Lyrics & Translation
Explore the depths of Portuguese emotion with Mimicat's "Ai Coração," a song that captures the agony and confusion of heartache. Learn vivid vocabulary related to love and emotional distress, while discovering the rich musicality of Portuguese language through this compelling Eurovision entry.
Key Vocabulary
| Vocabulary | Meanings | 
|---|---|
| coração /koɾaˈsɐ̃w/A1 | 
 | 
| amor /aˈmoɾ/A1 | 
 | 
| peito /ˈpɐjtu/A1 | 
 | 
| boca /ˈbɔkɐ/A1 | 
 | 
| horas /ˈoɾɐs/A1 | 
 | 
| sono /ˈsõnu/A1 | 
 | 
| sossego /soˈseɡu/B1 | 
 | 
| garganta /gaɾˈɡɐ̃tɐ/B1 | 
 | 
| pulsações /puɫsaˈsõj̃s/B2 | 
 | 
| senil /seˈniw/B2 | 
 | 
| dimensão /dʒi.mẽˈsɐ̃w/B2 | 
 | 
| confusão /kõfuˈzɐ̃w/B1 | 
 | 
| perdido /peɾˈdʒidu/A2 | 
 | 
| doutor /doʊˈtoɾ/A1 | 
 | 
| caso /ˈkazu/A1 | 
 | 
| escrever /es.kɾeˈveɾ/A2 | 
 | 
| andar /ɐ̃ˈdaɾ/A1 | 
 | 
| parecer /paˈɾe.seɾ/A2 | 
 | 
| tonta /ˈtõtɐ/A2 | 
 | 
| arder /aɾˈdeɾ/B1 | 
 | 
“coração, amor, peito” – got them all figured out?
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Key Grammar Structures
- 
                    Ai coração, que não me deixas em paz ➔ Subjunctive Mood (Present Subjunctive) ➔ While not explicitly marked in Portuguese as it would be in some other languages like Spanish, the *que* clause often implies a desire or a wish, subtly suggesting the subjunctive mood. The singer is lamenting, wishing the heart would leave them in peace. 
- 
                    Não me dás sossego, não me deixas capaz ➔ Use of Direct and Indirect Object Pronouns ➔ *Me* is used as an indirect object pronoun, meaning 'to me' in 'Não *me* dás sossego' and 'Não *me* deixas capaz'. It shows to whom the action is directed. 
- 
                    Tenho a cabeça e a garganta num nó ➔ Use of Preposition *em* combined with Article ➔ *Num* is a contraction of the preposition *em* and the indefinite article *um*, meaning 'in a'. It indicates the state or condition of having a knot. 
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                    Que não se desfaz, e nem assim tu tens dó ➔ Negative constructions with *nem assim* ➔ *Nem assim* translates to 'not even then' or 'not even so'. It emphasizes that even under the mentioned circumstances (the knot doesn't untie), the heart still shows no mercy. 
- 
                    Sinto-me tonta, cada dia pior ➔ Comparative Adjective ➔ *Pior* is the comparative form of *mau* (bad), meaning 'worse'. It expresses that the singer's feeling of dizziness is worsening each day. 
- 
                    Já não sei de coisas que sabia de cor ➔ Preposition *de* indicating origin/source or knowledge and the use of relative clauses ➔ Here, *de* indicates knowledge/source. *Coisas que sabia de cor* means 'things that I knew by heart'. *Que sabia de cor* is a relative clause modifying *coisas*. 
- 
                    Estou louca, completamente senil ➔ Use of Adverbs of Degree ➔ *Completamente* is an adverb of degree that intensifies the adjective *senil*. It means 'completely' or 'totally'. 
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                    O doutor diz que não há nada a fazer ➔ Impersonal Verb *Haver* + Infinitive Structure ➔ *Não há nada a fazer* translates to 'There is nothing to do'. *Há* (from *haver*) is used impersonally, meaning it doesn't refer to a specific subject. *A fazer* is an infinitive construction indicating what isn't possible to do. 
- 
                    Diz-me lá se és meu ➔ Imperative combined with object pronouns ➔ *Diz-me* is the imperative form of *dizer* (to say) with the indirect object pronoun *me* (to me) attached. *Lá* is an adverb adding emphasis. The whole phrase asks: 'Tell me, please, are you mine?' 
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