Lyrics & Translation
Learning a language through music is a unique journey, and "Dançar Comigo" offers a beautiful entry point into Portuguese. The song's blend of poetic rap and soulful flamenco rhythms makes for an engaging listening experience. By following the lyrics, you can learn vocabulary related to emotions, relationships, and the simple, universal desire for companionship. The clear, emotive vocals of Tilhon, Carina Rodrigues, and Bruno Correia will help you grasp the nuances of Portuguese pronunciation in a musical context.
Being next to someone who does me good, it fades away
I want to lose myself on a woman's lips
Together through whatever comes
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
8 months and 20 days: Loneliness is where I stem from
I made my mother's belly a cabin before coming into the world
I pass a thousand faces a second
But deep down, I fall alone
When they dig me a deep hole
I lost over a year
Of my life in a second
I was left alone with insomnia
Thinking about the same thing
Confined to a small space
But dreaming of the world map
You saw a refuge in others
To face the day
You couldn't be alone
With your own company
Alone is when I stop
To talk to myself
To cleanse my mind
And calibrate emotions
Alone I think too much, and it kills me
Being next to someone who does me good, it fades away
I want to lose myself on a woman's lips
Together through whatever comes
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Wrapped in the texture
Of a plump lip
Feeling a woman's love
Is genuine since childhood
Nothing is perfect:
I choose the bed I lie in
A woman full of virtues
Leaves a man captivated
A beautiful woman is one
Who beautifies her heart
Exercises her soul
Nurtures the relationship
With a smile, from light to darkness
Not just what rises
Above a mattress
I feel the need
To have you under my wing
To protect you as if you were
My daughter and light your path
Hand in hand, walking through life
Hand between the hip and the bolero
Me shouting "Mama Mia!"
Alone I think too much, and it kills me
Being next to someone who does me good, it fades away
I want to lose myself on a woman's lips
Together through whatever comes
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Uh la la... la la la
Come on, come dance with me
Tell me a secret in my ear
And dance this bolero
Just the two of us
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Come dance with me
Key Vocabulary
Vocabulary | Meanings |
---|---|
dançar /dɐnˈsaɾ/ A1 |
|
mulher /muˈʎɛɾ/ A1 |
|
lábio /ˈlabiu/ A2 |
|
segredo /sɨˈɡɾeðu/ A2 |
|
ouvido /oˈviðu/ A2 |
|
bolero /buˈlɛɾu/ B1 |
|
sozinho /suˈziɲu/ A2 |
|
pensar /pẽˈsaɾ/ A1 |
|
matar /mɐˈtaɾ/ A2 |
|
solidão /sɔliˈdɐ̃w̃/ B1 |
|
mundo /ˈmũdu/ A1 |
|
vida /ˈviðɐ/ A1 |
|
coração /kɔɾɐˈsɐ̃w̃/ A2 |
|
alma /ˈaɫmɐ/ B1 |
|
relação /ʀɨlɐˈsɐ̃w̃/ B1 |
|
sorriso /suˈʀizu/ A2 |
|
luz /luʃ/ A2 |
|
escuridão /ɨʃkuɾiˈdɐ̃w̃/ B1 |
|
proteger /pɾotɨˈʒeɾ/ B1 |
|
passo /ˈpasu/ A2 |
|
“dançar, mulher, lábio” – got them all figured out?
⚡ Dive into vocabulary challenges in the app and lock in your knowledge right after jamming to "Dançar Comigo"
Key Grammar Structures
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Sozinho penso demais e isso mata-me
➔ Reflexive Verb with Object Pronoun and Adverb of Quantity
➔ The phrase "mata-me" (it kills me / it is killing me) uses the object pronoun "me" directly attached to the verb, a common structure in Portuguese. "demais" is an adverb meaning "too much" or "excessively".
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Estando ao lado de quem faz bem passa-me
➔ Gerund as Subordinate Clause & Indefinite Relative Pronoun 'Quem'
➔ "Estando" (being) is the gerund, used here to express a condition or circumstance, similar to "Quando estou" (When I am). "quem" (who/whomever) is an indefinite relative pronoun referring to people, often followed by a verb in the third person singular. "passa-me" (it goes away for me) uses the object pronoun again.
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Juntos para o que der e vier
➔ Fixed Expression with Future Subjunctive
➔ This is an idiomatic expression meaning "come what may," "for better or worse," or "through thick and thin." "der" (from 'dar' - to give) and "vier" (from 'vir' - to come) are forms of the future subjunctive, which in this fixed phrase conveys a sense of uncertainty about future events but a commitment regardless.
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Fiz da barriga da minha mãe cabana antes de vir ao mundo
➔ Pretérito Perfeito Simples & Prepositional Phrase with Infinitive
➔ "Fiz" is the Pretérito Perfeito Simples (simple past) of 'fazer' (to do/make), indicating a completed action in the past. "antes de vir ao mundo" (before coming into the world) uses the structure "antes de + infinitive" to express an action that happens prior to another.
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Quando me cavarem um buraco fundo
➔ Future Subjunctive after 'Quando' & Impersonal/Passive Reflexive Construction
➔ "cavarem" (from 'cavar' - to dig) is in the future subjunctive, used after "quando" (when) to refer to a future, uncertain, or hypothetical event. The "me" here implies an impersonal or passive action directed towards the speaker (when they dig for me / when I am dug).
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Não conseguias estar a sós com a tua companhia
➔ Pretérito Imperfeito & Idiomatic Expression 'Estar a sós'
➔ "conseguias" is the Pretérito Imperfeito (imperfect past) of 'conseguir' (to manage/be able to), indicating a continuous or habitual inability in the past. "estar a sós" (to be alone/by oneself) is a common idiomatic expression.
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Circunscrito a um espaço reduzido, mas a sonhar com o mapa do mundo
➔ Past Participle as Adjective & 'A + Infinitive' for Ongoing Action
➔ "Circunscrito" (circumscribed/confined) is a past participle used here as an adjective, modifying the implied subject. "a sonhar" (dreaming) uses the informal but very common structure "a + infinitive" to indicate an ongoing action, similar to the English present participle.
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Escolho a cama no qual me deito
➔ Relative Pronoun 'no qual' & Reflexive Verb 'deitar-se'
➔ "no qual" (in which) is a compound relative pronoun, agreeing in gender and number with the noun it refers to ("cama" - bed). It's more formal than "onde" or "que". "me deito" (I lie down) uses the reflexive verb "deitar-se" with the object pronoun "me".
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Mulher bonita é aquela que maquilha o coração
➔ Demonstrative Pronoun 'aquela' & Relative Pronoun 'que'
➔ "aquela" (that one, feminine singular) is a demonstrative pronoun referring back to "Mulher bonita." "que" (who/which) is a common relative pronoun introducing a subordinate clause that describes "aquela."
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Proteger-te como se fosses minha filha
➔ Infinitive with Object Pronoun & 'Como se' + Imperfect Subjunctive
➔ "Proteger-te" (to protect you) combines the infinitive verb with the object pronoun "te". "como se fosses" (as if you were) uses the conjunction "como se" (as if/as though) followed by the imperfect subjunctive ("fosses" from 'ser' - to be), which is required to express hypothetical or unreal situations.