i'm the art
14:46
director of characters on zootopia and
14:47
today we're going to be drawing officer
14:49
benjamin clawhauser
14:51
with clawhauser
14:53
he's this really soft
14:55
lovable big hearted guy
14:58
and
15:01
almost every one of these characters
15:02
starts with a circle
15:04
so start with a circle on his head but
15:06
he has these huge fluffy cheeks
15:08
so we like to kind of describe his shape
15:10
as like a basketball
15:13
sitting in a big bean bag
15:15
so the bean bag is his cheeks his head
15:17
is the basketball
15:21
you kind of see just with those two
15:23
things it already starts feeling like
15:24
clawhauser paul houser he's got a really
15:26
tight collared shirt
15:29
so his neck kind of rolls up
15:31
right where that shirt gets tight
15:34
i call it a shirt
15:37
now if we draw this line down the center
15:39
of the basketball
15:41
and draw one across
15:43
[Music]
15:45
and draw this little v right here this
15:47
is where clawhauser's eyes
15:49
are going to sit and this is where his
15:52
nose sits
15:54
his nose kind of has this butterfly
15:56
shape to it
16:00
clawhauser
16:03
is often surprised
16:04
or often happy
16:07
so usually drawn with his eyebrows
16:09
up like this
16:12
and then if you were to draw a little
16:14
road
16:15
right from the tips of his eyebrows down
16:17
to his
16:19
nose
16:22
this is where a lot of his spots live
16:23
right in between the eyes like this
16:25
now his eyes
16:28
got a little bit of an eyelash
16:29
and come down to a point right where we
16:31
drew those lines
16:33
clawhouser is always happy so we're
16:35
going to draw a big smile on him
16:36
draw a line coming off his nose this is
16:39
the corner of his mouth
16:41
usually see his bottom teeth
16:43
peeking out just a little bit
16:45
and then he has this dark lip on the
16:47
bottom
16:49
just coloring the inside of his
16:53
mouth dark so you know that's the inside
16:55
of his mouth
16:57
[Music]
16:58
and then his ears
17:01
this line that we drew his ears are
17:03
going to sit
17:04
pretty much
17:06
from a line from his nose all the way
17:07
through his eye and out to the side of
17:09
his head
17:10
drawing these fluffy ears
17:13
there's nothing that really says cat
17:16
quite like big whiskers so right here
17:19
three little spots for the whiskers
17:22
three on this side
17:24
big long whiskers
17:26
he's also got a few whiskers up on the
17:29
top of his head
17:31
but he still doesn't feel quite like
17:33
clawhauser yet and that's because he
17:35
doesn't have his spots
17:37
[Music]
17:40
so if we draw a line from the corner of
17:42
his mouth
17:44
down to his shirt
17:46
on either side
17:48
this whole
17:49
area around the bottom of his mouth
17:51
where his beard might be
17:53
that is the no spot zone everywhere else
17:55
open game for spots
17:59
around his eyes is also a no spot zone
18:02
a little road we drew and around his
18:05
eyes no spots going there
18:07
and then the most noticeable spot on
18:10
clawhauser is right here on his cheek
18:12
a spot you may all recognize
18:17
and that goes right there
18:22
drawing his nostrils
18:26
and that
18:32
is how i draw a clawhauser
18:34
[Music]
18:37
[Music]
18:47
my name is corey loftis and i'm the art
18:53
director of characters on zootopia and
18:54
today we're going to be drawing flash
18:56
so with most of our characters in
18:59
zootopia we're going to start with a
19:01
circle for flash's head now flash is a
19:03
sloth
19:06
who works at the
19:07
dmv and he's one of the first people
19:08
that
19:11
nick and judy
19:12
meet once they start working together
19:14
so flash
19:18
is not a whole lot more than a circle
19:20
if you imagine this tube coming out of
19:23
the back
19:25
now flash is
19:26
very very slow
19:28
extremely slow so in his design i tried
19:30
to make everything about him seem slow
19:33
so his eyes are literally sliding off
19:37
his face
19:40
so i've drawn them like eggs sliding off
19:41
a plate
19:43
and flash's mouth
19:45
it's kind of like drawing a little
19:47
beak it's much more like a little parrot
19:50
beak
19:53
than it is our mouths
19:54
so it comes down to a little point and
19:56
draw the corner of his mouth now sloths
19:58
have like this cool bandit mask
20:01
that goes right over their eyes
20:04
and fall right off the sides of their
20:09
face
20:10
kind of like a raccoon
20:12
and that's a lot darker
20:15
than the rest of their face i'm going to
20:17
color this in a little bit darker here
20:19
around his eyes
20:20
then his eyes
20:25
or his pupils
