Lyrics & Translation
Dive into the passionate world of MIRA's 'Duro,' a song that uses its Spanish lyrics to explore the complexities of love, desire, and jealousy. Learning the lyrics of 'Duro' offers a vibrant glimpse into expressing intense emotions and relationship dynamics through music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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enamoras /en.aˈmo.ɾas/ B2 |
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traicionas /tɾai̯.θjoˈnas/ B2 |
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cama /ˈka.ma/ A1 |
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noche /ˈno.t͡ʃe/ A1 |
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pana /ˈpa.na/ B1 |
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duro /ˈdu.ɾo/ A2 |
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mataste /maˈtas.te/ B1 |
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robaste /roˈβas.te/ B1 |
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orgullo /oɾˈɣuʎ.ʎo/ B1 |
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olvidarte /ol.βiˈðaɾ.te/ A2 |
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juro /ˈxu.ɾo/ B1 |
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problemática /pɾo.βleˈma.ti.ka/ B2 |
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arreglamos /a.reˈɣla.mos/ B1 |
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drama /ˈdɾa.ma/ A2 |
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princesa /pɾinˈθe.sa/ A2 |
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grita /ˈɡɾi.ta/ A2 |
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foto /ˈfo.to/ A1 |
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besarte /beˈsaɾ.te/ A2 |
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boquita /boˈki.ta/ A2 |
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necesita /ne.seˈsi.ta/ A2 |
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trates /ˈtɾa.tes/ B1 |
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tatuaje /taˈtwa.xe/ A2 |
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seno /ˈse.no/ B2 |
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marca /ˈmaɾ.ka/ A2 |
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piel /pjel/ A1 |
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acuerdas /aˈkwer.ðas/ A2 |
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sueño /ˈswe.ɲo/ A2 |
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sentimiento /sen.tiˈmjen.to/ A2 |
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medicación /me.ði.kaˈθjon/ B2 |
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advertí /að.βerˈti/ B2 |
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robo /ˈro.βo/ A2 |
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“enamoras, traicionas, cama” – got them all figured out?
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Key Grammar Structures
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Perdona si me enamoras o traicionas
➔ Conditional 'si' clauses (present subjunctive or indicative)
➔ The sentence uses "si" to express a conditional. The verb tenses used after "si" often determine the likelihood or reality of the condition. Here, "enamoras" and "traicionas" are in the present indicative, implying a more real or possible situation.
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La otra noche te vi con mi pana (papi)
➔ Preterite tense (vi), Use of direct object pronoun (te)
➔ "Vi" is the preterite form of the verb "ver" (to see), indicating an action completed in the past. "Te" is a direct object pronoun, referring to "you" as the object of the verb "vi".
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Así se pone duro, duro, duro, duro
➔ Impersonal 'se' (describing a state)
➔ The 'se' here is impersonal, indicating a general state of becoming hard or difficult. It doesn't refer to a specific person or subject, but rather to a process or change in condition.
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Con esto me mataste, robaste mi orgullo
➔ Preterite tense (mataste, robaste)
➔ "Mataste" and "robaste" are in the preterite tense, indicating completed actions in the past. They describe what the person did to the speaker.
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No sé cómo olvidarte, papito, te lo juro
➔ Use of indirect object pronoun 'lo', subordinate clause with 'cómo'
➔ "Lo" refers back to the action of forgetting him, making it the thing being sworn. "Cómo olvidarte" forms a subordinate clause acting as the object of the verb "sé" (know).
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Soy problemática en la cama, pero así lo arreglamos
➔ Use of 'pero' to contrast, use of 'lo' as a pronoun replacing an idea, use of 'así' as a way to do something.
➔ "Pero" is used to show a contrast between being problematic and the way they resolve issues. "Lo" refers to the situation. "Así" explain how they resolve the situation.
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Yo tengo tu foto editada pa besarte tu boquita
➔ Use of 'pa' instead of 'para', and informal shortened version of preposition. Use infinitive verb
➔ "Pa" is a colloquial shortening of "para" (for/to). "Besarte" is the infinitive form of the verb "besar" (to kiss), used after the preposition to indicate purpose.
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Pero tengo un tatuaje en mi seno, es la marca en mi piel de la noche anterior
➔ Use of 'pero' to contrast, use of 'es' to link noun phrases, and use of prepositional phrase ('de la noche anterior')
➔ "Pero" contrasts the previous statement with the new information. "Es" links "un tatuaje" with "la marca". "De la noche anterior" is a prepositional phrase that modifies "la marca"
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Yo te lo dije, te lo advertí
➔ Double Object Pronouns (te lo)
➔ The structure "te lo dije" and "te lo advertí" utilizes both an indirect object pronoun ("te" - to you) and a direct object pronoun ("lo" - it/that) to refer to the warning or the thing that was said.
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