I Need to See You Again
Lyrics:
[English]
A battered heart is just another start to a waiting
Lay me down and die story
Long are the days with my implusive ways I start to trouble
I start to worry
god help me if i'm right
God help me if I'm wrong
Dont wanna put up a fight
But you've been gone away too long
I need
I need to see
I need to see you
I need to see you again
An hour's like a day
A day is like a year when we're apart
And when you'e not here to please me
I see your foreplay is to make me wait in hunger while you tease me
God help if I'm right
God help if I'm wrong
Dont wanna put up a fight
But you've been gone away too long
I need
I need to see
I need to see you
I need to see you again
I'm not sayin that I regret the past
and I'm not sayin' that we are gonna last
I'm not sayin' that this is a one time fling
And I'm definitely not saying that this is gonna be forever thing
I'm just sayin'
I'm just sayin'
I need
I need to see
I need to see you
I need to see you again
I need
I need to see
I need to see you
I need to see you again
Bye past and bye babe
Just give me one more lay me down and die slowly
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
heart /hɑːrt/ A1 |
|
start /stɑːrt/ A1 |
|
waiting /ˈweɪtɪŋ/ A1 |
|
lay /leɪ/ A2 |
|
long /lɔːŋ/ A1 |
|
days /deɪz/ A1 |
|
trouble /ˈtrʌbl/ B1 |
|
worry /ˈwɜːri/ B1 |
|
fight /faɪt/ A2 |
|
gone /ɡɔːn/ A2 |
|
hour /ˈaʊər/ A1 |
|
year /jɪər/ A1 |
|
please /pliːz/ A2 |
|
hunger /ˈhʌŋɡər/ B2 |
|
tease /tiːz/ B2 |
|
regret /rɪˈɡret/ B2 |
|
past /pæst/ A2 |
|
slowly /ˈsloʊli/ A2 |
|
Grammar:
-
A battered heart is just another start **to a waiting lay me down and die story**
➔ Gerund as an adjective/Modifier: The phrase 'waiting lay me down and die' functions as an adjective modifying 'story'. More specifically, 'waiting' is a gerund acting as part of a compound adjective phrase.
➔ This describes the kind of story being told: a story about waiting for something that makes you feel like you're dying inside. The use of 'waiting' creates a sense of anticipation and prolonged suffering.
-
Long **are** the days with my impulsive ways
➔ Inversion: The typical word order (Subject-Verb) is inverted to (Verb-Subject) for emphasis. Normally it would be 'The days with my impulsive ways are long'.
➔ This inversion emphasizes the length and difficulty of the days. It's a more poetic and emphatic way of saying the days are long.
-
Dont wanna put up a fight, But you've been gone away **too long**
➔ Adverb of degree: 'too' modifies the adjective 'long', indicating an excessive or undesirable degree of length. It intensifies the length of the separation.
➔ This emphasizes the speaker's impatience and the feeling that the absence has been prolonged excessively, exceeding a tolerable limit.
-
An hour's like a day, A day is like a year **when we're apart**
➔ Adverbial Clause of Time: 'when we're apart' indicates the time or circumstance under which the comparison (hour like a day, day like a year) is true.
➔ This clause specifies that the speaker's perception of time is distorted due to their separation from the person they need to see. Time feels significantly longer when they are not together.
-
I see your foreplay is **to make me wait in hunger while you tease me**
➔ Infinitive of Purpose: The infinitive phrase 'to make me wait...' explains the purpose or reason behind the other person's actions (their foreplay).
➔ The speaker is expressing a cynical or critical view of their partner's actions, suggesting that the partner's 'foreplay' is designed to make them wait and feel deprived.
-
I'm not sayin' that I regret the past **and** I'm not sayin' that we are gonna last
➔ Parallel Structure: The phrase 'I'm not saying that...' is repeated to create parallel structure, emphasizing the series of disclaimers the speaker is making.
➔ The repeated structure creates a rhythm and emphasizes the speaker's carefulness not to make any commitments or assumptions about the relationship's future.
-
Just give me one more lay me down and **die slowly**
➔ Adverb modifying a verb: 'Slowly' is an adverb that modifies the verb 'die', indicating the manner in which the action is performed.
➔ This emphasizes the prolonged nature of the metaphorical 'death' - a situation or experience that is not a quick end, but a gradual and drawn-out one. It adds a sense of drama and intensity to the request.