20:28
sit right under his lid like this
20:30
i like to draw him with his mouth open
20:32
just a little bit
20:34
like he's about to start saying
20:36
something
20:38
and you've caught him just as he starts
20:39
talking
20:41
now flashes
20:43
got hair on top of his head
20:46
and when i was trying to figure out what
20:49
sort of hairstyle flash would have
20:51
and byron was talking to me about the
20:54
character i kept noticing our director's
20:56
haircut
20:58
and flash and byron ended up getting the
21:00
same haircut
21:03
so let's part it in the middle
21:07
comes down on each side
21:11
now sloths have really thick coarse hair
21:14
it's not soft like a like a rabbit or
21:18
even a cat or a bear it's really really
21:21
coarse so you notice a lot of flash's
21:23
hairs more than you do on other animals
21:25
dry flash's hair can be really fun so
21:28
i'm just going to go ahead and draw in
21:31
all his hair
21:32
something about it makes it seem more
21:33
like him
21:35
and then the first time
21:37
i drew flash
21:39
[Music]
21:42
i had fun imagining that he was just
21:44
about to say something but people kept
21:47
interrupting him
21:48
so he's politely held up his hand
21:50
for a chance to speak
21:55
sloths have these really
21:57
long claws so that they can
22:00
hang on to branches
22:03
don't have to worry about falling so we
22:05
didn't lose flash's claws
22:07
flash was a lot of fun design
22:10
with a lot of characters on zootopia you
22:12
never really knew what they were going
22:14
to have to do for the story you didn't
22:15
know if they were going to have to
22:18
climb over a wall or or
22:20
you know jump from a great height or or
22:24
try to reach
22:26
something on a high wall or you never
22:28
knew what they were gonna do they might
22:30
they might skate they might
22:32
open a door but with flash i knew he
22:34
wasn't gonna do much
22:36
if anything so i knew exactly
22:38
what he needed to do and it made his
22:42
design a lot more fun because
22:44
i already had a plan of what he was
22:47
going to have to do in the film
22:48
and there he is
22:52
[Music]
23:07
hi everybody i'm byron howard i'm one of
23:13
the directors on zootopia and today
23:15
we're going to learn how to draw judy
23:17
hopps when i think about judy i think
23:18
she's very
23:20
optimistic very bright very intelligent
23:21
very strong-willed and so you know she
23:23
has a very bright feature so the first
23:26
thing i do
23:28
is i kind of create this
23:29
kind of gumdrop shape
23:31
because i love
23:33
candy
23:34
i love food that is sugary
23:35
and so i create this little gum drop
23:38
shape see it looks a little bit like a
23:40
gum drop here's a gum drop for example
23:41
kinda like that so judy has
23:43
kind of a tall forehead like this
23:45
kind of wide cheeks like many many
23:47
rabbits we looked at many real rabbits
23:49
to design judy
23:52
and we discovered they all have adorable
23:53
cheeks so we knew that had to be part of
23:55
her
23:56
uh she and then once you get this kind
23:57
of gumdrop shape in place
23:59
i usually put the nose in there because
24:01
the nose is a nice anchor point that
24:03
tells me which way she's going to look
24:04
so judy's looking down to the right and
24:06
then once i have the nose then i can use
24:08
that to kind of focus these lines that
24:10
kind of determine where her eyes
24:12
go
24:14
and her eyes if you think about them as
24:15
being a little almond shaped
24:18
it makes them feel like they kind of sit
24:20
into her skull a little bit more which
24:22
is nice
24:23
[Music]
24:24
these nice kind of lashes and so again
24:25
you say again a very simple gumdrop
24:28
shape little tiny nose nice big eyes
24:30
and then she has this cute little
24:34
teeny tiny mouth
24:36
that makes her just adorable and glenn
24:38
keane
24:41
the great glenn keane who did ariel
24:42
and the beast
24:44
and is a good friend of mine
24:45
taught me that to make a drawing of a
24:47
mouth look really good you put these
24:49
little dark corners
24:50
that kind of makes it feel like it's
24:52
tucking back and shadowing it so and he
24:53
was right glenn was right
24:55
he's always right anyway
24:57
and uh from that point well rabbits
25:00
don't look like rabbits unless they have
25:02
ears and so usually what i do with the
25:04
ears is i find
25:05
this flow from the back of her head no
25:07
because it feels good to uh
25:09
especially with disney characters to
25:12
have that flow coming off of the sk of
25:14
the cranium which goes like this see
25:16
