Lyrics & Translation
Unlock the empowering language of pop with Anne-Marie and Little Mix's 'Kiss My (Uh Oh)'. This song is a fantastic way to learn phrases of assertion and independence in English, all wrapped in a catchy, upbeat melody. Its clever use of a classic R&B sample makes it a special track that's both fun and meaningful, perfect for boosting your confidence in a new language.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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lie /laɪ/ B1 |
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wrong /rɔŋ/ B1 |
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ghost /ɡoʊst/ B2 |
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feeling /ˈfiːlɪŋ/ A2 |
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strong /strɔŋ/ B1 |
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want /wɑnt/ A1 |
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back /bæk/ A2 |
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staring /ˈstɛrɪŋ/ B1 |
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alone /əˈloʊn/ A2 |
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baby /ˈbeɪbi/ A1 |
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time /taɪm/ A1 |
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head /hɛd/ A1 |
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Are there any new words in “Kiss My (Uh Oh)” you don’t know yet?
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Key Grammar Structures
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Don't wanna hear one more lie
➔ Modal Verb + Infinitive
➔ The modal verb "**wanna**" (want to) expresses desire/preference. The infinitive "**hear**" follows it.
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That used to work, but not tonight
➔ Used to + Base form
➔ This structure describes a past habit or state. "**Used to**" indicates something that happened regularly in the past but no longer does.
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Don't know what you got until it's gone
➔ Subordinate Clause (Noun Clause)
➔ "**What you got**" functions as the object of the verb "**know**". This is a noun clause.
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I already know how this goes
➔ Subordinate Clause (Adverbial Clause of Manner)
➔ "**how this goes**" explains how the speaker knows. It functions as an adverbial clause modifying the verb "**know**".
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Give you my all, then you ghost
➔ Parallel Structure (Imperatives)
➔ The two clauses begin with imperative verbs "**Give**" and "**ghost**", creating a parallel structure and emphasizing the contrasting actions.
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Why you only love me when I'm walking away?
➔ Inversion (Question Formation) and Adverbial Clause of Time
➔ The question uses the inverted word order (Why + auxiliary + subject + verb). "**When I'm walking away**" is an adverbial clause of time, answering when the action happens.
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Love the feeling, hitting different
➔ Present Participle as Adjective
➔ "**Hitting**" functions as an adjective modifying "**feeling**", describing the current state.
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Boy, I ain't the one, you got me wrong
➔ Contraction & Passive Voice (Implied)
➔ "**Ain't**" is a contraction for "am not". "**You got me wrong**" implies "You understood me incorrectly" which is a passive idea (I was misunderstood).
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Tell me about how you want me back
➔ Subordinate Clause (Adverbial Clause of Manner)
➔ "**How you want me back**" is a noun clause, acting as object of the preposition "**about**" - it's about the way or manner in which he wants her back.
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