this nice big big line
25:17
big relaxed swoop and just coming right
25:19
back off the jaw and then if you just
25:21
imagine that other ear being attached
25:23
back there
25:24
on the other side of her head you can
25:25
kind of
25:27
knock that in back there you can do it
25:28
nice and rough like that it's no
25:30
pressure drawing is fun it's relaxing
25:31
it's like meditation just relax
25:34
and then uh usually i do the same thing
25:37
i kind of flow off the front of her face
25:40
down into her neck and into her collar
25:43
and again if you can kind of just find
25:44
these uh these flowing lines finding
25:46
these sort of flowing calligraphic lines
25:48
gives your drawing a nice grace and ties
25:51
it all together really nicely and you
25:53
are welcome to
25:55
shade judy she's a gray gray rabbit so
25:56
if you'd like to shade her
25:59
shading is also nice
26:00
and then she has these sort of beautiful
26:02
uh dark
26:04
ear tips right up there
26:06
so if you can do this at parties you
26:08
will be so popular
26:10
and people will buy you things
26:12
and be your friend and then uh and
26:14
usually when you do a drawing you have
26:16
to let people know who did it so i'm
26:18
byron so i'll sign this
26:20
byron
26:22
did this there we go
26:25
all right anyway so this judy hopps
26:28
[Applause]
26:31
just because they have
26:33
because you have it up here you can do
26:35
what you're seeing here
26:39
is i've got a 2d animation desk set up
26:40
and this is what uh
26:45
this is how i learned to animate this is
26:47
what the same setup here was the same
26:49
that they used
26:52
back in the 30s and the 40s when they
26:54
were making
26:56
the 2d films with waltz across the
26:57
street and it's all the same
27:00
technology it's just these little peg
27:02
holes in the bottom of this paper and
27:03
it's it's always great just to sit down
27:04
and start moving
27:08
the character's face around it's like
27:09
once you have a solid drawing of hops
27:11
then you can start to play around with
27:12
her expressions you can kind of start to
27:14
squash and stretch things and our cg
27:16
animators do exactly the same thing they
27:18
start with a solid pose of hops in the
27:19
computer and then they start building up
27:21
their keys
27:23
and you can figure out how to make her
27:26
kind of squinch and kind of get
27:29
different expressions she can look angry
27:31
happy sad
27:33
but uh that's the great thing is that
27:34
all of what we do
27:36
at disney whether it's cg or drawn has
27:38
this great tradition of
27:40
art that's been around
27:42
at our studio for
27:44
about almost like 100 years and so and
27:45
we we love that we love that i love that
27:48
tradition i love the fact that
27:50
every time i do another one of these
27:52
films
27:53
the uh the women and men in our
27:55
animation department teach me something
27:57
new
27:58
and they keep getting better and better
27:59
[Music]
28:01
hi everybody i'm byron howard one of the
28:13
directors on zootopia and today i'm
28:14
going to teach you how to draw nick
28:17
wilde nicholas p wilde get ready here we
28:19
go so here we go okay so judy has i told
28:22
you like that kind of gum drop head
28:24
right
28:26
like that well nick he's a fox and foxes
28:27
are carnivores and they have to be a
28:30
little more sleek so fox's heads are
28:31
shaped a little bit more kind of like a
28:33
flattened
28:35
football so where judy is this nick is
28:36
more like this you know here's here's
28:38
judy internet
28:40
there we go and nick is more like this
28:41
there we go
28:43
like this kind of thing oh see looks
28:44
sneakier already he's more streamlined
28:47
he's got a lower forehead that sort of
28:49
thing so
28:50
if we do a big nick here we go so we
28:52
need the same thing so do this nice big
28:53
simple shape
28:55
this is kind of this sort of flattened
28:59
football a little more on the bottom
29:01
than the top there you go and uh once
29:03
you have that then i usually go with
29:05
nick to the eyes and we got a lot of
29:07
this from jason bateman because jason
29:09
does these little looks where he looks
29:10
so sneaky
29:12
but he's so nice
29:13
he's a very nice nice man but he can be
29:16
very sneaky
29:17
and so we try to get this sort of half
29:20
lidded look on nick
29:22
a lot and that gave us a lot for his
29:24
expression so that
29:26
really was great because people say wow
29:28
i look at that fox and that looks just
29:30
like jason bateman and it's true because
29:32
the animators will watch
29:34
jason record
29:35
and they'll try to get his personality
29:38
into
29:40
the drawings and the animation
29:41
performance and so i got the football
29:43
shape i put my eyes in place got these
29:44
little slanty
29:46
sort of almond eyes
29:47
and give them make a little sneaky a
29:49
little half littered usually if you keep
29:51
those eyelids really high keep those
29:52
eyebrows really high because he's not
29:54
mean he's just sneaky there's a
29:56
difference
29:58
and then if i usually i usually put the
29:59
nose out here somewhere and he's got a
30:01
long snout so that's now it's going to
30:02
stick way out far it's coming at you
30:04
in three quarters it's like 3d here it
30:06
comes like toward you and then i usually
30:08
kind of just put in that mouth there it
30:10
is
30:12
and a lot of what i do on this mouth
30:13
is from chuck jones you all know who
30:16
chuck jones is chuck jones one of my
30:18
heroes to these amazing cartoons growing
30:20
up with uh
30:23
wiley coyote and the roadrunner uh so we
30:25
looked at lots of different foxes and
30:27
lots of different designs for these
30:29
foxes and looked at robin hood
30:30
and many many cartoon designs from all
30:32
around the world and as we go you know
30:34
you can sort of build nick's expression
30:36
and you can put his ears coming off the
30:39
back of his head you know he's kind of
30:41
sleek so think of think of nick like a
30:42
sports car he's like a sleek
30:44
sleek sports
30:47
car and every time you find a line you
30:48
can kind of bring it off of
30:51
another line that you've already drawn
30:53
and that'll make it feel kind of
30:55
graceful
30:56
and you can kind of make that flow down
30:57
into his
30:59
body he kind of has that kind of puffed
31:00
out chest sometimes and then you can
31:02
kind of drop his shoulders off the
31:04
top like that maybe cross his arms like
31:07
that
31:09
and again the looser you are
31:10
the better you'll feel
31:12
because it shouldn't be pressure you
31:14
could have fun you should just learn to
31:16
flow with the drawings just let it
31:17
happen
31:18
not think about it too much
31:19
and he also has a tie
31:23
down there oh i'm not great at drawing
31:25
ties i'll just draw that real quick and
31:27
say it's art see it's rough it's art
31:28
that's fine anyway and nick also has
31:31
this beautiful kind of orange red color
31:34
and you can shade them in a little bit
31:36
if you just have a
31:37
black pencil like i do
31:38
a little bit of that makes it look a
31:40
little more finished
31:42
that kind of thing
31:44
looks very sneaky but charming just like
31:48
the real jason bateman
31:50
and uh and then when you get in okay
31:53
that's about as much as i want to do
31:55
with nick then you sign it sign your
31:56
name
31:58
and go show someone because they'll be
32:01
very proud of you
32:03
that's and that's how to draw a nickel
32:04
[Music]
32:07
in the world of zootopia humans never
32:15
happened
32:17
which makes zootopia a modern civilized
32:19
world that is entirely animal
32:21
that is an animal
32:25
animals in zootopia are anthropomorphic
32:28
that is just a big fancy word that means
32:31
they walk around on two feet
32:33
they do not go to work nude
32:35
thank you
32:37
[Applause]
32:39
almost that's got it
32:40
and they use technology
32:43
[Music]
32:44
okay there are mammals from all over the
32:50
globe in zootopia
32:52
large and small fast and slow
32:54
but the truth is
32:59
zootopia isn't perfect and just like our
33:00
world not everyone gets along
33:02
especially natural enemies
33:05
which can create some
33:12
issues
33:14
but nature always gives animals special
33:16
skills to survive and while one may have
33:18
amazing night vision
33:20
another may have incredible hearing
33:22
and an air-powered elephant tranquilizer
33:25
so now you know zootopia
33:29
like nothing you've seen before
33:32
[Music]
33:35
zootopia
33:44
a gleaming city
33:46
where animals of all breeds predator and
33:49
prey alike live together in peace and
33:52
harmony hi i'm judy your new neighbor
33:55
yeah well we're loud don't expect us to
33:57
apologize for it zpd's first rabbit
33:59
officer judy hopps ready to make the
34:02
world a better place
34:05
bad news in this city gripped by fear
34:09
what can you tell us about the animals
34:11
that went savage are we safe this is
34:12
priority one hops parking
34:15
duty i'm not just some token bunny you
34:18
strike out you resign deal
34:21
[Music]
34:24
hello
34:29
i'm here to ask you some questions about
34:30
a case then they should have gotten a
34:31
real cop to solve it you are under
34:32
arrest for what hurting your feelings
34:34
you are a key witness no he is
34:36
hey
34:41
i need you to run a plate all right i
34:42
know a guy you need something done he's
34:44
on it they're all slots
34:45
we are in a really big hurry i am
34:54
on
34:58
it break
34:59
i have 36 hours left we can only solve
35:03
it together it's not about how badly you
35:05
want something it's about what you are
35:08
capable of
35:10
i am a real cop never let them see that
35:11
they get to you bunnies so emotional
35:13
do not let go
35:17
i'm gonna let go
35:19
we may be evolved but deep down
35:22
we are still animals quit it you're
35:25
gonna start a howl
35:28
no you are naked for sure we're a
35:30
naturalist club all the way down
35:33
[Music]
35:36
try everything life's a little bit messy
35:39
we all make mistakes
35:44
[Applause]
35:46
no matter what type of animal you are
35:48
change starts with you we gotta go
35:51
the most feared crime boss mr big
35:54
is that mr pig stop talking stop talking
36:00
huh
36:03
daddy
36:05
what did we say no i sing anyone at my
36:07
wedding i have to baby daddy has to
36:10
[Music]
36:23
you
36:27
歌词与翻译
[中文]
[音乐]
每天
那些新错误
[音乐]
[掌声]
尝试一切
[音乐]
我是瞪羚，欢迎来到动物园
对不起
在这里
嗨哦
天哪，他们真的雇了一只兔子
什么
我不告诉你你比我更可爱
以为你会是哦呃你可能
不知道，但一只兔子可以称另一只
兔子可爱，但当其他动物这样做时
有点哦
我很抱歉
我本杰明·克劳豪瑟，每个人
都认为他只是一个喜欢甜甜圈的软弱警察
刻板印象哦，没关系
哦，你实际上已经
你的脖子上有一个
泡沫，嗯嗯，那里
你去哪里了，小迪肯斯
我应该点名，所以走哪条路
我哦牛棚在左边
非常感谢你哦
那个可怜的小家伙朋友会被吃掉
活着
[音乐]
哦
抱歉过来打扰一下
请原谅
[音乐]
好男孩急躁的扁平足
[音乐]
[掌声]
嘿停在那里有一个甜甜圈铜
哦我的上帝是你吗看看那些豹纹
印花牛仔裤
[音乐]
哦
[音乐]
我喜欢你的头发
谢谢你
来找爸爸吧
好吧，大家准备好
我的待办事项上有三件事
首先
我们需要承认
房间里的大象
弗朗辛
生日快乐
第二名
我们有一些新成员，我
应该介绍一下，但我不会
因为我不在乎
最后我们有 14 起失踪的哺乳动物案件
从巨型北极熊到
一只小水獭的所有掠食者，市政厅正在
我的尾巴上寻找他这是
第一要务
听着，我不知道你在做什么
在白天偷偷摸摸
但我不想在这里遇到任何麻烦，所以
上路吧，我不想找任何麻烦
麻烦先生，我只是想给我的小男孩买
一大瓶汽水
给我的小男孩
你想要红色或蓝色的朋友
哦
我真是一个哦，来吧孩子回来听
伙计什么只有狐狸冰淇淋
在你那儿的镇上有关节，呃不不
那里有，这只是我的孩子
这个傻乎乎的小家伙臭臭的，他喜欢大象
事物
长大后想要成为的所有
真是太可爱了哦
我到底是谁来粉碎他的小
梦想哈
对了，你可能看不懂狐狸
但是标牌上写着我们保留
拒绝向任何人提供服务的权利，所以打败它
你在排队
你好
对不起，嘿，你得等
像其他人一样轮到计表女仆
实际上我是一名官员
只是有一个简单的问题
你的顾客是否意识到他们的饼干和
鼻涕和粘液
奶油
你在说什么好吧我不想
想给你带来任何麻烦，但我
相信用
不戴手套的箱子舀冰淇淋属于3级健康码
违规
，这是一件大事
当然，如果你给那些
警告，
箱子戴上手套，我可以给你一个
我不知道
把这个好爸爸和他的
儿子卖掉了
什么是不是
一支巨型流行音乐
请
一只巨型小狗
15
非常感谢你，谢谢你
哦，不，你在开玩笑吧，我没有
钱包
如果它没有挂在我的脖子上，我就会失去理智
这就是事实哦，我
对不起，朋友是有史以来最糟糕的
生日，请不要生我的气
谢谢
保留零钱
警官，我真是太感谢你了
我真的可以偿还你吗，哦，不，我请客
只是
你知道，看到人们
对
狐狸有如此落后的态度，我只想说你是一个伟大的人
爸爸和一个
一个真正能言善道的家伙哦，那是
高度赞扬
我很少找到这样的人
不居高临下
军官跳跃先生王尔德尼克·王尔德
你这个小家伙，你想成为一头
大象，当你长大后你会成为一头
大象，因为这是动物乌托邦任何人
可以是任何东西
现在等一下
极地熊毛皮
说唱包音乐花式杯子，我知道他的车
这就是我们必须走的原因，这是谁的车
苔原镇最可怕的犯罪头目
他们称他为大先生，而他
不喜欢我，所以我们不能离开这里
这是一个犯罪现场，这将是一个
更大的犯罪现场，如果大先生发现
我在这里，所以我们马上就要离开
雷蒙德了，凯文
好久不见，说不见
你忘了你见过我怎么样，因为
旧时光的缘故
现在就是这样
你做了什么让猪先生如此生气
我在你身上，我可能已经卖给他了一张非常
昂贵的羊毛地毯，它是用
毛皮制成的臭鼬
但是
哦，甜奶酪和饼干
谢谢你
永远不要让他们看到他们会伤害你
所以
事情确实会伤害你
好吧，我的意思是不再是了，但是
我
很小，情绪不平衡，就像
你曾经
哈哈不，这是真的
我想我当时
八岁或者九岁，我想做的就是
加入初级护林员侦察兵
所以我妈妈凑了足够的钱
给我买一套全新的制服，因为
上帝啊，即使我是
队伍中唯一的捕食者，唯一的狐狸
好吧，尼克我要成为一个群体的一员
准备好入会了是的几乎
生来就准备好了
我很自豪
好吧，现在举起你的右爪
宣誓我尼古拉斯·王尔德
保证勇敢
忠诚
乐于助人，值得信赖
即使你是一只狐狸
什么
不不我做错了什么你们知道的
请告诉我我做错了什么
我做了什么
[音乐]
如果你认为我们会相信一只狐狸
没有口套你甚至比
你看起来
那天我学到了两件事
一个
我永远不会让任何人看到
他们找到了我
还有两个
如果世界上只有会认为狐狸
狡猾且不值得信任
尝试成为
其他任何东西都是没有意义的
尼克
你远不止于此
女士，我们的侦探很忙
拜托
一定有人找到我的
埃米特夫人
我会找到他
哦谢谢你
祝福你祝福你的小兔子
拿着这个
找到我的艾美特
把他带回家给我和我的孩子们
拜托
呃呃阿彻顿夫人请在这里等一下
当然哦非常感谢你们俩
第二
你被解雇了
为什么不服从
现在我要打开这扇门，
你要告诉那只水獭，你是一名
前仪表女仆，妄想
伟大，不会接手这个案子
我刚刚听说霍普斯警官已经接手了
案件助理市长领头羊
哺乳动物包容性倡议真的
开始得到回报
狮心市长就是这样只是
不不，我们先不要告诉市长
，我发送了它，它已经完成了，所以我确实做了
，
嘿大家，这是夏奇拉，我很
很高兴地宣布，我将成为
新迪士尼电影《疯狂动物城》的一部分
，我将在其中扮演瞪羚
我让你们进入我的世界今天
工作室，因为这是一个特殊的场合
，我要播放我的
新歌的一小段，这首歌将出现在电影中
尝试一切
晚安疯狂动物城
把你的爪子举起来
今晚我搞砸了
我又输了一场
但我会重新开始
我一直在跌倒
[音乐]
鸟儿不只是飞翔
他们倒下了
[音乐]
[掌声]
[音乐]
直到
[音乐]
我不会放弃
[音乐]
尽管我可能会失败
[音乐]
[掌声]
尝试一切
[音乐]
这是动物城，捕食者和
猎物和谐相处，唱着 kumbaya
我是朱迪，你的新邻居，好吧
我们声音很大，别指望我们道歉
因为我们有最令人惊叹的演员阵容
[音乐]
詹妮弗·古德温扮演朱迪·霍普斯
她很有趣，又是我
嘿，警官嘟嘟声
朱迪和我都非常乐观
嘿，你准备好让世界变得更美好
地方
杰森·贝特曼扮演尼克·王尔德狡猾的狐狸
愚蠢的兔子，我扮演的这只狐狸
纵容，但他的智慧有点干燥
它被称为骗子甜心，所以我
猜这就是为什么他们称它是如此
独特的杰森，但以一种全新的
方式，这对他来说是一个完美的角色
这很高
赞扬我们有伊德里斯·艾尔巴扮演酋长
博戈你三振
你辞职这是一个机会做
一些有趣的事情，我必须
真的给他一些深度很好，这
应该不错
我们正在与夏奇拉合作拍摄这部电影
她为这部电影创作了一首歌
叫做尝试一切令人惊奇的事情
疯狂动物城团队太棒了jk
西蒙斯扮演市长利奥多狮心
好吧，警官跳让我们看看那些牙齿
你的声音有一定范围
你使用它很高兴看到
从这个梦幻般的角色中走出来
我听到你领头羊照顾它
珍妮·斯莱特作为领头羊，一个真正的
独特的声音，这是一个真正值得骄傲的一天
对于我们小家伙来说，成为
一部名列前茅的迪士尼电影中的角色
[音乐]
我的我的名字是 corey loftus，我是《疯狂动物城》和《疯狂动物城》中角色的艺术
总监
今天我们要画军官
本杰明·克劳豪瑟
和克劳豪瑟
他真的很温柔
可爱的大心肠的家伙
和
几乎每一个角色
都以一个圆圈开始
所以从他头上的一个圆圈开始，但是
他有这些巨大的毛茸茸的脸颊
所以我们想描述一下他的形状
就像一个篮球
坐在一个大豆袋里
所以豆袋就是他的脸颊他的头
是篮球
你看到的只是这两个
的东西，它已经开始感觉
crawhauser paul houser 他有一件真正的
紧身领衬衫
所以他的脖子有点卷起来
就在那个地方衬衫变紧了
我称它为衬衫
现在，如果我们沿着篮球
画一条线，并在
的中心
[音乐]
上画一条线，并在此处画一个小v，这
是clawhauser的眼睛
所在的位置，这是他的
鼻子所在的位置
他的鼻子有点像蝴蝶
形状
clawhauser
经常感到惊讶
或经常高兴
所以通常用他的眉毛
像这样向上画
然后如果你要从他的眉毛尖向下画一条
道路
...
到他的
鼻子
这是他的很多斑点所在的地方
就在眼睛之间，像这样
现在他的眼睛
有一点睫毛
并下降到我们
画这些线的地方
爪子总是很高兴，所以我们
要在他身上画一个大大的微笑
从他的鼻子上画一条线，这是
他的嘴角
通常可以看到他的下牙
稍微向外看
，然后他的
底部有这个黑色的嘴唇
只需将他
嘴的内部涂成黑色，这样你就知道那是他嘴
的内部
[音乐]
然后是他的耳朵
我们画他耳朵的这条线
将坐下
几乎
从他鼻子的一条线开始
穿过他的眼睛，一直到
他的头的侧面
画出这些毛茸茸的耳朵
没有什么能真正表明猫
很像大胡须，所以就在这里
胡须的三个小点
这一侧三个
大而长的胡须
他的上也有一些胡须
他的头顶
但他仍然感觉不太像
爪豪瑟，那是因为他
没有他的斑点
[音乐]
所以如果我们从
他的嘴角
画一条线到他的衬衫
两侧
他嘴底部周围的整个
区域
他的胡子可能在的地方
那是其他地方的禁区
开放式斑点游戏
他眼睛周围也是禁区
我们画了一条小路，在他的
眼睛周围没有任何地方去那里
然后
克劳豪瑟上最引人注目的地方就在他的脸颊上
一个你们可能都认识的地方
就在那里
画他的鼻孔
，
就是我画爪子的方式
[音乐]
[音乐]
我的名字叫科里·洛夫提斯，我是《动物城》的美术
角色总监，
今天我们要画闪光
，所以我们的大多数角色都是
《动物城》我们要从Flash头部的
圆圈开始，现在Flash是一只
树懒
，在
DMV工作，他是
...
尼克和朱迪
开始合作后第一批见面的人之一
所以Flash
只不过是一个圆圈
如果你想象这个管子是从
后面
现在闪光灯
非常非常慢
非常慢，所以在他的设计中我尝试
让他周围的一切看起来都很慢
所以他的眼睛实际上从
他的脸上滑落
所以我把它们画得像鸡蛋从
盘子
和闪光灯的嘴上滑落一样
有点像画一个小
喙，它更像是一只小鹦鹉
喙
，而不是我们的嘴
，所以它归结为一个小点，
画他的嘴角，现在树懒
有一个很酷的强盗面具
，正好盖在他们的眼睛上
，从他们的
脸的两侧掉下来
像一只浣熊
，比他们脸部的其他部分暗很多
我要
在这里将其颜色调暗一点
在他的眼睛周围
然后他的眼睛
或他的瞳孔
像这样坐在他的眼睑下方
我喜欢画他张开嘴
稍微
就像他正要开始说
什么
，而你就在他开始
说话时发现了他
现在闪烁了
头发在他的头顶上
，当我试图弄清楚
的发型闪光会是什么样子
而拜伦正在和我谈论
角色时，我一直注意到我们导演的
发型
和闪光和拜伦最终得到了
相同的发型
所以让我们把它从中间分开
两边都垂下来
现在树懒的毛发非常厚实粗糙
它不像兔子或
甚至猫或熊那样柔软，它真的非常
粗糙所以你比其他动物更注意到闪光的
毛发
干燥闪光的头发真的很有趣，所以
我要继续画
他所有的头发
它看起来更像
像他
然后第一次
我画闪光
[音乐]
我很高兴想象他只是
正要说些什么，但人们一直
打断他
，所以他礼貌地举起手
，以获得说话的机会
树懒有这些非常
长的爪子，这样它们就可以
抓住树枝
不必担心跌倒，所以我们
没有失去闪光的爪子
闪光是一个很有趣的设计
对于《疯狂动物城》中的很多角色，你
永远不知道他们要做什么
必须为故事做一些你不知道的
知道他们是否需要
翻墙或者
你知道从很高的高度跳下来，或者
尝试到达
高墙上的某个东西，否则你永远
不知道他们会做什么
他们可能会滑冰
打开一扇门，但用闪光灯我知道他
不会做太多
如果有的话，所以我确切地知道
他需要做什么，这让他的
设计变得更有趣，因为
我已经计划好了他
在电影中要做的事情
而他就在那里
[音乐]
大家好，我是拜伦·霍华德，我是
《疯狂动物城》的导演之一，今天
我们要学习如何画朱迪
霍普斯，当我想到朱迪时，我想
她非常
乐观，非常聪明，非常聪明
非常意志坚强，所以你知道她
有一个非常明亮的特征，所以我做的第一件事
...
是我创建这个
种口香糖形状
因为我喜欢
糖果
我喜欢含糖的食物
所以我创建了这个小口香糖
形状看看它看起来有点像
口香糖这里有一个口香糖
有点像这样所以朱迪有
像这样的高额头
像许多人一样宽的脸颊很多
兔子，我们看了很多真正的兔子
来设计朱迪
，我们发现它们都有可爱的
脸颊，所以我们知道那一定是
她
呃她的一部分，然后一旦你把这种
橡皮糖形状放在适当的位置
我通常把鼻子放在那里，因为
鼻子是一个很好的锚点，
告诉我哪个她看起来
所以朱迪向下看右边，
然后一旦我有了鼻子，我就可以用
来聚焦这些线条，
决定她的眼睛
去哪里
和她的眼睛，如果你认为它们
是一个小杏仁形状的
，这会让它们感觉像是
更多地坐在她的头骨中，这
很好
[音乐]
这些漂亮的睫毛，所以再说一次
你再说一遍非常简单的橡皮糖
形状小鼻子漂亮的大眼睛
然后她有这个可爱的小
小小的嘴巴
让她变得可爱，格伦
基恩
伟大的格伦基恩，他出演了爱丽儿
和野兽
，并且是我的好朋友
教我，要画出
嘴看起来真的很棒，你可以把这些
小暗角
放在一起，这样看起来就像是
向后折叠并遮盖它，所以他
是对的，格伦是对的
无论如何他总是对的
和呃从这一点来看，好吧，兔子
看起来不像兔子，除非它们有
耳朵，所以通常我对
耳朵所做的就是我发现
从她的后脑勺流出来，没有
因为这感觉很好呃
尤其是迪士尼角色
有一股气流从
头盖骨的sk流出，就像这样看到
这条漂亮的大线
大放松的俯冲，正好
从下巴上回来，然后如果你只是
想象另一只耳朵被附在
后面
在她头的另一侧，你可以
种
敲在后面你可以做到
好又粗，就像没有
压力拉伸很有趣，很放松
就像冥想一样放松
然后呃通常我会做同样的事情
我有点从她的脸前面流下来
流到她的脖子和衣领
如果你能找到
这些呃这些流畅的线条找到
这些流畅的书法线条
给您的绘画带来优雅的气质，并将
它们完美地结合在一起，欢迎您
...
给朱迪涂色，她是一只灰灰色的兔子，所以
如果你想给她涂色
，涂色也不错
然后她有一些漂亮的
呃深色
耳塞就在上面
所以如果你能在聚会上这样做，你
会很受欢迎
人们会给你买东西
并成为你的朋友，然后呃和
通常当你画一幅画
，让人们知道是谁做的，所以我是
拜伦，所以我要签名
拜伦
做了这个，我们去了
无论如何，这个朱迪跳
[掌声]
只是因为他们有
，因为你把它放在这里，你可以做
你在这里看到的
是我已经设置了一个 2D 动画台
，这就是呃
这就是我学会制作动画的方法，这是
这里的相同设置与他们在 30 年代和 40 年代使用
...
相同的 ，当时他们
正在制作
在
街上跳着华尔兹的 2D 电影，一切都一样
技术就是这些小钉子
在本文底部的洞和
只要坐下来
并开始移动
角色的脸部就好像
一旦你有了坚实的跳跃图
然后你就可以开始玩弄
她的表情你可以开始
挤压和拉伸东西我们的 cg
动画师做的事情完全一样，他们
在
计算机中以稳定的跳跃姿势开始，然后开始建立
他们的密钥
，你可以弄清楚如何让她
眯眼并获得
不同的表情，她可以看起来很生气
快乐悲伤
但呃，最棒的是
我们在迪士尼所做的
所有事情，无论是CG还是绘画，都具有
这种伟大的
艺术传统，它在我们的工作室
已经存在了
大约100年，所以
我们爱我们爱这个我爱这个
传统我喜欢这个事实
每次我再拍一部
电影
呃，我们
动画部门的男女们都会教我一些东西
新的
，而且他们越来越好
[音乐]
大家好，我是拜伦·霍华德，《疯狂动物城》的
导演之一，今天我
要教你们如何画尼克
王尔德·尼古拉斯王尔德在这里做好准备，我们
走吧，好吧，朱迪我告诉过
你喜欢那种口香糖滴头
对
就像尼克他是一只狐狸，狐狸
是食肉动物，它们必须
更光滑一点，所以狐狸的头
形状有点像
扁平的
足球所以朱迪在哪里这个尼克是
更像这样你知道这里是
朱迪互联网
我们去吧，尼克更像是这样
我们去
就像这种东西哦，看，看起来
已经更偷偷摸摸了，他更流线型
他的前额较低，类似
，所以
如果我们做一个大动作尼克在这里，所以我们
需要同样的东西，所以做这个漂亮的大
简单形状
这是一种扁平的
足球，底部比顶部多一点
，呃一旦
你就有了，然后我通常用
尼克到眼睛，我们从杰森·贝特曼那里得到了很多
这个，因为杰森
在他看上去
很偷偷摸摸的地方做这些小表情
但他很好
他是一个非常好的好男人，但他可能
非常偷偷摸摸
所以我们尝试在尼克
遮盖的样子，这给了我们很多关于他的
上做这种半
表情，所以
真的很棒，因为人们说哇
我看着那只狐狸，它看起来
很像杰森·贝特曼，这是真的，因为
动画师会观看
杰森录制
，他们会尝试将他的个性
融入
绘图和动画
表演中，所以我得到了足球
形状，我把眼睛放在适当的位置，有这些
小倾斜
杏仁眼
，并给它们做一点偷偷摸摸的
小一半，通常如果你保持
那些眼睑非常高，保持那些
眉毛非常高，因为他不是
意味着他只是偷偷摸摸，有
区别
，然后如果我通常我通常把
鼻子在这儿的某个地方，他有一个
长鼻子，所以现在它会
伸出很远的地方，它会向你而来
四分之三后，它就像 3d 一样，
朝你而来，然后我通常
就放进那张嘴里，
是
，我在这张嘴上做了很多事情
来自查克·琼斯，你们都知道
查克·琼斯是查克·琼斯我的
英雄之一，这些令人惊叹的卡通人物成长
与呃
威利土狼和走鹃呃所以我们
看了很多不同的狐狸，
为这些
狐狸设计了很多不同的设计，并看了罗宾汉
和许多来自世界各地
的许多卡通设计，当我们进行时，你知道
你可以构建尼克的表情
，你可以把他的耳朵从后脑勺上取下来
你知道他有点
时尚，所以把尼克想象成一辆
跑车，他就像一辆时尚的
时尚运动
汽车，每次你找到一条线时，你
可以把它从
你已经画的另一条线
上取下来，这会让它感觉有点
优雅
，你可以让它向下
流到他的
身体里，他有时会有那种膨胀的
胸部，然后你可以
把他的肩膀从
上衣上放下来，就像交叉双臂一样
...
再说一次，你越放松
你感觉越好
因为这不应该给你带来压力
可以玩得开心，你应该学会
随图画，让它
发生
不要想太多
他还有一条领带
在下面哦，我不擅长画
领带，我会画得很快，
说这是艺术，看它很粗糙，这是艺术
无论如何都很好，尼克也有
这种漂亮的橙红色
，如果你像我一样有一支
...
黑色铅笔，你可以把它们稍微着色一下
一点点让它看起来
完成了一些
那种事情
看起来很鬼祟但很迷人，就像
真正的杰森·贝特曼
然后呃然后当你进去的时候
这就是我想要和尼克做的
然后你签上你的
名字
然后去给别人看因为他们会
为你感到非常自豪
这就是如何画五分钱
[音乐]
在动物托邦世界中，人类从未
发生过
这使得动物托邦成为一个现代文明
完全是动物的世界
这是一种动物
动物托邦中的动物是拟人化的
这只是一个一个很花哨的词，意思是
他们用两只脚走路
他们不会裸体去上班
谢谢
[鼓掌]
几乎就是这样
他们使用技术
[音乐]
好吧，动物城里有来自世界各地的哺乳动物
...
大大小小的快慢
但事实是
《动物托邦》并不完美，就像我们的
世界一样，并不是每个人都能和睦相处
尤其是天敌
，这可能会造成一些
问题
，但大自然总是赋予动物特殊的
生存技能，而其中一种可能拥有
惊人的夜视能力
另一种可能拥有令人难以置信的听力
和气动大象镇静剂
所以现在你知道《动物托邦》了
与您之前所见过的一切不同
[音乐]
疯狂动物城
一座闪闪发光的城市
各种品种的动物捕食者和
猎物都和平相处
嗨，我是你的新邻居朱迪
是啊，好吧，别指望我们会
为 zpd 的第一只兔子道歉
警官朱迪跳准备好让
世界变得更美好
这个被恐惧笼罩的城市里有坏消息
你能告诉我们关于那些野蛮的动物吗
我们安全吗这是
优先一跳停车
职责我不只是象征性的兔子，你
取消你辞职协议
[音乐]
你好
我来这里是想问你一些关于
案件的问题，那么他们应该找一个
真正的警察来解决这个问题，你
因伤害你感情的事情而被捕
你是关键证人，不，他是
嘿
我需要你来跑一盘吧，我
知道一个人，你需要做点什么，他
在上面，他们都是老虎机
我们真的很着急，我
在
它坏了
我只剩下36个小时，我们只能一起解决
这不是你有多渴望某事，而是你有能力
...
有能力
我从来都不是一个真正的警察让他们看到
他们对你的兔子如此情绪化
不要放手
我要放手
我们可能已经进化了，但内心深处
我们仍然是动物放弃它你
要开始嚎叫
不，你赤身裸体，我们肯定是一个
自然主义者俱乐部
[音乐]
尝试一切生活有点混乱
我们都会犯错误
[鼓掌]
无论你是什么类型的动物
改变从你开始我们必须走
最可怕的犯罪头目大先生
是猪先生别说话别说话
呵呵
爸爸
我们说什么不我在我的
婚礼上唱歌我必须宝贝爸爸必须
[音乐]
你
[英语]
Show
重点词汇
开始练习
| 词汇 | 含义 |
|---|---|
|
stereotyping ˌstɛɹiəˈtaɪpɪŋ B2 |
|
|
acknowledge əˈnɑːlɪdʒ B1 |
|
|
recruits ɹɪˈkɹʊts A2 |
|
|
priority pɹaɪˈɔɹəti B1 |
|
|
skulking ˈskʌlkɪŋ B2 |
|
|
articulate ɑɹˈtɪkjələt B2 |
|
|
non-patronizing ˌnɒnˈpeɪtɹənaɪzɪŋ C1 |
|
|
optimistic ˌɒptɪˈmɪstɪk B1 |
|
|
conniving kəˈnaɪvɪŋ B2 |
|
|
distinctive dɪˈstɪŋktɪv B2 |
|
|
anthropomorphic ˌænθɹəpəˈmɔɹfɪk C1 |
|
重点语法结构
-
i'm gazelle welcome to zootopia
➔ 现在进行时
➔ “i'm gazelle” 使用现在进行时，表示正在发生的动作。
-
excuse me, down here
➔ 呼格表达
➔ “down here” 是用于吸引某人注意的呼格表达。
-
i am so sorry
➔ 一般现在时
➔ “i am so sorry” 使用一般现在时，表示当前状态或感受。
-
me benjamin clawhauser the guy everyone thinks is just a flabby donut-loving cop
➔ 同格短语
➔ “the guy everyone thinks is just a flabby donut-loving cop” 是解释 Benjamin Clawhauser 的同格短语。
-
i should get a roll call so which way do i oh bullpen's over there to the left
➔ 尾随问句
➔ “so which way do i” 是用于确认信息或寻求同意的尾随问句。
-
you are under arrest for what hurting your feelings
➔ 关系代词
➔ “what” 是引入解释逮捕原因的从句的关系代词。
-
i need you to run a plate all right i know a guy
➔ 间接引语
➔ “i need you to run a plate” 是间接引语的例子，说话者表达请求而不引用确切的词语。
-
we can only solve it together it's not about how badly you want something
➔ 强调结构
➔ “it's not about how badly you want something” 使用强调结构来强调重点。
相关歌曲